Par FRANCES-HOAD CHERYL. For piano and Commodore 64, Game On, Cheryl Frances-Hoad writes, 'was inspired variously by Game Theory, Commodore 64 gaming music, the stock market and financial crash, and the constant presence of technology in modern day life.' For information on procuring the electronics part, please write to promotion@wisemusic.com. / Date parution : 2023-06-16/ Répertoire / Piano

The term ?passage? can variously describe a ?passageway? of travel a musical phrase or perhaps the soul's moving on from this world to the next. In this work for band dark and rich sonorities arecontrasted with a lilting Celtic-flavored melody as it alternates with striking ?passages? from the brass. Later an alto sax soloist adds a haunting quality to the mood followed by a return of the ethnic drummingheard earlier. This unique and rewarding composition is beautifully paced and skillfully orchestrated using every section of the band. Dur: 7:00 (Grade 4)

Calling for the band to be divided into four separate ensembles (and spread apart if space permits) Villages explores a wide range of harmonic and rhythmic interplay between each of these musical “villages.”The opening creates a dense canopy of sound out of which the unique identity of each group variously emerges then melts back into the texture. As the fast pace continues melodic fragments are bounced from group to group withinterjections from the percussion. A slower lyric section provides contrast before the frantic pace returns leading to the exciting conclusion. Innovative in its conception this stunning work will expose your students andaudience to dramatically new sounds for band! Dur: 8:15

Christians in Europe at all times expressed their joy over christmas with music variously. Christmas a cappella bridges between England to Czech Republic between Gregorian musicology to popular songs.

Not exactly a round (the parts don't follow in a regular order) but there are variously staggered entries that provide a rich texture this is a highly accessible piece.

Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano accompaniment.The melody upon which this harmonization and arrangement is based first appeared anonymously in Praxis Pictatis Melica (1648). The authorship of the melody has been variously assigned to Johann Cruger (1598-1662) Martin Rinkart (1586-1649) and Luca Marenzio (1560-1599).

Crack the Skye tells a story dealing variously with the art aesthetics of Tsarist Russia astral travel out of body experiences and Stephen Hawking's theories on wormholes.The All Music Guide says the CD 'rocks and hard!' calling the Guitar arrangements the 'most intricate melodically complex things the band has ever recorded.' This songbook features note-for-note transcriptions in notes & tab for all 7 songs including the title track and: The Czar; Divinations; Ghost of Karelia; The Last Baron; Oblivion; Quintessence.

Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional 'outbursts” up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art. Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. / Date parution : 2019-08-22/ Répertoire / Cor et Piano

Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my ?100 Ultimate Blues Riffs? book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. / Date parution : 2022-09-07/ Etude / Piano

Although there are many fine scale books on the market, none of them are really for INSIDE the scales to explore the various intervals, harmonized scales in triads and diatonic 7ths, and neighbor tones to achieve some chromaticism. This book helps to employ multiple-use scales (modes) by superimposing them over the given chords to expand and color them. A variety of chord progressions, taken from various forms, are used in the ideas for soloing with a complete analysis. Covers harmonized scales of the major, ascending melodic minor and the harmonic minor. Explains how to go inside the scales, the nomenclature of each, such as the various intervals, neighbor tones, triads and diatonic 7ths that the scales generate, and most importantly, how to employ them in a music situation, such as soloing, rhythm section and composition. Written in standard notation and bass TAB. Free audio downloads are available for use with this title. / Basse Electrique / 120 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. Memorable melodies along with more Bluesier sounding melodic lines have been created over the various chord progressions used in these various Latin styles.

for Brass Band-The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso containing melodic passages that return to the opening theme. Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three isthe so-called BACH-motif a musical autograph consisting of the notes B flat A C and B. This distinctive motif arises from the leitmotiv (here a descending minor second) which continues to evolve through various transpositions and transformations. For the composer this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.

Various Arrangements on a Theme. Par YOASOBI. YOASOBI, the Japanese duo known for their catchy melodies, lyrics that resonate with listeners, and captivating vocals that immerse audiences in the world of their songs, has been making waves in the music industry, setting various JPOP charts abuzz. Their hit song 'Idol', which achieved worldwide success, is now available in the Various Arrangements on a Theme series, allowing piano players to enjoy it in their preferred arrangement. The book brings you the globally acclaimed hit song 'Idol', the theme song of the Japanese Anime 'Oshi no Ko' or 'My Favorite Idol', with five different piano arrangements to suit your preferences: Easy Solo, Intermediate Solo, Advanced Solo, Intermediate Piano