It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruchñ€ℱs First Violin Concerto In G Minor. Now itñ€ℱs appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his workñ€ℱs popularity: 'I canñ€ℱt listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose Iñ€ℱve only written one concerto?' By now theBruch Concerto has found a permanent place in the worldñ€ℱs concert halls. Henleñ€ℱs edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?

Poema Sinfonico per Orchestra-D?abord Ă©lĂšve du Liceo Musicale de Bologne le compositeur et violoniste italien Ottorino Respighi (1879-1936) suit l?enseignement de Rimski-Korsakov Ă  Saint-PĂ©tersbourg oĂč il fut quelque temps alto solo de l'Orchestre de l'OpĂ©ra. En 1908 alors qu?il sĂ©journe Ă  Berlin il reçoit les conseils de Max Bruch.De retour en Italie il entreprend une carriĂšre de violoniste et d'altiste avant d?ĂȘtre nommĂ© professeur de composition au Conservatoire Sainte-CĂ©cile de Rome dont il deviendra directeur en 1924. Deux ans plus tard Respighi dĂ©missionne de ce poste afin de pouvoir se consacrer pleinement Ă  la composition.Ottorino Respighi est considĂ©rĂ© comme l'un des plus grandscompositeurs italiens du dĂ©but du XXe siĂšcle. Auteur de plusieurs opĂ©ras de ballets de quelques cantates et œuvres de musique de chambre de mĂ©lodies pour orgue et piano Respighi s?est acquis la notoriĂ©tĂ© mondiale notamment par le triptyque symphonique Fontane di Roma (Les Fontaines de Rome) Pini di Roma (Les Pins de Rome) et Feste Romane (FĂȘtes romaines). Son style unique a Ă©tĂ© profondĂ©ment influencĂ© par les impressionnistes français par Rimski-Korsakov et Richard Strauss.Le compositeur-arrangeur japonais Yoshihiro Kimura a rĂ©alisĂ© une superbe adaptation pour Orchestre d?Harmonie du poĂšme symphonique Les Fontaines de Rome d'Ottorino Respighi.

Poema Sinfonico per Orchestra-D?abord Ă©lĂšve du Liceo Musicale de Bologne le compositeur et violoniste italien Ottorino Respighi (1879-1936) suit l?enseignement de Rimski-Korsakov Ă  Saint-PĂ©tersbourg oĂč il fut quelque temps alto solo de l'Orchestre de l'OpĂ©ra. En 1908 alors qu?il sĂ©journe Ă  Berlin il reçoit les conseils de Max Bruch.De retour en Italie il entreprend une carriĂšre de violoniste et d'altiste avant d?ĂȘtre nommĂ© professeur de composition au Conservatoire Sainte-CĂ©cile de Rome dont il deviendra directeur en 1924. Deux ans plus tard Respighi dĂ©missionne de ce poste afin de pouvoir se consacrer pleinement Ă  la composition.Ottorino Respighi est considĂ©rĂ© comme l'un des plus grandscompositeurs italiens du dĂ©but du XXe siĂšcle. Auteur de plusieurs opĂ©ras de ballets de quelques cantates et œuvres de musique de chambre de mĂ©lodies pour orgue et piano Respighi s?est acquis la notoriĂ©tĂ© mondiale notamment par le triptyque symphonique Fontane di Roma (Les Fontaines de Rome) Pini di Roma (Les Pins de Rome) et Feste Romane (FĂȘtes romaines). Son style unique a Ă©tĂ© profondĂ©ment influencĂ© par les impressionnistes français par Rimski-Korsakov et Richard Strauss.Le compositeur-arrangeur japonais Yoshihiro Kimura a rĂ©alisĂ© une superbe adaptation pour Orchestre d?Harmonie du poĂšme symphonique Les Fontaines de Rome d'Ottorino Respighi.

Max Bruch's Concerto No.1 In G Minor Op.26 composed for Violin solo with Piano accompaniment.

For Viola Cello And Organ-Score with 2 parts (Viola Cello)High-quality works of the Jewish late Romantic tradition.In addition to the solo part for Viola there is also a part for Cello.For professionals and amateurs alike.Jewish Prayer comprises works of the Jewish late Romantic tradition including one of the repertoire classics for strings Kol Nidrei by Max Bruch. This edition also contains other popular performance pieces such as The Hebrew Melody Op.23 by Albert Kellermann Elohenu by Friedrich Gernsheim Sarabande Op.8 by Joseph Sulzer and PriÚre by Fernand Halphen.These works can beplayed by professionals as well as experienced amateurs. For possible performances of the complete works the volume has been compiled as if it were as a concert cycle and completed with a work for solo Organ the Five Festival Preludes Op.37 by Louis Lewandowski.Separate parts for Viola and Violoncello are included with the score.The concert pianist Bella Kalinowska was born in the Ukraine and received her musical training in Winnitsa Odessa and Kiev. In addition to her extensive teaching and concert activities in the field of chamber music she works as an editor for well-known music publishers.Semjon Kalinowsky was born in the Ukraine and studied viola at the State Conservatory of Music in Lemberg. He plays as a soloist and chamber musician and was awarded the title of Honoured Artist of Ukraine in 1998.

Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ RĂ©pertoire / Alto

Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.

Deux des compositions les plus durables de Bruch, rĂ©vĂ©lant le romantisme du compositeur allemand, la notation couramment, orchestrations colorĂ©es, et la mĂ©lodie exubĂ©rante. Le Premier Concerto pour violon en sol mineur se prĂ©sente comme l'un des concertos les plus jouĂ©es et enregistrĂ©es dans le rĂ©pertoire pour violon tandis Fantaisie Ă©cossaise reflĂšte son intĂ©rĂȘt tout au long de la musique folklorique.RĂ©impression de concert, op.26, CFW Siegel Musikalienhandlung, Leipzig, sd, et Fantasie, Op.46, N. Simrock, Berlin, 1880. / Violon Et Orchestre

Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Max Bruch's sumptuous Romantic masterpiece has remained an audience favorite since it was published in 1868. Its dedicatee the great violinist Joseph Joachim had considerable input and as in the Brahms concerto his contributions add to its unstoppable lustre. In typical three-movement form it is a spectacularly lush concerto of the highest order and its intoxicating spell usually takes a firm grip on even the most jaded cynics. Guaranteed to please both player and audience! Contains a printed score and a compact disc featuring the concerto in split-channel stereo withthe violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part.

1st Position-Concerto In G Minor Op.26 in 1st position composed by Max Bruch for violin and piano arranged by K .W. Rokos.

Par BRUCH MAX / MAGISTRELLI. Editeur(s) d'origine: Magistrelli, Luigi / Lazzoni,/ RĂ©pertoire / Clarinette et Piano