German folksongs in new and old arrangements for three-part choir (Soprano, Alto, Baritone). Par . This new collection contains 48 of the most popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone). Covering a wide variety of styles, it combines a selection of pieces from earlier Edition Peters anthologies with several new arrangements by leading exponents of German choral writing (Jutta Michel-Becher, Ludwig Böhme, Uli Führe, Uwe Henkhaus, Felicitas Kuckuck, Alwin M. Schronen, Sylke Zimpel) ? with a focus on singability and richness of sound. 48 popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone) A wide variety of pieces selected from earlier anthologies, together with new arrangements by Germany?s leading choral composers Mostly easy to intermediate arrangements, suitable for amateur choirs Edited by choral expert Jochen Stankewitz / Date parution : 2022-05-31/ Recueil / Choeur SAB

Didn't My Lord Deliver Daniel? is a traditional spiritual arranged by Moses Hogan for SATB Choir a cappella. Rated intermediate/advanced level (Grades 6-8) and with a duration of less than 3 minutes this brief unique piece is the perfect addition to the choral repertoire. Part of the Choral Music Of Moses Hogan series.Moses Hogan was an American composer and arranger of choral music. He was best known for his settings of African-American spirituals. Hogan was a pianist conductor and arranger of international renown. Today his works are celebrated and performed by high school college church community and professional choirs.

This liturgical setting dates from 1977 but has recently been released by the composer. Latin text: Kyrie Gloria Sanctus Agnus Dei At the conclusion. Taut scoring (with some divisi) contains both homophonic sections and imitative part-writing showing the influence of the polyphonic masters. For mixed choir a cappella with piano accompaniment for rehearsal only. An accessible addition to the repertoire for intermediate standard choirs but one which professional standard groups will also find rewarding.

Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status.   It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.

Judith Clurman Choral Series-This classic patriotic song has been arranged many times but never in such an expansive and dramatic way. Ryan Nowlin has arranged this for Grade 3 concert band and intermediate to advanced high schoolchoir.Premiered on the television production of the 2014 Macy's 4th of July Fireworks countless viewers have been clamoring for this arrangement and it is finally available. A very effective reduction for Piano has beencreated for performance use as well.

This music is suitable for an intermediate to advanced level youth or women's choir with a good accompanist. The poetry in the form of a chant traces the journey of a droplet of rain and supposes that we might join on that journey. The music uses hocketing where one voice fills in the rests left by another over a constantly evolving minimalist piano accompaniment.

The composer has artfully created moving grotesque and melancholic soundscapes for Don Quixote—the Knight of the Sorrowful Countenance—and his adventures. Most atmospheric and effective music for intermediate level trios and equally suited for groups of several players. Choir set for guitar ensembles available separately (SY 2884-05)

aus The Strathclyde Motets-Communion motet composed for Trinity Sunday from the Strathclyde Motets set II. Latin text from Tobias 12: 'Benedicimus Deum caeli et coram omnibus viventibus confitebimur ei: quia fecit nobiscum misericordiam suam'. For mixed intermediate Choir a cappella.

Par LAURO ANTONIO. Antonio Lauro is one of the most famous composers to come from Venezuela. He has written many works for orchestra, piano, choir, harpsichord, and guitar. He is most well-known for his guitar works, this being his main instrument. In the early 1980s he gave concerts in London and Paris at the request of John Williams and Paco Pena. The pieces represented in these guitar works are for players at a beginner-intermediate level, and in standard notation only. Continuing the 19th Century tradition of other composers of Venezuelan waltzes, Lauro named many of his pieces after people or places. 'El Marabino' is the name given to someone who comes from the city of Maracaibo. 'Angostura' is the original Spanish name of the city where Lauro was born. 'Carora' is the colonial city near Lauro's birthplace. The Venezuelan waltz differs from the European waltz in its rhythm which may alternate between 3/4 and 6/8 time and in its more syncopated style. The melodies are highly sentimental and romantic. / Niveau : Facile à Intermédiaire / Répertoire / Guitare

(Psalm 130)-Mozart’s De Profundis (Psalm 130) K.93 for SATB Choir with Organ or Piano accompaniment edited by Don Smithers. Composed in Salzburg in the summer of 1771 to the words of Psalm 130 a Penitential Psalm used in liturgical prayers for the faithful departed in Western liturgical tradition. Instruction in English Psalm in Latin. For intermediate (Grade 4-6) level.Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. Born in Salzburg Mozart showed prodigious ability from his earliest childhood. Already competent on Keyboard and Violin hecomposed from the age of five and performed before European royalty. During his life he composed over 600 works many acknowledged as pinnacles of symphonic concertante chamber operatic and choral music. He is among the most enduringly popular of classical composers and his influence on subsequent Western art music is profound.

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band

Commissioned by Roger Muttitt for the 600th anniversary of Durham School in 2014 In this place is a setting of the composer’s own words and was first performed at a service of celebration in Durham Cathedral in June 2014. The text is a poem of renewal with hints of spirituality though without being explicitly sacred in content. Sumptuous harmonies dominate the music with occasional divisi adding depth especially in the bass section. With a mostly homophonic texture the setting builds towards the thrilling final phrase ‘I will fly with angels’ with a sense of transformation. The close harmonies add an elementof challenge though well thought through voice-leading and some repetition make the work accessible to intermediate choirs. A beautiful addition to the choral repertoire In this place is both a joy to sing and a delight for the listener.

This original composition by Mark Hayes offers a non-traditional approach to Lenten or Easter services. The easy syncopated rhythms are not too difficult for a good intermediate pianist and the repetition in the vocal partsmakes this piece accessible to all choirs youth or adult. Beginning with Gethsemane and building to Resurrection Day Didn't I See My Lord? moves gradually higher in both melody and mood finally rejoicing in the glory ofthe Lord as it is reflected in the faces of those who believe.

A classic from the golden age of the show tune, Smoke Gets In Your Eyes is a soulful and sophisticated number originally written by Jerome Kern and Otto Harbach for the musical Roberta . Over the years the song has been covered by Bryan Ferry, Jerry Garcia, and was a 1958 chart topping hit on both sides of the Atlantic for doo wop group, The Platters. With a deep dynamic range and rich, floating harmonies, this luxurious choral arrangement by Chris Hussey for SAB chorus with piano accompaniment, is a beautifully re-imagined new take on a timeless song. Full of engrossing tension and dramatic relief that swells up through thick, complex chords and a memorable lead line, this is a must perform piece for amateur-intermediate choirs. / Sab Et Piano