Combining Psalm 130 and 139 along with a text by Isaac Watts teacher and composer Robert H. Young gives us another of his a cappella treats. His contemporary madrigal style that incorporates a harmonic romanticism is bestparalleled with a fine dessert. Rich in texture his writing is so well-crafted church choirs enjoy singing his work as do fine college ensembles.

This gentle carol sets the text of Isaac Watts' popular Cradle Song to the music of Charles Villiers Stanford's lullaby Golden slumbers kiss your eyes from his Six Songs (op. 19) written in 1882.In Moore's arrangement the graceful lilting melody is enhanced by sensitive choral harmonies that explore a variety of textures.

Using the beautiful “In Paradisum” from Fauré's “Requiem” as a foundation veteran arranger Douglas E. Wagner cleverly incorporates the hymntune “Hamburg” by Lowell Mason and the “When I Survey” text of Isaac Watts. Set in an accessible 2-Part Mixed voicing with an optional obbligato for Flute or Violin this is a great choice for Communion and the Lenten season.

From Kentucky Harmony and Isaac Watts comes a tune that rings with American 19th centruy harmonies. Tim Sharp has set an 8 part a cappella version that follows the mood of the text changing key and tempo accordingly. A most satisfying arrangement it is a great concert or festival number for high school through college.

Familiar text by Isaac Watts with refrain by the composer written for treble voices (youth or adult)

Uses: General Spring Concert Creation DayScripture: Jeremiah 10:12-13The text of this anthem was written by Issac Watts in 1715 and published in a collection Divine and Moral Songs forChildren. This carefully considered arrangement allows younger voices once again to discover the wonder of this special text.

Uses: Advent Christmas Christmas Eve Epiphany Scripture: Psalm 98 Matthew 1:18-25 Revelation 21:1-5 A popular carol is given a wonderful makeover in this anthem of distinction. Taking Joy to the World as its foundational thought this holiday composition ventures into a wonderland of beautiful lush harmonies and scintillating piano figurations. The closeness of the harmonic vocabulary lends a singular quality to the chorus as the choir gets to divide into luxurious stacks of sonic delight. Truly special!

Par ANDRE ARNESEN KIM. Cradle Hymn, a Christmas lullaby with imagery of Mary and her infant, was written for the Nidaros Cathedral Girl's Choir and conductor Anita Brevik in 2010, and later arranged for SATB and TTBB chorus. The Lyrics were written by Isaac Watts (1674-1748). This arrangement was written by Christian Aftreth Eriksen in 2021, commissioned by Bunberry High School, Australia. It is scored for large concert band, but is playable for smaller forces through clever cross cuing: Eb clarinet, Contrabass Clarinet, Baritone Saxophone, Contrabassson and Double Bass can all be considered ad lib. All Oboes, Bass Clarinet, Bassoons and all Horns are cross cued. A Soprano Saxophone part is provided to cover the Oboe solos, and should only be used if no Oboes are available. The choice of Vibraphone or Marimba is left up do the conductor. Vibraphone will provide more resonance in the ensemble, if needed. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Work for SATB Choir and Organ commissioned by the BBC in 2003. Text by Isaac Watts.

Hymn tune setting the text of Isaac Watts. For SATB Choir and Organ. Fifth verse with descant.

Hush! My Dear by Gabriel Jackson for SATB accompanied or unaccompanied.Offprinted from Carols for Choirs 5 this exquisite setting of a familiar text by Isaac Watts has flexible scoring with choirs encouraged to explore different options for each of the four verses. The music is gentle flowing and peaceful perfectly reflecting the nativity scene the poet so vividly depicts.

with Hallelujah Chorus-Propel your singers to new heights with this energetic pairing of the traditional Joy to the World and excerpts of Handel's Hallelujah Chorus with gospel inflections and harmonies that will keep the energy level high from start tofinish! Optional bass part included. Duration: ca. 2:00.