SKU: BR.EB-7141

ISBN 9790004172957. 7.5 x 10.5 inches.

Work attributions have a way of maintaining themselves in the collective mind for a long time. Take the cantata Das ist je gewisslich wahr , for instance, which was listed in Johann Gottlob Immanuel Breitkopf's catalogue of musical prints and manuscripts as a work by J. S. Bach in 1761 and sent out into the world propagating this error. Up into the mid 19th century, copies of the score were made under Bach's name, and the work was also given a BWV number (141) after it was incorporated in the Complete Edition of the Bach-Gesellschaft. Experts ultimately raised doubts about Bach's authorship, grappled with it and finally uncovered its true composer, Georg PhilippTelemann. The evidence - contemporary copies of parts by Telemann's copyists and a reliable printing of the text which assigns the work to the Hamburg cantata cycle 1723 - leaves no room for doubt: this work is genuine Telemann!

SKU: BR.BV-209

ISBN 9783765102097. 9 x 14.5 inches. German.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

SKU: BR.CHB-3477-02

ISBN 9790004404218. 6.5 x 9.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

SKU: CA.3030314

ISBN 9790007204082. Key: C minor. Language: German/English.

Johann Ernst Bach succeeded his father Johann Bernhard as organist at Eisenach, where he was later also appointed court Kapellmeister. In his compositions J. E. Bach reveals his receptiveness to the stylistic innovations of the age of sentiment (Empfindsamkeit). Score and part available separately - see item CA.3030300.

SKU: CA.3030319

ISBN 9790007204099. Key: C minor. Language: German/English.

Johann Ernst Bach succeeded his father Johann Bernhard as organist at Eisenach, where he was later also appointed court Kapellmeister. In his compositions J. E. Bach reveals his receptiveness to the stylistic innovations of the age of sentiment (Empfindsamkeit). Score and parts available separately - see item CA.3030300.

SKU: CA.3030312

ISBN 9790007204068. Key: C minor. Language: German/English.

Johann Ernst Bach succeeded his father Johann Bernhard as organist at Eisenach, where he was later also appointed court Kapellmeister. In his compositions J. E. Bach reveals his receptiveness to the stylistic innovations of the age of sentiment (Empfindsamkeit). Score and part available separately - see item CA.3030300.

SKU: BR.OB-4690-11

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004332245. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.OB-4690-26

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004332283. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.EB-7190

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004173442. 7.5 x 10.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.PB-4690

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004210024. 10 x 12.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.EB-7094

ISBN 9790004172483. 7.5 x 10.5 inches.