SKU: HL.48025251
UPC: 196288142959.
Nobody, premiered at the music festival Heidelberger Frühling in 2022, was written by Johannes Boris Borowski for Trio Catch. According to the composer, the work, which lasts a good quarter of an hour, “appears in playful, dreamy lightness. The surrounding atmosphere is tender and optimistic. However, a tragic and existential undertone becomes perceptible, in which the foreboding of theabsurd and horrific of life flares up time and again.†The composition, divided into six short prologues and the actual piece, is based on verses by Emily Dickinson, in which the poles of melancholy, rapture, tenderness and abysmalness are given archetypical expression and which, in their simple, yet visionary style of writing, perfectly correspond to Borowski's modern musical language. There are passages with brief interjections of other language levels in the poetic text, especially fragments and phrases from populist rhetoric, as well as vulgar and violent language.
SKU: CF.CPS150F
ISBN 9780825896439. UPC: 798408096434. 9 x 12 inches.
This is a stunning setting of the holiday classic Greensleeves by arranger Bill Calhoun. Not just another Christmas arrangement; this is a beautiful piece of music that could stand on any program, any time of the year. Calhoun takes the carol through many variations in styles and textures using all of the wonderful colors of the modern concert band.
SKU: CF.CPS117F
ISBN 9780825884986. UPC: 798408084981. 9 x 12 inches. Key: Ab major.
The famous Tchaikovsky orchestral classic is faithfully arranged for the modern concert band by arranger Joseph Compello. All the excitement and flair of the original work are preserved, while remaining within the technical grasp of this level. Your band will sound majestic and mature with this tried-and-true favorite.
SKU: CF.CPS150
ISBN 9780825895814. UPC: 798408095819. 9 x 12 inches.
SKU: CF.YPS262
ISBN 9781491163627. UPC: 680160922413.
Scarborough Fantasy is a hauntingly beautiful composition for band, featuring exquisitely original and traditional melodies with lush harmonic construction. Composers Christina Huss and R. Alan Carter have created a multi-layered setting based on the traditional English folk song, Scarborough Fair.Beginning in the very playable key of G minor, this piece flows beautifully into C minor for a stirring and emotional key change. Filled with multiple musical opportunities and teachable moments, this inspiring work features a variety of sections in a modern take on a timeless classic.
SKU: CF.YPS262F
ISBN 9781491164020. UPC: 680160922819.
SKU: HL.14014638
8.25x11.75x0.075 inches.
Mixed Bag. This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three or four main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it's up to you! Optional 'filler' parts are also included for beginners. These have very simple rhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical, romantic, modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation, mixed ability and mixed tastes.
SKU: FJ.B1448S
English.
Rock out with this hip new version of the Ukrainian Bell Carol! Modern harmonies, great use of mallet instruments, and optional drum set all combine to make this a true showstopper! Incredibly colorful writing for developing bands and a modern twist on a classic!
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: HL.50489141
ISBN 9790080073919. K/4 (23,5x31) inches.
Territorial restrictions may apply. Please ask before ordering.The three movements (Serenata, Rondo, Notturno) of the 1966 Musica da camera per 11 reflect in their musical character on the neo-classical works of Stravinsky. Its modernity derives from Maros's instrumentation: the percussion and harp dominate among the eleven instruments, but the soaring lines of the melodic instruments - flute, two clarinets and violin - appear in the score as a signature typical of Maros. (Anna Dalos).
SKU: PR.114420240
ISBN 9781491136195. UPC: 680160682034.
Perfect for pops concerts, SUITE NO. 3 provides a quaint time capsule of jazz-inspired classical music from 1939, soon after Gershwin’s death, and just before the hard-edged modern jazz of the 1940s. In this fast-slow-fast suite, “Take Five†refers only to relaxing for a few minutes (not the song composed decades later), and “B-Bop Major†is a musical pun that must have been added later.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: HL.4008713
UPC: 196288190936.
As part of the year 2023, dedicated to Swiss composers, the Swiss Wind Band Association has commissioned Gauthier Dupertuis to write a new orchestration of the Overture in E-flat major by Stephan Jaeggi. Indeed, an update of the instrumentation was necessary for the interpretation of this work with modern orchestras. Therefore, the orchestration that Gauthier Dupertuis proposes and which he wanted to be faithful to the original while meeting current standards, will allow todayÂ’s orchestras to perform this piece of classical-romantic inspiration. Stephan Jaeggi was a Swiss composer and conductor who was born into a large family in Fulenbach (Canton of Solothurn) in 1903. He began playing the clarinet at the age of 13, then studied music at the Basel Conservatory and attended his military training with the Swiss Army Band. Thereafter, he became the conductor of several wind orchestras. In this role, and also that of a composer, Stephan Jaeggi went on to achieve great success. His early death in 1957 put a premature end to Stephan Jaeggi's creative life. All the more reason why his work lives on with unbroken power to this day.
SKU: HL.48025210
UPC: 196288133384. 9.0x12.0x0.055 inches.
With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-productsâ€: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, Confessio for solo bass clarinet, and the suite Gertrude Fragments for mezzo-soprano and guitar. The five miniatures, with their suitably intimate, dark instrumentation, throw light on various aspects of Hamlet's mother, who is both a guilty and a tragic, helpless figure.
SKU: BR.MR-2297
Edition in cooperation with Leopold Mozart Competition, Augsburg
ISBN 9790004488645. 9 x 12 inches.
Music in the homes of Vienna's aristocratsFranz Xaver Kleinheinz was employed at the court of Prince Elector Karl Theodor in Munich until 1799, when he left for Vienna after the Prince's death. There he met Beethoven, who was five years younger than Kleinheinz and who also very much admired him, so much so that Beethoven entrusted the young musician with arrangements of his own works. Moreover, Kleinheinz most likely owed it to Beethoven's recommendations that he obtained access to the most prestigious noble homes of the city, where he acquired an outstanding reputation as a piano teacher. This is when he composed the Piano Trio op. 13, which is now being presented in a modern edition. The title page of the sole surviving source - an alternative clarinet part that is unfortunately no longer extant - refers to an edition published in Vienna in 1802.Edition in cooperation with Leopold Mozart Competition, Augsburg.
SKU: HL.49045571
ISBN 9790001162548. UPC: 841886028968. 9.0x12.0x0.083 inches. German - English - French.
The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: HL.14011784
8.5x11.75x0.25 inches.
This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three or four main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it's up to you! Optional 'filler' parts are also included for beginners. These have very simple rhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical, romantic, modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation, mixed ability and mixed tastes.
SKU: HL.14008995
ISBN 9788759878217. Danish.
Poul Ruders DIFERENCIASDIFERENCIAS was an old Spanish naming of musical compositions dealing with various techniques involving theme and variation. In modern Spanish it simply means differences. It's a nice title, however, and as to the present piece, a very fitting one indeed, because I wrote it especially to The Elsinore Players for their South America-tour in 1981.Actually nothing happens to the clipping of wellknown Bach (the first four bars of the chorale: jesu, Joy of Man's Desiring, cantata No. 147), apart from the continuous changing of the succession-pattern of the 11 triplets and one duplet, the latter of which creates the recognizable 8/8 pattern amidst the flow of 9/8 spinnrad-rolling. To put it popularly, I haven't included anything that Bach does not have in the book himself.In addition to that, the unpredictable accents and various instrumental colours are the only means of differences. There are no modulations, no tricky polyphony, nothing but a long, thoughtful tasting the beautiful piece of tune. Well, of course, the chorale itself enters the picture in the very last section, but that is merely for me to have the pleasure of tossing it away again before it comes to a proper end.Finally, I really do think, that the Cage/Morgan poem quoted below, is the most suitable prologue to DIFERENCIAS:14 variations on 14 wordsI have nothing to say and I am saying it and that is poetry. John CageI have to say poetry and is that nothing and I am saying itI am and I have poetry to say and is that nothing saying itI am nothing and I have poetry to say and that is saying itI that am saying poetry have nothing and it is I and to sayAnd I say that I am to have poetry and saying it is nothingI am poetry and nothing and saying it is to say that I haveTo have nothing is poetry and I am saying that and I say itPoetry is saying I have nothing and I am to say that and itSaying nothing I am poetry and I have to say that and it isIt is and I am and I have poetry saying say that to nothingIt is saying poetry to nothing and I say I have and am that Poetry is saying I have it and I am nothing and to say that And that nothing is poetry I am saying and I have to say itSaying poetry is nothing and to that I say I am and have itEdwin MorganPoul Ruders.
SKU: HL.14027970
ISBN 9788759859353. 16.75x11.75x0.425 inches. English.
Break-Dance is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.
SKU: GI.WW1917
UPC: 785147035664. English. Text by Charles Anthony Silvestri.
Written in memory of choral singer, clarinetist, and friend George Olin, this is a modern arrangement of the LOBE DEN HERREN hymn tune, with a new, ecumenical text written by poet Charles Anthony Silvestri. The text focuses on the richness of life and creation and the joy that is found in all aspects of life.
SKU: HL.49046242
ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French.
“These real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.” and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-edition.com.
SKU: HL.49018017
ISBN 9790001152419. 9.0x12.0x0.2 inches.
After completing his studies with Zoltan Kodaly, the Hungarian composer Mathias Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London.In 1932 he wrote his piano cycle 'Leichte Tanze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.
SKU: HL.4008712
ISBN 9798350115765. UPC: 196288190929.
SKU: CL.012-3435-01
An impressive and demanding composition for mature bands by a talented Australian composer and military band conductor. Requires good players in all sections, but it is well worth the effort. The inspiring slow section includes solos for oboe, clarinet, horn, trumpet & euphonium as well as some challenging parts for the mallet percussion players. Every section of the band has plenty to keep them challenged and involved. Will be a superlative opener for any concert!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-3286-01
The newest composition from popular Canadian composer Andre' Jutras is a distinctive piece that begins with short expressive solos for flute and clarinet. The contrasting slower section features solos for alto sax and either tenor sax, horn or euphonium before returning to a faster tempo for the exciting ending. Perfect for any concert or contest performance.
SKU: CL.012-2353-00
Make a powerful statement with this excellent concert opener where the band is showcased with solid, dramatic scoring. Short solos for flute, clarinet, and trumpet are readily achievable and add moments of delicate contrast.
SKU: CL.012-3418-75
An exciting and impressive composition that portrays an epic struggle in the distant past between the forces of good and evil. A wizard, a beautiful exotic maiden, a battle, and our hero are woven in the fabric of this musical tale. Sprightly melodies, lively rhythms and tasty writing for a whole battalion of percussionists produce an opening section which is full of energy and vitality. The flowing adagio section features a nice oboe solo (cued in clarinet) and a horn section soli (cued in saxes) that really make this piece special. A superior choice for any concert or contest performance.
SKU: CL.012-3349-00
A vibrant new composition by a fresh young writer. An exciting piece that makes full use of all three instrument families and each gets several chances to shine. The Brass starts things off at an exciting Allegro Vivo tempo. An eloquent lyrical section includes short solos for Flute, Oboe, Clarinet and Alto Sax and all solos are amply cued to insure playability. Brilliantly scored to demonstrate a wide variety of tonal colors and there's lots of tasty percussion writing to challenge your entire section. An exceptional programming choice for any festival or concert performance. IMPRESSIVE!
SKU: HL.14030790
ISBN 9780853604488. 8.0x12.0x0.198 inches.
While Gordon Jacobs composed a vast amount of music - more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism, atonality and other avant garde effects in favour of Romanticism, Jacob was much morean adherent to the musical models of the classic and baroque eras, while still encompassing modern harmonies. His work Music for a Festival, for symphonic wind band and brass ensemble, was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.
