A chronology of the favorite tunes from this award-winning jazz group. Note-for-note scores for sax keyboards mallets guitar bass percussion/drums. 8 tunes including: Shaker Song · Morning Dance · Catching The Sun · Joy Ride.

for Alto Saxophone and Eb Instruments-Andrew D. Gordon world renowned music educator author of over 60 music educational products has previously written numerous books on flute styles such as: ???100 Ultimate Blues Riffs for Saxophone??? ???100 Ultimate Jazz Riffs for Saxophone??? ???The Blues Scale for Saxophone??? as well as another book that A.D.G. Productions publishes ???Ultimate Funk Grooves for Saxophone??? authored by Ben Tompsett which have all been well received by students teachers and musicians all over the world. As playing funk styles is a passion of Andrew???s he has written this instructional book ???100 Ultimate Soul Funk and RandB Grooves??? based on the influences of the great Funk Soul and RandB artists suchas: James Brown Herbie Hancock The Crusaders Average White Band Marvin Gaye Miles Davis Stevie Wonder Parliament Ramsey Lewis Booker T and The MG???s MFSB Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar bass drums keyboards and in many of the grooves percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Saxophone part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

The Play ?em Right collection is aimed at musicians who wish to familiarise themselves with jazz, rock and Latin styles. Each of the solo books contain many unaccompanied pieces together with keyboard and guitar chords which explore the particular genre. In Play ?em Right - Latin, Volume 1 you will find 8 exercises and 8 pieces to perform. These are aimed at wind players who would like to become acquainted with latin at home. Although graded in difficulty, it is not necessary to first study all the exercises before being able to play the pieces.

The Play ?em Right collection is aimed at musicians who wish to familiarise themselves with jazz, rock and Latin styles. Each of the solo books contain many unaccompanied pieces together with keyboard and guitar chords which explore the particular genre. In Play ?em Right - Rock, Volume 1 you will find 9 exercises and 8 pieces to perform. These are aimed at wind players who would like to become acquainted with rock at home. Although graded in difficulty, it is not necessary to first study all the exercises before being able to play the pieces.

The Play ?em Right collection is aimed at musicians who wish to familiarise themselves with jazz, rock and Latin styles. Each of the solo books contain many unaccompanied pieces together with keyboard and guitar chords which explore the particular genre. In Play ?em Right - Latin, Volume 1 you will find 8 exercises and 8 pieces to perform. These are aimed at wind players who would like to become acquainted with latin at home. Although graded in difficulty, it is not necessary to first study all the exercises before being able to play the pieces.

Partition pour clavier Nombre de pages : 114 Niveau : 3 Face à la diversité et à la richesse des modes de jeu improvisé, les auteurs ont centré leur travail sur les séquences harmoniques types utilisées dans les musiques actuelles. Ils proposent une somme d'exercices quotidiens permettant d'appliquer le travail fait en cours. Tous les ingrédients d'un bon guide à la maison sont ici réunis: progression bien agencée des difficultés, textes clairs et concis, phrases-exemples qu'il sera possible d'imiter et de développer, 2 CD d'accompagnement pratiques et efficaces…

Partitions pour orgue (avec pédalier et grilles guitare), pour piano solo (difficulté moyenne) et pour clavier simplifié (débutant). Pour chaque morceau, vous entendrez tout d?abord la version complète : accompagnement d?orchestre avec la mélodie, puis la version avec accompagnement seul sur laquelle vous pourrez jouer

Partitions pour orgue (avec pédalier et grilles guitare), pour piano solo (difficulté moyenne) et pour clavier simplifié (débutant). Pour chaque morceau, vous entendrez tout d?abord la version complète : accompagnement d?orchestre avec la mélodie, puis la version avec accompagnement seul sur laquelle vous pourrez jouer

55 Begriffe, die man kennen sollte. Par HUBER ANNEGRET. Welche Faktoren müssen zusammenwirken, damit Klaviermusik erklingen kann? Ein Klavier muss gebaut, Musik erfunden werden. Klavierspiel muss gelehrt und geübt werden. Klaviere müssen an Orten aufgestellt werden, an denen Musik vorgetragen und gehört werden kann. Klaviermusik ist nicht nur ein ›Produkt‹, sondern ihr Erklingen ein Ereignis, zu dem viele Personen in vielfältigster Weise beitragen. Im neuen Band der Reihe 'Bärenreiter Basiswissen' sind 55 Begriffe zur Klaviermusik versammelt, die diese Überlegungen nachvollziehen: Von Album bis Zyklus. Über Boogie Woogie und Hammerklaviersonate, Improvisieren und Konzert zu Temperatur und Virtuosen. Ein Buch für alle, die darüber nachdenken wollen, wie Klaviermusik und Kulturen des Klavierspiels in Geschichte und Gegenwart zu einem wichtigen Bestandteil künstlerischen und kulturellen Lebens wurden. - Ein Buch für alle, die sich Basiswissen über Klaviermusik aneignen wollen. Die Autorin Annegret Huber ist Professorin für Musikanalyse an der Universität für Musik und darstellende Künste Wien. Ihre Forschungsschwerpunkte umfassen darüber hinaus die fachübergreifenden Kontexte von Musik und kulturgeschichtliche Themen. Bärenreiter Basiswissen dient - der schnellen, elementarenInformation für Musikfreunde, - der Hilfe im Musikunterricht, - der Begleitung im Bachelor-Studium, - der Prüfungsvorbereitung, - oder einfach der Anregung, Neues kennen zu lernen./ Accessoire / Clavier

Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas Europe and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles from Tokyo to Paris. But despite its increasing popularity many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here another there via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth the need for concise well written and organized materials written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music' and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa