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| Festival Te Deum
Choral Soprano solo, SATB, Keyboard
Boosey and Hawkes
(Treble Solo, SATB Chorus and Organ). By Benjamin Britten (1913-1976). For Chora...(+)
(Treble Solo, SATB Chorus and Organ). By Benjamin Britten (1913-1976). For Choral (SATB, Organ). BH Large Choral. 24 pages. Boosey and Hawkes #M051481699. Published by Boosey and Hawkes
$3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Three Preludes on Gregorian Sequences
Organ
CanticaNOVA Publications
Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertid...(+)
Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertide, General. Published by CanticaNOVA Publications
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Cantica de Sancto Benedicto - Intermediate/advanced
De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-050 (+)
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-050 Saint Benedict Cantata. Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2008. De Haske Publications #DHP 1074334-050. Published by De Haske Publications (BT.DHP-1074334-050). 9x12 inches. English-German-French-Dutch. Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, where Benedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements of Cantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the other texts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the three movements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor: For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never sounds together with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensional performance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir could also sing from a gallery. With layouts like this, working with two conductors is advisable.
Cantica de Sancto Benedicto ist ein dreisätziges Werk für gemischten Chor, Sopran-Solist, sinfonisches Blasorchester und Orgel ad lib. - zu lateinischen Texten über das Leben des Heiligen Benedikt. Es entstand im Auftrag der italienschen Stadt Nursia, dem Geburtsort von Benedikt. Jacob de Haan benannte die Sätze von Cantica de Sancto Benedicto nach der Heiligen Dreifaltigkeit: der Vater (Gloria Patri), der Sohn (Gloria Filio) und der Heilige Geist (Gloria Spiritui Sancto). Der Text zur Hymne Gemma Caelestis (der wie die übrigen Texte ursprünglich aus dem Gregorianischen Choral stammt) wird vom Chor gesungen. Zu diesem Zweck komponierteJacob de Haan neue choralartige, homophone Musik. Der Abschnitt Laeta Quies wird vom Sopran vorgetragen; die Strophen (die sich über alle drei Sätze verteilen) wechseln sich mit denen von Gemma Caelestis ab. Das Werk endet mit einem eindrucksvollen großartigen Finale, in dem Texte aus dem Proprium aus der Messe zu Ehren des Feiertags des Heiligen Benedikt (11. Juli) verwendet werden.Link zur Partitur: DHP 1074334-140Link zum Blasorchesterset: DHP 1074334-010
La partie de Soprano solo peut être confiée l’ensemble des sopranos du Chœur. Une autre alternative serait de faire chanter la partie de Soprano, partiellement ou entièrement, par un Ténor.Pour faciliter le travail ( domicile) des choristes, le compositeur tient leur disposition des fichiers audio de chaque partie vocale. Pour obtenir ces fichiers, il suffit de consulter le site www.jacobdehaan.com.Cantica de Sancto Benedicto (Cantate de saint Benoît) est une œuvre en trois mouvements pour Soprano, Chœur mixte, Orchestre d’Harmonie et Orgue (ad lib.). Basée sur des textes en latin relatant la vie de saint Benoît, cette cantate est uneœuvre de commande pour la ville de Nursie en Italie, ville natale du moine.Benoît de Nursie ou saint Benoît (vers 480-547) est considéré comme l’initiateur de la vie monastique dans l’Église catholique romaine. Son immense influence est essentiellement liée la rédaction d’une règle de vie : la Règle monastique de saint Benoît (Regula Benedicti).Jacob de Haan a choisi de donner le nom des trois personnes de la Sainte-Trinité aux trois mouvements de l’œuvre : le Père (Gloria Patri/ Gloire au Père), le Fils (Gloria Filio/ Gloire au Fils) et le Saint-Esprit (Gloria Spiritui Sancto/ Gloire au Saint-Esprit).Le texte de l’hymne Gemma Caelestis (utilisé dans le chant grégorien l’instar des autres textes) est chanté par le Chœur sur une musique de nature homophonique laquelle le compositeur a donné un style choral. La séquence Laeta Quies est chantée par la Soprano. La prose de la séquence est répartie sur les trois mouvements en alternance avec le texte de l’hymne latine. Le finale de l’œuvre est impressionnant. Il développe des textes du Propre de la Messe en l’honneur de la Saint-Benoît, célébrée le 11 juillet. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Cantica de Sancto Benedicto - Intermediate/advanced
De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-010 (+)
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-010 Saint Benedict Cantata. Composed by Jacob De Haan. Musica Sacra. Concert Piece. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1074334-010. Published by De Haske Publications (BT.DHP-1074334-010). 9x12 inches. English-German-French-Dutch. Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Koorpartijen apart verkrijgbaar.
Cantica de Sancto Benedicto ist ein dreisätziges Werk für gemischten Chor, Sopran-Solist, sinfonisches Blasorchester und Orgel ad lib. - zu lateinischen Texten über das Leben des Heiligen Benedikt. Es entstand im Auftrag der italienschen StadtNursia, dem Geburtsort von Benedikt. Jacob de Haan benannte die Sätze von Cantica de Sancto Benedicto nach der Heiligen Dreifaltigkeit: der Vater (Gloria Patri), der Sohn (Gloria Filio) und der Heilige Geist (Gloria SpirituiSancto). Der Text zur Hymne Gemma Caelestis (der wie die übrigen Texte ursprünglich aus dem Gregorianischen Choral stammt) wird vom Chor gesungen. Zu diesem Zweck komponierte Jacob de Haan neue choralartige, homophone Musik. Der AbschnittLaeta Quies wird vom Sopran vorgetragen; die Strophen (die sich über alle drei Sätze verteilen) wechseln sich mit denen von Gemma Caelestis ab. Das Werk endet mit einem eindrucksvollen großartigen Finale, in dem Texte aus dem Propriumaus der Messe zu Ehren des Feiertags des Heiligen Benedikt (11. Juli) verwendet werden.Chorstimmen sind unter folgendem Link separat erhältlich:DHP 1074334-050Anmerkungen für den Dirigenten:Für dieseKantate gibt es mehrere Aufführungsmöglichkeiten. Die erste ist eine Version, in der die Chor- und Sopranstimmen nur von der Orgel begleitet werden. Solch eine Aufführung bietet mehrere Vorteile: Da das Blasorchester nie zusammen mit Chor und Sopranerklingt, gibt es keine Probleme mit der klanglichen Ausgewogenheit und sogar eine Aufführung mit einem großen Blasorchester und einem kleinen Kantatenchor ist denkbar. Eine besondere Aufstellung für eine dreidimensionale Aufführung in einer Kircheist ebenso möglich. Der Chor singt zum Beispiel von der Kanzel aus, begleitet von der Chororgel; der Sopran steht auf der Galerie, begleitet von der Hauptorgel, während das Blasorchester in einem anderen Teil der Kirche aufgestellt ist. Der Chor kannauch von Galerie aus singen. Bei solchen Aufstellungen ist es ratsam, mit zwei Dirigenten zu arbeiten. Die Begleitung der Singstimmen ist in Stichnoten für das Blasorchester notiert. Wenn das Werk ohne Orgel aufgeführt wird, beispielsweise in einemKonzertsaal, spielt das Blasorchester die Begleitung. Die Begleitstimmen sind transparent orchestriert, zugunsten der klanglichen Ausgewogenheit von Blasorchester, Chor und Sopran. Im dritten Satz (Takte 144-151) gibt es eine optionale Passage fürden Chor. Diese ist nur für eine Aufführung mit einem sehr großen Chor gedacht. Eine weitere Variante beinhaltet, den musikalischen Höhepunkt im dritten Satz zu überspringen und direkt von Takt 156 zu Takt 213 weiterzugehen. Gründe hierfür könnensein: der etwas höhere Schwierigkeitsgrad, eine begrenzte Aufführungsdauer und/oder der Wunsch, den Kantatentext auf Gemma Caelestis und Laeta Quies zu beschränken. Während einer Messe oder eines Gottesdienstes können auch verschiedeneStrophen verwendet werden. Wahlweise kann das Sopransolo auch vom Chorsopran gesungen werden. Alternativ hierzu können Sie die Sopranstimmen (komplett oder teilweise) von einem Tenor singen lassen. Für Chöre, die Cantica de Sancto Benedictoaufführen wollen, bietet der Komponist einen Extra-Service auf seiner Website https://www.jacobdehaan.com, wo Audiodateien der einzelnen Chorstimmen für das Einstudieren zu Hause zugänglich sind. Informationen zu anderen Werken für Chor undBlasorchester (Missa Brevis und Missa Katharina) sind ebenfalls dort zu finden.Chorstimmen separat erhältlich.
Cantica de Sancto Benedicto (Cantate de saint Benoît) est une œuvre en trois mouvements pour Soprano, Chœur mixte, Orchestre d’Harmonie et Orgue (ad lib.). Basée sur des textes en latin relatant la vie de saint Benoît, cettecantate est une œuvre de commande pour la ville de Nursie en Italie, ville natale du moine.Benoît de Nursie ou saint Benoît (vers 480-547) est considéré comme l’initiateur de la vie monastique dans l’Église catholique romaine. Son immenseinfluence est essentiellement liée la rédaction d’une règle de vie : la Règle monastique de saint Benoît (Regula Benedicti).Jacob de Haan a choisi de donner le nom des troispersonnes de la Sainte-Trinité aux trois mouvements de l’œuvre: le Père (Gloria Patri/ Gloire au Père), le Fils (Gloria Filio/ Gloire au Fils) et le Saint-Esprit (Gloria Spiritui Sancto/ Gloire au Saint-Esprit).Le texte de l’hymne Gemma Caelestis (utilisé dans le chant grégorien l’instar des autres textes) est chanté par le Chœur sur une musique de nature homophonique laquelle le compositeur a donné un style choral. La séquence Laeta Quies est chantée par la Soprano. La prose de la séquence est répartie sur lestrois mouvements en alternance avec le texte de l’hymne latine. Le finale de l’œuvre est impressionnant. Il développe des textes du Propre de la Messe en l’honneur de la Saint-Benoît, célébrée le 11 juillet. Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $437.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Cantica de Sancto Benedicto - Intermediate/advanced
De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-140 (+)
Concert Band/Harmonie and Opt. Choir - Grade 4 SKU: BT.DHP-1074334-140 Saint Benedict Cantata. Composed by Jacob De Haan. Musica Sacra. Score Only. Composed 2008. De Haske Publications #DHP 1074334-140. Published by De Haske Publications (BT.DHP-1074334-140). 9x12 inches. English-German-French-Dutch. Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Koorpartijen apart verkrijgbaar.
Cantica de Sancto Benedicto ist ein dreisätziges Werk für gemischten Chor, Sopran-Solist, sinfonisches Blasorchester und Orgel ad lib. - zu lateinischen Texten über das Leben des Heiligen Benedikt. Es entstand im Auftrag der italienschen StadtNursia, dem Geburtsort von Benedikt. Jacob de Haan benannte die Sätze von Cantica de Sancto Benedicto nach der Heiligen Dreifaltigkeit: der Vater (Gloria Patri), der Sohn (Gloria Filio) und der Heilige Geist (Gloria SpirituiSancto). Der Text zur Hymne Gemma Caelestis (der wie die übrigen Texte ursprünglich aus dem Gregorianischen Choral stammt) wird vom Chor gesungen. Zu diesem Zweck komponierteJacob de Haan neue choralartige, homophone Musik. Der AbschnittLaeta Quies wird vom Sopran vorgetragen; die Strophen (die sich über alle drei Sätze verteilen) wechseln sich mit denen von Gemma Caelestis ab. Das Werk endet mit einem eindrucksvollen großartigen Finale, in dem Texte aus dem Propriumaus der Messe zu Ehren des Feiertags des Heiligen Benedikt (11. Juli) verwendet werden. Chorstimmen separat erhältlich.
Cantica de Sancto Benedicto (Cantate de saint Benoît) est une œuvre en trois mouvements pour Soprano, Chœur mixte, Orchestre d’Harmonie et Orgue (ad lib.). Basée sur des textes en latin relatant la vie de saint Benoît, cettecantate est une œuvre de commande pour la ville de Nursie en Italie, ville natale du moine.Benoît de Nursie ou saint Benoît (vers 480-547) est considéré comme l’initiateur de la vie monastique dans l’Église catholique romaine. Son immenseinfluence est essentiellement liée la rédaction d’une règle de vie : la Règle monastique de saint Benoît (Regula Benedicti).Jacob de Haan a choisi de donner le nom des troispersonnes de la Sainte-Trinité aux trois mouvements de l’œuvre: le Père (Gloria Patri/ Gloire au Père), le Fils (Gloria Filio/ Gloire au Fils) et le Saint-Esprit (Gloria Spiritui Sancto/ Gloire au Saint-Esprit).Le texte de l’hymne Gemma Caelestis (utilisé dans le chant grégorien l’instar des autres textes) est chanté par le Chœur sur une musique de nature homophonique laquelle le compositeur a donné un style choral. La séquence Laeta Quies est chantée par la Soprano. La prose de la séquence est répartie sur lestrois mouvements en alternance avec le texte de l’hymne latine. Le finale de l’œuvre est impressionnant. Il développe des textes du Propre de la Messe en l’honneur de la Saint-Benoît, célébrée le 11 juillet. Partitions pour chÅ“ur disponibles séparément.
Parti per coro disponibili a parte. $90.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Power Of Pop - Soprano/Tenor Sax, Easy Level (Book/CD)
Tenor Saxophone [Sheet music + CD] - Beginner
Hal Leonard
De Haske Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 28 pages. Pub...(+)
De Haske Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 28 pages. Published by Hal Leonard.
$23.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Allein Gott in der Höh' sei Ehr
Concert band - Easy
De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115108-010 All Glory Be...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115108-010 All Glory Be to God on High. Arranged by Jacob De Haan. Musica Sacra. Festive and Solemn Music. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115108-010. Published by De Haske Publications (BT.DHP-1115108-010). 9x12 inches. Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.
Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Das Chorset ist unter der Bestellnummer DHP 1115108-050 separat bestellbar.
Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).
Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse). $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Allein Gott in der Höh' sei Ehr
Brass ensemble - Easy
De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1115108-030 All Glory Be to God on ...(+)
Brass Band - Grade 2.5 SKU: BT.DHP-1115108-030 All Glory Be to God on High. Arranged by Jacob De Haan. Musica Sacra. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115108-030. Published by De Haske Publications (BT.DHP-1115108-030). 9x12 inches. Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.
Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Ein deutscher und englischer Text werden mitgeliefert.
Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).
Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse). $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Allein Gott in der Höh' sei Ehr
Choral SATB
SATB, Organ - Easy
De Haske Publications
SATB Choir and Organ - Grade 2.5 SKU: BT.DHP-1115108-050 All Glory Be ...(+)
SATB Choir and Organ - Grade 2.5 SKU: BT.DHP-1115108-050 All Glory Be to God on High. Arranged by Jacob De Haan. Musica Sacra. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115108-050. Published by De Haske Publications (BT.DHP-1115108-050). 9x12 inches. Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.
Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann.
Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).
Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse). $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Allein Gott in der Höh' sei Ehr
Brass ensemble - Easy
De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1115108-130 All Glory Be to God on ...(+)
Brass Band - Grade 2.5 SKU: BT.DHP-1115108-130 All Glory Be to God on High. Arranged by Jacob De Haan. Musica Sacra. Score Only. Composed 2011. 16 pages. De Haske Publications #DHP 1115108-130. Published by De Haske Publications (BT.DHP-1115108-130). 9x12 inches. Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.
Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Das Chorset ist unter der Bestellnummer DHP 1115108-050 separat bestellbar.
Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).
Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse). $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Allein Gott in der Höh' sei Ehr
Concert band - Easy
De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115108-140 All Glory Be...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115108-140 All Glory Be to God on High. Arranged by Jacob De Haan. Musica Sacra. Festive and Solemn Music. Score Only. Composed 2011. 16 pages. De Haske Publications #DHP 1115108-140. Published by De Haske Publications (BT.DHP-1115108-140). 9x12 inches. Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.
De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.
Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Das Chorset ist unter der Bestellnummer DHP 1115108-050 separat bestellbar.
Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).
Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse). $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Aurora
GIA Publications
SKU: GI.G-1056 Composed by James Jordan. GIA ChoralWorks. Music Education...(+)
SKU: GI.G-1056 Composed by James Jordan. GIA ChoralWorks. Music Education. Choral score. GIA Publications #1056. Published by GIA Publications (GI.G-1056). UPC: 785147005629. I suppose as artists we are always searching for metaphors that speak directly to the musics we perform to guide us and inspire. The music on this CD pushes our boundaries of what could be considered normal music making and instead moves us into sound worlds that expand what a choral ensemble can produce. This recording, which documents an almost three-year exploration into improvisation in various forms, contains works for choral ensembles that create new sound worlds in and of themselves. We are happy to present to the world a young composer from our midst, Sam Scheibe. His virtuous setting of O magnum mysterium introduces a gifted and deeply insightful compositional voice. Sanctitude is an expansive improvisation combining choir, soprano saxophone, Gregorian chant, Arabic chant, and melodies into a sound world that I hope will document the frontier of a new world of choral performance. The techniques employed in this improvisation are documented in the new text Discovering Choral Improvisation through Chant (GIA, 2020). The CD opens with a three-movement work, The Dreams That Remain by Thomas LaVoy, yet another composer from the Williamson Voices family who has adapted the sound world of this ensemble into a work of beauty and honesty. All of the works on this CD create Auroras of their own that touch us deeply and cover our senses with streamers of light. I thank my friend, James Whitbourn, for conducting on three of the tracks and for crafting the Sanctitude improvisation. Hopefully the sounds on this CD will, as Makoto Fujimara says, bring you outside of yourself, and pull you to look at the [life's] horizon and to see beyond. — James Jordan  . $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003712 Composed by Christoph Schonherr. Duration 6 minutes. Carus Verlag #1003712. Published by Carus Verlag (CA.1003712). ISBN 9790007301644. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003713 Composed by Christoph Schonherr. Single Part, viola. Duration 6 minutes. Carus Verlag #1003713. Published by Carus Verlag (CA.1003713). ISBN 9790007301651. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003700 Composed by Christoph Schonherr. Carus digital: Extra digital products. Full Score. Duration 6 minutes. Carus Verlag #1003700. Published by Carus Verlag (CA.1003700). ISBN 9790007294762. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003711 Composed by Christoph Schonherr. Duration 6 minutes. Carus Verlag #1003711. Published by Carus Verlag (CA.1003711). ISBN 9790007301637. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Edizione Nazionale delle Opere di Giacomo Puccini. II. Instrumental music; 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2)
Organ
Carus Verlag
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini....(+)
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini. Edited by Virgilio Bernardoni. Complete editions / Selected works: Edizione Nazionale delle Opere di Giacomo Puccini. Free organ music. Full score (complete edition / selected edition). 148 pages. Carus Verlag #CV 56.003/00. Published by Carus Verlag (CA.5600300). ISBN 9790007188047. The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini's organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into bass and soprano.Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. $221.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003703 Composed by Christoph Schonherr. Vocal score. Duration 6 minutes. Carus Verlag #1003703. Published by Carus Verlag (CA.1003703). ISBN 9790007301316. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003714 Composed by Christoph Schonherr. Single Part, violoncello. Duration 6 minutes. Carus Verlag #1003714. Published by Carus Verlag (CA.1003714). ISBN 9790007301668. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003715 Composed by Christoph Schonherr. Single Part, double bass. Duration 6 minutes. Carus Verlag #1003715. Published by Carus Verlag (CA.1003715). ISBN 9790007301675. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003719 Composed by Christoph Schonherr. Set of Orchestra Parts. Duration 6 minutes. Carus Verlag #1003719. Published by Carus Verlag (CA.1003719). ISBN 9790007301682. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| In Paradisum
Choral SATB
SATB A Cappella
Peermusic Classical
SATB a cappella/opt. organ Choral (SATB a cappella) SKU: HL.1104274 SA...(+)
SATB a cappella/opt. organ Choral (SATB a cappella) SKU: HL.1104274 SATB a cappella or with organ New Voices Choral Series. Composed by Allen Brings. Edited by Harold Rosenbaum. Peermusic Classical. Classical, Contemporary. Octavo. 4 pages. Duration 290 seconds. Peermusic Classical #70351-122. Published by Peermusic Classical (HL.1104274). ISBN 9781705176887. UPC: 196288101963. 6.75x10.5x0.014 inches. “In Paradisum†is a setting of an antiphon from the Requiem Mass for the dead. The melody resembles Gregorian chant in style, and may be performed by SATB chorus (either a cappella or with organ accompaniment) or solo voice (soprano line with organ accompaniment). $2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Missa solemnis, op. 123
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass so...(+)
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) SKU: BA.BA09038 Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038). ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper. Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.
This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).
The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.
This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Die Brautwahl Op. 45 K 258
Breitkopf & Härtel
Chorus (with soloists) and piano (solos: MezTTTBarBarB - choir: SATTBB - 3(3picc...(+)
Chorus (with soloists) and piano (solos: MezTTTBarBarB - choir: SATTBB - 3(3picc)3(cor ang).3(B-clar).3(dble bsn) - 4.3.3.1 - timp.perc - hp - cel.org - str - stage music: 1.2.2.2 - 2.2.corn.0.0 - timp.perc(2) - pno - db - low bell) SKU: BR.EB-9432 Musical-phantastic Comedy in 3 Acts with a Postlude. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern; Late-romantic. Piano/Vocal Score. Breitkopf and Haertel #EB 9432. Published by Breitkopf and Haertel (BR.EB-9432). ISBN 9790004189092. 0 x 0 inches. Duration: full evening Text by the composer basesd on E.T.A. Hoffmann's tale of the same name from Serapionsbrudern Translation: ital. (G. Trampus), La sposa sorteggiata Place and time: Berlin, um 1820 Characters: Der Kommissionsrat Voswinkel (baritone) - Albertine, his daughter (mezzo-soprano) - Thusman, Freier (tenor) - Edmund Lehsen, paintor, Freier (tenor) - Baron Bensch, Freier (tenor) - the goldsmith Leonhard (baritone) - the jew Manasse (bass) - the valet Voswinkels - crowd, a Chancre (silent parts) In Busoni's musical evolution, this work marks an important phase of radical change after works inspired by Brahms and Verdi. The composer's compositional style became increasingly revolutionary between the sketch of the shport score (1908) and the completion of the orchestral score (1911).Busoni took the greatest care in preparing the definitive form of the work. He asserted that there was invention in every bar, and assigned an important role to the use of music from other sources: the Hebrew march from Rossini's Mose, for example, or a German dance by Mozart, military music, American-Indian pentatonic music, Gregorian plainchant, melodies from the synagogue and even quotes from his own works. With these stylistic means, Busoni followed Hoffmann's serapiontic principle and came closer to his idea of a timeless world music without borders. $98.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Hodie Christus natus est - Intermediate
Carus Verlag
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SK...(+)
Soprano voice (small chorus), SATB chorus, string quintet, piano - Grade 3 SKU: CA.1003748 Composed by Christoph Schonherr. Single Part, pianoforte. Duration 6 minutes. Carus Verlag #1003748. Published by Carus Verlag (CA.1003748). ISBN 9790007301699. Key: D minor. Latin. Christoph Schönherr’s six-minute “Hodie Christus natus est†provides just the right mood for Christmas time. Starting with the Magnificat antiphon of the same name, this beautiful, accessible work for modest instrumental forces combines stylistic elements of Gregorian chant and jazz. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Two Early German Carols - Easy
De Haske Publications
4-Part Flexible Ensemble - early intermediate SKU: BT.DHP-1043650-070 Arr...(+)
4-Part Flexible Ensemble - early intermediate SKU: BT.DHP-1043650-070 Arranged by Jacob De Haan and Jan de Haan. Music Box. Christmas. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043650-070. Published by De Haske Publications (BT.DHP-1043650-070). This publication contains arrangements of Vom Himmel hoch, o Englein kommt, one of the oldest German carols and Lobt Gott, ihr Christen alle gleich, written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 C’ FlutePart 1 C†OboePart 1 Eb Clarinet, CornetPart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C FlutePart 2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 F English Horn, HornPart 2 Eb Alto Saxophone, HornPart 3 C Bassoon, Trombone, EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet, HornPart 3 Bb TC Tenor Saxophone, Trombone,Baritone, EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 4 C Bassoon, Trombone, Bass, Double Bass, EuphoniumPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Euphonium, BassPart 4 Eb TC Baritone Saxophone, BassPart 4 Eb BC Bass
AThis publication contains arrangements of Vom Himmel hoch, o Englein kommt, one of the oldest German carols and Lobt Gott, ihr Christen alle gleich, written in 1554. These are great works for your Christmas concertas the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 C’ FlutePart 1 C†OboePart 1 Eb Clarinet, CornetPart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 2 C FlutePart2 Bb Clarinet, Trumpet, Flugel Horn, CornetPart 2 F English Horn, HornPart 2 Eb Alto Saxophone, HornPart 3 C Bassoon, Trombone, EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet, HornPart 3 Bb TC Tenor Saxophone, Trombone, Baritone,EuphoniumPart 3 Bb BC Trombone, EuphoniumPart 4 C Bassoon, Trombone, Bass, Double Bass, EuphoniumPart 4 Bb TC Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb BC Trombone, Euphonium, BassPart 4 Eb TC Baritone Saxophone, BassPart4 Eb BC Bass
Hinter diesem Titel verbergen sich die traditionsreichen Lieder Vom Himmel hoch, bearbeitet von Jan de Haan, und Lobt Gott, ihr Christen, alle gleich, von Jacob de Haan arrangiert und verwoben mit Material aus dem gregorianischen Gesang Puer Natus Est. Besetzungsmöglichkeiten:Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos Euph Tuba Kb. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Regina caeli
Choral SATB
Carus Verlag
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: ...(+)
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: CA.9100619 Antiphon. Composed by Carl Ditters von Dittersdorf. Edited by Rudolf Walter. Sacred music of the Vienna classic. German title: Regina Coeli (Antiphon) 1000201. Sacred vocal music. Set of Orchestra Parts. KreD. Carus Verlag #CV 91.006/19. Published by Carus Verlag (CA.9100619). ISBN 9790007139797. Language: Latin. The antiphon Regina caeli by Carl Bitters von Dittersdorf, laid out in rondo form, to highlighted throughout by virtuosic passages for the two solo sopranos. Backed by choir and orchestra, this is a work featuring concertante technique, but it also reveals its background of Gregorian plainsong. Score and parts available separately - see item CA.9100600. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Regina caeli
Choral SATB
Carus Verlag
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: ...(+)
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: CA.9100611 Antiphon. Composed by Karl Ditters von Dittersdorf. Edited by Rudolf Walter. Sacred music of the Vienna classic. Regina Coeli (Antiphon) 1000201. Sacred vocal music. Single Part, Violin 1 and 2. KreD. 8 pages. Carus Verlag #CV 91.006/11. Published by Carus Verlag (CA.9100611). ISBN 9790007229979. Language: Latin. The antiphon Regina caeli by Carl Bitters von Dittersdorf, laid out in rondo form, to highlighted throughout by virtuosic passages for the two solo sopranos. Backed by choir and orchestra, this is a work featuring concertante technique, but it also reveals its background of Gregorian plainsong. Score and part available separately - see item CA.9100600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Regina caeli
Choral SATB
Carus Verlag
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: ...(+)
SS vocal soli, SATB choir, 2 violin, 2 trumpet, timpani, basso continuo SKU: CA.9100605 Antiphon. Composed by Karl Ditters von Dittersdorf. Edited by Rudolf Walter. Sacred music of the Vienna classic. Regina Coeli (Antiphon) 1000201. Sacred vocal music. Choral Score. KreD. 8 pages. Carus Verlag #CV 91.006/05. Published by Carus Verlag (CA.9100605). ISBN 9790007113704. Language: Latin. The antiphon Regina caeli by Carl Bitters von Dittersdorf, laid out in rondo form, to highlighted throughout by virtuosic passages for the two solo sopranos. Backed by choir and orchestra, this is a work featuring concertante technique, but it also reveals its background of Gregorian plainsong. Score available separately - see item CA.9100600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Thea Musgrave: Journey
Into Light (Full Score):
Soprano: Score
Soprano voice, Orchestra [Sheet music]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...(+)
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
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| Thea Musgrave: Journey
Into Light: Soprano:
Vocal Score
Soprano voice [Sheet music]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...(+)
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
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| Kyrie Eleison For Soprano
Alto Tenor And Bass:
SATB: Single Sheet
Choral SATB
SATB [Sheet music]
Novello & Co Ltd.
This Gregorian chant is reworked and arranged for soprano alto tenor and bass ...(+)
This Gregorian chant is reworked and arranged for soprano alto tenor and bass vocal parts.
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| Knut Nystedt: Moment Op.
52: Soprano: Score
Schirmer
Set of Parts-The Moment (Op. 52 1962) takes its text from a poem of the same ti...(+)
Set of Parts-The Moment (Op. 52 1962) takes its text from a poem of the same title by the English poet and scholar Kathleen Raine (1908-2003). It has been set to music by the Norwegian composer Knut Nystedt (1915-2014) scored for a chamber ensemble of Soprano Celesta and Percussion. Knut Nystedt studied under Aaron Copland among others and spent a long and distinguished career composing arranging conducting singing and playing the organ adapting to changing musical styles without sacrificing his own distinctiveness. He often drew inspiration from medieval music and Gregorian chants. He is remembered for having made an indelible contributionto Norwegian music and culture.
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| John Rutter: Magnificat -
Orchestral Version:
Soprano & SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary ...(+)
Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
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