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| Oriental Odyssey Soprano Saxophone and Piano [Sheet music + CD] Editions Marc Reift (Swiss import)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 6 SKU: MA.EMR-...(+)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 6 SKU: MA.EMR-56807 Composed by Bertrand Moren. Score and parts. Duration 5'30. Editions Marc Reift #EMR 56807. Published by Editions Marc Reift (MA.EMR-56807). Possible instrumentations: Soprano Saxophone & CD Play Back / Play Along Soprano Saxophone & Piano (+ CD Play Back / Play Along optional). $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| My First Concertinos Volume 2 Soprano Saxophone and Piano - Easy Editions Marc Reift (Swiss import)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-...(+)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-49859 Composed by Bertrand Moren. Soprano Saxophone & CD Playback (Play Along). Score and parts. Duration 19'58. Editions Marc Reift #EMR 49859. Published by Editions Marc Reift (MA.EMR-49859). 1. A Cowboy's Life / 2. A Winter Fantasy / 3. At The Petshop / 4. At The Circus / 5. Oriental Suite. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| My First Concertos Volume 4 Soprano Saxophone and Piano - Intermediate Editions Marc Reift (Swiss import)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-...(+)
Soprano Saxophone & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-56138 Composed by Jean-Francois Michel. Score and parts. Duration 20'39. Editions Marc Reift #EMR 56138. Published by Editions Marc Reift (MA.EMR-56138). 1. Venezia / 2. Oriental Pictures / 3. Showtime / 4. Discover / 5. Espana. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Carl Nielsen: Salmer Og Aandelige Sange Soprano voice, Piano - Intermediate Wilhelm Hansen
Soprano Voice and Piano - Grade 3 SKU: HL.14022983 Composed by Carl Augus...(+)
Soprano Voice and Piano - Grade 3 SKU: HL.14022983 Composed by Carl August Nielsen. Music Sales America. Classical. Book [Softcover]. Composed 2003. 52 pages. Edition Wilhelm Hansen #WH17277. Published by Edition Wilhelm Hansen (HL.14022983). ISBN 9788759850558. English. Salmer Og Aandelige Sange ias a collection of Sacred Songs And Hymns by early 20th Century Danish composer, Carl Nielsen, who is one of the most important and free-spirited of the generation of composers who straddle the 19th and 20th centuries. If Nielsen's chamber and orchestral music epitomizes the exploratory, growth-orientated side of his nature, his songs contain the essence of his search for the 'simple original'. Arranged for Piano, Vocal and Guitar. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| OperAria Mezzo-soprano Volume 2: dramatisch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872). ISBN 9790004184622. 9 x 12 inches. German / English. Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto). $44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| OperAria Mezzo-soprano Volume 1: lyrisch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871). ISBN 9790004184615. 9 x 12 inches. German / English. Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto). $44.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Airs Populaires De Yougoslavie Orientale Et Centrale (recorder & Guitar) Recorder Leduc, Alphonse
Recorder SKU: HL.48183433 Composed by Pavel Klapil. Leduc. Classical. Sof...(+)
Recorder SKU: HL.48183433 Composed by Pavel Klapil. Leduc. Classical. Softcover. Alphonse Leduc #AL25514. Published by Alphonse Leduc (HL.48183433). UPC: 888680870850. 6.0x9.5x0.12 inches. 1.Serbie; 2.Bosnie; 3.Montenegro (for 1 or 2 soprano recorders and guitar). $13.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oriental [Reduction|Score and Parts|Set of Parts] Schott
(Soprano Saxophone, Alto Saxophone, and Piano Score and Parts). By Masanori Kato...(+)
(Soprano Saxophone, Alto Saxophone, and Piano Score and Parts). By Masanori Katoh. Woodwind. Book only. 48 pages. Schott Music #ZN560019. Published by Schott Music
$59.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 6 love songs for soprano solo and string quartet (Sechs Liebeslieder fur Sopran und Streichquartett) Carus Verlag
Soprano voice solo, 2 violins, viola, cello SKU: CA.240810 Composed by Am...(+)
Soprano voice solo, 2 violins, viola, cello SKU: CA.240810 Composed by Amdreas N. Tarkman. LIEDERPROJEKT. 6 Liebeslieder Fur Sopran Und Streichq. Folk songs and settings of folk songs. Full score. 32 pages. Carus Verlag #CV 02.408/10. Published by Carus Verlag (CA.240810). ISBN 9790007181833. As a part of the collection of love songs for the prizewinning LIEDERPROJEKT, several new arrangements have been created for soprano and string quartet that can be heard on the two Liebeslieder CDs (83.028 and 83.029). The arrangements are by Andreas N. Tarkmann, emeritus professor for instrumentation and arrangement at the Mannheim University of Music and Performing Arts. Four English songs make up the main part of the collection: Purcell's If music be the food of love and Morely's It was a lover and his lass as well as the two folk melodies Down by the Salley gardens and Greensleeves. In contrast, the painfully beautiful Finnish folk song Kukkuu and the slow pavane Belle qui tien ma vie, from the pen of Thoinot Arbeau, are included. It is a coronation for all musically oriented wedding feasts! Score available separately - see item CA.240800. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Recorders for Christmas 2 Recorders (duet) Schott
Accompaniment CD 1-2 soprano recorders SKU: HL.49014915 20 Christmas C...(+)
Accompaniment CD 1-2 soprano recorders SKU: HL.49014915 20 Christmas Carols for 1-2 Soprano Recorders - Accompaniment CD. Edited by Barrie Carson Turner. This edition: ED12513. Recording mediums. Edition Schott. Classical. CD. Schott Music #ED 12513. Published by Schott Music (HL.49014915). UPC: 073999886870. 5.0x5.5x0.394 inches. Auf der Begleit-CD ist jedes Weihnachtslied in zwei Versionen eingespielt, mit und ohne Blockfloten. $15.99 - See more - Buy online | | |
| We Three Kings of Orient Are Advance Music
5 Saxophones SATTBar SKU: AP.1-ADV7558 For SATTBar Saxophone Quintet(+)
5 Saxophones SATTBar SKU: AP.1-ADV7558 For SATTBar Saxophone Quintet. Composed by John Henry Hopkins. Arranged by Andy Middleton. 5 or More; Solo Small Ensembles; Woodwind - Saxophone Quintet. Advance Music: Holiday Celebration Series. Christmas; Novelty; Sacred; Traditional; Winter. Score and Part(s). Advance Music #01-ADV7558. Published by Advance Music (AP.1-ADV7558). UPC: 805095075588. English. This arrangement of We Three Kings of Orient Are changes the original solemn melody to a swinging reggae groove that slides into a gospel-sounding refrain with rich jazz harmonies. Solo space for soprano sax leads to a development section that explores the extreme high and low ranges of the group. Arranged for five saxophones (SATTBar). $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Carols for Choirs II Choral SATB [Octavo] Carl Fischer
(1. the First Noel 2. O Little Town of Bethlehem 3. Jingle Bells 4. We Three). A...(+)
(1. the First Noel 2. O Little Town of Bethlehem 3. Jingle Bells 4. We Three). Arranged by Joe Ambrosio. For Soprano, Alto, Tenor, Bass, Optional Keyboard. Octavo. 24 pages. Published by Carl Fischer
$3.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ukulele Christmas Songbook Ukulele [Sheet music] - Easy Mel Bay
By Lee. For Ukulele (Soprano). Solos. Christmas. Level: Beginning-Intermediate. ...(+)
By Lee. For Ukulele (Soprano). Solos. Christmas. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.
(1)$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Butz R/magolt H Floetenzirkus - Beginner Schott
Soprano recorder (BFL) - very easy SKU: HL.49033119 Die Blockflotensch...(+)
Soprano recorder (BFL) - very easy SKU: HL.49033119 Die Blockflotenschule fur Kinder ab funf Jahren. Composed by Rainer Butz. This edition: Ring/Spiral binding. Sheet music. Edition Schott. 80 pages. Schott Music #ED 9491. Published by Schott Music (HL.49033119). ISBN 9783795756123. 7.25x10.75x0.492 inches. German. Bernhard Mark; Karin Schliehe. Hereinspaziert und willkommen im lustigen Flotenzirkus! Mit dieser neuen Schule fur Sopran-Blockfloten in drei Banden lernen Kinder ab funf Jahren die ersten Flotentone spielend leicht. Uber neunzig Lieder mit vielen Texten rund um die Themen Marchen, Theater und Zirkus ermuntern die Kinder zu kreativem Vergnugen mit Musik, Spiel und Tanz. Darunter sind auch bekannte Kinderlieder von Hanschen klein bis zum Pumuckl-Lied sowie Lieder zu den Jahreszeiten und zu besonderen Anlassen. Viele lustige Bilder regen die Phantasie zum Ausmalen an. Einfache Ubungen machen mit der Notenschrift vertraut. Bei dem Tonumfang von c' bis d'' wurde bewusst auf Tone mit Vorzeichen sowie auf das Uberblasen verzichtet. Die Einfuhrung der Tone folgt didaktischen Gesichtspunkten. Der Lernfortschritt wird durch Belohnungspunkte und Das grosse Zirkus-Bilderratsel sichtbar. Die ausklappbare Grifftabelle erleichtert das Einpragen der Griffbilder. Die Schule ist sowohl fur die barocke als auch fur die deutsche Griffweise geeignet. Der Flotenzirkus bietet sich dank der bewahrten Methode von Rainer Butz auch fur den Gruppenunterricht in der Grundschule, im Kindergarten oder in der musikalischen Fruherziehung an. $15.99 - See more - Buy online | | |
| Vespro Della Beata Vergine 'Marienvesper' Choral [Score] Barenreiter
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano...(+)
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/orchestra. This edition: Urtext edition. Paperback. Score. English/German. Published by Baerenreiter Ver
$98.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claudio Monteverdi : Vespro Della Beata Vergine 'Marienvesper' Choral [Reduction] Barenreiter
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andrea...(+)
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andreas Kohs. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/3 cornetts/3 violins/3 violas/violoncello/contrabass/2 flutes/2 Recorders/3 tr
$30.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Turandot K 273 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc)...(+)
Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc).2(cor ang).2(Bb-clar).2(dble bsn) - 4.2.3.0 - timp.perc(3) - hp - cel - str - stage music: trp.2tbne.perc) SKU: BR.EB-9429 A Chinese Fable in 2 Acts after Carlo Gozzi. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern. Piano/Vocal Score. Duration 85'. Breitkopf and Haertel #EB 9429. Published by Breitkopf and Haertel (BR.EB-9429). ISBN 9790004189061. 0 x 0 inches. German / Italian. Text by the composer based on a drama by Carlo GozziTranslation: engl. (L. Salter), ital. (O. Previtali)Place: Im aussersten Orient. Vor dem Stadttor Pekings, Thronsaal im Kaiserpalast, das Frauengemach TurandotsCharacters: Altoum, Kaiser (bass) - Turandot, seine Tochter (soprano) - Adelma, ihre Vertraute (mezzo-soprano) - Kalaf, Sohn des Timur, ein Prinz (tenor) - Barak, sein Getreuer (baritone) - Die Koniginmutter von Samarkand, eine Mohrin (soprano) - Truffaldino, Haupt der Eunuchen (tenor) - Pantalone, Minister (bass) - Tartaglia, Minister (bass) - Acht Doktoren (4 tenors, 4 basses) - Eine Vorsangerin (mezzo-soprano) - Der Scharfrichter (stumme Rolle)Busoni's work, which antedates Puccini's famous setting by a few years, seems rather cool in com-parison to the later piece. Busoni tones down the colors of his orientalisms and totally eschews sentimental lyricism. His strengths lie especially in the scintillating, unfathomable characters and in a music that hovers in an ambivalent manner between brightness and darkness, sadness and humor, danger and harmlessness. This work of art makes its references clear: Gozzi's play about the murderous princess is peopled with familiar commedia dell'arte figures, and one is not quite sure whether this mixture of fun and danger gives a more relaxed feeling to the activity on the stage or whether it does not do precisely the opposite, adding the irreconcilable perspective of a gondola trip on the edge of a bottomless gulf. Busoni is more faithful to Gozzi than Puccini and thus to the gracious levity that hovers over the excesses of the action. His mild chinoiseries repeatedly lead to a Neo-Classicism inspired by Venetian folklore. (Hans-Klaus Jungheinrich, 1985) Turandot was premiered with Arlecchino in Zurich on 11 May 1917. $92.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| OperAria Alto Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8873 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8873 Repertoire Collection. Composed by Marina (Hrsg.) Peter Anton und Sandel Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8873. Published by Breitkopf and Haertel (BR.EB-8873). ISBN 9790004184639. 9 x 12 inches. German / English. ,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto). $43.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sub rosa - Song cycle to poems by Eeva-Liisa Manner Fennica Gehrman
Mezzo-soprano voice, piano SKU: FG.55011-696-2 Laulusarja Eeva-Liisa M...(+)
Mezzo-soprano voice, piano SKU: FG.55011-696-2 Laulusarja Eeva-Liisa Mannerin runoihin. Composed by Joonas Kokkonen. Classical. Score. Fennica Gehrman #55011-696-2. Published by Fennica Gehrman (FG.55011-696-2). ISBN 9790550116962. Joonas Kokkonen (1921-1996) was one of the post-war Finnish composers who sought to distance himself from the legacy of Sibelius. The cycle Sub rosa - settings of poems by Eeva-Liisa Manner (1973) - is now being published for the first time. The poems by Eeva-Liisa Manner (1921-1995) are from her collection Orfiset laulut (Orphic Songs) published in 1960 drawing on ancient mythology, oriental philosophy and mysticism in her own inimitable, unadorned manner. Poet and composer shake hands in this song cycle: the same landscape looks different depending on the lighting and season. The music represents the sparse, economical Kokkonen at his best; he uses an embryonic motif in a variety of ways and forms. Sub rosa was premiered by Helja Angervo, mezzo-soprano and Izumi Tateno, piano on March 25, 1973. The overall duration is c. 10 minutes. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Alla Turca Jazz Op. 5b Schott
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rond...(+)
Piano Duet (Piano For 2 Players) SKU: HL.49046797 Fantasia on the Rondo from the Piano Sonata in A Major, K. 331 Ve. Composed by Fazil Say. Edited by Selin Sekeranber and Yudum Centiner. Piano Duet. Classical. Softcover. 12 pages. Duration 90 seconds. Schott Music #ED23518. Published by Schott Music (HL.49046797). UPC: 842819115670. 9.0x12.0x0.099 inches. The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars havebeen presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. $10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alla Turca Jazz Op. 5b. Alto Saxophone and Piano Schott
Fantasia on the Rondo from the Piano Sonata in A major K. 331 Alt. Composed ...(+)
Fantasia on the Rondo from
the Piano Sonata in A major
K. 331 Alt. Composed by Fazil
Say. Woodwind Solo.
Classical. Softcover. 8
pages. Schott Music #ED23175.
Published by Schott Music
$13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alla Turca Jazz Op. 5B Harp Schott
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo from
the Piano Sonata in A major
K. 331 by Wolfgang Amadeus
Mozart, arranged for harp by
Ekaterina Afanasieva (2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart, das
Rondo Alla Turca, ist eines
der bekanntesten
Klavierstucke uberhaupt. An
diese Popularitat knupft das
als effektvolle Zugabe
entstandene Stuck von Faz?l
Say in der Bearbeitung fur
Harf. Classical. Single
sheet. Composed 1993. Op. 5b.
8 pages. Duration 4'. Schott
Music #ED22797. Published by
Schott Music
$9.99 - See more - Buy online | | |
| I Am the True Vine, SATB Choral SATB Universal Edition
Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich ...(+)
Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Goethe-Lieder Op. 44 - Intermediate/advanced Schott
Piano Accompaniment; Soprano (Vocal Score) - intermediate to advanced SKU: HL...(+)
Piano Accompaniment; Soprano (Vocal Score) - intermediate to advanced SKU: HL.49045623 Vocal Piano Score. Composed by Fazil Say. This edition: Saddle stitching. Sheet music. Vocal Score. Classical. Softcover. Composed 2012. Op. 44. 38 pages. Duration 20'. Schott Music #ED22589. Published by Schott Music (HL.49045623). ISBN 9790001161275. UPC: 841886029170. 9.0x12.0x0.166 inches. German. In his set of five lieder with finale, Fazil Say sets a selection of contrasting poems from Goethe's cycle West-Eastern Divan in which the poet skillfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say's music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises. Contents: - I Offenbar Geheimnis - II Fetwa - III Zu besserem Verstandnis - IV Tefkir Nameh - V Betrogener, betruge! - VI Finale. $38.00 - See more - Buy online | | |
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| Carl Nielsen: Salmer Og
Aandelige Sange: Soprano:
Instrumental Work Soprano, Piano [Sheet music] - Intermediate Wilhelm Hansen
Salmer Og Aandelige Sange ias a collection of Sacred Songs And Hymns by early 20...(+)
Salmer Og Aandelige Sange ias a collection of Sacred Songs And Hymns by early 20th Century Danish composer Carl Nielsen who is one of the most important and free-spirited of the generation of composers who straddle the 19th and 20th centuries. If Nielsen's chamber and orchestral music epitomizes the exploratory growth-orientated side of his nature his songs contain the essence of his search for the ‘simple original’. Arranged for Piano Vocal and Guitar.
14.99 GBP - Sold by Musicroom UK | |
| Richard Rodney Bennett:
Garland For Marjory
Fleming: Soprano: Vocal
Work Soprano, Piano [Sheet music] Novello & Co Ltd.
Composer performer and arranger Richard Rodney Bennett was internationally resp...(+)
Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. The playful and sensitive side of Bennett comes to the fore with this delightful setting of five songs of poems by Marjorie Fleming. Marjorie Fleming was a very young Scottish poetess who was born in Kirkcaldy in 1803 and died just eight years later leaving journals and a handful of poems. Her words are artless and evocative her spelling and language inventive. ‘Three Turkeys now their last have breathed And nowthis world forever leaved ’ she writes in A Melancholy Lay.This set of art songs is witty and poignant.
15.99 GBP - Sold by Musicroom UK | |
| Recorders For Christmas Descant (Soprano) Recorder Schott
Cet ouvrage contient une sélection de chants de Noël dans les arrangements trÃ...(+)
Cet ouvrage contient une sélection de chants de Noël dans les arrangements très faciles pour enregistreur descant avec une deuxième partie facultative. / 1 Ou 2 Flûte(s) A Bec Soprano
12.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Recorders For Christmas Descant (Soprano) Recorder Schott
/ 1 Ou 2 Flûte(s) A Bec Soprano
18.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wagner Dream (HARVEY
JONATHAN) Voix Mixtes, Soprano et Piano,
Baryton, Basse, Tén [Sheet music] Faber Music Limited
Par HARVEY JONATHAN. Wagner Dream by Jonathan Harvey is an opera in nine scenes ...(+)
Par HARVEY JONATHAN. Wagner Dream by Jonathan Harvey is an opera in nine scenes for soloists, actors, chorus, large ensemble and electronics. This vocal score for an accompanied mixed voices chorus, and contains a piano reduction for soloists.Â
 'At the heart of this opera is the clash of two cultures. Late, highly charged romanticism with its
paradigm of finding knowledge through emotional intensity fused with deep psychology and mythic
regression, on the one hand. And on the other hand the new and old world of Buddhism and oriental
thought with its detachment, its clear analysis of happiness and suffering in terms of mind. Perhaps
this latter is the future, and the Wagner world is what we are coming from.'  Jonathan Harvey / Choral Music / Répertoire / Voix Mixtes, Soprano et Piano, Baryton, Basse, Tén
39.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Nico Dezaire: My First
Solos: Descant Recorder:
Instrumental Album Descant (Soprano) Recorder De Haske Publications
25 easy pieces for recorder-My First Solos est un recueil de charmantes pièces ...(+)
25 easy pieces for recorder-My First Solos est un recueil de charmantes pièces à interpréter dans le cadre de la pratique quotidienne ou lors d?un concert avec un superbe accompagnement aux sonorités actuelles. Les pièces sont écrites dans des styles très variés : des tangos des valses une marche nuptiale des musiques aux saveurs orientales des gigues des ballades des rondes du blues et des pièces au caractère humoristique.
15.99 GBP - Sold by Musicroom UK | |
| Recorders For Christmas:
Descant Recorder:
Instrumental Album Descant (Soprano) Recorder Schott
This book contains a selection of Christmas Carols in very easy arrangements for...(+)
This book contains a selection of Christmas Carols in very easy arrangements for descant recorder with an optional second part. On the accompanying CD each carol is given in two versions with and without recorders: children (and adults) can play along with a professional ensemble. Content: Away in an MangerHark! The Herald Angel SingIt Came upon the Midnight ClearOnce in Royal David?s CityThe First NowellSilent Night!O Little Town of BethlehemO Christmas TreeO Come All Ye FaithfulSee Amid the Winters SnowWhile Shepherds Wathed Their FlocksThe Holly and the IvyAngels from the Realms of GloryWe Three Kings of Orient AreGood Christian Men RejoiceWe Wish You a MerryChristmasGood King WenceslasGod Rest You Merry GentlemenPast Tree O?clockPatapan
13.99 GBP - Sold by Musicroom UK | |
| Christmas Favourites:
Descant Recorder: Mixed
Songbook
Descant (Soprano) Recorder [Sheet music] Amsco Wise Publications
A glittering collection of favourite Christmas songs and carols in melody line a...(+)
A glittering collection of favourite Christmas songs and carols in melody line arrangements for descant recorder by Jack Long complete with full lyrics and chord symbols and an illustrated fingering guide. Twenty-six songs including Away In A Manger Deck The Halls Ding Dong Merrily On High Jingle Bells Merry Xmas Everybody Silent Night and We Three Kings Of Orient Are.
7.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Adolphe Sax Album (PROST
NICOLAS) Français Saxophone and Piano [Sheet music] Lemoine, Henry
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846...(+)
Par PROST NICOLAS. Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires.
On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques.
Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre.
On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque).
Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique.
Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone.
La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland.
Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur 'la Quena', leur instrument national.
Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques.
L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872).
La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto.
Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881).
La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. / classique / Répertoire / Saxophone et Piano
28.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Animaux minute Vol.3
(DRUEL GUILLAUME) Français Flute [Sheet music] Lemoine, Henry
Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 mi...(+)
Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 minutes) pour flûte seule, initialement composées pour la clarinette, et pensées pour accompagner un élève dès le début de son apprentissage, et tout au long de sa progression jusqu'aux niveaux les plus avancés.
Ce n'est pas une méthode d'apprentissage, mais une série de 'vignettes', dans lesquelles on pourra choisir un morceau pour une audition, un examen... ou juste pour le plaisir.
Au fil des morceaux apparaissent çà et là des éléments particuliers du langage musical. Par exemple, et dès la première page, on trouvera des appoggiatures brèves, et aussi une portée sans indication de mesure...
Plus loin une note piquée, une syncope, puis deux...
Tiens, un quintolet, tiens, un trille...
Là , une cadence, un do bémol... donc ça existe ? Il faut croire !
Et plus loin, un Flatter... quoi ?
Ah ? Ici on joue à la croche, plus tard on jouera à la blanche, à la blanche pointée...
Ces petites découvertes sont distillées une par une, 'tranquillamente', couche après couche, et elles sont là non pas comme un simple prétexte d'exercice, mais parce qu'elles sont nécessaires à la musique.
Les animaux proposent souvent leur rythme, leur chant, leur activité frénétique ou lente ; il y a leur milieu (l'eau, l'air qui ondulent...), leur localisation (l'Orient, l'Afrique et leurs parfums...); autant de pistes que j'ai pu suivre comme sources d'inspiration.
Tout ce petit monde, tous ces petits mondes organisent le temps, le remplissent et le vident. Et organiser le temps, ne serait-ce pas ça, la musique ?
Nous sommes principalement des tubes où passent des aliments, avec quelques appendices autour pour organiser la collecte desdits aliments. Chez les humains, ces appendices permettent aussi de jouer des instruments de musique.
Guillaume Druel/ Recueil / Flûte Traversière
17.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Animaux minute Vol.3
(DRUEL GUILLAUME) Français Clarinette Bb [Sheet music] Lemoine, Henry
Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 mi...(+)
Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 minutes) pour clarinette seule, prévues pour accompagner un élève dès le début de son apprentissage, et tout au long de sa progression jusqu'aux niveaux les plus avancés.
Ce n'est pas une méthode d'apprentissage, mais une série de 'vignettes', dans lesquelles on pourra choisir un morceau pour une audition, un examen... ou juste pour le plaisir.
Au fil des morceaux apparaissent çà et là des éléments particuliers du langage musical, certains communs à nombre d’instruments, d’autres plus spécifiques à la clarinette. Par exemple, et dès la première page, on trouvera des appoggiatures brèves, et aussi une portée sans indication de mesure...
Plus loin une note piquée, une syncope, puis deux...
Tiens, un quintolet, tiens, un doigté spécial,
Ici un '3 pour 2', un trille...
Là , une douzième, une cadence, un do bémol... donc ça existe ? Il faut croire !
Et plus loin, un Flatter... quoi ?
Ah ? Ici on joue à la croche, plus tard on jouera à la blanche, à la blanche pointée...
Ces petites découvertes sont distillées une par une, 'tranquillamente', couche après couche, et elles sont là non pas comme un simple prétexte d'exercice, mais parce qu'elles sont nécessaires à la musique.
Les animaux proposent souvent leur rythme, leur chant, leur activité frénétique ou lente ; il y a leur milieu (l'eau, l'air qui ondulent...), leur localisation (l'Orient, l'Afrique et leurs parfums...); autant de pistes que j'ai pu suivre comme sources d'inspiration.
Tout ce petit monde, tous ces petits mondes organisent le temps, le remplissent et le vident. Et organiser le temps, ne serait-ce pas ça, la musique ?
Nous sommes principalement des tubes où passent des aliments, avec quelques appendices autour pour organiser la collecte desdits aliments. Chez les humains, ces appendices permettent aussi de jouer des instruments de musique.
Guillaume Druel
Les pièces sont présentées en 3 volumes :
Volume 1 (Cycle 1)
pièces 1 à 20 - durée 26 minutes
Volume 2 (Cycle 2)
pièces 21 à 40 - durée 28 minutes 30
Volume 3 (Cycle 3 et plus)
pièces 41 à 60 - durée 28 minutes/ Recueil / Clarinette Bb
17.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Wolfgang Amadeus Mozart:
Alla Turca Jazz: Piano:
Instrumental Work Piano solo - Easy Schott
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart t...(+)
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart the Rondo Alla Turca is one of the most famous piano pieces of all time. Once only familiar to musical experts later a universal piece for all piano pupils its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazıl Say's arrangement originally created as an effective encore follows on from this popularity. After the first eight bars have been presented in original form typical elements of jazz superimposed on the still recognisable classical foundations can be discovered such as syncopation of the top notes andornamentation through chromatic blue notes embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character Say likes to perfom his Alla Turca Jazz in different combinations for example accompanied by jazz singers of with orchestra. It may appear strange that Fazıl Say who was born in Turkey and - when not on tour - is still resident in that country does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition Turkish folk music and elements of jazz. In a further Mozart arrangement the ballet music Patara premiered in Vienna in 2006 composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme) Say utilised the connection which was absent in Alla Turca albeit in the opposite direction. In the ballet music the piano symbolises Western culture and the Ney flute Oriental culture communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
11.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Alla Turca Jazz op. 5b
(SAY FAZIL / CETINER
YUDUM (Arr) 2 Pianos, 4 hands [Sheet music] Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...(+)
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
11.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Prost N. - Adolphe Sax
Album Français Saxophone and Piano Lemoine, Henry
Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : ...(+)
Adolphe Sax Album Discipline / Instrument : Saxophone et piano Genre : classique Média : Partition Nombre de pages : 36 + 12 Format : 23 x 31 cm Editeur : Lemoine Réf. : 28891 Date de parution : 31/05/2013 ISBN / ISMN : 9790230988919 Contenu BERLIOZ : 1er Solo - BIZET : Ouverture - BIZET : Intermezzo - DELIBES : Barcarolle - FRY : Berceuse - MASSENET : Vision - MASSENET : Air des Larmes - SAINT-SAENS : Orient - THOMAS : Deux chants du Pérou - THOMAS : Récit - WETTGE : Fantaisie Notice Adolphe Sax, inventeur génial du saxophone (breveté en 1846) est nommé au poste de Directeur de la Musique de Scène à l'Opéra de Paris entre 1847 et 1894. C'est la place idéale pour promouvoir et expérimenter ses instruments à l'orchestre - l'inventeur finit par imposer le saxophone dans certaines oeuvres lyriques, symphoniques, musiques de ballets et bien sûr les musiques régimentaires. On recense de nombreuses apparitions de l'instrument, d'abord timidement mêlé à l'orchestre puis dans de véritables solos pittoresques. Si l'intervention des saxophones dans la Corona d'Italia de G. Rossini, Tannhaüser de R. Wagner, la Damnation de Faust de H. Berlioz, Ondine et le pêcheur de P. Dukas, Hulda de C. Franck ou la 1re symphonie de A. Magnard demeure une tentative anecdotique, d'autres compositeurs comme G. Bizet, C. Saint-Saëns, A. Thomas, V. D'Indy, L. Delibes, G. Charpentier ou J. Massenet offrent à l'instrument de belles phrases chantées au sein même de l'orchestre. On ne compte guère qu'une poignée d'oeuvres de musique de chambre mixte avant 1900. En revanche, la formule saxophone accompagné d'un piano (ou d'une fanfare) est d'usage courant. Les musiques sont écrites principalement par les amis de l'inventeur, souvent chefs de musiques régimentaires qui utilisent un style simple et classique pour les besoins du divertissement de plein air (thèmes et variations virtuoses loin des grands chefs d'oeuvre romantiques de l'époque). Cette petite suite musicale retrace un parcours chronologique des solos de saxophone avant 1900, à découvrir avec une réduction de piano comme support harmonique. Hector Berlioz (1803-1869), véritable défenseur des inventions de Sax, vante les mérites du saxophone dans son Traité d'instrumentation. C'est lui qui utilise la 1re fois l'instrument dans une oeuvre pour 6 instruments à vent afin de saluer avec enthousiasme les inventions du célèbre facteur belge. Hymne pour les instruments de Sax sera donné en public le 3 février 1844 à Paris salle Hertz, Adolphe Sax jouant lui-même la partie de saxophone basse en Mib. La partition demeurant malheureusement introuvable, on sait néanmoins que l'Hymne était une adaptation de son Chant sacré pour choeur composé quelques mois plus tôt. Le 1er solo présenté ici est une possible reconstitution du solo de saxophone. La Berceuse, solo originellement joué au saxophone soprano, est extraite de Santa Claus Symphony (1853) de William Henry Fry (1813-1854). Le compositeur né américain était un fervent admirateur d'Adolphe Sax et le 1er compositeur américain à écrire pour grand orchestre. Ce solo est symbolique : il s'agirait de la première intégration du saxophone aux Etats-Unis, 50 ans avant le jazz dixieland. Récit est une véritable cadence consacrée au saxophone alto sur un accompagnement de pizzicati de cordes et tenues de cuivres. Ce récit est extrait du récit et prologue du 2nd tableau de l'Acte II de l'opéra Hamlet (1868) de Ambroise Thomas (1811-1896). Les deux chants du Pérou (1865) sont originellement harmonisés habilement pour 3 saxophones d'après des chants joués par les Indiens sur la Quena, leur instrument national. Orient est un solo de saxophone tiré de la grande marche militaire pour orchestre à vents Orient et Occident opus 25 (1869). Camille Saint-Saëns (1835-1921) a souvent utilisé le pupitre de saxophones, tant dans ses ouvrages symphoniques que lyriques. L'Ouverture et l'Intermezzo de Georges Bizet (1838-1875) sont des solos de saxophone alto des plus remarquables. Ils sont extraits des suites pour orchestre de la musique de scène de l'Arlésienne (1872). La Barcarolle de Léo Delibes (1836-1891) est tirée de son ballet séduisant Sylvia (1876). On y entend un solo très élégant au saxophone alto. Jules Massenet (1842-1912) utilise le saxophone de nombreuses fois. On apprécie bien sûr la valse avec saxophone dans son opéra Le Roi de Lahore, mais c'est surtout grâce à son opéra Werther que le saxophone a été reconnu. Dans l'Air des larmes de Werther (1892), le saxophone dialogue superbement avec le personnage de Charlotte. Le solo de Vision est un chant au saxophone alto qui donne la réplique à Hérode dans l'opéra Hérodiade (1881). La Fantaisie de ce recueil est un extrait de la Fantaisie variée pour saxophone et piano (1889). Elément du patrimoine historique du saxophoniste, cette pièce est typique des musiques légères et décontractées de l'époque. Léon Wettge (1844-1909) était chef de musique du 28e régiment d'artillerie de Versailles avant d'être chef de la Garde Républicaine. Nicolas Prost
27.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| PEPIN CAMILLE - SONNETS,
HOMMAGE A HENRI DUTILLEUX
- CONDUCTEUR Conducteur JOBERT
Création 20/07/2016 - Paris, Archives nationales, Festival Jeunes Ta...(+)
Création 20/07/2016 - Paris, Archives nationales, Festival Jeunes Talents - Marie-Laure Garnier (soprano), Anna Besson (flûte), Augustin Gorisse (cor anglais), Louise Lapierre (basson), Guillaume Sigier (piano) Commanditaire Festival Jeunes Talents 2016 Notice Textes de Charles Baudelaire (in Les Fleurs du mal) A une époque où foisonnent de nombreuses et pourtant si diverses esthétiques musicales, aucune direction ne semble réellement s'imposer. Si l'on associe au XXème siècle une période de bouleversements idéologiques, on l'associe également avec des phénomènes de ruptures. Pourtant, Henri Dutilleux, traverse ce siècle avec une grande sérénité. Sans jamais dévier du chemin unique qu'il se trace, il enchaîne les compositions à la fois sublimes et personnelles... Ses univers poétiques - dont je me sens très proche - se renouvellent sans cesse : nocturnes (La Nuit Etoilée, Ainsi la Nuit, l'Arbre des Songes...), rituels (Incantatoire et Obsessionnel dans ses Métaboles), ou encore son travail sur la lumière (ses magnifiques Shadows of Time). Sa conception coloriste de l'harmonie et la liberté avec il l'emploie, son orchestre foisonnant, ces nappes vibrantes, ce travail si riche sur le timbre et l'espace ou encore ce lyrisme intense mais toujours contenu, participent à l'élaboration d'un langage profondément personnel et prégnant qui traverse l'intégralité de son oeuvre. La vraie leçon de Dutilleux pour les jeunes compositeurs, c'est - comme Debussy avant lui, ou Thierry Escaich aujourd'hui - la singularité. Ce qui me fascine littéralement chez Henri Dutilleux, c'est la façon dont il s'approprie un héritage musical fort, à la fois par sa sensibilité et au moyen d'un artisanat méticuleux. Et si Dutilleux est un compositeur singulier, il s'agit d'une singularité intemporelle. Lui rendre hommage est à la fois un honneur, un plaisir immense, mais également l'occasion de rendre hommage à la voie qu'il a ouverte et à l'exemple qu'il représente pour nous aujourd'hui - hommage que je suis ravie de partager avec quatre autres compositeurs. C'est tout naturellement que je me suis tournée vers la littérature de Charles Baudelaire, correspondant à la fois mon univers et à celui onirique d'Henri Dutilleux. Mes sonnets sont écrits pour quintette (soprano, flûte alto, cor anglais, basson et piano). La formation instrumentale imposant la famille des bois m'a orientée vers la nature avec La Géante. La Cloche fêlée m'inspirait par son sens et Le Flambeau vivant par son caractère incantatoire. Les sonnets expriment des visions différentes : la première plutôt fantastique - celle d'une géante magnifique dans la Nature ; la seconde mystique et processionnelle ; et enfin, le spleen intérieur par la métaphore d'une cloche ébréchée. Cependant, je les ai conçus de la même manière : tous trois travaillent ainsi le phénomène de nappes sonores vibrantes et entêtantes. Cela confère à l'ensemble son côté hypnotique, sensation intense que je retrouve à la lecture des sonnets baudelairiens, comme à celle de la musique de Dutilleux. Camille Pépin (mai 2016) / Partitions classique / Ensemble et orchestre / Conducteur / JOBERT
47.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| The Twelve Songs of
Christmas: Mixed Choir:
Vocal Score Choral 2-part 2-part, Piano [Vocal Score] Alfred Publishing
This festive medley of everyone???s seasonal favourites is sure to be a winner t...(+)
This festive medley of everyone???s seasonal favourites is sure to be a winner this holiday season! The Twelve Songs Of Christmas is a superb arrangement by Jay Althouse for 2-part (Soprano and Alto) Voices with Piano accompaniment.This great mixture of popular and less familiar songs is a great substitute to the often overplayed Holiday programmes. Approximately 7 minutes long the medley contains excerpts from the following 12 carols: Deck the Halls; Good King Wenceslas; March of the Kings; It Came Upon a Midnight Clear; What Child is This'; We Three Kings of Orient Are; SilentNight; Rise Up Shepherd and Follow; Go Tell It On The Mountain; Hark! The Herald Angels Sing; Joy To The World and Hallelujah.
3.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| James Rae: 36 More Modern
Studies for Solo
Saxophone: Saxophone:
Study Saxophone Universal Edition
This book was written in the same format as 20 Modern Studies. Again the pieces...(+)
This book was written in the same format as 20 Modern Studies. Again the pieces are of moderate length and cover a wide variety of styles. As the studies are technically demanding they are all written in comfortable saxophone-orientated keys to allow the student to focus on interpretation. Each study is designed to improve the student's musical as well as technical abilities.James Rae• More modern studies for soprano alto tenor or baritone saxophone complementing the established favourite: 20 Modern Studies• Musical styles vary from modern Classical through to Jazz and Rock• For elementary to more advanced levels (1 -8*)• Ideal for developing musicianship and technique by way of accessible but challenging material • These studies make attractive performance pieces and are suitable for examination purposes
15.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Vic Juris: Vic Juris - A
Second Look: Guitar:
Instrumental Album Guitar Mel Bay
When Mel Bay Records launched Guitar Sessions Vic Juris was one of the artists ...(+)
When Mel Bay Records launched Guitar Sessions Vic Juris was one of the artists recruited to provide a distinctive flavor to the jazz-oriented label. A Second Look features Jay Anderson on bass Tim Horner on drums and DaveLiebman on tenor and soprano sax. The masterful juxtaposition of nylon-string acoustic and electric guitars adds an engaging range of voices to standards and originals including Barney K. So In Love All the Things You Are Shades of Jazz Very Early For Brian Table for One and Indian Summer.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Claudio Monteverdi:
Vespro Della Beata
Vergine 'Marienvesper':
Vocal Ensemble: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...(+)
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
66.50 GBP - Sold by Musicroom UK | |
| Mirabile Mysterium Choral SATB Boosey and Hawkes
D'une seule note, un moment unique dans le temps, se pose le grand mystère, ré...(+)
D'une seule note, un moment unique dans le temps, se pose le grand mystère, révélé dans la tradition chrétienne au moment de Noël. Après ouverture avec un chant unisson obsédante, basse ostinato évoque l'empoussièrement sec, d'une procession de chamelle dans le désert, et une mélodie orientale qui paraissent dans les sopranos vous transporte à un autre moment et du lieu. / Choeur Mixte (SATB)
3.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Recorder Express Soprano
Method Classroom Or
Individual A. Almeida Français Recorder - Beginner I.M.P.
Enregistreur Express est la voie pour devenir un joueur de grande enregistreur e...(+)
Enregistreur Express est la voie pour devenir un joueur de grande enregistreur et s'amuser ! Plus de 120 chansons folkloriques, pop et originales et exercices sont inclus ainsi que des conseils technique et de la théorie de la musique début. Les niveaux 1 et 2 sont combinées dans cette un édition ! Notes sont enseignées dans cet ordre : faible de B, A, G, C, D, E, D faible, F #, C, F, faible élevé e. Cette méthode a été bien conçue et testée soigneusement par maître professeur clinicien et lecteur enregistreur professionnel Artie Almeida. Un CD-ROM distinct est disponibles 99 pistes branches. La plupart des pistes sont accompagnement seulement, mais certains en vedette un lecteur enregistreur professionnel afin que les étudiants peuvent s'efforcer de correspondre son ton beau et la musicalité. / Flûte A Bec / 48 pages / Partition
13.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Telemann G.p. - Gelobet
Dei Der Herr Tvwv
1:602/1216 - Vocal Score Deutsch Barenreiter
Edition no.: BA 5899-90 ISMN: 9790006543502 Editor: Poetzsch, Ute Arranger: Köh...(+)
Edition no.: BA 5899-90 ISMN: 9790006543502 Editor: Poetzsch, Ute Arranger: Köhs, Andreas Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: IX, 83 S. - 27,0 x 19,0 cm Georg Philipp Telemann?s two-part oratorio for St. John?s Day appeared as part of the ?great oratorio year? of 1730/31. Originally performed in two parts, before and after the sermon in the Divine Service, Telemann?s work now belongs rather to the concert hall repertoire. This hitherto unknown work, which lasts 45 minutes, is richly scored for soloists including 2 sopranos, alto, tenor and 3 basses accompanied by strings, flutes, oboes, horns and timpani, with further soloists and choirs also being employed. Performances are planned for the Magdeburg Telemann Festival in March 2014 and the Handel Festival in Halle in June 2014. ? Interesting addition to the repertoire for church as well as concert choirs ? Urtext edition based on the ?Telemann Musical Works? ? Performance practice orientated vocal score (Ger) ? Bilingual preface (Ger/Eng)
23.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Georg Philipp Telemann:
Gelobet sei der Herr:
Vocal Score Soli, Mixted choir and accompaniment Barenreiter
Oratorium zum Johannistag TVWV 1 : 602/1216-Interesting addition to the repertoi...(+)
Oratorium zum Johannistag TVWV 1 : 602/1216-Interesting addition to the repertoire for church as well as concert choirs.Urtext edition based on the Telemann Musical Works.Performance practice orientated vocal score (Ger).Bilingual preface (Ger/Eng).Georg Philipp Telemann?s two-part oratorio for St. John?s Day appeared as part of the ?great oratorio year? of 1730/31. Originally performed in two parts before and after the sermon in the Divine Service Telemann?s work now belongs rather to the concert hall repertoire. This hitherto unknown work which lasts 45 minutes is richly scored for soloists including 2 sopranos alto tenor and 3basses accompanied by Strings Flutes Oboes Horns and Timpani with further soloists and choirs also being employed.
20.00 GBP - Sold by Musicroom UK | |
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