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| Latin Folk Song Trilogy Concert band [Score and Parts] - Easy Hal Leonard
Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. ...(+)
Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. Curnow Music Concert Band. Grade 3. Curnow Music #044400. Published by Curnow Music
$69.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Norfolk Rhapsody No. 2 Orchestra [Study Score / Miniature] - Easy Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Stephen Hogger. For or...(+)
Composed by Ralph Vaughan Williams (1872-1958). Edited by Stephen Hogger. For orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, bass tuba, timpani, triangle, harp and strings). This edition: paperback. Level B-C (easy - moderately difficult). Study score. 32 pages. Duration 10 minutes. Published by Oxford University Press
$16.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cajun Folk Songs Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:40. Published by Manhattan Beach Music.
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cajun Folk Songs Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:40. Published by Manhattan Beach Music.
$195.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Come Thou Fount Of Every Blessing (4 Amer Folk Hymns #4)
Choral SATB SATB, Piano [Octavo] Oxford University Press
(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and...(+)
(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and piano (4 hands)/orchestra/chamber orchestra/brass ensemble (Orchestra: 2.2.2.2-4.3.3.1-timpani.percussion-strings, Chamber orchestra: 3 trumpets, timpani, organ, strings, Brass: 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, organ). Mixed Voices. Choral, sacred. Vocal score. 16 pages. Duration 6'. Published by Oxford University Press
(14)$4.00 - See more - Buy online | | |
| Festive Hymn Settings, Set 6 MorningStar Music Publishers
By Michael Burkhardt. For organ, brass quartet, congregation, timpani, (handbell...(+)
By Michael Burkhardt. For organ, brass quartet, congregation, timpani, (handbells 2-5 octaves). Chamber Music. Festive Hymn Settings. Medium. Published by MorningStar Music Publishers
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Folk Songs of the Four Seasons [Vocal Score] Oxford University Press
By Ralph Vaughan Williams (1872-1958). For Women's chorus and orchestra/chamber ...(+)
By Ralph Vaughan Williams (1872-1958). For Women's chorus and orchestra/chamber orchestra/strings and piano (Original instrumentation: [2.2.2.2-4.2.3.1], timpani, 3 percussion, harp, celeste, organ, strings / Reduced instrumentation: [2.1.2.1-2.2.0.0], timpani, harp, organ, strings and piano). Upper Voices. Contemporary Choral Works. Vocal score. Duration 45'
$24.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Celebrating Chanukah Concert band [Score and Parts] - Beginner Carl Fischer
(Traditional for Beginning Band). Composed by Traditional. Arranged by Sandy Fel...(+)
(Traditional for Beginning Band). Composed by Traditional. Arranged by Sandy Feldstein. Concert Band. For Flute, Oboe, Clarinet, Bass Clarinet (in Bb), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn, Baritone (Treble Clef in Bb), Tuba, Mallet Percussion, Timpani, Percussion, Flute, Oboe, Clarinet, Bass Clarinet (in Bb), Alto Saxophone, Ten. Carl Fischer Beginning Performance Series. Folk. Grade 1. Score and Set of Parts. Standard notation. 16 pages. Published by Carl Fischer
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fantasia on Sussex Folk Tunes Oxford University Press
Solo cello & chamber orchestra (solo cello, 2 flutes, oboe, 2 clarinets, 2 basso...(+)
Solo cello & chamber orchestra (solo cello, 2 flutes, oboe, 2 clarinets, 2 bassoons, 2 horns, trumpet, timpani, strings) - Moderately Difficult SKU: OU.9780193407732 Composed by Ralph Vaughan Williams. Study score. 56 pages. Duration 15'. Oxford University Press #9780193407732. Published by Oxford University Press (OU.9780193407732). ISBN 9780193407732. 12 x 9 inches. A fantasia for solo cello and orchestra, based on five folk tunes which was first performed by Pablo Casals in 1930. Orchestral material is available available on hire/rental from the publisher. $18.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] - Easy Carus Verlag
(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. Fo...(+)
(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 Horns, Trumpet, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. Score available separately - see item CA.4067800. Masses, German, Masses, Latin, Christmas. Level 2. Vocal score. Language: Czech/German. 64 pages. Duration 37 min. Published by Carus Verlag
$27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Folk Festival [Score and Parts] Row-Loff Publications
Composed by Dmitri Shostakovich (1906-1975). Arranged by Brad Arnold. For concer...(+)
Composed by Dmitri Shostakovich (1906-1975). Arranged by Brad Arnold. For concert percussion ensemble (14-15 players: Bells, Xylophone, (2) Vibraphones, (3) Marimbas (two 4 octave, one 5 octave), (4) Timpani, Snare Drum, Concert Bass Drum, Tambourine, Triangle, Crash Cymbals, Suspended Cymbal). Grade 5. Score and parts. Duration 3:27. Published by Row-Loff Publications
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mass in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Study Score / Miniature] Carus Verlag
By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli...(+)
By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. Ger
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Greek Folk Song Suite Concert band [Score and Parts] De Haske Publications
Score and Parts. By Frances Cesarini. De Haske Concert Band Full Set. Published ...(+)
Score and Parts. By Frances Cesarini. De Haske Concert Band Full Set. Published by DeHaske Publications.
$145.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mass in D major Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] - Easy Carus Verlag
(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orc...(+)
(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. This edition: Paperbound. D-Dur (D major). Masses, Latin. Level 3. Full score. Language: Latin. Composed 1887. Opus 86. 160 pages. Duration 43 min. Published by Carus Verlag
$62.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nu tacka Gud, allt folk - Korpartitur Choral SATB Gehrmans Musikforlag
SATB choir, 4 trumpets, 2 trombones/2 horns, bass trombone, tuba (ad lib), 3/4 t...(+)
SATB choir, 4 trumpets, 2 trombones/2 horns, bass trombone, tuba (ad lib), 3/4 timpani, percussion, o SKU: GH.CG-6241K Composed by John Rutter / Johann Cruger. Choral score. With Language: Swedish. Gehrmans Musikforlag #CG 6241K. Published by Gehrmans Musikforlag (GH.CG-6241K). ISBN 9790070001625. Text: Martin Rinkart. $3.96 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Wassail Concert band [Score and Parts] - Intermediate Alfred Publishing
(Movement 1 from the Vaughan Williams Suite) By Robert W. Smith. Conductor's sco...(+)
(Movement 1 from the Vaughan Williams Suite) By Robert W. Smith. Conductor's score and set of performance parts for concert band (3 - 1st flute, 3 - 2nd flute, 1 - 1st oboe, 1 - 2nd oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 1 - alto clarinet, 2 - bass clarinet, 1 - contralto clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 3 - mallet percussion, 1 - timpani, 4 - percussion I, 2 - per
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Down to the river to pray Choral SATB SATB, Piano Oxford University Press
By Mack Wilberg (1955-). For SATB choir and piano four-hands/orchestra (piccolo,...(+)
By Mack Wilberg (1955-). For SATB choir and piano four-hands/orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 2 percussion, banjo (optional), strings). Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 6'. Published by Oxford University Press
$4.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Americana Collection For Band - Timpani Percussion Hal Leonard
By Various. Band Folio. Size 6.75x5.12 inches. 20 pages. Published by Hal Leonar...(+)
By Various. Band Folio. Size 6.75x5.12 inches. 20 pages. Published by Hal Leonard.
$4.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Finnish Folktunes op. 27 [Score] Music Distribution Services
Flute, Clarinet, Timpani, Piano and Strings SKU: M7.DOHR-26340 Composed b...(+)
Flute, Clarinet, Timpani, Piano and Strings SKU: M7.DOHR-26340 Composed by Ferruccio Busoni. Arranged by Franzpeter Goebels. Sheet music. Score. Op. 27. 91 pages. MDS (Music Distribution Services) #DOHR 26340. Published by MDS (Music Distribution Services) (M7.DOHR-26340). ISBN 9790202013403. $54.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Finnish Folktunes op. 27 Music Distribution Services
Flute, Clarinet, Timpani, Piano and Strings SKU: M7.DOHR-26341 Composed b...(+)
Flute, Clarinet, Timpani, Piano and Strings SKU: M7.DOHR-26341 Composed by Ferruccio Busoni. Arranged by Franzpeter Goebels. Sheet music. Set of parts. Op. 27. MDS (Music Distribution Services) #DOHR 26341. Published by MDS (Music Distribution Services) (M7.DOHR-26341). ISBN 9790202013410. $136.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sleep, My Child Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2 SKU: CF.YPS208F Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F). ISBN 9781491152966. UPC: 680160910465. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sleep, My Child Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2 SKU: CF.YPS208 Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208). ISBN 9781491152287. UPC: 680160909780. Key: D minor. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lonely Travelers - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Spoons, Timpani, Trombone, Trumpet, Tuba, Washboard, Whistle, alto Saxophone and more. - Grade 2 SKU: CF.YPS231 Composed by Travis Weller. Folio. Yps. Set of Score and Parts. 8+2+8+2+2+5+2+2+8+4+3+3+2+3+2+1+2+3+16 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS231. Published by Carl Fischer Music (CF.YPS231). ISBN 9781491157831. UPC: 680160916436. 9 x 12 inches. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk songa900 Milesaand they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song--900 Miles--and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song—900 Miles—and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience.While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region.The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lonely Travelers [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Spoons, Timpani, Trombone, Trumpet, Tuba, Washboard, Whistle, alto Saxophone and more. - Grade 2 SKU: CF.YPS231F Composed by Travis Weller. Sws. Yps. Full score. 16 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS231F. Published by Carl Fischer Music (CF.YPS231F). ISBN 9781491157824. UPC: 680160916429. 9 x 12 inches. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk songa900 Milesaand they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song--900 Miles--and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song—900 Miles—and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience.While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region.The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Clash of the Warriors [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5 SKU: CF.CPS266F Composed by Mark Lortz. Cps. Full score. 28 pages. Carl Fischer Music #CPS266F. Published by Carl Fischer Music (CF.CPS266F). ISBN 9781491161760. UPC: 680160920457. Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors.. Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.â€. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Joseph M. Martin:
Canticle of the Cross:
Parts Shawnee Press
Printed Chamber Orchestration-Printed Chamber Orchestration: Inspired by Celtic ...(+)
Printed Chamber Orchestration-Printed Chamber Orchestration: Inspired by Celtic music traditions this new work for Lent or Holy Week presents Christ's journey to the cross. Utilizing folk songs hymns and newly composed sacred songs the music adornsthe heart-felt message of God's love and grace displayed in Christ's redemptive work on Calvary. A thoughtful narration weaves the movements of the work together with Scripture prayer and poetry while delivering a reflectivemessage of hope and assurance. Gentle orchestrations capture the Celtic spirit of the music in a smaller more restrained approach in keeping with Holy Week considerations. A full line of support products is available. Duration:approx. 30 minutes. Titles include: Prologue The Song of the Cross A Celtic Hosanna Come to the Upper Room The Garden of Tears The Carpenter A Tree Once Stood Consolation of the Cross Epilogue. Available separately:SATB Listening CD Preview Pack (Book/CD) StudioTrax CD (Accompaniment only) RehearsalTrax CDs 10-Pack Listening CDs Digital Resource Kit Chamber Orchestration (Score & Parts for Soprano Recorder/Penny Whistle AltoRecorder Oboe/English Horn Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1-3 Trombone 1&2 Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) and Chamber Orchestration CD-ROM. Duration: ca. 30:00.
254.99 GBP - Sold by Musicroom UK | |
| Joseph M. Martin: The
Carpenter: SATB: Vocal
Score Choral SATB [Vocal Score] Shawnee Press
from Canticle of the Cross-Uses: Lent Holy Week Good FridayScripture: Genesis ...(+)
from Canticle of the Cross-Uses: Lent Holy Week Good FridayScripture: Genesis 1:31; Matthew 4:23 13:54-56; John 19:30A significant text and a compelling melody combine to create a moving testament of grace. Set in threetableaus from the life of Christ the text employs sacred metaphor connecting the listener to Jesus as Carpenter Healer and Redeemer. Based upon a folk song the music moves from gentle beauty to sections that are powerful anddramatic. The final lines of “it is finished it is good ” bring an emotive completion to the great story of grace. Available separately: SATB StudioTrax CD Orchestration (Score and parts for alto recorder oboe/english horn clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:28.
13.75 GBP - Sold by Musicroom UK | |
| John Tavener: The
Repentant Thief:
Clarinet: Instrumental
Work Clarinet and Piano Chester
Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavene...(+)
Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavener's The Repentant Thief was inspired by the biblical story of the two criminals who were crucified alongside Jesus atGolgotha. This work contrasts dance-like material with melancholy laments bound together by a refrain with a recitative-like character recalling Greek folk and Orthodox traditions. This edition is for Clarinet withPiano reduction.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Land Of The Silver Birch
(S/O) String Orchestra Alfred Publishing
For a special touch at your next concert, feature one of Canada's most popular f...(+)
For a special touch at your next concert, feature one of Canada's most popular folk songs. Often sung to keep time while canoeing or around campfires, the lyrics are originally from a 19th century poem by First Nations poet Pauline Johnson, making this perfect for cross-cultural study. Although this work can easily be performed with strings alone, percussion instruments, including timpani and bells, expand the palette of colors, helping to create a rich tapestry for your listeners. (2:45) / Orchestre A Cordes
67.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Joseph M. Martin:
Canticle of the Cross:
Mixed Choir Shawnee Press
Preview Pack (Book/CD)-Preview Pack (SATB Book/Listening CD): Inspired by Celtic...(+)
Preview Pack (Book/CD)-Preview Pack (SATB Book/Listening CD): Inspired by Celtic music traditions this new work for Lent or Holy Week presents Christ's journey to the cross. Utilizing folk songs hymns and newly composed sacred songs the musicadorns the heart-felt message of God's love and grace displayed in Christ's redemptive work on Calvary. A thoughtful narration weaves the movements of the work together with Scripture prayer and poetry while delivering areflective message of hope and assurance. Gentle orchestrations capture the Celtic spirit of the music in a smaller more restrained approach in keeping with Holy Week considerations. A full line of support products is available.Duration: approx. 30 minutes. Titles include: Prologue The Song of the Cross A Celtic Hosanna Come to the Upper Room The Garden of Tears The Carpenter A Tree Once Stood Consolation of the Cross Epilogue. Availableseparately: SATB Listening CD Preview Pack (Book/CD) StudioTrax CD (Accompaniment only) RehearsalTrax CDs 10-Pack Listening CDs Digital Resource Kit Chamber Orchestration (Score & Parts for Soprano Recorder/Penny Whistle Alto Recorder Oboe/English Horn Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1-3 Trombone 1&2 Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) and Chamber Orchestration CD-ROM. Duration: ca.30:00.
16.99 GBP - Sold by Musicroom UK | |
| Joseph M. Martin:
Appalachian Winter: SATB:
Vocal Score Choral SATB [Vocal Score] Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...(+)
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score & Parts for Flute 1 & 2 alto recorder Oboe/English Horn Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Acoustic Guitar Banjo Harp Piano Synth Solo fiddle Violin 1 & 2 Viola Cello Double Bass) Printed Full Orchestration Appalachian Consort Orchestration (Score & parts for Flute Violin Cello Mandolin Guitar Percussion and Piano) StudioTrax CD (accompanimentonly) SplitTrax CD Listening CD 10-Pack Listening CDs Preview Pack (Book/CD combo) RehearsalTrax CDs (part predominant reproducible) Digital Resource Kit (PowerPoint Choir Devotionals Poster Program Flyers Children'sProgram PDFs). Duration: approx. 40 min.
9.99 GBP - Sold by Musicroom UK | |
| Joseph M. Martin:
Appalachian Winter:
Orchestra: Parts Orchestra Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...(+)
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score
324.99 GBP - Sold by Musicroom UK | |
| Peter Maxwell Davies:
Concerto For Violin And
Orchestra: Violin:
Miniature Score Orchestra, Violin [Sheet music] Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...(+)
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.
21.99 GBP - Sold by Musicroom UK | |
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