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| Telemann Gp Kzt A-moll 2 Recorders (duet) - Intermediate Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (OB1) - intermediate SKU: HL.49027357 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Solo part, Oboe I. 2 pages. Duration 7'. Schott Music #CON152-13. Published by Schott Music (HL.49027357). ISBN 9790001129442. This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound. $1.95 - See more - Buy online | | |
| Concerto A Min 2 Rec Suppl.set 2 Recorders (duet) - Intermediate Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (STR ERG) - intermediate SKU: HL.49001808 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Concertino (Chamber Orchestra). Classical. Set of supplemental string parts. 18 pages. Duration 7'. Schott Music #CON 152-60. Published by Schott Music (HL.49001808). ISBN 9790001024105. 9.5x11.75x0.065 inches. This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound. $22.99 - See more - Buy online | | |
| Concerto A Min 2 Rec Full Score 2 Recorders (duet) - Intermediate Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum - intermediate SKU: HL.49001806 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 18 pages. Duration 7'. Schott Music #CON 152. Published by Schott Music (HL.49001806). ISBN 9790001024075. UPC: 884088098032. 9.0x12.0x0.077 inches. This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound. $22.99 - See more - Buy online | | |
| Telemann Gp Kzt A-moll 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (ABFL 2) SKU: HL.49027356 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Flute II/Treble Recorder II. 2 pages. Schott Music #CON152-12. Published by Schott Music (HL.49027356). $1.95 - See more - Buy online | | |
| Telemann Concerto A Min Oboe 2 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (OB2) SKU: HL.49027358 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Oboe II. 2 pages. Schott Music #CON152-14. Published by Schott Music (HL.49027358). $1.95 - See more - Buy online | | |
| Telemann Gp Kzt A-moll 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (V2) SKU: HL.49027360 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Violin II. 2 pages. Schott Music #CON152-16. Published by Schott Music (HL.49027360). $1.95 - See more - Buy online | | |
| Telemann Gp Kzt A-moll 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (V1) SKU: HL.49027359 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Violin I. 2 pages. Schott Music #CON152-15. Published by Schott Music (HL.49027359). $1.95 - See more - Buy online | | |
| Telemann Concerto A Min Flute1 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (ABFL 1) SKU: HL.49027355 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Flute I/Treble Recorder I. 2 pages. Schott Music #CON152-11. Published by Schott Music (HL.49027355). $1.95 - See more - Buy online | | |
| Telemann Gp Kzt A-moll 2 Recorders (duet) Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (VC/VAGBA) SKU: HL.49027361 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Edition Schott. Separate part, Violoncello/Viola da gamba. 4 pages. Schott Music #CON152-17. Published by Schott Music (HL.49027361). $1.95 - See more - Buy online | | |
| Sextuor de flutes a bec (sopranino , soprano , alto 1 , alto 2 , tenor , basse) Recorder - Easy Martin, Robert
Recorder - Grade 3 SKU: RM.SL10602 Composed by Christian Forget. Ensemble...(+)
Recorder - Grade 3 SKU: RM.SL10602 Composed by Christian Forget. Ensemble. Instrumental music. Duration 11 minutes. Editions Robert Martin #SL10602. Published by Editions Robert Martin (RM.SL10602). ISBN 9790231096026. $72.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Telemann Concerto Amin Solo Pa 2 Recorders (duet) - Intermediate Schott
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and b...(+)
2 treble recorders (flutes), 2 oboes (violins, tenor recorders), 2 violins and basso continuo; cello (viola da gamba) ad libitum (ST SOL) - intermediate SKU: HL.49027362 Composed by Georg Philipp Telemann. Edited by Ilse Hechler. Sheet music. Concertino (Chamber Orchestra). Set of solo parts. 18 pages. Duration 7'. Schott Music #CON 152-51. Published by Schott Music (HL.49027362). ISBN 9790001024099. This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound. $22.99 - See more - Buy online | | |
| A Shaker Gift Song Concert band [Score and Parts] - Easy Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Grade 2. Conductor score and set of parts. Duration 2:15. Published by Manhattan Beach Music
$125.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Oregon Symphony Op. 67 For Concert Band Parts Concert band Schott
Concert band - difficult SKU: HL.49018308 Fur grosses Blasorchester(+)
Concert band - difficult SKU: HL.49018308 Fur grosses Blasorchester. Composed by Bertold Hummel. Sheet music. Band. Set of parts. Composed 1977. Op. 67. 900 pages. Duration 23'. Schott Music #SHS1023-50. Published by Schott Music (HL.49018308). ISBN 9790001139793. Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The 'Oregon Symphony' occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).
Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb. $480.00 - See more - Buy online | | |
| Oregonsinfonie for Concert Band, Op. 67 Concert band Schott
Concert Band - difficult SKU: HL.49015665 Full Score. Composed by ...(+)
Concert Band - difficult SKU: HL.49015665 Full Score. Composed by Bertold Hummel. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1977. Op. 67. 104 pages. Duration 25'. Schott Music #SHS1023. Published by Schott Music (HL.49015665). ISBN 9790001139786. UPC: 884088156251. 9.0x12.0x0.296 inches. Best playability and musical spirit - this is what characterizes the music of Bertold Hummel who died in 2002, and why his music must be part of the repertoire of any amateur and semi-professional orchestra. The Oregon Symphony occupies a special position in his oeuvre: it was written by Hummel for the typically American symphonic wind bands, requiring almost 100 musicians, including 15 clarinets in three groups of five alone, as well as four piccolos and six flutes, bass clarinet, bassoons, saxophones, trumpets, horns, tubas and the typically American sousaphone, and five percussionists. The work consists of four movements; in the rousing finale, Hummel mixes jazz motifs with popular themes and even weaves the anthem of the State of Oregon in the final music. For getting better acquainted with this music, the first movement is also separately available ('Symphonische Ouverture', SHS 1001).
Picc. * 2 * 2 * Klar. in Es * 3 * Bassklar. in B * 2 Altsax. in Es * Tenorsax. in B * Baritonsax. in Es * 2 - 4 * 3 (Korn.) * 3 * Tenorhr. in B (Bar.) * 2 - P. S. (Trgl. * 4 hg. Beck. * Beckenp. * Tamt. * Gong * Glock. ad lib. * Bngs. * Schellentr. * kl. Tr. * gr. Tr. * Holzbl. * Tempelbl. * Ratsche * Xyl. * Vibr) (5 Spieler) - Kb. $76.00 - See more - Buy online | | |
| Ninja - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2 SKU: CF.YPS228 Composed by Michael Boo. Folio. Yps. Set of Score and Parts. 4+2+2+2+4+4+2+2+5+5+2+2+4+4+4+2+2+3+3+3+2+3+2+1+1+1+2+16 pages. Duration 2:30. Carl Fischer Music #YPS228. Published by Carl Fischer Music (CF.YPS228). ISBN 9781491157961. UPC: 680160916566. 9 x 12 inches. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ninja [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2 SKU: CF.YPS228F Composed by Michael Boo. Sws. Yps. Full score. 16 pages. Duration 2:30. Carl Fischer Music #YPS228F. Published by Carl Fischer Music (CF.YPS228F). ISBN 9781491157978. UPC: 680160916573. 9 x 12 inches. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vulcan Concert band [Score and Parts] - Intermediate/advanced Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Michael Daugherty Music. Grade 4. Softcover. Published by Hal Leonard
$325.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Michael Daugherty : Vulcan Concert band [Score] - Intermediate Hal Leonard
Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. S...(+)
Full Score. Composed by
Michael Daugherty (1954-).
Michael Daugherty Music.
Softcover. 120 pages.
Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joy Has Dawned Choral SATB Hope Publishing Company
SATB choir SKU: HP.8973 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU: HP.8973 Composed by Lloyd Larson. Arranged by Lloyd Larson. Accompaniment CD. Hope Publishing Company #8973. Published by Hope Publishing Company (HP.8973). UPC: 763628189730. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $89.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8976 Composed by Lloyd Larson. Arranged by Lloyd Larson. Set of 1...(+)
SKU: HP.8976 Composed by Lloyd Larson. Arranged by Lloyd Larson. Set of 10 CDs. Hope Publishing Company #8976. Published by Hope Publishing Company (HP.8976). UPC: 763628189761. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joy Has Dawned Choral CD Hope Publishing Company
Voice-Dominant (Reproducible) SKU: HP.8978 Composed by Lloyd Larson. Arra...(+)
Voice-Dominant (Reproducible) SKU: HP.8978 Composed by Lloyd Larson. Arranged by Lloyd Larson. Listening CD. Hope Publishing Company #8978. Published by Hope Publishing Company (HP.8978). UPC: 763628189785. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $59.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8975 Composed by Lloyd Larson. Arranged by Lloyd Larson. Orchestr...(+)
SKU: HP.8975 Composed by Lloyd Larson. Arranged by Lloyd Larson. Orchestration. Instrumental parts. Hope Publishing Company #8975. Published by Hope Publishing Company (HP.8975). UPC: 763628189754. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $399.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joy Has Dawned Choral SATB Hope Publishing Company
SATB choir SKU: HP.8972 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU: HP.8972 Composed by Lloyd Larson. Arranged by Lloyd Larson. Listening CD. Hope Publishing Company #8972. Published by Hope Publishing Company (HP.8972). UPC: 763628189723. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8977 Preview Pack. Composed by Lloyd Larson. Arranged by L...(+)
SKU: HP.8977 Preview Pack. Composed by Lloyd Larson. Arranged by Lloyd Larson. Collection. Book & CD. 96 pages. Hope Publishing Company #8977. Published by Hope Publishing Company (HP.8977). UPC: 763628189778. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joy Has Dawned Choral SATB Hope Publishing Company
SATB choir SKU: HP.8974 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU: HP.8974 Composed by Lloyd Larson. Arranged by Lloyd Larson. Accompaniment CD. Hope Publishing Company #8974. Published by Hope Publishing Company (HP.8974). UPC: 763628189747. Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!
A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM. $94.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Royal Coronation Dances Concert band - Easy Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fantasia Nova Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Suitable for community bands, high school bands, and college bands. 14 minutes duration if played as a suite; or movements 1 or 3 may be performed separately. Conductor score and set of parts. Duration 14:00. Published by Manhattan Beach Music (MH.1-59913-082-3). ISBN 9781599130828. Fantasia Nova is a suite comprising two concert marches and a slow, middle movement that derives its themes from both marches. Ragtime (composed in early September, 1978) is a new from old sort of piece. Although its tunefulness and harmonies have an old-fashioned character, its structure, development, and orchestration are unusual for a march. In the chorale section (measures 111 - 148) the band director must be very careful in balancing, for each of the elements must come through. More important is that the audience be brought up by this section -- filled with a joyous exaltation; great attention must be paid to sonority and the band must play earnestly. Ragtime stands on its own and may be performed separately. Dreams (composed in late September, 1978) is the traditional march of the two. It is very closely modeled (in structure only) to Sousa's Stars and Stripes Forever. It even includes a tricky piccolo solo, although the accompaniment has a chorale texture, almost like a school alma mater. This march has a patriotic, inspirational sound, because it was composed for the town of Irondequoit, New York -- for a Town March contest held by the town's community concert band. It did not, so far as I know, become the town's march; one can hear the name, Irondequoit, throughout the Trio, for every turn of the melody (in fact, each group of four notes) fits the accent pattern (Ih-RON-dih-kwoit) of the town's name. Parade stands on its own as a complete work and may be performed separately. Ensemble instrumentation: 1 Piccolo, 6 Flutes, 2 1st & 2nd Oboes, 1 English Horn, 1 Eb Clarinet, 3 1st Bb Clarinet, 3 2nd Bb Clarinet, 3 3rd Bb Clarinet, 1 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet (optional), 2 1st & 2nd Bassoons, 1 Contrabassoon (optional), 1 1st Eb Alto Saxophone, 1 2nd Eb Alto Saxophone, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 1st Bb Cornets, 3 2nd Bb Cornets, 3 3rd Bb Cornets, 1 1st Horn in F, 1 2nd Horn in F, 2 3rd and 4th Horns in F, 2 1st Trombones, 2 2nd Trombones, 2 3rd Trombones, 1 Euphonium (Treble Clef), 2 Euphonium (Bass Clef), 4 Tuba, 1 String Bass, 1 Timpani (Triangle), 5 Percussion. $125.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cajun Folk Songs Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:40. Published by Manhattan Beach Music.
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cajun Folk Songs Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:40. Published by Manhattan Beach Music.
$195.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| François Devienne:
François Devienne: 6
Sonates en Duo Vol.2:
Chamber Ensemble: Français Flûtes A Bec Alto Et Tenor [Sheet music] Leduc, Alphonse
For 2 flutes 2 oboes 2 clarinets 2 saxophones or 2 violins.
32.50 GBP - Sold by Musicroom UK | |
| Pärt A. - Summa -
Quatuor De Flutes A Bec Recorder Quartet Universal Edition
Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: B...(+)
Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate to advanced players.
31.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| 6 Concertos (1729) In 6
Parts For Violins Et
Flûtes (1611) Flûte A Bec Et Instruments
Divers, Flûte A Bec (Soprano En
Do, Soprano En Ré Ou Alto), 2
Violons Soli, 1 Violon Ripieno, Alto,
Basse Continue Anne Fuzeau Productions
Six concertos in six parts for violins and flutes viz. A fifth, sixth and consor...(+)
Six concertos in six parts for violins and flutes viz. A fifth, sixth and consort flute.Edition : - London, Walsh, s.d. (=1729).Présentation par Susi Möhlmeier et Frédérique Thouvenot : Choix d'oeuvres écrites explicitement pour la flûte à bec - la facture de la flûte à bec en Europe de 1650 à 1750 - lecture de la partition (articulation, dynamique, ornementation, rythme, notation générale, suggestions).Publication en parties séparées : fluto (a consort flute : concertos I, III - a fifth flute : VI - a sixth flute : II, IV, V) - violino primo - violino secondo - violino primo repiano (ripieno) - tenore (alto) - basso continuo.Consort flute : flûte à bec alto en fa.Fifth flute : flûte à bec soprano en ut.Sixth flute : flûte à bec soprano en ré. / Flûte A Bec Et Instruments Divers, Flûte A Bec (Soprano En Do, Soprano En Ré Ou Alto), 2 Violons Soli, 1 Violon Ripieno, Alto, Basse Continue / 79 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
39.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| François Devienne:
François Devienne: 6
Sonates en Duo Vol.1:
Chamber Ensemble: Français Flûtes A Bec Alto Et Tenor [Sheet music] Leduc, Alphonse
For 2 flutes 2 oboes 2 clarinets 2 saxophones or 2 violins.
26.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Trio N°7 Twv 42:F3
(TELEMANN GEORG PHILIPP) 2 Flutes, Piano - Intermediate Soldano
Deux Flûtes et Piano / Ou Flûte A Bec Alto, Flûte A Bec Tenor et Continuo. Pa...(+)
Deux Flûtes et Piano / Ou Flûte A Bec Alto, Flûte A Bec Tenor et Continuo. Par TELEMANN GEORG PHILIPP. Arr. : Frédéric Platzer / Niveau : Fin 2ème Cycle / Répertoire / 2 Flûtes Traversières et Piano
20.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Green (GOUDOUR PHILIPPE) Flute Quartet: 4 flutes [Score and Parts] - Intermediate Soldano
Quatuor De Flûtes [Piccolo, 2Xut, Basse] Ou Flûtes A Bec [Soprano, 2Xtenor, Ba...(+)
Quatuor De Flûtes [Piccolo, 2Xut, Basse] Ou Flûtes A Bec [Soprano, 2Xtenor, Basse]. Par GOUDOUR PHILIPPE. / Niveau : Fin 2ème Cycle / Répertoire / 4 Flûtes Traversières
19.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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