New edition after the Urtext op. 5. Violin and harpsichord (piano); cello (viola da gamba) ad lib. Sonatas 7-12

Barenreiter Urtext Edition of Bach's Six Sonatas for Violin and obbliagato Harpsichord Vol.II BWV 1017 - 1019. Contains full score and parts for Violin Harpsichord or Piano and Viola da gamba or Cello.

Herbstlied - Version 2009 - for English Horn String Trio and Piano. Parts = WH31261A Original version (1992) for Mezzo Soprano Clarinet Violin Cello and Piano: WH31259 Programme note This work was written for the tenth anniversary of the Vækstcenteret (the growth center) with a dedication to its head Jes Bertelsen. This center is a place for consciousness training as well as instruction in meditation practices and various forms of self-development. It is also a community of spiritual fellowship and a place to find peace and inspiration for internal contemplation.  The original version of the piece was scored for mezzo-soprano clarinet and harpsichord. The work is a quodlibet utilizing a Danish song by Oluf Ring – Sig nærmer tiden (The time is near for you to leave) – and two themes by Johan Sebastian Bach from Die Kunst der Fugue: the main theme and the B-A-C-H theme which the Baroque composer introduces in the last fugue the moment before the composition breaks off unfinished. The text is Rainer Maria Rilke’s Herbst: Herbst   Die Blätter fallen fallen wie von weit als welkten in den Himmeln ferne Gärten; sie fallen mit verneinender Gebärde.   Und in den Nächten fällt die schwere Erde aus allen Sternen in die Einsamkeit.   Wir alle fallen. Diese Hand da fällt. Und sieh dir andre an: es ist in allen.   Und doch ist Einer welcher dieses Fallen unendlich sanft in seinen Händen hält. In 2009 I wrote a version for cor anglais piano (or Harpsichord) and string trio.

from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad lib. Date of Publications : 12/07/1985 Number of Pages : 20 Arranger : Ruf, Hugo Series : Violin Library

for Chamber Ensemble-For flute cello viola oboe b-flat clarinet harpsichord and violin.

Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo and; BWV 1030 and 1032 for Flute and obbligato Harpsichord.Bach’s preferred instrument for chamber music after the violin was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach’s understanding and love of the instrument.This Urtext edition provides you with an accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions as editedby Hans-Peter Schmitz and more recently revised by Ulrich Leisinger. The solo flute and cello/viola (continuo) parts are also included on separate inserts.

This volume completes Henle's urtext series of Joseph Haydn's three Piano concertos. Written in or around 1765 the delightful first Concerto is ideally suited for playing at home for the relativelyundemanding part for Piano (or Harpsichord) is accompanied merely by a String quartet. This edition draws on the musical text in our complete edition of Haydn's works guaranteeing an urtext of the finest quality.

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

Ed. G.F. Malipiero - 3 Vl 1 3 Vl 2 2 Vla 2 Vc CB Trp1 Trp2 Harpsichord-Contains: 3 Violins I - 3 Violins II - 2 Violas - 2 Cellos - 1 DoubleBass - 1 Trumpet I - 1 Trumpet II -1 Harpsichord

From the Soundtrack of the Film The Mission-Ennio Morricone's score for the film the Mission has been arranged for Orchestra by Richard Ling. Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion [1] (Bass drum Suspended Cymbal) Harpsichord (optional) Strings (Violin 1 Violin 2 Viola Cello Double Bass).