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Elijah (Elias)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...
(+)
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Joachim Linckelmann. Gattungen vokal: Sacred vocal music. Full Score. MWV A 25, Op. 70. Duration 130 minutes. Published by Carus Verlag
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Dialogus von der Geburt Christi
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by ...
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(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by Christine Blanken. For Soli SATB, SSAATTBB Choir, 3 Contrabassons, Timpani, 3 Oboes, 3 Bassoon, 2 Violin, Viola, Basso Continuo. This edition: paperbound. Full score available separately - see item CA.1038600. Oratorios; Use during church year: Christmas. Piano/Vocal score. Language: German. 48 pages. Duration 40 min. Published by Carus Verlag
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Requiem in C Major
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...
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(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag
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Messiah
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Oxford University Press
By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal S...
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By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal Score. Published by Oxford University Press.
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Requiem
Soli, Mixted choir and accompaniment
[Vocal Score]
Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Contempo...
(+)
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Contemporary. Vocal score. 64 pages. Duration 40'. Published by Oxford University Press (OU.9780193380707).
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Requiem K.626 (Full Score)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Kunzelmann
By Wolfgang Amadeus Mozart. Edited by Franz Beyer. For SATB soli, SATB, 0022 023...
(+)
By Wolfgang Amadeus Mozart. Edited by Franz Beyer. For SATB soli, SATB, 0022 0230, timpani, strings (organ). Full orchestral score, edited by Franz Beyer (9x12").". Full score. Duration 60. Published by Edition Kunzelmann.
(1)
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St. Matthew Passion
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, S...
(+)
By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For vocal soli, SATB/SATB choir, soprano voice in ripieno (Cantus-firmus-Chor fur Sopran), 2 orchestras - I: 2 recorders, 2 flutes, 2 oboes (2 oboe d'amore, 2 oboe d'caccia/english horn), viola da gamba, 2 violins, viola, basso continuo (cello, violone/double. This edition: Clothbound edition. Stuttgart Urtext editions. Passions, Lent and Passiontide. Full score (clothbound edition). Language: German/English. BWV 244. 296 pages. Duration 175 min. Published by Carus Verlag
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Missa Sancti Gabrielis
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...
(+)
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 pages
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Te Deum
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
Composed by Anton Bruckner (1824-1896). For SATB vocal soli, SATB choir, 2 flute...
(+)
Composed by Anton Bruckner (1824-1896). For SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 violins, viola, cello, double bass, organ. Stuttgart Urtext Edition. Sacred vocal music; occasions: Praise and thanks. Vocal score. Text language: Latin. Duration 25 minutes. Carus Verlag #CV 27.190/03. Published by Carus Verlag
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Missa in Angustiis (Missa in Angustiis)
Soli, Mixted choir and accompaniment
[Study Score / Miniature]
Carus Verlag
(Nelson-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang...
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(Nelson-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang. For Soprano solo voice, Alto solo voice, Tenor solo voice, Bass solo voice, SATB chorus, 3 clarinets, timpani, 2 violins, viola, cello/contrabass, organ, [flute, 2 oboes, 2 clarinets, bassoon, 2 horns]. This edition: paperbound. Hob. XXII:11. Full score available separately - see item CA.4060900. Masses, Latin. Study score. Language: Latin. Composed 1798. 216 pages. Duration 40 min
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Missa in G (Mass in G major) (Messe en sol majeur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
-
Intermediate
Carus Verlag
(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). ...
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(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. BWV 236. Full score available separately - see item CA.3123600. Masses, Latin, Incomplete Masses (also Kyrie and Gloria); Stuttgart Urtext editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1742 (terminus ante quem). 52 pages. Duration 30 min
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Grabmusik
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Ja...
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(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Mathias Siedel. For Soli SB, SATB Choir, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. KV 42 (35a). Full score available separately - see item CA.5104200. Cantatas; Use during church year: Holy Week. Piano/Vocal score. Language: German. Composed 1767. 36 pages. Duration 12 min. Published by Carus Verlag
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Vom Himmel hoch (From heav'n on high)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Carus Verlag
Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar...
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Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar, SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, 2 Cellos, Contrabass. Full score available separately - see item CA.4018900. Cantatas; Stuttgart Urtext editions; Use during church year: Christmas. Study score. Language: German/English. Composed 1831. 72 pages. Duration 16 min. Published by Carus Verlag (German import).
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Mass No.3 in f minor WAB 28
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Peters
By Anton Bruckner (1824-1896). Edited by Rudiger Bornhoft. For SATB Soli, SATB C...
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By Anton Bruckner (1824-1896). Edited by Rudiger Bornhoft. For SATB Soli, SATB Chorus, Piano. This edition: Urtext. Choral. Piano/Vocal Score. Text Language: Latin. Published by Edition Peters
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Die Tageszeiten
Soli, Mixted choir and accompaniment
[Vocal Score]
-
Intermediate
Carus Verlag
By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, S...
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By Georg Philipp Telemann (1681-1767). Edited by Reipsch, Brit. For SATB Soli, SATB Choir, 2 Flute, 2 Oboe, Bassoon, 2 Violin, Viola, Viola da gamba, Basso Continuo. This edition: paperbound. TVWV 20:39. Full score available separately - see item CA.3913700. Cantatas. Level 3. Piano/Vocal score. Language: German. 52 pages. Duration 55 min
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Ein Deutsches Requiem (German Requiem) (Un Requiem allemand)
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...
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(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Full score available separately - see item CA.2705500. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Piano/Vocal score. Language: German. 45. 96 pages. Duration 70 min
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Alles nur nach Gottes Willen (All cantate be by God's commandment)
Soli, Mixted choir and accompaniment
[Study Score / Miniature]
-
Intermediate
Carus Verlag
(Kantate zum 3. Sonntag nach Epiphanias). By Johann Sebastian Bach (1685-1750). ...
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(Kantate zum 3. Sonntag nach Epiphanias). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SAB, SATB Choir, 2 Oboes, Strings, Organ. This edition: paperbound. BWV 72. Full score available separately - see item CA.3107200. Cantatas; Stuttgart Urtext editions; Use during church year: Epiphany. Level 3. Study score. Language: German/English. Composed 1726. 80 pages. Duration 20 min
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Magnificat in C
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes,...
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By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. D 486. Full score available separately - see item CA.7005300. Magnificat; Stuttgart Urtext editions; Use during church year: Advent, Christmas. Piano/Vocal score. Language: Latin. Composed 1815. 24 pages. Duration 9 min. Published by Carus Verlag (German import).
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Wachet! betet! betet! wachet! (Watch now, praying, praying, watch now)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
Kantate zum 26. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Rei...
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Kantate zum 26. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Trumpet, Oboe, Strings, Organ. BWV 70. Full score available separately - see item CA.3107000. Cantatas; Stuttgart Urtext editions; Use during church year: End of the church year. Piano/Vocal score. Language: German/English. Composed 1723. 48 pages. Duration 26 min. Published by Carus Verlag (German import).
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Brockes-Passion. Der fur die Sunde der Welt gemarterte und sterbende Jesu
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edit...
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(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min
(1)
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Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei (Be aware, your fear of God may turn to heresy)
Soli, Mixted choir and accompaniment
[Study Score / Miniature]
-
Intermediate
Carus Verlag
(Kantate zum 11. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....
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(Kantate zum 11. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Oboes/2 Oboe d'Amore, Strings, Organ. This edition: paperbound. BWV 179. Full score available separately - see item CA.3117900. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Study score. Language: German/English. Composed 1723. 48 pages. Duration 19 min
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Christus, der ist mein Leben (For me to live is Jesus)
Soli, Mixted choir and accompaniment
[Study Score / Miniature]
-
Intermediate
Carus Verlag
(Kantate zum 16. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....
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(Kantate zum 16. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli STB, SATB Choir, [Cornetto], 2 Oboe d'Amore, Strings, Organ. This edition: paperbound. BWV 95. Full score available separately - see item CA.3109500. Cantatas; Stuttgart Urtext editions. Level 3. Study score. Language: German/English. Composed 1723. 68 pages. Duration 21 min
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Christ, unser Herr, zum Jordan kam (Our saviour Christ to Jordan came) (Christ, unser Herr, zum Jordan kam)
Soli, Mixted choir and accompaniment
[Study Score / Miniature]
-
Intermediate
Carus Verlag
(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinh...
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(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Study score. Language: German/English. Composed 1724. 96 pages. Duration 26 min
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Westminster Mass (Version I) Chorus Score (PANUFNIK ROXANNA)
Choeur Full Score
[Sheet music]
Peters
Par PANUFNIK ROXANNA. Treble or Soprano solo, SSAATTBB choir, 2 harps, tubular b...
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Par PANUFNIK ROXANNA. Treble or Soprano solo, SSAATTBB choir, 2 harps, tubular bells and strings -/ Répertoire / Choeur Full Score
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Franz Joseph Haydn: Stabat Mater Hob.XX Bis: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (Fassung Avec 2 Hautbois (Cor Anglais), Instrument(s) A Cordes Et Fassung Avec erweiterter Formation A Vent: Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Bassons, 2 Cors, 2 Trompettes, 3 Trombones, Ins
[Sheet music]
Barenreiter
Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The ...
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Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale
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Wolfgang Amadeus Mozart: Sancta Maria Mater Dei K.273: Mixed Choir: Vocal Score
Choeur Mixte (SATB), Instruments A Cordes Et Orgue
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Sancta Maria Mater Dei K.273 scored for mixed choir (SATB) Strings and Organ.W...
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Sancta Maria Mater Dei K.273 scored for mixed choir (SATB) Strings and Organ.Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September.Full score Vocal score and performance material (BA4751) is available for sale.
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Wolfgang Amadeus Mozart: Sancta Maria Mater Dei K.273: Mixed Choir: Score
Choeur Mixte (SATB), Instruments A Cordes Et Orgue
[Sheet music]
Barenreiter
Sancta Maria mater Dei K.273 scored for mixed choir (SATB) Strings Organ. Wri...
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Sancta Maria mater Dei K.273 scored for mixed choir (SATB) Strings Organ. Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September. - Urtext of the New Mozart Edition - Full score & performance material (BA4751) and vocal score (BA4751-90) for sale
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Demetrio (MAYR SIMONE)
Choeur Mixte et Orchestre
Ricordi
Opera, full score. Par MAYR SIMONE. / Opéra-opérette / Répertoire / Choeur ...
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Opera, full score. Par MAYR SIMONE. / Opéra-opérette / Répertoire / Choeur Mixte et Orchestre
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Demetrio (MAYR SIMONE)
Choeur Mixte et Orchestre
Ricordi
Full score + Critical commentary. Par MAYR SIMONE. / Opéra-opérette / Réper...
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Full score + Critical commentary. Par MAYR SIMONE. / Opéra-opérette / Répertoire / Choeur Mixte et Orchestre
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Johann Sebastian Bach: Cantata No. 132 Bereitet Die Wege: SATB: Vocal Score
Soli (SATB), Choeur Mixte (SATB) (Choeur Final) Et Orchestre
Barenreiter
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the...
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Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Score and Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
The piano part has been thoroughly re-worked for this new vocal score of Schuber...
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The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Georg Friedrich Händel: Acis And Galatea HWV49a 1st Version: Mixed Choir: Score
Soli (SAATTBB), Choeur Mixte (SATB) Et Orchestre (I/7)
[Sheet music]
Barenreiter
Acis and Galatea HWV 49a1st version Handel set the myth about the love of the sh...
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Acis and Galatea HWV 49a1st version Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) (BA4068) the masque Acis and Galatea HWV 49a (1718) (BA4039) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) (BA10700). This species of stage work was related to the early eighteenth-century English masque by virtue of its choral numbers and straightforward formal design and to the Italian serenata due to its use of one voice to a part in the choruses. In the England of Handel’sday it was given a multitude of generic names: besides “masques” such works were often called “little operas” “English operas” or “pastoral operas” (the term “serenata” had not yet entered English parlance). Handel himself did not specify the genre of Acis and Galatea in his autograph score and probably as a result uncertainty arose among copyists printers and performers as to the work’s proper designation for it has come down to us with a confusing array of generic titles. Handel wrote the piece for James Brydges (1674–1744) Earl of Carnarvon and later Duke of Chandos at whose country estate in Cannons the composer spent the years 1717 and 1718. - Urtext of the Halle handel Edition - Full score (BA4039) and vocal score (BA4039-90) available for sale - performance material (BA4039-72) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Missa Brevis In F Major Hob.XXII: Mixed Choir: Vocal Score
2 Sopranos, Choeur Mixte (SATB) Et Orchestre
Barenreiter
F major-“Missa brevis in F in score. This was the first Mass which Mr. Hay...
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F major-“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”.Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.”In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself.- Urtext from Joseph Haydn Werke- Full score parts (BA4644) and vocal score (BA4644-90) available for sale- Early string version and later version with wind instruments and timpani
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Franz Joseph Haydn: Missa Brevis Sancti Joannis De Deo: SATB: Score
Soprano, Choeur Mixte A 4 Voix, Instruments A Cordes Et Orgue
[Sheet music]
Barenreiter
Haydn presumably wrote his ?Missa brevis? in 1775 for the Brothers Hospitallers ...
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Haydn presumably wrote his ?Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ?Little Organ Mass? from the Organ solo in the ?Benedictus?.- Urtext based on the Henle Complete Edition of the Works of ?Joseph Haydn?- Full score and parts (BA4653) vocal score (BA4653-90) and study score (TP95) available for sale
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Mass In Eb Major D950
Travaux Pour Choeurs
Peters
/ Travaux Pour Choeurs
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Anders Hillborg: Sirens: Voice: Score
2 Sopranos, Choeur Mixte et Orchestre
[Sheet music]
Faber Music Limited
Full Score-Inspired by the dangerous yet alluring sirens in Homer’s Odyss...
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Full Score-Inspired by the dangerous yet alluring sirens in Homer’s Odyssey Anders Hillborg’s Sirens is his largest and most ambitious work to date an evocative 30-minute score in which the sirens (two soprano soloists and a large choir) attempt with increasing desperation to manipulate Ulysses.
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Hector Berlioz: Lelio (Le retour a la vie): Mixed Choir: Vocal Score
Récitant, Soli, Choeur Mixte Et Orchestre
Barenreiter
Musikalisches Monodram-Lélio (The Return to Life) Hol.55: A Lyric Monodrama Lé...
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Musikalisches Monodram-Lélio (The Return to Life) Hol.55: A Lyric Monodrama Lélio was composed during Berlioz's stay in Italy in 1831. He conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience. Originally entitled Le Retour a la Vie' it consists of six separate compositions interspersed with dramatic monologues. The monologues are to be recited by an actor in front of a curtain which conceals the Orchestra and they reflect Berlioz's most passionate concerns in 1831 especially friendship love Shakespeare and thehealing power of music. 'The work is to be played immediately after the 'Symphonie fantastique' to which it forms the conclusion and the complement. The orchestra chorus and soloists should be out of sight on the stage behind the curtain. The actor speaks and acts by himself on the forestage. After the last monologue he exits and the curtain rises to reveal all the performers for the finale thus a platform must be built over the orchestral pit. The part of Lélio demands a skilful non-singing actor. In addition a Tenor is required for the Ballad another Tenor for the Song of Bliss and a strong Baritone for the brigand-chief' - Hector Berlioz Urtext of the New Berlioz Edition Full score (BA5447) and vocal score (BA5447-90) on sale Performance material available (BA5447-72) available for hire
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Franz Joseph Haydn: The Seasons Hob.XXI: Mixed Choir: Score
Soli (STB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Oratorio-Joseph Haydn’s oratorio ‘The Seasons’ was composed ...
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Oratorio-Joseph Haydn’s oratorio ‘The Seasons’ was composed directly after the first successful performances of ‘The Creation’.‘The Seasons’ has however been greatly overshadowed by ‘The Creation’ for a long time and yet this work has far greater changes of style between popular Singspiel and great oratorio than ‘The Creation’. ‘The Seasons’ continues to impress and remains part of the core repertoire to the present with its overwhelming richness of musical character and its immense formal variety. Scarcely another oratorio is able to so captivate an audience with such variety.- Urtext edition from theComplete Edition ‘ Joseph Haydn Works’ published by G. Henle Verlag Munich.- Duration: approx. 140 minutes.- Full score & parts (BA4647) & vocal score (BA4647-90) available for sale.
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
126.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Score
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...
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We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
35.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 6 Bleib Bei Uns: Mixed Choir: Score
Soli (SATB, Soprano Aussi Chorale), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Cantata for Easter Monday-Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata ...
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Cantata for Easter Monday-Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday - Full score & performance material (BA10006) vocal score (BA10006-90) available for sale. Barenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numeroussecular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
25.00 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
11.00 GBP - Sold by Musicroom UK
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Piotr Tchaikovsky. Mazeppa. Opera. Full Score Text In Russian And German (In 2 Parts)
Choeur d'enfants, choeur mixte, baryton solo and orgue
[Sheet music]
Elibron Classics
/ Chant/Vocal/Choeur / 600 pages / Partition
56.75 EUR - Sold by LMI-partitions
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Cantate Domino (Full Score)
Choeur Et Basse Continue
Peters
/ Choeur Et Basse Continue
100.00 EUR - Sold by LMI-partitions
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Sacred Concerto: Saul (SCHUTZ HEINRICH)
Travaux Pour Choeurs
[Sheet music]
Peters
Par SCHUTZ HEINRICH. SSATBB Soli - Double SATB Chorus - 2 Violons - Basse Contin...
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Par SCHUTZ HEINRICH. SSATBB Soli - Double SATB Chorus - 2 Violons - Basse Continue -/ Répertoire / Travaux Pour Choeurs
7.91 EUR - Sold by LMI-partitions
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There Was A Child
Travaux Pour Choeurs
Peters
/ Travaux Pour Choeurs
36.89 EUR - Sold by LMI-partitions
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Missa Brevis In C Major K 220 'sparrow Mass'
Travaux Pour Choeurs
Peters
/ Travaux Pour Choeurs
17.72 EUR - Sold by LMI-partitions
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Deutsches Liederspiel Op. 14
Travaux Pour Choeurs
Peters
/ Travaux Pour Choeurs
15.77 EUR - Sold by LMI-partitions
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Concerto In D Minor For 2 Violins Bwv 1043
Travaux Pour Choeurs
Peters
/ Travaux Pour Choeurs
28.27 EUR - Sold by LMI-partitions
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Death in Venice (BRITTEN BENJAMIN)
Voix, Choeur et Orchestre
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Full Score (Eng/Ger) Britten’s last opera, Death In Ven...
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Par BRITTEN BENJAMIN. Full Score (Eng/Ger) Britten’s last opera, Death In Venice, is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he sees on the beach in Venice. Unable to confess his love, he dies as the city is ravaged by plague. Full of atmosphere and intense soundscapes, the simple yet subtle motives pull the opera together with great sureness of touch. / Scores / Répertoire / Voix, Choeur et Orchestre
86.75 EUR - Sold by LMI-partitions
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