Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano

' Beata ' est composé sur un texte de l'Hymnaire de Nevers - 1239, Le tissu musical du Grégorien est ici traité avec des techniques mixtes, faisant appel à l'écriture contrapuntique, mais avec des règles moins restrictives, Une idée de reflets sonores est présente depuis le début alternant unissons et octaves à des dissonances de neuvièmes, Des dialogues à deux entre les différentes voix presque récitantes sont développés par les ' tutti ' jusqu'à un crescendo finale, / Choeur Mixte

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SAT), Choeur Mixte (SATB), Orchestre et

Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right! / Choeur Mixte (SSATB) A Cappella

This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano

L'Agnus Dei pour choeur mixte de 2010, est né de la volonté d'écrire une pièce pour choeur qui soit dépouillée et expressive, qui déclame le texte latin comme une incantation lente (prends pitié de nous / donne nous la paix) Car, par la beauté d'une musique sacrée on peut accéder à la foi, / Choeur Mixte

Cette publication présente une démarche originale dans la pédagogie de la formation musicale, Le contenu de ce recueil propose un répertoire reliant geste vocal, mouvement dansé et pratique de rythmes corporels, Toutes les pièces ont été expérimentées dans le cadre de nos activités pédagogiques et permettent des développements pour des publics allant des jeunes enfants aux adultes, Ce livre incite à la curiosité, convie à l'exploration de nouveaux répertoires et invite à l'improvisation et à la composition, Collection Musique et Danse / Choeur Mixte

Dona nobis Pacem (Donne nous la paix) est un extrait de l'Agnus Dei de la messe catholique romaine, Cette phrase a été mise en musique de nombreuses fois dans l'histoire de la musique vocale, Bruno Rossignol l'inclut dans la série de ses oeuvres sacrées qui comprend : Stabat Mater, Salve Regina, Ave verum, Exurgens autem Maria, / Choeur Mixte

Comme son titre le sugge?re, cette oeuvre (compose?e en 01/01/12) a pour but d'e?tre un reflet musical, une amplification, de la parole biblique, La musique ici est ne?e presque naturellement des sonorite?s des textes choisis, chante?s en allemand (dans la traduction de Luther), Quoique le langage musical soit fort diffe?rent, l'esprit qui est a? l'origine de l'oeuvre est tout a? fait le me?me que celui qui animait de?ja? un Heinrich Schu?tz (le titre Sinfonia Sacra est directement un hommage aux Symphoniae Sacrae de ce dernier), Les choeurs portent l'oeuvre de bout en bout, L'orgue et les percussions (timbales, grosse caisse, cymbales, gong, tamtam) cre?ent un contexte sonore mouvant et colore?, extatique ou myste?rieux, grandiose ou de?pouille?,Le premier mouvement met en musique le Psaume 121 : son de?roulement e?voque le profil d'une montagne,Le deuxie?me est ba?ti sur un extrait de la Ie?re Epitre de Pierre qui met en opposition de manie?re saisissante la vanite? de la vie humaine et la transcendante e?ternite? de Dieu,Le dernier mouvement est ba?ti sur le Psaume 150 : la louange y prend des tons tour a? tour jubilatoires, incantatoires, et finalement infiniment recueillis, ExécutantsChoeur mixte SATB (au moins 40 voix)Grand orguePercussions (3 exécutants) Conducteur : DLT220Matériel : DLT2220ECahier des choristes : DLT2221 / Choeur Mixte

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal baby. This vocal score presents the piece arranged for SATB chorus and Piano. Also available for solo soprano and ensemble: Full Score NOV163889 Vocal Score (solo Soprano and Piano version) NOV163900 / Choeur Mixte (SATB) Et Piano