Another witty and engaging work from the pen of the inimitable James Rae. Two delightful movements evoking the era of the cinema organ for three clarinets and bass clarinet.

Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and Jean-Pascal Post's arrangement for the Clarinet of ten of these loved works are indispensable for aspiring clarinetists. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service ofthe Spanish and Portuguese royal families. Post's transcription of ten Sonatas for Clarinet include Sonata K. 9. Post's arrangements for Clarinet enhance the lyricism and melodic invention of the Sonatas as well as enabling the student to study ornamentation and articulation. Bearing in mind that Domenico Scarlatti was a highly competent and popular musician in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise and Post's arrangement of these for Clarinet create an essential addition to the repertoire of all clarinetists.

Charles Louis Eugène Koechlin (1867-1950) a étudié avec Massenet et Fauré et fonda la Société Musicale Indépendante avec Ravel, Schmitt, Caplet et Huré. Poulenc et Sauguet étaient deux de ses élèves. La composition des organes de Koechlin est publié dans une édition en deux volumes pour la première fois. Qu'il s'agit d'une oeuvre très importante apparaît clairement dans le fait que les créations ont été réalisées par des organistes importants: Olivier Messiaen a joué la Chorale op. 90 et Maurice Duruflé la première Sonatine.Une édition intéressante pour des concerts, des compétitions et de la liturgie. Un enregistrement CD sera publié sur le label ORGANES / IFO. / Orgue

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.

This Rubank gem represents a compilation of two celebrated clarinet methods completely revised re-edited and re-styled for modern studios and classrooms. The wealth of valuable materials used for clarinet instruction since thelate 19th century was reorganized by Rubank editor Harvey Whistler into a progressive educational format to meet the needs of beginning to intermediate clarinet students. In his edition Whistler also provided:•Additional material to comprehensively cover the low register and crossing the break • Instructional units organized by key as well as topic culminating with melodic studies incorporating each new idea•Exercises for tone development particularly in the upper register incorporated into each unit

Cette partition VOYAGES ORGANISES VOLUME 3 de Castérède Jacques a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB5277. Cette oeuvre d'une durée de 00:04:55 est idéale pour les musiciens pratiquant Clarinette. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Clarinette Et Piano / Partition

Concerto for Organ (Harpsichord)-Joseph Haydn a laiss? cinq concertos pour orgue en tout. Leur date de composition n?a pas pu ?tre d?termin?e avec exactitude mais on peut supposer qu?elle remonte aux ann?es 1750 ? l??poque o? Haydn exer?ait notamment encore comme organiste ? la chapelle du comte Haugwitz. Parvenu ? la post?rit? sous la forme d?un unique manuscrit le concerto en Ut ma-jeur Hob. XVIII:10 ne fut red?couvert que dans les ann?es 1960 et publi? pour la premi?re fois en 1969 en version Urtext par les ?ditions Henle. Le manuscrit d?signe le clavecin comme instrument soliste pourtant diff?rents crit?res semblent indiquer clairement que l??uvre ?tait destin?e ? l?orgue. Ce concerto fait partie despetits concertos faciles ? jouer avec accompa-gnement de cordes.

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Par LEMMENS JACQUES-NICOLAS. Fanfare by Belgian composer Jacques-Nicolas Lemmens, arranged for Clarinet Choir by Matt Johnston. Jacques-Nicolas Lemmens (1823?1881) is a composer unfamiliar to most, unless you happen to be either an organist, or a Belgian (or a Belgian organist!). At the age of 26, he was appointed organ teacher at the Royal Conservatory of Brussels with two of his most accomplished students being Alexandre Guilmant and Charles-Marie Widor. In 1879 he founded a school for church music in Mechelen, Belgium, which would later bear his name upon moving to Leuven in 1968. The Lemmensinstituut has since broadened its curriculum beyond church music and is a prominent, award-winning music conservatory. This Fanfare of Lemmens is an organ piece popular to play as a postlude or as a wedding recessional. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Tonalité : C-Dur -. Par ZECHNER JOHANN GEORG. Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Große Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Göttweig. As in other of his late works, the strict 'royal style, ' which essentially characterizes Zechner's compositions, is tempered through the use of elements of the 'galant' style of composition. The organ plays solistically in all of themovements. / Messe / Répertoire / Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet

Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982.Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.

Original Works and Arrangements for Church Service and Concert-Original Works and Arrangements for Church Service and Concert.The ?Organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales both original works and arrangements.Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register.Among the piecesin this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; and Carsten Klomp Grosser Gott wir loben dich.