Rich choral textures interweave in this evocative setting of the traditional Irish carol for mixed choir and flute. Flute part included.

Using actual texts of letters written in the 1700s and 1800s Mark Brymer has woven together this moving suite of Celtic music. Featuring multiple opportunities for solos or ensembles this will long be remembered by your audience. May be performed as separate sections or as an entire suite. Includes: Planxty Irwin Road to Lisdoonvarna Skibbereen The Rocky Road to Dublin Blackberry Blossom The Cliffs of Doneen Fisher's Hornpipe Lanigan's Ball Molly Malone (Cockles & Mussels) Muirsheen Durkin and more. Available for SATB and SSA. Instrumental Pak includes parts for Pennywhistle/Flute Fiddle Uilleann Pipe Acoustic Guitar Bass Bodhran Drum/Bass Drum Harp Button Accordion and Scottish D Pipes. ShowTrax CD also available. Performance Time (if performed as entire suite): Approx. 30 minutes.

The Magic Flute K. 620 is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel a popular form that included both singing and spoken dialogue. Arranged for Piano and Voice.

SATB-The lyrical addition of Flute or Violin obbligato brings added warmth and expression to Schubert's beloved Ave Maria. Available: SATB. Performance Time: Approx. 5:40.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers Jonathan Rathbone Ben Parry & Mark Williams were long-standing members ofthe Swingle Singers.

An Irish Blessing is a choral setting for upper voices and piano or organ of the traditional Gaelic prayer which begins 'May the road rise to meet you'. Its gentle melody unfolds slowly beginning in unison and building to a fuller choral texture with a descant in the third verse. The optional flute part adds a folk-like quality and in addition to the wide dynamic range indicated further textural variety can be achieved with opportunities for a soloist or small group of singers.Perfect for school choirs weddings church services any leaving celebration or a concert programme.The Faber Choral Signature Series introduces a wealth of new or recently writtenchoral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre

Flute and rhythm section bring charm to this jazz waltz setting of Henry Mancini's famous theme from the 1964 movie most famously recorded by Andy Williams. Available separately: SATB SAB SSA ShowTrax CD. Rhythm Section andFlute parts available as a digital download (fl gtr b dm). Duration: ca. 2:55.

For mixed chorus 4 Flutes (2nd+Piccolo 3rd+Bass Flute 4th=Alto Flute) 3 Percussion. Published 1972. Text: poems of the Gabon pygmies. First performance: BBC Chorus conducted by Michael Green RoundHouse 22nd May 1972.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Bach was considered the master of choral music composing over 200cantatas. This sumptuous arrangement of Jesu Joy of Man’s Desiring for two flutes and piano now gives players the chance to experience the joy of Bach at his best.