Tenor Horn and Piano-Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos.Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Copland 2000 separate part - horn (piano accompaniment available separately = BHI102644)-Horn. Copland A

Cor Et Piano-Jacques Pernoo's Fantaisie brève composed for Horn Piano accompaniment.

A delightful book of very first solos for horn or soprano cornet in E Flat with piano accompaniment. If you can play just a few notes on the tenor horn then you're ready for this book. Nine imaginative pieces ranging from traditional tunes to classics - all for the absolute beginner with piano accompaniments. The pieces are arranged progressively so you can hear the step-by-step improvement in your playing as well as simply enjoying the music.

Aria was commissioned by and written for the remarkable tenor horn player, Sheona White. Philip Sparke had produced a CD recording with Sheona as soloist and had her wonderful sound in his ears while writing this piece. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves merely as an introduction to another melodic idea, marked calmato. The piano accompaniment takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. The piano then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close.

The volume 'Klassik für Kinder' provides young flute players with a selection of 26 easy works for lessons and concerts. The selected pieces range from the Baroque era via the Classical period to the Romantic era. Apart from original pieces, the editors have deliberately included easy arrangements of well-known masterpieces as well in order to facilitate access to the classical concert literature.The pitch range found in the pieces (not higher than E6) can be easily mastered by pupils from the second year of tuition. The collection is particularly suitable to work on various aspects of interpretation and musical performance.The enclosed CD contains all pieces as a complete version (for listening) and as pure piano accompaniment (for playing along).The 'Klassik für Kinder' series is also available for violin, clarinet, piano, guitar, and most recently for violoncello as well. / Flûte Et Piano

Ladies and Gentlemen Roll up! Roll up for a fantastic and evocative Circus extravaganza! This is a great collection of eight original catchy tunes by Alan Bullard for Horn with Piano accompaniment. Parts are included for F and E-flat Horn as well as the accompaniment or you can play-along with the backing CD. On the CD track 1 is a Bb tuning note then each piece appears twice: first with and then without the solo line. The music is light and humorous and aptly catches the circus mood Music Teacher Magazine. Grade: 3-5

Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words? that fully savour the typical romantic sound of the horn.Alongside the orchestral version Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advancedstudents.

20 Progressive pieces for Horn with Piano Accompaniment-Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can now experience theimportant aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone.

Having won many prizes at the Paris Conservatoire during the 1920s and 1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences En Foret being no exception. This Bozza piece for French Horn and Piano masterfully combines a virtuosic Horn solo with impressionistic Piano accompaniment. The composer includes reminders of the Horn's hunting roots with frequent uses of call and response throughout. As a music educator PaulGriffiths has written of Bozza's compositions saying how 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

You only need to be able to play a few notes on the Horn to tackle these 10 pieces! Specially composed for the elementary Horn player the pieces in this book vary from formal Classical melodies to fun and funky tunes. Each piece includes a simple Piano accompaniment so that you can practice and perform with your Piano-playing friends!

See why Jamey’s concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions Satin Doll Maiden Voyage Footprints Doxy Summertime and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment! Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.