/ Flûte Traversière (Ou Hautbois Ou Violon), Viole De Gambe (Basson Et Violoncelle) Et Basse Continue / Partition

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Handel’s sonatas for one solo instrument and basso continuo are some of the finest examples found in the genre. The three oboe sonatas found in Barenreiter's edition are prime examples of this.The Urtext of the Halle Handel Complete Edition forms the basis for the new publication. As a scholarly critical edition it is concerned with the authentic sonatas written by Handel and not those often found in other collections which are either transcriptions of works originally composed for other instruments (e. g. the F major sonata which is often found in G major) or spurious compositions. All editorial additions are clearly indicated and as such players have a solidbasis for rendering performances true to the composer's intentions. The publication includes an informative historical as well as performance practice introduction by the noted Handel scholar Terence Best. It contains a score and two oboe/basso continuo parts.All of this adds up to a sure winner for oboists.- Authoritative edition based on the reliable Urtext of the Halle Handel Edition- Performance practice tips (English/German)- Score with two oboe/basso continuo parts- Introduction (English/German)

Op. 3 Volume 1 Nos 1-3 for 2 flutes/oboes/violins (recorders in C) and basso continuo.

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

An authoritative edition featuring three sonatas by Handel for the Oboe with Basso Continuo. Edited by David Lasocki and includes extensive performance notes. Selected for the ABRSM Treble Recorder examinations grade 7.

72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Advent & Christmas - High Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice.Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for soloinstrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo.

Joseph Bodin de Boismortier's Trio Sonata In F Major for 2 Oboes (Flutes Violins) and Basso Continuo.

für zwei Cornes de chasse, zwei Oboen, Streicher und Basso continuo. Par TELEMANN GEORG PHILIPP. Sechs Ausgewählte Ouvertüren. Urtext/ Répertoire / 2 Hautbois, Basson, 2 Cors, Instruments à Cordes e