SKU: CL.012-3175-01
Envision a musical sleighride through the upper peninsula of Michigan. Playful and energetic, the opening evolves into a plaintive and sensitive segment of the piece that provides great contrast and expressive opportunites. This exceptional piece has several solo passages for alto saxophone, piccolo, flute, oboe, trumpet and clarinet, and is an excellent choice for concert or contest use. Includes a Piano/Keyboard part that adds color to the composition and allows you to feature a budding pianist with your group.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: GI.G-10310
English, Spanish. Text Source: Based on Psalm 23 / Basado en Salmo 23(22); Translation: Santiago Fernández. Text by J. Michael Joncas. Scripture: Psalm 23.
Based on Psalm 23, the text of “Shelter Me / Protégeme†is paraphrased to adapt the psalmist’s sentiments to respond to present anxieties related to the COVID-19 pandemic. Its soothing, melodic refrain invites congregation participation. This is the edition for two-part equal voices.  Terry Donohoo and Anthony Reed accompanied by Amy Kuebelbeck have recorded the work in a duet version for two mixed voices. Listen here. .
SKU: GI.G-9824
UPC: 785147982401. English, Italian, Latin, Spanish. Text Source: 3. John 13:35, 15:12-13, 1 John 3:16, 4:10, 16. Scripture: John 13:35, John 15:12–13, 1 John 3:16, 1 John 4:10, 16.
Cello or Bassoon.
SKU: PR.114414480
ISBN 9781598063264. UPC: 680160597932. 9x12 inches. Key: Bb major. Transcribed by Carter Pann.
A unique collection of elegant transcriptions of Bach’s keyboard and instrumental gems scored for 10 woodwinds, with flexible scoring and ossia parts – ideal for schools and “pull-out†groups on wind ensemble concerts.The music of Johann Sebastian Bach (1685-1750) is a gift. Nearly every piece that poured out of this man is as inspired and perfected as the next. His body of work has cut a deep incision in the recorded history of music and set a benchmark to which all the contrapuntal masters who followed have aspired to meet.The transcriptions found within this volume add to the thousands upon thousands of versions of his music already re-worked for different groups and media. The music here does not, however, embellish Bach’s own scores (save but for a couple of instances in which it was felt necessary to add an inner voice to serve the expansive range of the ten woodwinds). The selections are ordered (loosely) to assume a smooth, inclined trajectory of both difficulty and musical breadth. The first piece is a small and simpleminuet, the last is a long interior movement of one of the most beloved and advanced violin concertos in the whole repertoire.As a keyboard player I grew up learning and falling in love with much of Bach’s music at the piano. For this very reason, much of this volume consists of the composer’s keyboard works. One cannot, however, deny many of the most cherished works from Bach’s oeuvre when compiling a set of transcriptions, and many of those “hits†are included here as well.Departing from a traditional harmoniemusik ensemble, I have replaced the horns here with saxophones. There are two reasons: 1) the nature of much of this music requires instruments with an ease of agility not executable so readily on the horn; and 2) the opportunity for saxophone players to be included in such an ensemble was very attractive, pedagogically.I hope you enjoy these gems from such a great genius.
