Par MERLINO BASILIO. / Date parution : 2022-02-03/ Répertoire / Saxophone Soprano et Alto (Viola)

Official theme song for 'Music In Our Schools Month' March 1989. This soprano/alto arrangement would be a great addition to any music library.2. Also sold with voicings of SATB - HMC1021 SAB - HMC10233. Instrumentation Sold As Follows:A. Band HMC1025a B. Orchestra HMC1025bC. Full Score HMC1025fs4. Instrumentation Sold Separately:HMC1025e01 Violin I HMC 025e02 Violin II HMC Viola HMC 1025e04 Cello HMC 1025e05 String Bass HMC 1025e06 Flute HMC 1025e07 Oboe HMC 1025e08 Clarinet I HMC 1025e09 Clarinet II HMC 1025e10 Clarinet III HMC 1025e11 Alto Clarinet HMC 1025e12 Bass Clarinet HMC 1025e13 Bassoon HMC 1025e14 F Horn I HMC 1025e15 F Horn II HMC 1025e16 Trombone I HMC 1025e17 Trombone II HMC 1025e18 Trombone III HMC 1025e19 Alto Saxophone I HMC 1025e20 Alto Saxophone II HMC 1025e21 Tenor Saxophone HMC 1025e22 Baritone SaxophoneHMC 1025e23 Coronet/Trumpet I HMC 1025e24 Coronet/Trumpet II HMC 1025e25 Coronet/Trumpet III HMC 1025e26 Baritone Treble Clef HMC 1025e27 Baritone Bass Clef HMC 1025e28 Basses HMC 1025e29 Timpani HMC 1025e30 Drums HMC 1025e31 Mallets (Bells)

Commissioned by the New London Chamber Choir and Spitalfields Music and first performed by the New London Chamber Choir and the London Sinfonietta conducted by the composer at the Spitalfields Music Summer Festival ShoreditchChurch London on 13th June 2011.Text by Gerrard Winstanley Ensemble consists of:Clarinet in BbAlto Saxophone (doubling Soprano Saxophone)Tenor SaxophoneBassClarinetViolinViolaDouble BassAmplified GuitarPiano 

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle