SKU: HL.14042989
ISBN 9788759829240. English.
All In One for 3 String Quartets was composed by Pelle Gudmundsen-Holmgreen in 2013 (String Quartet No.12,13 and 14 played simultaneously). Gudmundsen-Holmgreen has written a collection of three new string quartets: String Quartet no. 12, ‘Each in Each’; String Quartet no. 13, ‘Mutual Ordering’, and String Quartet no. 14, ‘Well-Tuned Sounds’. Each quartet can be played on its own; they can also played simultaneously in any combination. When all three quartets are played together, as they are tonight, the combined work is titled All in One. About this collection, Gudmundsen-Holmgreenwrites: 'Some years ago Kronos and the vocal group Theatre of Voices performed three new pieces, which I had written for the two groups: one for Theatre of Voices (Green), and two for Kronos (New Ground and No Ground). They were played and sung by each group independently – but also both groups together concurrently, on top of each other, as a final gesture. The combined pieces were called New Ground Green and No Ground Green. 'David liked the idea (and the result) of pairs of quartets that could be played both independently and simultaneously, and asked me if the vocal quartet could be transformed into a string quartet. It could not. He then asked me to repeat the whole set-up with a new pair of quartets, adding also some percussion instruments, as was the case with Green for Theatre of Voices. Of course this was tempting. Furthermore David asked me to make one of the two new quartets a little easier to play. 'I began to work. The Kronos part of the pair of quartets turned out to be tough to play, as David puts it. Unfortunately the ‘easier’ one was tough to play also! So I had to write one more, which was then a little easier still (but still not easy). 'The three new works can be played separately and on top of each other in many different combinations, resulting in different kinds of.
SKU: AP.47479S
UPC: 038081544878. English.
This lighthearted, carefree work is easy to remember upon hearing. It has a snappy rhythm that makes you want to dance to its lively tune. Minstrels were musicians who traveled throughout the countryside providing entertainment to any and all. Their repertoire included songs, dances, jokes, and storytelling. One could find them all over Europe and America from the Middle Ages up until the 20th century. As traveling musicians, they relied on catch tunes that could easily be learned and communicated to their audiences. They were in the business of uplifting people's spirits through fun and laughter.
SKU: AP.47479
UPC: 038081544861. English.
SKU: HL.14034494
Austin Boothroyd has confronted the problem of keeping the beginner interested from Lesson One. The twelve pieces in Up We Go enable the trumpet student to experience the satisfaction of ensemble performance with only a limited number of notes. As security increases, so the progressively more difficult pieces will be found to complement the vital technical practice between lessons.
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SKU: OU.9780193417663
ISBN 9780193417663. 10 x 7 inches.
For cambiata 1, cambiata 2, baritone, and piano. An original composition on a traditional and well-loved text, this is a pulsating, rhythmic piece that displays Tarney's keen sense of texture and lines that appeal to young singers. The harmonic language is folk-inspired but with exciting chromatic shifts.
SKU: AP.1-ADV40026
UPC: 805095400267. English. Traditional.
This cheerful arrangement of a German Christmas carol, Morgen Kinder wird's was geben, or Tomorrow, Children, Just Wait! is to be executed at a moderate tempo. The setting is easy yet effective. The well-known melody is framed by amusing interludes and it is well suited for opening or closing a concert. Arranged for string orchestra.
SKU: BT.DHP-1145612-030
English-German-French-Dutch.
All Together is a sparkling piece that is suitable for various playing levels, and offers the ideal motivation for young musicians within your society. Peter Kleine Schaars wrote this composition especially for (combined) ensembles withdifferent playing skills. Musicians can display their abilities at their own level and in between, they all play together. The ‘grade three parts’ contain all levels in cues, so that this composition can also be played by the large band only.Een spetterend stuk dat voor meerdere speelniveaus geschikt is en bovendien de ideale motivatie biedt aan jonge muzikanten van uw vereniging: dat is All Together. Peter Kleine Schaars schreef deze compositie speciaal voor (gecombineerde)ensembles met uiteenlopende speelvaardigheid. Dankzij separate partijen voor de blokfluitklas, het jeugdorkest en het grote orkest kunnen alle muzikanten op hun eigen niveau spelen en tussendoor gezamenlijk muziek maken! Ein prächtiges Stück, das sich für mehrere Spielniveaus eignet und obendrein der ideale Motivationsschub für die jungen Musiker Ihres Vereins ist: das ist All Together. Peter Kleine Schaars schrieb diese Komposition speziell für (kombinierte)Ensembles auf unterschiedlichen Spielniveaus. Dank separater Stimmen für die Blockflötengruppe, das Jugendorchester und das große Orchester können alle Musiker ihre jeweiligen Fertigkeiten zu Gehör bringen und zwischendurch gemeinsam spielen!All Together (Tous ensemble) est une pièce rayonnante de bonne humeur, écrite plus précisément pour les ensembles composés d’une mosa que de compétences multiples. L’œuvre de Peter Kleine Schaars apportera la motivation idéale aux jeunesmusiciens de votre orchestre, et conviendra parfaitement toute ouverture ou clôture de concert, mettant toutes les formations de votre société sous les feux de la rampe.
SKU: BT.DHP-1155655-401
ISBN 9789043147507. English-German-French-Dutch.
Who could play a waltz more beautifully than a saxophone? This little waltz could have been played in the Roaring Twenties in the fashionable districts of Paris.
The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Paris Dance for saxophonists at the level of approximately3 4 years’ study and paid special attention to an easy-to-follow, attractive musical style. As a result, Paris Dance is an ideal performance or competition work for young musicians.Wie kan een wals mooier spelen dan een saxofonist? Dit fraaie walsje zou zomaar gespeeld kunnen zijn in de jaren twintig van de vorige eeuw in de modieuze stadsdelen van Parijs.
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Paris Dance voor saxofonisten die ongeveer drie tot vierjaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Paris Dance een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Wer könnte einen Walzer schöner spielen als das Saxophon? Diese Walzertakte könnten genau so in den zwanziger Jahren des vorigen Jahrhunderts in einem berühmten Stadtviertel von Paris erklungen sein...
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Paris Dance für Saxophonisten mit ungefähr3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einenleicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Paris Dance ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Quel instrument ferait mieux valser que le saxophone ? Voici quelques mesures que l’on aurait pu entendre il y a quelques décennies dans un quartier populaire de Paris.
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Paris Dance poursaxophonistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Paris Dance est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: BT.DHP-0981286-010
The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997. De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek! In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert! Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.
SKU: BA.BA10849
ISBN 9790006557981. 31 x 24.2 cm inches. Text language: German, English. Preface: Jens Rosteck.
The atmospheric cycle “Avant-dernières Penses†(Next-to-last Thoughts) of 1915, with its underlaid words, likewise belongs to Satie’s ‘story pieces’.The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness.This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword.The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.GOB-000731-030
The title is a popular saying in England. It means that's where the money is. Where there's muck, there's power is such a popular expression in the United Kingdom. The saying inspired Peter Martin to compose a highly attractive piece in four parts, consisting of contemporary dances that can also be performed separately. Let's dance! De titel is een populair gezegde in Engeland. Het betekent vrij vertaald - waar het geld zit. 'Where there's muck there is power' is zo'n gevleugelde uitspraak uit het Verenigd Koninkrijk. Het gezegde inspireerde Peter Martin tothet schrijven van een bijzonder aardig 5-delig werk met moderne dansen welke ook gescheiden van elkaar gespeeld kunnen worden. Let's dance! 1. Easy does it - Steady Rock Een aanstekelijk stukje in rock-stijl. De rockmuziek bestaatvanaf begin 60-er jaren en sindsdien is de stijl populair gebleven maar er is geen genre waar zoveel bands de grond in- en uitgestampt worden. Maar het blijft leuk. 2. Best Foot Forward - mars positief De grootste doemdenkers wordenvrolijk bij het aanhoren van een vrolijke mars. De oorsprong van de mars is niet te achterhalen maar de stijl blijft populair en actueel. Best Foot Forward is een op Amerikaanse leest geschoeide mars. 3. Swing Bin - De swingstijldie eind 20-er jaren in de VS losbarstte was een uitvloeisel van de crisisjaren. Aangevoerd door Benny Goodman en de Dorsey Brothers (Tommy en Jimmy) werd deze vorm een rage die grote invloed bleef houden op de ontwikkeling vande jazzmuziek. Stilzitten is er niet bij want de muziek nodigt uit tot het losmaken van al die luie spieren en waar kan dat het beste? In de concertzaal maar het liefst op de dansvloer. 4. The Supreme Skedaddle - alla US March Eenuitsmijter vormt de Supreme Skedaddle, een mars in US-stijl. Het woord skedaddle is een interessant item voor etymologen maar de componist kent het woord uit zijn Noord-Engelse geboortegrond. Het betekent daar 'verspilling vaniets'. Maar de feestelijke mars is beslist geen verspilling van papier of energie.
SKU: BT.GOB-000731-130
SKU: BT.GOB-000628-015
SKU: BT.GOB-000628-215
SKU: BT.DHP-0981286-140
SKU: HL.48025404
UPC: 196288201540.
The Boosey & Hawkes Easy String Music series by Katherine & Hugh Colledge contains four volumes of repertoire for new and developingstring players. Popular with teachers and students alike, each title steadily introduces and consolidates new techniques, fingerings, notes and rhythms to build firm foundations for future learning. Demonstration and accompaniment audio resources are available online for all volumes in the series. Each title is available in two editions – a standalone string book for students or an expanded edition with additional piano accompaniment. Fast Forward, the third volume within the series, is a collection of twenty-one pieces that explore 0–12–3–4 and 0–1–2–34 finger patterns. New rhythms and compound time are introduced, along with a wider range of expression marks and some varied bowings.
SKU: HL.48025364
UPC: 196288194170. 9.0x12.0x0.263 inches.
Peter Wastall's award-winning series of tutor books for woodwind and brass instruments, now available in revised and refreshed editions to instruct and inspire the next generation of musicians, guiding them from beginner level to Grade 3 standard. Divided into units that provide clear explanations of each new stage of learning, alongside plentiful exercises and graded concert pieces, the LEARN AS YOU PLAY method is simple to understand and easy to use. Demonstration and accompaniment audio tracks and printable piano accompaniments are accessible online.
SKU: HL.49000105
ISBN 9790001001274.
