SKU: KN.43175S
UPC: 822795431759.
Commissioned by the Jazz Division of the Illinois Music Educators Association for the 2016 All State Jazz Ensemble, this chart provides a wealth of teaching opportunities. The combination of a swinging melodic line, ample solo space for tenor and trumpet, and outstanding ensemble writing make this a big winner in everyone's book! Duration 5:56. Available in SmartMusic.
SKU: GI.G-9729
ISBN 9781622775323.
Compiled and Edited by James Mick, David Pope, and Soo Han. Chapter authors: Brenda Brenner, Robert Gillespie, Soo Han, Mark Laycock, James Mick, Christopher Selby, and James Woomert.  This much-anticipated fourth volume in the indispensable Teaching Music through Performance in Orchestra series arrives 13 years after the publication of the previous volume, with a new team of authors and editors, each at the top of the string education profession. But while the team is new, the book remains an essential resource for today’s string teachers and conductors at all levels. Part I features practical chapters by leading educators: “Selecting and Teaching Concert Music†by Christopher Selby, “Preparing for the Podium†by James Mick, “Begin with the Score: Making Notation Come Alive†by Mark Laycock, “From Poof to Portato: A Sequence of Bow Strokes for the Heterogeneous Class†by Brenda Brenner, “NRB (Notes, Rhythm, and Bow): Systematic Ways of Providing Technique in the Orchestra Classroom†by Soo Han, “Bowing Styles for the Ages: What Are They? How Do They Sound? When Do I Use Them? How Do I Get My School Orchestra to Play Them?†by Robert Gillespie, “If Only We Had More Rehearsal Time! Strategies for Optimizing Rehearsal Efficiency and Performance Preparedness that Have Nothing to Do With Conducting†by James Woomert. Part II contains analyses of 92 of the most significant works for string and full orchestra in print, Grades 1 through 6. Like the first three volumes of this series, each Teacher Resource Guide includes essential information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements (form and structure), suggestions for additional listening, and a guide to selected references. Click HERE to access a spreadsheet with recommended recordings for works in Volume 4. A Note about Volume 5:  In preparation for Volume 5 of this hallmark series, we welcome your input as we seek to include more repertoire from historically underrepresented composers. For more details, please reivew the following PDF and use the Google Form below to submit your suggested works. PDF: Diversity, Equity, and Inclusion in the TMPO Series Loading….
SKU: SU.80200507
2,1 2 3 2; 4331; timp, perc, harp; stgs Duration: 23'21 Text: Jane Griner 1. Spring (5'19); 2. Summer (5'52); 3. Autumn (3'50); 4. Winter (8'20) Set of instrumental parts (includes: 1 master copy of each page plus license to photocopy for a single ensemble) Choral score: available for sale (#80200505) Conductor's score: available for sale (#80200506) Published by: Dunstan House.
SKU: CL.011-4421-01
This sparkling Ed Huckeby composition presents musical imagery of the picturesque and historic Welsh landscape, using a processional-like primary theme to convey the passing of time. A lyrical middle section based on the initial theme creates a sense of contrast and reflection. A great selection for creating cross-curricular interaction, Pembroke Castle will be of favorite of students and audiences alike!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: BA.BA05926-01
ISBN 9790006575329. 27.5 x 19.5 cm inches. Language: German. Preface: Schmidt, Beate Agnes.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.MUSM570367481
English.
Jo Kondo 's Caccia Soave for solo Piano. Composed and published in 2016. This work is based on Caccia for toy Piano. Duration: ca. 5 minutes.
SKU: FL.FX073563
Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 5.
SKU: SU.91770640
Instrumentation: 1111; 1110; string quintet Duration: 5' Full Score & Parts: available on rental Composed: 2007 Published by: Subito Music Publishing.
SKU: BR.MN-512
ISBN 9790004790113. 8.5 x 11.5 inches.
Der Titel auseinander ineinander nebeneinander bezieht sich auf die unterschiedliche Distanz zwischen den beiden Klavierparten in den drei Teilen des Stuckes. Im ersten Teil spielen die beiden Partner je am aussersten Rand der Klaviatur. Sehr nahe kommen sich die Spieler hingegen im zweiten Teil, wahrend im Schlussteil die Ausfuhrenden normal nebeneinander sitzen.
SKU: BA.BA04672-74
ISBN 9790006493517. 32.5 x 25.5 cm inches. Key: C major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: HL.50485713
ISBN 9780634089275. UPC: 073999857139. B/5 (17x24) inches. Hungarian. Sandor Balassa.
SKU: FJ.B1084S
Opening with the rich sounds of the woodwind choir, here is a magnificent setting of John B. Dykes' familiar hymn tune, Holy, Holy, Holy. Rich brass writing sets up the fanfare and key change to a dramatic tutti finale. (2:45).
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
SKU: BA.BA10989-79
ISBN 9790006575572. 32.5 x 25.5 cm inches. Key: C major.
SKU: HL.49033323
ISBN 9783795757311. 9.0x12.0x0.675 inches. German.
This saxophone method is suitable for lessons and self-study and is aimed at young people and adults who want to learn to play the saxophone with fun and success. This is why this established method focuses on well-known songs - long-winded explanations and dry exercises are avoided. All subject matters have been wrapped up in attractive songs and pieces which sound like real music right from the beginning thanks to the live recorded playback tracks. Thus, exercising is fun. Another successful instrumental method in the well-known 'Hobby' series. Dirko Juchem has made a name for himself as a saxophonist, saxophone teacher and specialist author on both a national and international level for many years.His saxophone sound and wide range of styles are well in demand: He has played with well-known German and international artists such as Rolf Zuckowski, Barbara Dennerlein, Thomas Anders, Anne Haigis, Harald Juhnke, Pe Werner, Sara K. as well as with musicians of Jethro Tull, Jazz-Kantine or the Mike Oldfield Band. Apart from numerous concerts and productions with other artists and bands, he performs again and again with his own programmes - solo, as a duo or with an entire band. Up to now, he has performed in more than 100 CD and LP productions, and his tours have taken him as far as Los Angeles and Taiwan.Having taught at various music schools as a saxophone teacher and held lectures at the Bundesakademie Remscheid as a guest lecturer, he knows the problems of saxophonists from first-hand experience.In addition, Dirko Juchem is the author of numerous textbooks and tune books for the saxophone as well as a specialist author of articles for musicians' journals ('Sonic', 'Sound Check', 'Fachblatt Musikmagazin').
SKU: CL.011-3314-01
Excellent teaching piece as well as an outstanding concert or contest selection. Full of Swearingen's delightful melodies, tasteful harmonies and spirited rhythms, it contains a number of effective percussion parts to keep your percussionists involved and interested. Every section of the band gets a chance to shine and it's sure to be a favorite of students and audiences alike!
SKU: UT.QC-4
ISBN 9788881094783. 6.5 x 9.5 inches.
Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner LottThe career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys. The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition. This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.
SKU: BR.SON-243
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat.
ISBN 9790004802847. 10.5 x 13.5 inches.
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat. Price reduction for a subscription.
SKU: AP.36-A151902
UPC: 660355031649. English.
Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the most popular concerti for piano in the repertoire. Similar to, and perhaps influenced by, Robert Schumann's Piano Concerto, the work also provides some evidence of Grieg's interest in Norwegian folk music, with the cascading motif of a falling minor second followed by a falling major third in the opening flourish typical to the folk music of the composer's native country. Recorded by Wilhelm Backhaus in 1909, this piano concerto is the first to ever be recorded, albeit heavily abridged to only six minutes due to technological limitations. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BA.BA10981-75
ISBN 9790006564866. 32.5 x 25.5 cm inches. Key: C major.
SKU: BR.CHB-3607-02
ISBN 9790004405161. 7.5 x 10.5 inches.
SKU: BP.HB149
Arranged for 3-5 octave handbell choir, organ and optional brass quartet. Level 3-. EASTER HYMN.
