Here is a method that trains organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of Organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the Organ its console manuals and stops before exploring the pedals good manuals and pedalstechnique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist.

Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.

Level 4-BigTime® Piano: Classics is an exciting collection containing some of the most popular and most requested masterworks of Western music arranged for pianists at Level 4 on the Faber Piano Adventures® course.The selections are taken from original non-keyboard sources and arranged to create a 'big' sound while remaining within the intermediate level.This volume includes the pieces Arioso (from Cantata No. 156) by J.S. Bach Canon in D by Pachelbel Danse Macabre by Saint-Saëns Hornpipe (from Water Music) by Handel Hungarian Dance No. 5 by Brahms and more.

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do

Jouer les thèmes, pratiquer les gammes et les arpèges, improviser avec l'accompagnement d'une section rythmique
est le moyen le plus efficace et le plus agréable pour s'immerger dans le jazz.
J'espère de tout c?ur que ce recueil vous accompagnera efficacement dans votre parcours musical et vous souhaite
beaucoup de plaisir et de réussite à l'utiliser!
Michele GORI
1 - Minuit Blues - Medium Swing
2 - Tina - Samba
3 - Anima - Ballad
4 - Seven O'Clock - Jazz Waltz
5 - Señorita - Funky
6 - Blues Flight - Latin
7 - Soleil d'hiver - Bossa Nova
8 - Bernie's Samba - Samba
9 - Keep Swingin' - Swing
10 - Just Blues - Shuffle / Partitions jazz

For String Quartet.Published 1984-5.Commissioned by Wolfson College Oxford with funds from Southern Arts.First performance: the Fairfield Quartet Wolfson College Oxford 2nd March 1985.Parts.

The fantastic forest, a book in two illustrated books, offers 10 educational pieces for semi-collective courses. They are written for 2 or 3 undergraduate harpist students. These pieces use the sound resources of the instrument and its modes of play (xylo sounds, pinches, fingernails, slipped, whistled sounds, zincing ...) and also call on the voice (poem, spoken voice, sung). Each collection offers a piece of graphic writing, which will give great freedom to students, they will be already improvisers and creators of their own music. The themes in these pieces are inspired by nature and animals - real or imaginary - universal themes that every child experiences through his experience. Each piece is readable, attractive and meaningful so that everyone can take ownership. Students and teachers can give free rein to their imagination to propose stagings during public performances. 1. The moon is bored 2. Forests and seasons 3. The dragon comes out of his den 4. The river 5. Charlotte, the groundhog 6. Owl owl

Taught By Tom Feldman-'Robert Johnson is the most important blues musician who ever lived. I have never found anything more deeply soulful. His music remains the most powerful cry that I think you can find in the human voice.' Eric Clapton'Robert Johnson's music sent me reeling. I couldn't even imagine how someone could play the guitar the way he did and sing at the same time.' Bonnie RaittRobert Johnson is arguably the most well known figure in the history of the blues. Though the 29 songs Johnson recorded from 1936-1937 had little impact during his lifetime a collection of his singles entitled King of the Delta Blues Singers was released in 1961 and found widespread recognition. Then 30 years later The Complete Recordings of Robert Johnson was released selling over one million copies. The first blues recording to do so winning a Grammy in the process.Since that 1961 LP players from all different musical backgrounds have sought to learn Robert Johnson's techniques and in this 3 DVD set with over 5 hours and 52 minutes of instruction Tom Feldmann covers every aspect of Johnson's playing. Each song is performed by Feldmann before he dissects the arrangement verse-by-verse and ends with a split screen segment where the song is played slowly with close up shots of both the left and right hands. This is the most expansive look into the guitar playing of Robert Johnson produced in video form.

Guide du violoniste de l'étudiant à la théorie de la musique contient des chansons de vingt familier pour enfants dans un format classeur qui fournit une façon agréable pour les étudiants de Suzuki et traditionnel améliorer les compétences en lecture de musique et d'apprendre la théorie de la musique de base. Afin de résoudre le mystère de chaque titre de chanson manquant, les étudiants apprennent à lire compteur et les signatures de clés, à compter des valeurs fondamentales de note et reste, à applaudir des patrons de rythme et à lire les noms de l'alphabet musical. Etudiants sont dirigées par les touches de A, D et g majeur, 2/4, 3/4, 4/4 et 6/8 mètres et plus. L'excitation de résoudre chaque mystère attire des étudiants dans le matériel et les propulse à travers le livre. Les chansons, y compris un chanoine et trois tours, acquièrent des compétences de la performance et peuvent être utilisés pour les récitals. / Violon / 54 pages / niveau : Débutant / Partition - Format: 11 X 8,5

75 Jeux rythmiques ouvrant sur 5 compositions polyrythmiques préface de Gérard Authelain Aujourd?hui, les percussions corporelles constituent une discipline dont les vertus pédagogiques, thérapeutiques ou artistiques sont reconnues au même titre que les autres pratiques instrumentales. Elles nous placent devant une évidence : celle de re-connaître notre corps comme le premier des instruments susceptibles de donner une dimension sensorielle au son. à travers Toumback, Stéphane Grosjean nous propose d?aborder une série d?exercices corporels sous forme de jeux rythmiques qu?il a soigneusement classés et hiérarchisés avec le souci de constamment préserver leur aspect ludique. Dans ce contexte, chacun exerce ?à mains nues? pour façonner les sons qu?il découvre ou recherche : un grave profond sur la poitrine, un claqué de mains plus ou moins aigu, un ?snap? de doigts sec et dynamique, un frappé de cuisse mat, un frappement de pied lourd pour asseoir une basse?sans oublier la voix, véritable moteur de notre corps sonore. Toutes ces propositions permettent la mise en ?uvre d?un riche travail progressif de coordination des membres et, tout naturellement, la prise de repères chorégraphiques sur les bases du schéma corporel ainsi développé. Toumback se destine à tous les musiciens et non-musiciens qui souhaitent utiliser leur corps pour ressentir la musique ou construire un véritable orchestre de polyrythmies corporelles avec un groupe d?enfants, d?adolescents ou d?adultes . Dans les ouvrages, tous les jeux font l?objet d?une double écriture musicale : une ?classique? (portée et signes traditionnels) et une autre sous forme de tableaux (sorte de tablature corporelle) destinée à tous ceux qui n?ont aucune base solfégique. D?autre part, le DVD, véritable traducteur visuel et sonore de chaque exercice proposé, facilitera grandement la mise en place de ce répertoire sur les plans rythmique, chorégraphique et scénique. Grâce à un judicieux chapitrage calqué sur la progression abordée dans l?ouvrage il représente l?auxiliaire toujours disponible pour permettre de gérer au mieux l?abord de ces nouveaux territoires musicaux.

¿Cómo tocar acompañamientos y solos de guitarra en el estilo Slow Blues? Con nuestro libro por supuesto... Con unas rítmicas mayores o menores esencialmente en 12/8 pero no sólo a tocar con púa o con los dedos y que evocan los grandes estándares de este estilo así como el Blues ?roots? el de las raíces. Y con unos maravillosos solos elaborados en aire lento a partir de las principales progresiones armónicas típicas del estilo que abren las puertas del virtuosismo dominado y del feeling a ultranza. Y todo eso a la manera de B.B. King Stevie Ray Vaughan Eric Clapton ZZTop Buddy Guy Eric Rogers Popa Chubby Lightnin? Hopkins... y otros muchos adeptos de este estilo. Para cada acompañamiento y solo tenemos 5 grabaciones diferentes en el CD MP3 adjunto repartidos de la manera siguiente: la guitarra sola en aire normal y luego más lento la misma parte de guitarra tocada ahora en su playback y por último el playback solo en aire normal y luego más lento... para que cada uno pueda aprender a tocar a su ritmo según su nivel y sus capacidades. ¡O sea 4 horas de música en total!