SKU: BR.PB-14610
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004211144. 10 x 12.5 inches.
Beethoven did not work continuously on this symphony and interrupted his work a couple of times. As the sketches show, he presumably wrote down first ideas in the autumn of 1800.No other autograph material has survived. As Ferdinand Ries, a pupil of Beethoven, bitterly reports, Beethoven gave him the autograph, but it was unfortunately stolen by a friend, out of pure friendship. In April 1803, the composition was premiered publicly, together with the first symphony and the third piano concerto with Beethoven himself as soloist. Although Beethoven's first two symphonies are still influenced by Haydn and Mozart, novelties can already be discovered. The second symphony starts breaking away from traditional forms and lets us surmise the monumentality of Beethoven's innovation. The editor, Armin Raab, critically illuminates the transmission of the work and its sources. He also clears up a wide spread belief in older literature, that this cheerful work might have been composed parallel to the Heiligenstadter Testament. The practical performance material by Breitkopf & Hartel is based on the music text of the New Beethoven Complete Edition and constitutes the authoritative reading of Beethoven research.
SKU: BR.OB-14610-16
ISBN 9790004336526. 10 x 12.5 inches.
SKU: BR.OB-5232-16
ISBN 9790004334799. 10 x 12.5 inches.
For the present Urtext edition of Beethoven's Symphony No. 2, the editor also consulted certain sources and authentic new variants for the first time; among them are the nonet arrangement made by Beethoven's pupil Ferdinand Ries in 1807, thus with authentic variants. Thanks to his vast knowledge, the editor has uncovered a number of errors and contradictions in the sources. The basic differences with respect to other editions chiefly concern the articulation and dynamics in movements 1, 2 and 4. They can easily be found in the Critical Commentary of the conducting score.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006).
SKU: BR.OB-14610-30
ISBN 9790004336564. 10 x 12.5 inches.
SKU: BR.OB-14610-15
ISBN 9790004336519. 10 x 12.5 inches.
SKU: BR.OB-14610-27
ISBN 9790004336557. 10 x 12.5 inches.
SKU: BR.OB-5232-27
ISBN 9790004334829. 10 x 12.5 inches.
SKU: BR.OB-5232-23
ISBN 9790004334812. 10 x 12.5 inches.
SKU: BR.OB-14610-19
ISBN 9790004336533. 10 x 12.5 inches.
SKU: BR.OB-14610-23
ISBN 9790004336540. 10 x 12.5 inches.
SKU: BR.PB-5342-07
Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses i. Symphony; Classical. Study Score. 88 pages. Duration 35'. Breitkopf and Haertel #PB 5342-07. Published by Breitkopf and Haertel (BR.PB-5342-07).
ISBN 9790004210970. 6.5 x 9 inches.
SKU: BR.OB-5232-19
ISBN 9790004334805. 10 x 12.5 inches.
SKU: BR.OB-5232-30
ISBN 9790004334836. 10 x 12.5 inches.
SKU: HL.49045440
ISBN 9790001161817. UPC: 841886028623. 9.25x12.0x0.081 inches. German - English - French. Schott Student Edition Repertoire.
Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, due, in large part, to his popular violin method. His Concertino remains a popular entry-level piece for students to this day. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: HL.49045441
ISBN 9790001161794. UPC: 841886028593. 9.25x12.0x0.082 inches. German - English - French.
Ferdinand Kuchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons.Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment - with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
SKU: BR.SON-433
ISBN 9790004802892. 10 x 12.5 inches.
Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.
SKU: HL.49009461
ISBN 9790200209693. UPC: 884088108182. 5.25x7.5x0.25 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: FH.VCE1
ISBN 978-1-55440-548-0.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Reaching beyond the realm of examination preparation, this series offers one comprehensive volume of Orchestral Excerpts to prepare developing cellists for standard orchestral literature and audition requirements. Bowing and fingering suggestions follow established principles of orchestral playing and are provided to assist students in making stylistically informed performance decisions.Level 5:Prelude - Cohen, MaryEtude in D Minor - Noelck, August arr. Francis GrantEtude in E Minor - Kummer, Friedrich AugustSpanish Pizzicato - Legg, PatEtude in C Major, op. 76a, no. 5 - Popper, DavidBusy Bees - Mooney, RickEtude in D Minor - Feuillard, Louis R.Etude in A flat Major - Matz, RudolfPolly Wolly Doodle - American minstrel song arr. Rick MooneyEtude in A Major - Schroeder, CarlLevel 6:Etude in D Major, op. 76a, no. 7 - Popper, DavidLooping the Loop - Cohen, MaryMetal Cellos - Mooney, RickScherzo, op. 31, no. 4 - Lee, SebastianEtude in D Minor - Matz, RudolfEtude in E Minor - Dotzauer, FriedrichMarch, op. 68, no. 2 - Kabalevsky, DmitriVocalise in G Minor - Bordogni, MarcoEtude in F Minor - Kummer, Friedrich AugustLevel 7:Gigue Positions - Legg, PatRide Like the Wind! - Cohen, MaryRussian Song - Mooney, RickDance, op. 68, no. 3 - Kabalevsky, DmitriEtude in G Major - Feuillard, Louis R.Light Bowing, op. 31, no. 15 - Lee, SebastianEtude in F Minor - Matz, RudolfEtude in G Major - Dotzauer, FriedrichEtude in B flat Major, op. 75a, no. 10 - Popper, DavidVocalise in G Major - Bordogni, MarcoEtude in G Minor, op. 57, no. 6 - Kummer, Friedrich AugustLevel 8:Etude in D Major - Matz, RudolfExercise on the Trill, op. 31, no. 20 - Lee, SebastianThe Coyote's Bark - Mooney, RickEtude in D Minor - Dotzauer, FriedrichVocalise in C Major, op. 8, no. 6 - Bordogni, MarcoEtude in D Major, op. 35, no. 2 - Franchomme, Auguste-JosephEtude in D Minor - Grant, FrancisEtude in A flat Major, op. 21, no. 12 - Buechler, FerdinandScherzo, op. 68, no. 5 - Kabalevsky, DmitriChromatic Etude - Schroeder, Carl.
SKU: HL.49018355
ISBN 9783795793463. 10.25x13.25x1.4 inches. German - English.
Contents: Einlagen zum Pasticcio Der Freybrief von Joseph Haydn u. a., No. 5: Rondo alla Polacca fur Tenor (WeV D.1/1), No. 2: Duetto fur Sopran und Tenor (WeV D.1/2) * Szene und Arie fur Sopran zu Mehuls Helena Ha! Sollte Edmund selbst * La, o la ihn Rettung finden (WeV D.2) * Einlagen zu Karl Ludwig Gieseckes Der travestirte Aeneas, No. 3: Lied fur Bariton (WeV D.3/1), No. 11: Duett fur Sopran und Bariotn (WeV D.3/2) * Lied fur Sopran zu Ferdinand Kauers Sternenmadchen im Maidlinger Walde (WeV D.5) * Szene und Arie fur Sopran zu Cherubinis Lodoiska Was sag ich? * Fern von ihm (WeV D.7) * Huldigungs-Einlage fur Sopran und Bass zu Spontinis Olimpia (WeV D.8) * Rezitativ und Rondo fur Sopran Il momento s'avvicina * La dolce speranza (WeV E.1) * Duett fur zwei Altstimmen Se il mio ben (WeV E.2a) * Szene und Arie der Atalia Misera me * Ho spavento d'ogn'aura (WeV E.3) * Szene und Arie aus Demetrio fur Tenor und Mannerchor Qual'altro attendi * Giusti Numi! (WeV E.4) * Szene und Arie aus Ines de Castro fur Tenor Signor, se padre sei * Chiamami ancor spietato (WeV E.5) * Szene und Arie aus Ines de Castro fur Sopran Non paventar, miavita! * Sei tu sempre (WeV E.6).
SKU: HL.49018356
ISBN 9783795793470. 10.25x13.25x1.08 inches. German - English.
SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-15132-15
ISBN 9790004341940. 10 x 12.5 inches.