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Best Of Piano Stories, Sheet Music Book - Volume III (Minimalistic New Age Piano Solo PianoPassion)
Best Of Piano Stories, Book - Volume III (Minimalistic New Age Piano Solo PianoPassion)
$26.99
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Piano solo
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Frederic Bernard
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Frederic Bernard
Fanfare in a Blue Pilu - Trumpet Ensemble (Septet)
Fanfare in a Blue Pilu - Trumpet Ensemble (Septet)
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Jason Taurins
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Jason Allan Taurins
Concerto in A Minor, RV 356/Op. 3 No. 6 (arr. 2 violins)
Concerto in A Minor, RV 356/Op. 3 No. 6 (arr. 2 violins)
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Cello, Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
(+)
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
69.99 GBP - Sold by Musicroom UK
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Philip Glass: 1+1 One Player And Amplified Table-top: Percussion: Instrumental
Percussion
[Sheet music]
Dunvagen Music Publishers
Philip Glass scored his work 1 + 1 for one player and amplified table top and a...
(+)
Philip Glass scored his work 1 + 1 for one player and amplified table top and as the performer determines the duration of the progressions is written for indeterminate length. It was written soon after his return to New Yorkfollowing a period in Europe studying with Nadia Boulanger and sitarist Ravi Shankar and is one of Glass’s earliest published works..American composer Philip Glass is widely known as one of the most celebrated influential andprolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach areperformed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
5.50 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 1 (Einstein On The Beach): SATB: Vocal Work
Choral SATB
SATB, Organ
[Sheet music]
-
Intermediate
Chester
Einstein On The Beach the opera from which Knee Play 1 was extracted was a sem...
(+)
Einstein On The Beach the opera from which Knee Play 1 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 1 is one of the number songs composed for scene changes simply set to Organ and using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of themost celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group ThePhilip Glass Ensemble.This four minute piece is the first Knee Play from Einstein On The Beach and is scored for SATB chorus and Organ.
2.75 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 3 (Einstein On The Beach): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Chester
From Einstein On The Beach-Einstein On The Beach the opera from which Knee Play...
(+)
From Einstein On The Beach-Einstein On The Beach the opera from which Knee Play 3 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 3 is one of the number songs composed for scene changes using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This eight minute piece is the third Knee Play from Einstein On The Beach and is scored for unaccompanied SATB chorus.
3.99 GBP - Sold by Musicroom UK
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Philip Glass: Four Mouvements For Two Pianos: Piano Duet: Score
1 Piano, 4 hands
[Sheet music]
Dunvagen Music Publishers
Composer Philip Glass returned to composition for chamber ensemble after several...
(+)
Composer Philip Glass returned to composition for chamber ensemble after several years of work for films ballet opera and solo instruments. Four Movements For Two Pianos was commissioned by hislong-time advocate the conductor and pianist Dennis Russell Davies and pianist Maki Namakawa and after the success of this piece at the Ruhr Piano Festival the pair decided to continue performing as a duo. The piece can belocated more at the classical end of Glass’ compositional spectrum retaining all the propulsive rhythms arpeggiation and repetitiveness that are the hallmarks of the composer’s work. American composerPhilip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music withrepetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his ownperforming group The Philip Glass Ensemble.
21.99 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 4 (Einstein On The Beach): Violin: Part
Violin
[Part]
-
Intermediate
Chester
Violin Part-Einstein On The Beach the opera from which Knee Play 4 was extracte...
(+)
Violin Part-Einstein On The Beach the opera from which Knee Play 4 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 4 is one of the number songs composed for scene changes using numbers and solfege syllables as text.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This is the Violin part for the fourth Knee Play from Einstein On The Beach.
6.99 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 5 (Einstein On The Beach): Violin: Vocal Score
Choral 2-part
SA
[Sheet music]
-
Intermediate
Chester
Einstein On The Beach the opera from which Knee Play 5 was extracted was a sem...
(+)
Einstein On The Beach the opera from which Knee Play 5 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 5 is one of the number songs composed for scene changes using numbers and solfege syllables as text.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This four minute piece is the fifth Knee Play from Einstein On The Beach and is scored for SA chorus Violin and Organ.
2.75 GBP - Sold by Musicroom UK
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Philip Glass: Knee Play 5 (Einstein On The Beach): Violin: Part
[Sheet music]
-
Intermediate
Chester
Violin Part-Einstein On The Beach the opera from which Knee Play 5 was extracte...
(+)
Violin Part-Einstein On The Beach the opera from which Knee Play 5 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 5 is one of the number songs composed for scene changes using numbers and solfege syllables as text.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.'Glass' operas among them therenowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip GlassEnsemble.This is the Violin part for the fifth Knee Play from Einstein On The Beach.
6.99 GBP - Sold by Musicroom UK
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Tarik O'Regan: Tal Vez Tenemos Tiempo (Maybe We Have Time): SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Tal Vez Tenemos Tiempo (Maybe We Have Time) is O’Regan’s first work ...
(+)
Tal Vez Tenemos Tiempo (Maybe We Have Time) is O’Regan’s first work setting text in Spanish for which the composer has chosen quite a homophonic setting and harmonic clarity. His work incorporates tonal modal minimalism jazz and African influences though in this work modality and tonality are powerfully in evidence.Contemporary British composer Tarik O’Regan divides his time between New York City and Cambridge England composing as well as writing and speaking about music in print and on radio. His works range from chamber pieces and Choral compositions to chamber opera and full-length ballet. He was nominated for two Grammy awards in 2009 forhis album Threshold of Night and his reputation continues to grow.
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Metamorphosis
Ensemble A Vent
Boosey and Hawkes
Etonnamment, une homme jovial et suprêmement accrocheur cakewalk mélodie origi...
(+)
Etonnamment, une homme jovial et suprêmement accrocheur cakewalk mélodie originale, entre les mains du Kallman, se transforme en musique minimaliste, propulsée par un ostinato de xylophone, puis retour à nouveau. Une vieux américaine chanson-forme classique avec une nouvelle tournure ! / Ensemble A Vent
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(Seller in french langage)
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Jay Bocook: Head Rush: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
This masterful work by Jay Bocook was composed for fellow South Carolinian and h...
(+)
This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach this dynamic piece uses layers of constantly evolving textures and rhythmic devices while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects and culminating with the full force of the entire ensemble Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00
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Philip Glass: Philip Glass Another Look At Harmony: SATB: Score
Choral SATB
SATB, Organ
[Sheet music]
Dunvagen Music Publishers
Another Look at Harmony Part 4 was written while Glass was working on Einstein o...
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Another Look at Harmony Part 4 was written while Glass was working on Einstein on the Beach and it is easy to hear similarities between the two works. In Harmony the Voices use solfege and nonsense syllables where in Einsteinrecognizable words are sometimes set non-narratively. There are similar harmonic progressions that the two pieces share though it is less predictable in Harmony. In both works Glass takes all the time he needs to explore histheme. Another Look at Harmony requires approximately one hour to perform with intensity building through the many repetitions over time.American composer Philip Glass is widely known as one of the most celebrated influentialand prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Metamorphosis
Ensemble A Vent
Boosey and Hawkes
Etonnamment, une homme jovial et suprêmement accrocheur cakewalk mélodie origi...
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Etonnamment, une homme jovial et suprêmement accrocheur cakewalk mélodie originale, entre les mains du Kallman, se transforme en musique minimaliste, propulsée par un ostinato de xylophone, puis retour à nouveau. Une vieux américaine chanson-forme classique avec une nouvelle tournure ! / Ensemble A Vent
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Jay Bocook: Head Rush: Concert Band: Score
Concert band
Hal Leonard
This masterful work by Jay Bocook was composed for fellow South Carolinian and h...
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This masterful work by Jay Bocook was composed for fellow South Carolinian and highly regarded educator Scott Rush known for his accomplishments with the nationally acclaimed Wando High School band program. Employing a minimalistic approach this dynamic piece uses layers of constantly evolving textures and rhythmic devices while propelled throughout by an energetic underlying pulse. Sprinkled with surprises and dramatic effects and culminating with the full force of the entire ensemble Head Rush is a dramatic and unique addition to the repertoire for mature ensembles. Dur: 5:00
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Minimales [Soprano, Alto, Ténor, Baryton] (FRANC M)
Saxophone Quartet: 4 saxophones
[Sheet music]
-
Easy
Soldano
Par FRANC M.L.. Grâce au compositeur Jean-Claude Soldano, les éditions du mêm...
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Par FRANC M.L.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Minimales [soprano, alto, ténor, baryton] de Franc M.L. qui a été composé pour Saxophone / Niveau : 2ème Cycle / Répertoire / 4 Saxophones
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Mini Maestro Band 2
Easy Piano
-
Easy
Schott
50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente ...
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50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2 / Classique / Recueil / Piano
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Mini Maestro Band 3
Easy Piano
-
Easy
Schott
50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente ...
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50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 2-3 / Classique / Recueil / Piano
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Mini Maestro Band 1
Easy Piano
-
Beginner
Schott
50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente ...
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50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 1 / Classique / Recueil / Piano
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Light And Shade
Piano solo
Schott
Dans ce deuxième album composé par dessus arrangeur Hans-Günter Heumann ('Kla...
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Dans ce deuxième album composé par dessus arrangeur Hans-Günter Heumann ('Klavierspielen - mein Hobby', 'Pianotainment ') pour piano solo, il jette un regard sur le vif et les côtés sombres d'émotions. Douze pièces pour piano émotionnels reflètent tout l'éventail du clair au sombre, la lumière et l'ombre. Les compositions prennent les auditeurs dans le pays de 'la musique minimale', combinant des éléments de percussion et de méditation avec les aspects mélodiques merveilleux.Le caractère sombre et mystique de ces compositions expressives sera fascinent chaque joueur de piano de pointe et être avec eux pour toujours. / Piano
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Minimancacnrmhmo81100
6 Instruments
Jobert
MINIMANCACIRMCNRMHM081100 est une musique conçue en fonction d'un contexte et d...
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MINIMANCACIRMCNRMHM081100 est une musique conçue en fonction d'un contexte et d'un lieu: pour le Centre International de Recherche Musical interprété dans le cadre des 'Mini-Manca' par les élèves du Conservatoire National de Région au Musée Henri Matisse, le 08 novembre 2000, d'où le titre.La musique alterne des citations du texte que Matisse a intégré à son cycle 'Jazz', une musique enregistrée et travaillée à partir de sons de clavecin et le son réel du clavecin parfois soutenu par une trame de cinq instruments à vent cachés.MINIMANCACIRMCNRMHM081100 débute par un léger brouhaha comme l'on peut en entendre dans un espace réverbérant comme celui du Musée Matisse lorsque le public parle même à voix basse, brouhaha dont les contours se précisent petit à petit pour finalement devenir une voix récitant le texte de Matisse.De même que la musique enregistrée et musique jouée en direct alternent ou dialoguent, texte lu en direct et voix enregistrée et retravaillée brouillent les pistes. Parfois, il est difficile de définir la source sonore...Les parties instrumentales sont conçues pour différents niveaux de difficultés, de façon à en permettre l'exécution par des élèves. La principale idée développée ici concerne la superposition de vitesse. Ainsi, certains élèves jouent vite, tandis que d'autres jouent lentement. Les harmonies sont conçues comme des plages de couleur se fondant les unes dans les autres, certains sons les constituant se raréfiant tandis que d'autres deviennent plus présents. Un dialogue s'installe entre la musique enregistrée et le clavecin au point de devenir un jeu de question-réponse très animé. Après quelques péripéties, des hauts et des bas, la séquence enregistrée propose un parcours curieux. Deux notes glissent lentement pendant dix minutes pour se croiser au milieu. D'où une impression contradictoire de fixité, sentiment démenti au fur et à mesure par le fait que l'intervalle entre les deux sons se rétrécit au point de produire un unisson, puis de repartir en sens inverse. Cette impression curieuse lors d'une écoute attentive est renforcée par le fait que ce croisement se situe sur un deuxième plan, tandis que le clavecin et les instruments à vent font une diversion de votre écoute chers auditeurs. La fin, eh bien la fin, cela ne se raconte pas lorsque l'on veut garder une part de plaisir...MINIMANCACIRMCNRMHM081100 est écrit pour clavecin deux mains ou quatre mains, cinq instruments à vent cachés (cor anglais, clarinette, basson, saxophone et trombone), récitante et séquence préenregistrée. La voix enregistrée est celle de Martine Raibaldi. Les traitements du clavecin sur la séquence concernent surtout l'étirement et la contraction, ce qui en alterne la couleur, la disposition spatiale qui renforce l'effet de cloche qui se balance, et, pour ce qui concerne la voix, j'ai appliqué un fractionnement d'échantillons redistribués de façon plus ou moins aléatoire, généralement appelé 'brassage'.Je remercie l'équipe du CIRM, Martine Raibaldi, les élèves et les professeurs du CNR de Nice et enfin le Musée Matisse grâce à qui MINIMANCACIRMCNRMHM081100 a lieu.Thierry Blondeau / 6 Instruments
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Wenn Der Rebbe Tanzt
Recorder
Doblinger
BlflA (BlflS Vl Fl) Klav / Flûte A Bec
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Wenn Der Rebbe Tanzt
Recorder
Doblinger
BlflS (BlflA) (Vl) (Fl) Perc / Flûte A Bec
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Harris, Paul : In The Minimalist Mood Piano Duet Harris
1 Piano, 4 hands
[Sheet music]
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Intermediate
Faber Music Limited
Piano duet / 'In the Minimalist' mood is an atmospheric and varied collection o...
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Piano duet / 'In the Minimalist' mood is an atmospheric and varied collection of duets in the popular minimalist style that has established such a cult following over recent years. From meditative to frenetic, these kaleidoscopic pieces are great for developing a strong, independent sense of rhythm and are sure to bring the house down in concert.
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Rob Goorhuis: Variations on a Pentatonic Theme: Concert Band: Score
Concert band
Gobelin Music Publications
Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Win...
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Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second which in the course of the composition build up to a broad melody unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients or in the composer's words 'the works' Testpiece WMC 2005 Concert Division.
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Rob Goorhuis: Variations on a Pentatonic Theme: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Win...
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Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second which in the course of the composition build up to a broad melody unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients or in the composer's words 'the works' Testpiece WMC 2005 Concert Division.
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Steven Bryant: A Million Suns at Midnight: Mixed Choir and Ensemble: Score &
Concert band
[Score and Parts]
Hal Leonard
Though somewhat dark and dramatic in character A Million Suns at Midnight is ul...
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Though somewhat dark and dramatic in character A Million Suns at Midnight is ultimately a hopeful optimistic work evoking the struggles of humanity to grow achieve and evolve finally overcoming our fear (and its mostcommon manifestation: violence) to transcend our physical and mental boundaries. Individuals now possess an unprecedented technological capability for both creation and destruction and we must ensure that the million suns atmidnight are not those of fiery destruction but of bright hope.A Million Suns at Midnight is an appropriate and dramatic concert closer and is constructed so as to require minimal rehearsal time with the fullensemble allowing each section to work on their parts separately and assemble the whole quickly and confidently.NOTE: This work is available as a rental item directly from the composer. For details e-mailrental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.
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Steven Bryant: A Million Suns at Midnight: Mixed Choir and Ensemble: Score
Concert band
Hal Leonard
Though somewhat dark and dramatic in character A Million Suns at Midnight is ul...
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Though somewhat dark and dramatic in character A Million Suns at Midnight is ultimately a hopeful optimistic work evoking the struggles of humanity to grow achieve and evolve finally overcoming our fear (and its mostcommon manifestation: violence) to transcend our physical and mental boundaries. Individuals now possess an unprecedented technological capability for both creation and destruction and we must ensure that the million suns atmidnight are not those of fiery destruction but of bright hope.A Million Suns at Midnight is an appropriate and dramatic concert closer and is constructed so as to require minimal rehearsal time with the fullensemble allowing each section to work on their parts separately and assemble the whole quickly and confidently.NOTE: This work is available as a rental item directly from the composer. For details e-mailrental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.
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Thomas Keemss: Pent-A-Ton: Score and Parts
Zimmermann
Trio-An entertaining piece in the minimal style written for a trio of Boomwhack...
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Trio-An entertaining piece in the minimal style written for a trio of Boomwhackers or other alternative percussive instruments. Both a captivating musical texture and a visual feast the piece is complete with a demo CD performed by the composer's Pulse Percussion Project.
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J. Murray Barbour - Tuning And Temperament - A Historical Survey
Dover Publications
The demands of tuning (attaining the perfect scale) and temperament (the comprom...
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The demands of tuning (attaining the perfect scale) and temperament (the compromises necessary for composing in every key) have challenged musicians from the earliest civilizations onward. This guide surveys these longstanding problems, devoting a chapter to each principal theory and offering a running account of the complete history of tuning and temperament. Organized chronologically, the book features a helpful glossary and numerous illustrative tables, and it requires minimal background in music theory. This new reissue is currently the only edition in print of a much-quoted classic. 9 figures. 180 tables. Reprint of the Michigan State College Press, East Lansing, Michigan, 1953 edition. - See more at: http://store.doverpublications.com/0486434060.html#sthash.q8xlNSm7.dpuf
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Bob Hartz: Ensenese A Tocar El Piano: Piano: Instrumental Tutor
Piano solo
Santorella Publications
The 'Traditional' manner in which most people acquire the skill to play piano is...
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The 'Traditional' manner in which most people acquire the skill to play piano is to choose a teacher commit to lessons and spend many hours practicing. Although there is no substitute for the time it takes to master this instrument we can provide an alternative to the regimented lesson format. Ensenese A Tocar El Piano the Spanish Edition of Teach Yourself Piano by Bob Hartz was created for support as you learn the basics of piano on your own schedule and the authentic translation acquaints you with playing at a pace only governed by you. Bob Hartz begins by presenting the basics and explaining the fundamentals in a logical manner. Additional information is providedin a methodic fashion in an attempt to build on the knowledge previously gained. Teaching yourself is challenging but ultimately quite rewarding as you acquire the ability to read music play chords and apply these skills to piano. Should you desire further study upon completion of this 'self-taught' methodic approach then choosing a good teacher would be the next step. To truly master the piano it takes many years of dedicated practice and study but some would like to dabble enough to simply have fun. If this endeavor is meant for recreation or you're just in need of a refresher course then Ensenese A Tocar El Piano is the perfect instructional guide for you. IndiceAcerca del autor - Introducción - Unos datos de interés - Veamos el piano - Postura/posición de las manos - Disposición del teclado - El pentagrama maestro - Nota - Leccion No. 1 - Ejereicios de la mano derecha - Ejereicios de la mano izquierda - Valores de las notas - compases - Ejercicio de negras/minimas - Corchea - Melodioa de dos octavas - Cuadro de silencios - Movimiento paralelo/movimiento contrario - Intercambio de la melodia - Accidentales - Dinamica - Nota con puntillo y ligaduras - Acordes -Tonalidades - Circulo de cuartos/circulo de quintos -Todas las notas sobre cuatro octavas - Escala de Do mayor - Escala de Sol mayor -Tresillos y compases nuevos - Repaso de ritmo con nuevo valor de nota - Acordes y simbolos de acorde - Anacrusis/uso de los pedales - Canción de cuna de Brahms - Staccato y legato - Sección de referencia de acordes - Conclusion.
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