SKU: CF.CM9642

ISBN 9781491157145. UPC: 680160915705. 6.875 x 10.5 inches. Key: D minor. English, English. Traditional Spiritual.

I'm Gonna Sing When the Spirit Says Sing combines musical elements of traditional African music and Protestant church music. Inspirational and great fun to sing, with optional claps and hand moves, singers will ride on the energy of the driving bass line in the highly rhythmic piano accompaniment. Also available for SA Voices (CM9520).

SKU: SU.91180500

Study Score (8½x14) Music by Rhiannon Giddens & Michael Abels, Libretto by Rhiannon Giddens.The opera OMAR is derived from the autobiography of a West African Muslim scholar named Omar Ibn Said, who was abducted and sent to America, where he was enslaved in the Carolinas. His 1831 memoir, written in Arabic, leaves behind in veiled form the spiritual journey of a man who, brutalized by history, managed to hold on to the faith of his people. World Premiere: Spoleto Music Festival, Charleston, SC, May 2022.All performances must be licensed. Contact licensing@subitomusic.com for information. Solosits, Chorus & Orchestra Duration: 125' Composed: 2021 Published by: Subito/Notevole Music Publishing.

SKU: AP.51097

UPC: 038081581347. English. Traditional Welcome Song.

This lively welcome song traditionally accompanies the West African fanga dance. Built on the familiar tune (plus some new material and a few English words), this general music class favorite is fully developed as a choral arrangement. Scattered handclaps, syncopated rhythms, and bright harmonies make this well-crafted setting a joy to perform! A modulating breakdown section in the middle offers the opportunity to incorporate the dance. Downloadable percussion parts are available online.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: AP.51095

UPC: 038081581323. English. Traditional Welcome Song.

This lively welcome song traditionally accompanies the West African fanga dance. Built on the familiar tune (plus some new material and a few English words), this general music class favorite is fully developed as a choral arrangement. Scattered handclaps, syncopated rhythms, and bright harmonies make this well-crafted setting a joy to perform! A modulating breakdown section in the middle offers the opportunity to incorporate the dance. Downloadable percussion parts are available online.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: PR.44641192L

UPC: 680160610860. 11 x 14 inches.

One of my greatest pleasures in writing a concerto is exploring the new world that opens for me each time I enter the sometimes alien, but always fascinating, world of a solo instrument or instruments. For me, the challenge is to discover the deepest nature of the solo instrument (its karma, if you will) and to allow that essential character to guide the shape and form of the work and the nature of the interaction between soloists and orchestra. In recent years, many of us have become more aware of the musical world outside the Western tradition of musics that follow different procedures and spring from other aesthetics. And contemporary percussionists have opened many of these worlds to us, as they have ventured around the globe, participating in Brazilian Samba schools, studying Gamelan and African drumming with local experts, collecting instruments from Asia and Africa and South America and the South Pacific, widening our horizons in the process. I will never forget our first meeting in Toronto when Nexus invited me into their world of hundreds of exciting percussion instruments. The vast array of instruments in the collection of the Nexus ensemble is truly global in scope as well as offering a thrilling sound-universe. I was inspired by the incredible range of sound and moved by the fact that so many of these instruments were musical reflections of a spiritual dimension. After long consideration, I decided that it would not only be impossible, but even undesirable for this Western-tradition-steeped composer to attempt to use these instruments in a culturally authentic way. My goal was an existential kind of authenticity: searching instead for universal ideas that would be true to both myself and the performers while acknowledging the traditional uses of the instruments. Since many percussion instruments are associated with various kinds of ritual, I decided that I would allow that concept to shape my piece. Rituals is in four movements, each issuing from a ritual associated with percussion, but with the orchestral interaction providing an essential element in the musical form. I. Invocation alludes to the traditions of invoking the spirit of the instruments, or the gods, or the ancestors before performing. II. Ambulation moves from a processional, through march and dance to fantasy based on all three. III. Remembrances alludes to traditions of memorializing. IV. Contests progresses from friendly competition games, contests to a suggestion of a battle of big band drummers, to warlike exchanges. In the 2nd and 4th movements, another percussion tradition, improvisation, is employed. Written into these movements are a number of seeds for improvisation. Indications in the score call for the soloists to improvise in three different ways, marked A for percussion alone; marked B for percussion with and in response to the orchestra; and C where the percussionists are free to add and embellish the written parts. These improvisations should grow out of and embellish previous motives and gestures in the movement.

SKU: AP.46556

UPC: 038081531311. Swahili. Traditional Lesotho Lullaby.

A combination of the traditional Lesotho lullaby with some original words and music, this arrangement pairs a simple African text with English lyrics on the same topic. All parts sing in unison first, laying the groundwork for both two and three part canons which soon develop. Legato verses and a hushed bridge provide nice contrast to the form. Choreography is on Alfred's Movin' DVD.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: AP.51096

UPC: 038081581330. English. Traditional Welcome Song.

This lively welcome song traditionally accompanies the West African fanga dance. Built on the familiar tune (plus some new material and a few English words), this general music class favorite is fully developed as a choral arrangement. Scattered handclaps, syncopated rhythms, and bright harmonies make this well-crafted setting a joy to perform! A modulating breakdown section in the middle offers the opportunity to incorporate the dance. Downloadable percussion parts are available online.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.