SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: HL.49002642
ISBN 9790220107672. UPC: 073999347685. 8.25x11.75x0.832 inches. English.
A house, too, can be a battlefield, and a garden a wilderness. The house here belongs to Faber and Thea: middle-class, middle-aged, probably more than middle-income and in a mid-matrimonial rut of mutual laissez-faire. Also in the house is their young ward Flora, to whom Faber has been making sexual advances. And there are visitors. Thea's sister Denise is taking a break from other distant battlefields, where she is engaged in the struggle against oppression. A black writer, Mel, is here as well with his white lover Dov, a musician: the first homosexual couple to be 'out' on the operatic stage.These people's entanglementswith each other but also, and more importantly, within themselveshave to be addressed, as in Tippett's first opera. But this time the Mozart model is Cosi fan tutte, and the lessons of myth are clothed in the language of psychiatry, as practised by Mangus, the Don Alfonso who may not be as much in control as he would hope. In the last act he stages a performance of The Tempest, which comes adrift. Perhaps more has been achieved in the middle act, a swirl of short scenes ending in an exchange of songs between Flora and Dovan exchange, too, of homages to Schubert and the blues, both held in the magic of this lustrous score.(Paul Griffiths)2 (2pic).1.ca.Ebcl.2 (2: bcl).1.cbn-4.4.2.1-timp.3perc (s.d., t.d., b.d., jazz kit, cym., sus.cym., w.bl., t.bl., tamb., casts., wh., metal bar or heavy triangle, tam-tam, xyl., vib., glock., claves, small rattle)-hp.cel.pno.egtr/ehpd-str Reduced version: 1 (pic).1 (ca).1 (Ebcl, bcl).1 (cbn)-3.2.2.0-2perc (timp., t.d., jazz kit, cym., t.bl., tamb., casts., metal bar or heavy tri., tam-tam, vib., glock., tub.bells, cl., rattle)-hp.pno (cel).egtr-str: 3 vns (3: va).va.vc.db.
SKU: GI.G-10547
ISBN 9781622776283.
Meet Clara the composer, Ella the jazz singer, Selena the pop star, and Xian the conductor! Women in music are brilliant, creative, brave, and resilient. They are composers, conductors, singers, musicologists, electronic music producers, and so much more. In this vibrantly illustrated picture book, meet 26 remarkable women musicians who collectively span over 1,000 years of music history and represent a diversity of cultures, races, professions, and abilities. Their incredible stories and beautiful work are sure to inspire a new generation of musicians! Online Resources: Click here to download a free coloring page. Click here to download the worksheets from the book. Spotify Playlist:  Women and music, two universally life-giving forces get combined in this delightful book. Enjoy. —Tanya Tagaq, Inuk Improvisational Singer and Award-Winning Avant-Garde Composer In this book, Loepp Thiessen and Kang spotlight the uniqueness of women in music, inspiring big dreams and making children believe anything is possible. There is great power in that. —Gabriella Di Laccio, Soprano and Founder of Donne – Women in Music This book is a timely and uplifting resource for women and girls around the world! —Quilla, Electronic Music Producer, DJ, and Songwriter I am thrilled to be a part of this publication and hope it inspires future generations of musicians, igniting in them a passion and curiosity for music-making. —Xian Zhang, Conductor, Music Director for the New Jersey Symphony Orchestra The ABCs of Women in Music is a colorful, fun, and much-needed exploration of the diverse ways women have contributed to music throughout history. I learned quite a few new names reading this book at age 37, and I can't wait to get copies for my nieces and nephews! —Gaelynn Lea, Folk Singer, Violinist, and Disability Advocate Author Anneli Loepp Thiessen is a music researcher, teacher, and pianist. She lives in Ottawa, Ontario. Illustrator Haeon Grace Kang is a visual artist and illustrator. She lives in Winnipeg, Manitoba. Get a FREE sticker with your purchase of the book! Learn more about this book in this video interview with the author and illustrator:.
SKU: FP.FZZ25
ISBN 9790570503865.
The latest edition of our Pieces for Solo Recorder series is a joyful volume of very diverse works for unaccompanied recorder (variously sopranino, descant, treble, tenor) with a universal dimension. There are pieces by composers from the USA and Taiwan, music influenced by the rhythms of Africa and by the heavens, as well as the humorous portrayal (with optional narrator) of the antics of a pet dog. In addition there is a plethora of dance and birdsong. The works vary in difficulty from moderate to challenging but are entertaining and fun to play!
SKU: HL.35029012
UPC: 884088906573. 5x5 inches.
Uses: Funeral, Memorial, Patriotic, ConcertScripture: Matthew 5:4; I Thessalonians 4:14-17; Romans 14:7-9The celebrated text, “Do not stand at my grave and weep” is emotionally arranged into a concert work of grief and tears, hope and joy. A lonely and longing violin melds with a rich and moving piano accompaniment. The piece begins quietly, builds with intensity, and sings into silence with the text, “I am not there. I did not die.” Presented for the first time with full orchestra. Available separately: SATB, PianoTrax CD, StudioTrax CD (Accomp., SplitTrax, Perf.), Orchestration (Score & Parts for Flt 1&2, Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Tpt 1, Tpt 2&3, Tbone 1&2, Bass Tbone/Tuba, Timp, Perc 1&2, Harp, Piano, Vln 1&2, Viola, Cello, Double Bass).
