Media Type : Book Level : Beginning Musical Genre : All Styles Number of pages : 24 This extremely simple, big-note method is ideal for young children, and is especially useful for the trail or rental period. Teaching first position notes all four strings, the exercises guide early beginners through their first production of tone. Great emphasis has been placed in this book of sound fundamentals, proper hand positioning, holding of the bow, etc. Designed to be used in introductory lessons, this book contains extensive photographs illustrating proper hand positions. The exercises in the book progress from single-string studies to melodies combining more than one string. Upon completion of this book, the student will be ready to enter into Mel Bay's Violin Method.

Violin Play-Along Volume 49-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the printed music download or stream the online audio to hear how the Violin should sound and then play along using the separate backing tracks. With the melody and lyrics included in the book you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio files are enhanced so Mac

All the fiddle tunes on the CD The World's Hottest Fiddlers (C.M.H. Productions 8651; 2002) except one are transcribed in detail for this book. These fifteen cuts which include seventeen tunes incorporate old-time standardssuch as 'Sally Ann' as played by Kenny Baker bluegrass standards such as 'Orange Blossom Special' as played by Steve Thomas Texas swing tunes such as 'Beaumont Rag' as played by Johnny Gimble and song tunes such as 'Blue Moonof Kentucky' as played by Benny Martin. Other highlights include the complete twin fiddling parts for Benny Martin and Buddy Spicher's 'Down Yonder ' and the twin fiddle parts for Johnny Gimble's 'Black and White Rag.' Elevenother tunes are featured by fiddlers Barbara Lamb Mike Hartgrove Glen Duncan Sonny Mead Ramona Jones Paul Warren and Fiddlin' Red Herron.

Par STACY PHILLIPS. Méticuleusement prélevés dans les enregistrements, les danses carrées et contra, concours de violon, jam sessions individuelles violoneux - cet ouvrage est destiné à fournir un aperçu de ce que violoneux américains jouant et ont été écouter dans la dernière partie du XXe siècle. Comme le format d'enregistrement vinyle disparaît du marché, beaucoup de musique de violon enregistrée ne sera plus disponible. Dans ce livre, Stacy Phillips partage des fruits de certains collecte en temps opportun pour tous les violoneux de jouir. Flexions, doigtés et accords de guitare sont fournis pour chaque ligne de la mélodie. / Niveau : Tous Niveaux / All Styles - Solos / Recueil / Violon

23 favorites from the Fab Four in easy duet arrangements for two instrumentalists are featured in this collection: All You Need Is Love ? Eleanor Rigby ? Here Comes the Sun ? Hey Jude ? I Want to Hold Your Hand ? Penny Lane ? Something ? Yellow Submarine ? Yesterday ? and more. Arrangements work for two of the same instrument or can also be used with the other titles in the same instrument family from this series.

Two-Steps & Marches- Fiddle-Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2 Favorite American Listening Pieces Two Steps and Marches for Fiddle presents over 120 classic andlesser-known fiddle tunes from all parts of the United States some with multiple versions.This treasure trove gathers many of mysterious and lonesome sounding sometimes twisty but always beautiful melodies that don'tneatly fit into the typical fiddle categories yet are some of the melodies most beloved by fiddlers.All the pieces are transcribed from performances of the greatest traditional fiddlers of the past and present includingKenny Kosek Pete Sutherland Eck Robertson Bruce Greene Hoyt Ming Jere Canote Luther Strong John Salyer Clark Kessinger Kenny Baker Howdy Forrester John Hartford and dozens more.Bowings and chord accompaniment areincluded. This book will also be of value to students of classical music and Suzuki trained children. The tunes can serve as fun changes-of-pace from the drudgery of scales and arpeggios. And they illustrate America's greattradition of fiddling.

Par SPOHR LOUIS. The selection of 36 violin duos from Louis Spohr's famous Violinschule, compiled with commentary by Kolja Lessing, meets two objectives: First of all, it is an extraordinarily delightful, musically-enriched addition to the violin-duo repertoire - secondly, it incorporates the easiest, no less original duos into the lessons for beginners. / Niveau : Facile / Date parution : 2019-10-18/ Répertoire / 2 Violons

Music Kit is designed to cover all the likely instrumental combinations found in schools. Each set comprises of two of each of the following parts:1st C Melody2nd C MelodyB Flat MelodyC HarmonyB Flat HarmonyE Flat And F InstrumentsEasy B FlatEasy Violin/ViolaPiano/ConductorGuitarBassPercussion 1 & 3Percussion 2 & 4Music Kit can be played by any number of instruments in any combinations on the principle that one melody part and the Piano part are essential and all others optional.

This duet collection of 17 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Allegro (Mozart) * Aria (from Rigoletto) (Verdi) * Au Clair de la Lune (Lully) * Capricho Catalan (Albeniz) * Duet (Mozart) * Duetto (Pleyel) * Echo (Haydn) * Larghetto (Telemann) * Lost is My Quiet (Purcell) * Lullaby (Brahms) * Melody (Schumann) * Minuet (Bach) * Minuet in Canon (Mozart) * Pavana (Scarlatti) * Siciliene (Aubert) * Two Adagios (Corelli) * Two Rigaudons (Rameau).

Vivaldi achieved popularity throughout Europe with his collection “L’estro armonico” Op.3. He wrote the cycle which consists of twelve violin concertos (including Concerto Op.3 No.3 featured here) for the orchestra of the “Ospedale della Pietà” where he was teacher and director for many years.The two fast outer movements from opus 3/3 feature ritornelli combined with more virtuosic solo sections as was prevalent at the time. This ritornello form gives structure to the movements. It also gives the student who plays both the solo and tutti sections in this edition the opportunity to vary the returning motives interms of dynamics and ornamentation. In the short but expressive Largo distinct quarter notes alternate with patterns of sixteenth across all the strings. This allows the student to practise various bowing techniques.

Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.