SKU: CA.1029514
ISBN 9790007023973. Language: German.
From Bach's music library; formerly attributed to Bach. The present edition is based on the score partly made by Bach himself, held by the Deutsche Staatsbibliothek Berlin. The chorales, originally noted only for voices and Basso continuo, have been instrumentated according to contemporary practice of that time. Score and part available separately - see item CA.1029500.
SKU: GH.GE-11510
ISBN 979-0-070-11510-0. 185 x 262 mm inches. Text: Anonymous 1500-tal.
SKU: CA.2070200
ISBN 9790007037161. Key: G dorian. Language: German/English.
Anonymous composition, attributed to Schutz by Hans Joachim Moser.
SKU: LO.10-5263S
ISBN 9780787766511.
Daniel Burton has set an anonymous fifteenth-century text to vibrant and radiant music. Each verse ends with an invocation of “Let us rejoice!†in both English and Latin, and the organ accompaniment provides energetic animation with running triplets throughout.
SKU: CF.CM8296
ISBN 9780825890475. UPC: 798408090470. 6.875 X 10.5 inches. Key: F major. English. Sharon Rogers, Anonymous.
SKU: CA.305880
ISBN 9790007174552. Key: D major. Language: English.
SKU: CA.317020
ISBN 9790007154721. Key: E flat major. Language: English. Text: Burns, Robert. Text: Robert Burns.
SKU: BT.WA-4054-401
English.
A lovely arrangement of this pice suitable for players of an intermediate standard.
SKU: BT.DHP-1053785-130
English-German-French-Dutch.
The song Bist du bei mir, geh' ich mit Freuden zum Sterben und zu meiner Ruh' (BWV 508) was composed by Johann Sebastian Bach for his second wife Anna Magdalena (1701-1760), who he married in 1721. The unparalleled popularity of this song is probably due to the magnificent, sensitive melody that wonderfully fits the anonymous text, in which a loved one is told that even death is beautiful as long as you are there with me. Jacob de Haan has produced this beautiful arrangement for brass band, which is suitable for many occasions.Bist du bei mir schrieb Johann Sebastian Bach für seine zweite Frau Anna Magdalena. Die Melodie passt vorzüglich zum Text eines unbekannten Dichters, der besagt, dass selbst der Tod keinen Schrecken mehr birgt, solange nur der geliebte Mensch da ist. Jacob de Haan schuf aus der beliebten, besinnlichen Melodie eine gefühlvolle Bearbeitung für Blasorchester. En 1721, Jean-Sébastien Bach épouse en secondes noces Anna Magdalena Wilcken (1701-1760). Il lui dédie l’air Bist du bei mir BWV 508. Le texte a été écrit par un poète anonyme. La notoriété de cet air reste inégalable par la sublime tendresse de la mélodie qui évolue en parfaite harmonie avec un texte puissant dans lequel le poète nous livre une belle vision de l’amour : tant que l’être aimé est auprès de nous, même la mort est douce. Jacob de Haan a réalisé ce superbe arrangement pour Brass Band.Nel 1721 Johann Sebastian Bach sposa in seconde nozze Anna Magdalena Wilcken. Le dedica l’aria Bist du bei mir BWV 508. La notoriet di questa aria è ineguagliabile per la sua tenerezza che si evolve in perfetta armonia con un testo potente nel quale il poeta ci regala una bella visione dell’amore. Jacob de Haan ha realizzato un superlativo arrangiamento per banda, adatto a tutte le occasioni.
SKU: AP.45848
UPC: 038081529240. English. Traditional.
This beautiful, treasured carol originated as an anonymous lullaby associated with the Nativity. In this arrangement by Jerry Brubaker, the harmonies are lush with a contemporary feeling. Widely used in many different choral settings and even on several jazz albums, Appalachian Carol will be loved by all. (2:45).
SKU: CF.CM9756
ISBN 9781491162446. UPC: 680160921195. Key: E minor. Latin, English.
Personent Hodie is a medieval Christmas carol from the larger work Piae Cantiones—a published collection of songs intended for cathedral schools in 16th century Finland. The original tune uses modality and plainchant to evoke the mysterious character of Christmastide.This rhythmic setting of Personent Hodie expresses the tune in compound meter, resulting in a joyful energy. The optional hand drum and finger cymbals complement the melody with an exciting, dance-like pulse.“Ideo, gloria in excelsis Deo!â€Therefore, glory be in the highest to God!Ideas for study and reflection: How might word stress be used to enhance overall musicality? What syllables should be stressed vs. unstressed? What dynamic markings are indicted in the score, and where do they occur? Listen to a recording of the original “Personent Hodie†written in 4/4 time. How are the two settings different? .
SKU: GI.G-7536G
English, Spanish. Text source: Anonymous; Translation: Ronald Krisman.
SKU: GI.G-6238FS
English. Text Source: Vv. 1, 2: Anonymous, vs. 3: John T. McFarland, 1851–1913. Text by John T. McFarland.
SKU: CA.1029511
ISBN 9790007023942. Language: German.
SKU: GI.G-7372INST
UPC: 785147737292. English. Text Source: Puer natus in Bethlehem, Latin hymn, 14th c., tr. Anonymous, alt.
SKU: CA.1029512
ISBN 9790007023959. Language: German.
SKU: CA.3500119
ISBN 9790007139049. Language: German/English.
Adaptation of the motet Tristis est anima mea, attributed to Johann Kuhnau. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted - most likely by Bach - with a new text and the addition of instrumental parts. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted--most likely by Bach--with a new text and the addition of insturmental parts. Score and parts available separately - see item CA.3500100.
SKU: AP.36-A250746
ISBN 9798892703970. UPC: 659359889936. English.
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote For the 15th Sunday after Trinity and at any time, indicating that he had composed it for any joyous occasion. It is his only religious cantata scored for solo soprano and trumpet. The first performance took place on September 17, 1730 in Leipzig. Gottfried Reiche, Bach's principal trumpeter, would likely have played the virtuoso trumpet part. As traditional culture in Leipzig generally eschewed female voices at the time, the vocal solo might have been sung by a boy soprano. This edition by Wilhelm Rust was created in 1863 as part of the Bach-Gesellschaft Ausgabe (Bach Society Edition). The continuo part was realized by Max Seiffert. Instrumentation: Solo Tpt: Str (2-2-2-1-1 in set): Hpchd: Solo Soprano. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: GI.G-6272
UPC: 785147627203. English. Text Source: Anonymous, The Brethren's Tune and Hymn Book, 1879.
This edition may be performed as a suite of five pieces: In All My Vast Concerns with Thee, Ye Followers of the Prince of Peace, Bright Morning Stars, The Promised Land, and Now Brethren, though We Part. .
SKU: PR.342400140
ISBN 9781491135280. UPC: 680160054541. Octavo inches. English, Hebrew.
SKU: HL.44006094
UPC: 884088045647. English.
A lovely arrangement of this pice suitable for players of an intermediate standard. Romanza (Romance D'amour) as arranged for solo Piano by Valeris Mairants. A lovely arrangement of this pice suitable for players of an intermediate standard.
SKU: CA.3500149
ISBN 9790007245061. Language: German/English.
Adaptation of the motet Tristis est anima mea, attributed to Johann Kuhnau. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted - most likely by Bach - with a new text and the addition of instrumental parts. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted--most likely by Bach--with a new text and the addition of insturmental parts. Score and part available separately - see item CA.3500100.
