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Arioso (From Cantata 156 - Sinfonia)
Arioso (From Cantata 156 - Sinfonia)
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2 Saxophones (duet)
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Johann Sebastian Bach
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Arioso (From Cantata 156 - Sinfonia)
Arioso (From Cantata 156 - Sinfonia)
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String Quintet: 2 violins, viola, cello, bass
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Johann Sebastian Bach
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Arioso (From Cantata 156 - Sinfonia)
Arioso (From Cantata 156 - Sinfonia)
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Bach for Violin: Violin: Instrumental Album
Violin
[Sheet music]
Schirmer
Solo Violin Sonatas and Partitas 4 Concertos and Arioso-This volume from Schirm...
(+)
Solo Violin Sonatas and Partitas 4 Concertos and Arioso-This volume from Schirmer's Library Of Musical Classics contains J.S. Bach's Complete Sonatas and Partitas (BWV 1001-1006) Concerto in A minor BWV 1041 Concerto in E Major BWV 1042 Concerto for TwoViolins in D minor BWV 104 Arioso from Ich steh mit einem Fuss im Grabe BWV 156 and Concerto in G minor BWV 1056R.
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
(+)
My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Carl Philipp Emanuel Bach: Sonatas Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works...
(+)
Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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SCHMIDT DENISE - SOLOS FOR CLARINET - CLARINETTE and PIANO
Clarinet and Piano
Carl Fischer
Introduction, Thème et Variations, op. 8 (David, F)
Allegretto, op. 116/1...
(+)
Introduction, Thème et Variations, op. 8 (David, F)
Allegretto, op. 116/1 (Godard, B)
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Traumerei (Schumann, R)
/ Partitions classique / Bois / Clarinette / CARL FISCHER
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Heumann H.g. - Piano Piccolo
Piccolo, Piano
Schott
111 short and very easy original classical piano pieces Piano Piccolo has been ...
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111 short and very easy original classical piano pieces Piano Piccolo has been designed as a beginner?s introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Piano Piccolo has been designed as a beginner?s introduction to the successful collection Für Elise (ED 20044) in the Pianissimo series. This collection of 111 very easy original classical piano pieces includes popular repertoire pieces as well as many rarer finds that are not widely known. Works by over sixty composers from the Baroque, Classical, Romantic and Modern eras here offer a rich treasure trove for and are a valuable addition to imaginative and varied tuition for beginners. Piano Piccolo offers excellent opportunities for introducing beginners, returning students and amateur musicians to classical music with pieces suitable for auditions at music schools and playing to family and friends. Contenu - M. Praetorius: Old German Dance C major- J. Krieger: Minuet A minor - J. Krieger: Bourrée A minor - H. Purcell: Air D minor - G. Böhm: Minuet G major - C. Graupner: Bourrée E minor GWV 827 - J.S. Bach: Aria D minor BWV 515 - G.F. Händel: Minuet G major - G.F. Händel: Passepied C major HWV 559 - Anon.: Minuet F major No. 2 - Anon.: Minuet F major No. 6 - L. Mozart: Minuet D minor - J. Haydn: German Dance D major Hob.IX:22/2 - J. Haydn: German Dance G major Hob.IX:22/3 - W. Duncombe: Minuet C major - W. Duncombe: Gavot C major - S. Arnold: Gavot C major S. Arnold: Giga C major - J. Hook: Minuet D major - J. Hook: Gavotta D major - J.W. Häßler: Poco Allegro, op. 38/3 - J.W. Häßler: Tempo di Minuetto, op. 38/4 - J.W. Häßler: Moderato, op. 38/12 - D.G. Türk: Carefree Jack - D.G. Türk: Lullaby - D.G. Türk: I feel so sick and faint - D.G. Türk: Arioso - J.G. Witthauer: Dance C major - J.G. Witthauer: Allegretto F major - J.G. Witthauer: Gavotte A minor - M. Clementi: Arietta C major, op. 42/5 - A. Reinagle: Allegro, op. 1/4 - A. Reinagle: Allegretto, op. 1/5 - A. Reinagle: Allegretto, op. 1/9 - A. Reinagle: Allegretto op. 1/11 - W.A. Mozart: Allegro KV 1b - W.A. Mozart: Allegro DV 1c - N.-J. Hüllmandel: Minuetto, op. 5/1 - N.-J. Hüllmandel: Allegro, op. 5/5 - C.H. Wilton: Little Sonata C major - J.J. Ryba: Two Little Inventions No. 1 C major, No. 2 A minor - D.G. Steibelt: Adagio A minor - A.E. Müller: Andantino, Handstück No. 5 - A.E. Müller: Andante, Handstück No. 9 - L.v. Beethoven: German Dance WoO 8/1 - L.v. Beethoven: Russian Folk Song, op. 107/3 - A. Diabelli: Allegretto, op. 125/3 - A. Diabelli: Vivace, op. 125/7 - C.M.v. Weber: Allemande, op. 4/2 - M. Szymanowska: Mazurka - C. Czerny: Allegro, op. 777/3 - C. Czerny: Allegretto, op. 823/7 - C.T. Brunner: Andante, op. 487/38 - C.T. Brunner: Andantino, op. 487/41 - H. Wohlfahrt: Moderato A minor - F. Schubert: Ländler B-flat major D 378/2 - R. Schumann: Little Piece, op. 68/5 - F.de Couppey: Melody No. 14 - F. de Couppey: Arabian Air - F. Spindler: Song without Words - L. Kühler: Piano Piece, op. 190/27 - L. Köhler: Piano Piece, op. 190/30 - L. Köhler: Piano Piece, op. 190/31 - C. Gurlitt: Going to School, op. 117/14 - C. Gurlitt: Consolation, op. 179/12 - C. Gurlitt: Waltz, op. 179/17 - C. Gurlitt: Gavotte, op. 210/9 - I. Bartalus: Two Hungarian Melodies No. 1 and No. 2 - H. Henkel: Piano Piece No. 13 - C. Reinecke: Scherzino, op. 136/1 - C. Reinecke: Elegy E minor op. 183/2 - E. Breslaur: Cuckoo, op. 46/21 - E. Breslaur: Waltz, op. 46/25 - O. Bolck: Sonatine C major op. 30/4, 1st movement - F. Scotson Clark: Tarantella - M.W. Vogel: Brave Knight - M.W. Vogel: Waltz - R. Fuchs: Proud Horseman, op. 47/2 - R. Fuchs: Sad at Heart, op. 47/5 - A. Sartorio: On Tip-Toe, op. 783/8 - A. Gretchaninoff: Farewell, op. 98/4 - A. Gretchaninoff: Elephant's Dance - E. Satie: Menus propos enfantins No. 2 - E. Satie: Enfantillages pittoresques No. 2- E. Satie: Peccadilles importunes No. 3 - C. Scott: Teddy-bear's Headache - I. Strawinsky: Andantino - G.F. Humbert: The Chocolate Automat - G.F. Humbert: Tarantella - G.F. Humbert: The Music Box - G.F. Humbert: Sad Song - G.F. Humbert: Walzer - P. Hindemith: Song - C. Orff: Two Pieces from the Piano Exercises No. 1 and No. 2 - D. Kabalevsky: Dance, op. 39/9 - D. Kabalevsky: Waltz, op. 39/13 - D. Shostakovich: March, op. 69/1 - D. Shostakovich: Waltz, op. 69/2 - H. Badings: Sarabande - H. Badings: Country Dance - G. Kretschmer: Little Waltz - G. Kretschmer: Little Minuet - G. Kretschmer: Little Prelude - B. Heller: The Melody in the Box - B. Heller: Waves - H.-G. Heumann: PreludeC major - H.-G. Heumann: Mazurka D minor - H.-G. Heumann: Minuet G major
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Jens Franke: Baroque Guitar Anthology Vol. 2: Guitar: Instrumental Album
Guitar
Classical guitar
[Sheet music + CD]
Schott
25 Guitar and Lute Pieces-The second volume of this anthology series contains 25...
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25 Guitar and Lute Pieces-The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta Falkenhagen Gallot and Weiss amongst others it offers a wide stylistic range of works many of which are rarely available. The collection is accompanied by a CD recording of all pieces performed by Jens Franke and is suitable for students of c.4-5 years of playing experience or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.Content - Reusner: Aria - deRichée: Aria - Daube: Menuet I - Menuet II - Richée: Sarabande - Richée: Menuet - Corbetta: Prelude - Matteis: Prelude - Anon. (Rosani Lautenbuch): Minuetto - Anon. (Rosani Lautenbuch): Air Gracieux - Daube: Arioso - Conradi: Menuet - Gallot: Sarabande 'La Pièce de Huit Heures' - Hagen: Aria - Hagen: Andante - de Visée: Chaconne transposé du théorbe - de Visée: La Montfermeil Rondeau transposé du théorbe - de Visée: Allemande - Mesangeau: Sarabande - Bittner: Courante - Falckenhagen: Cantabile - Kellner: Pastorel - Hagen: Minuetto - Anon. (Rosani Lautenbuch): Allegro - Weiss: Minuet - Weiss: Minuet
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BACH ON THE LUTE VOL.1 & 2
Le Luth Doré
Volume 1Sonata in G minor after BWV 1001AdagioFugaSicilianaPresto Partita in A m...
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Volume 1Sonata in G minor after BWV 1001AdagioFugaSicilianaPresto Partita in A minor after BWV 1002AllemandaDoubleCorrenteDoubleSarabandeDoubleTempo di BoreaDouble Sonata in A minor after BWV 1003GraveFugaAndanteAllegro Sonata in A minor after BWV 1003 alternative version in a scordaturaGraveFugaAndanteAllegro Partita in D minor after BWV 1004AllemandaCorrenteSarabandaGigaCiaccona Sonata in C major after BWV 1005AdagioFugaLargoAllegro assai Partita in F major after BWV 1006PreludioLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue Suite in C major after BWV 1007PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in A minor after BWV 1008PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in G major after BWV 1009PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in B flat major after BWV 1010PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in A major after BWV 1010 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in G minor BWV 1011/995PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in D major after BWV 1012PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Suite in C major after BWV 1012 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Partita in A minor after BWV 1013AllemandeCorrenteSarabandeBourée Angloise Volume 2 Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in E minor (BWV 996)Præludio (Passaggio, Presto)AllemandeCouranteSarabandeBouréeGiga Suite in C minor (BWV 997)Fantasia (Prelude)FugueSarabandeGigaDouble Prelude, Fuga and Allegro in E flat major (BWV 998)PreludeFugaAllegro Prelude in C minor (BWV 999)Prelude Fuga in G minor (BWV 1000)Fuga Partita in E Major (BWV 1006a)PreludeLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue APPENDIX I: TABLATURES FROM BACH’S CONTEMPORARIES Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte IreIIde Gavotte en RondeauxGigue Suite in C minor (BWV 997)FantasiaSarabandeGiga Fuga in G minor (BWV 1000)Fuga APPENDIX II: SACRED WORKS WITH OBBLIGATO LUTE PARTS AND RELATED WORKS Aria: Komm, süßes KreuzLiuto Arioso: Betrachte, meine Seel’Liuto / Luth / Le Luth Doré
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Georg Friedrich Händel: Eternal Source Of Light Divine: Soprano: Vocal Score
[Vocal Score]
Oxford University Press
George Frideric Handel's Eternal Source Of Light Divine arranged by John Rutter...
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George Frideric Handel's Eternal Source Of Light Divine arranged by John Rutter for Soprano solo and Organ (or Strings and Organ continuo) with optional solo Trumpet. This deeply expressive arioso which opens Handel's Ode for the Birthday of Queen Anne(1713) was performed at the wedding of Prince Harry and Meghan Markle at St George's Chapel Windsor on 19 May 2018. Originally scored in D major for counter-tenor with Trumpet and strings the work is here arranged by John Rutter for performance by Soprano and Organ (or Strings and Organ continuo) with or withoutsolo Trumpet in the slightly lower key of C major. The orchestral score and instrumental parts are available for purchase as a package containing (1) the orchestral score in C major and (2) the instrumental parts (solo tpt vln 1 vln 2 vla vc db organ continuo) in two versions in C major and D flat major. The D flat version of the parts is to enable performance with modern strings but natural Trumpet the Trumpet playing in Handel's original key of D major but at baroque pitch (A = 415).
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BigTime Piano Classics Level 4 CD: Piano: Instrumental Album
Piano solo
[CD]
Faber Piano Adventures
Level 4-One CD featuring the background accompaniments of Song of India Habaner...
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Level 4-One CD featuring the background accompaniments of Song of India Habanera Hungarian Dance No.5 The Great Gate of Kiev Spring Song Hornpipe Arioso and more.
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Master Solos Intermediate Level - Bassoon: Bassoon Solo: Instrumental Work
Bassoon
[Sheet music + Audio access]
Hal Leonard
Book/CD Pack-Book/CD Pack. This collections for Bassoon was personally selected ...
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Book/CD Pack-Book/CD Pack. This collections for Bassoon was personally selected and performed by world-famous performing artist and educator Leonard Sharrow. On the accompanying CDs the first track features the solo performance with piano accompaniment and the second track is the piano accompaniment only. Edited by Linda Rutherford. Contents: Two Sketches (Siennicki) · Chanson Triste (Tchaikovsky) · Arioso and Humoreske (Weissenborn) · Three Baroque Dances (Boismartier) · Sonata No. V (Galliard) · Romanze (Siennicki) · Menuetto (Beethoven) · Two Impromptus (Siennicki).
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Alexandre Tansman: Happy Time - Book 3/intermediate: Piano: Instrumental Album
Piano solo
Hal Leonard
Out of print for quite some time books 2 and 3 of Tansman's Happy Time trilogy ...
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Out of print for quite some time books 2 and 3 of Tansman's Happy Time trilogy are now available. Wonderful companion pieces to the pedagogical works of Kabalevsky. Book 3 includes intermediate level arrangements of: A la Schumann - Arioso alla J.S. Bach - Finale Solo-Piece - Iberian Mood - In Memory of George Gershwin 1925 - Light Waltz - Little Game - Night Mood - Organ - Oriental Dance.
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Johann Sebastian Bach: The Best of Bach: Piano: Artist Songbook
Piano solo
Hal Leonard
E-Z Play Today Volume 167-20 Baroque favorites from J.S. Bach in easy-to-read an...
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E-Z Play Today Volume 167-20 Baroque favorites from J.S. Bach in easy-to-read and play notation. Includes: Arioso • Ave Maria • Bist Du Bei Mir • Fugue in G Minor • Gavotte • Jesu Joy of Man's Desiring • Minuet in G • Passion Chorale • Sheep May Safely Graze • Toccata and Fugue in D Minor • and more.
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Sonatas Band 1
Violon Et Harpe (Ou Piano)
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Harpe (Ou Piano)
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Dystopia
Double Quintette à Vents
[Score]
FC Music Publishing
For Double Wind Quintet. Par DUPERTUIS GAUTHIER. Dystopia a été commandée à ...
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For Double Wind Quintet. Par DUPERTUIS GAUTHIER. Dystopia a été commandée à Gauthier Dupertuis par le chef d’orchestre suisse Felix Hauswirth, à l’occasion du festival aVENTura de Lucerne en septembre 2023 dédié aux compositeurs suisses. En octobre 2018, Gauthier Dupertuis a eu l’occasion d’accompagner l’harmonie La Landwehr de Fribourg (Suisse) en tant qu’instrumentiste lors d’une tournée de concerts en Inde. Les déplacements entre les différentes villes étaient rythmés par les klaxons des différents véhicules sur la route, qui rivalisaient de créativité. Le bus de l’harmonie ne dérogeait pas à cette règle, et Gauthier Dupertuis a fini par se laisser inspirer par ce motif de cinq notes qui, à force de répétitions, a fini par s’ancrer profondément dans son cerveau, cela jusqu’à servir de matériau musical de base pour cette œuvre. Dystopia exploite la notion de dualité : en deux parties (I. Preludio et II. Toccata), l’œuvre utilise le double quintette à vent tantôt comme une entité unique, tantôt comme deux ou trois groupes en constant conflit rythmique, harmonique ou d’écriture. Telle dans une dystopie où le héros lutte constamment contre une société oppressante, le groupe thématique lié au motif A (celui du klaxon, exposé au début du Prélude) affronte celui lié au motif B (exposé à la mesure 25) tout au long de la pièce. De même, la forme libre du Prélude contraste avec la structure plus définie de la Toccata où les ambiances liées aux deux groupes thématiques s'alternent. Deux courts épisodes mettent en évidence un troisième motif, plus arioso, faisant office de divertissement et d’apaisement rythmique au sein de la Toccata. / Date parution : 2023-10-31/ Répertoire / Double Quintette à Vents
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Suzuki Cello School Vl. 5 - Cello Part
Alfred Publishing
Titres : Sonata in E Minor, Op. 14, No. 5 (Largo, Allegro, Largo, Allegro) (A. V...
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Titres : Sonata in E Minor, Op. 14, No. 5 (Largo, Allegro, Largo, Allegro) (A. Vivaldi) * Danse Rustique, Op. 20, No. 5 (W.H. Squire) * Arioso from Cantata 156 (J.S. Bach) * Rondo from Concerto No. 4, Op. 65 (G. Goltermann).
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From This Day Forward: Organ: Instrumental Album
Organ
[Sheet music]
-
Intermediate
FJH
From This Day Forward is a practical anthology for the wedding organist as arra...
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From This Day Forward is a practical anthology for the wedding organist as arranged by Mark L. Williams. Contents: Arioso from Contata No. 156 (Bach); Air from Water Music Suite (Handel); Andantino from Rosamunde (Schubert); Nocturne from A Midsummer Night’s Dream (Mendelssohn); O Perfect Love; Bist du bei Mir (Bach); Canon in D (Pachelbel); Largo from Xerxes (Handel); Where’er You Walk (Handel); A Nuptual Blessing; Pastoral Symphony from Messiah (Handel); Jesu Joy of Man’s Desiring (Bach); He Shall Feed His Flock From Messiah (Handel); Bridal Chorus from Lohengrin (Wagner); Trumpet Voluntary; Wedding March from A Midsummer Night’s Dream (Mendelssohn); TrumpetTune; Allegro Maestoso from Water Music Suite (Handel); March from Richard the First (Handel); Rondeau from Sinfonies de Fanfares (Mouret); Prelude to Te Deum (Charpentier); Rigaudon (Campra); Psalm 19 (Marcello); March Magnifique (Williams); Savior Like a Shepherd Lead Us (Bradbury); and Sing to God with Heart and Voice (Williams)
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Suzuki Viola School Piano Acc. Volume 6 (Revised): Viola: Instrumental Tutor
Viola
Alfred Publishing
This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titl...
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This is the piano accompaniment for Suzuki Viola School Volume 6 (Revised). Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello BWV 1007 (Allemande Minuet I Minuet II) (J.S. Bach) * Arioso Sinfonia for Oboe Violin Viola Basso Continuo Ich Steh mit einen Fuss im Grabe BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) *Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins Violin II arranged for Viola BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus).
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Blue Baroque Violin
Violin and Piano
Universal Edition
Bleu Baroque pour violon et Piano est une collection de huit re-fonctionnement d...
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Bleu Baroque pour violon et Piano est une collection de huit re-fonctionnement du, des pièces pour l'essentiel, très bien connus de la période. La sélection comprend des éléments provenant du répertoire instrumental et vocal dans une variété d'adaptations stylistiques. Middle-grade aux plus avancées violonistes ont maintenant la chance de découvrir ces délicieux morceaux ' Blue Baroque ' qui enchantera sans aucun doute les artistes et le public. Comprend : Bel Isle / Purcell - Sarabande de français Suite #1 en ré mineur / J.S. Bach - Arioso / Telemann - Tambourin / Rameau - de la Clavierbüchlein der Anna Magdalena Bach, Menuet BWV Anh. 114 - Menuet (BWV Anh.115) / Petzold - Sarabanda et Giga de Sonata VIII (op. 5) / Corelli. / Violon Et Piano
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Laßt Uns Singen (Paulus) (Hos 111)
Soprano voice, Piano
[Sheet music]
Lienau
Arioso. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Soprano et Piano
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Randall Hartsell: Wedding Creations: Piano: Instrumental Album
Piano solo
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Intermediate
Willis Music
Intermediate to Advanced Level-Randall Hartsell's Wedding Creations features nin...
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Intermediate to Advanced Level-Randall Hartsell's Wedding Creations features nine arrangements of great classical favorites in his unique trademark style as well as three romantic originals especially composed for this collection! Arrangements: Air (Handel) - Allegro Maestoso (Handel) - Arioso (Bach) - The Heavens Declare (Marcello) - Jesu Joy of Man's Desiring (Bach) - Love Divine All Loves Excelling (Prichard) - Ode to Joy (Beethoven) - Rondeau (Mouret) - Trumpet Voluntary (Clarke). Original pieces: Adagio from the Heart - Chanson d'amour - Unity of Love.
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Emotions: Piano: Instrumental Album
Piano solo
Schott
35 Original Pieces for Piano-Eine umfangreiche Sammlung von 35 Klavierstücken a...
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35 Original Pieces for Piano-Eine umfangreiche Sammlung von 35 Klavierstücken aus drei Jahrhunderten die Gefühle zum Thema haben: Die Bandbreite reicht von Schwermut Melancholie und Sentimentalität bis zu Glück Trost Scherz und Humor. Die Werke beschreiben Zärtlichkeit und Liebe aber auch Entschlossenheit und Wut. Die Sammlung beginnt mit der lustig-traurigen Gegensatzstudie 'Arioso-Burlesca' von Telemann und endet - nach einem wechselvollen Reigen mit Werken von Schubert Schumann Tschaikowsky Dvorak Grieg Reger Rachmaninoff Martinu Prokofjew und vielen anderen - bei der 'Wut über den verlorenen Groschen' in einer Jazz-Fassung von Uwe Korn.Bekannte Werke (wie LisztsLiebestraum oder Chopins berühmter Trauermarsch) stehen neben unbekannten Entdeckungen. Eine einzigartige Sammlung mit 'emotionsgeladener' Musik.
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Ronald Hammer: Suite for Horn: French Horn: Instrumental Work
Emerson Editions limited
Prelude Waltz Arioso Finale-The Suite For Horn although well within the rang...
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Prelude Waltz Arioso Finale-The Suite For Horn although well within the range of a second-year student is a little gem. Lyrical tunes and a most effective piano part make this a suitable short item for recital.Includes parts for both Eb andF horns.
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BigTime Piano Classics Level 4: Piano: Instrumental Album
Piano solo
-
Intermediate
Hal Leonard
Level 4-BigTime® Piano: Classics is an exciting collection containing some of...
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Level 4-BigTime® Piano: Classics is an exciting collection containing some of the most popular and most requested masterworks of Western music arranged for pianists at Level 4 on the Faber Piano Adventures® course.The selections are taken from original non-keyboard sources and arranged to create a 'big' sound while remaining within the intermediate level.This volume includes the pieces Arioso (from Cantata No. 156) by J.S. Bach Canon in D by Pachelbel Danse Macabre by Saint-Saëns Hornpipe (from Water Music) by Handel Hungarian Dance No. 5 by Brahms and more.
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Just As The Rain And Snow Fall From Heaven (BACH JOHANN SEBASTIAN)
Choral
[Sheet music]
Carus Verlag
Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. T...
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Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded./ Répertoire / Choeur
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Muriel Anderson: Innovations For Acoustic Guitar: Guitar: Instrumental Tutor
Guitar
Music Sales
Designed to motivate and inspire students Guitar Sherpa's innovative learning s...
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Designed to motivate and inspire students Guitar Sherpa's innovative learning systems employ a hands-on contextual format. Students 'play' their way through Guitar Sherpa curriculum rather than working through tedious examples and exercises.Muriel Anderson world-renowned Guitarist and composer presents this intensive study program for intermediate and advanced fingerstyle Guitar players. Innovations for Acoustic Guitar guides the student through essential theory techniques and other 'tricks of the trade' to enhance the player's performance arranging and composition skills.Using several of her own compositions as lesson examples (Arioso Mister Chester TwoShores A Baker's Dozen and Muriel's highly popular Angelina Baker Medley) Innovations for Acoustic Guitar reveals a variety of Muriel's signature techniques and approaches for generating new ideas and fresh arrangements or compositions.You'll learn how to flavor your arrangements and compositions with a variety of harmonic techniques including Irish and Cuban influences and odd time signatures. You'll learn how to develop a theme play expressively and imitate the sounds of a banjo mandolin or bass. Muriel also demonstrates how connect notes in a rhythmic tune in the classic style of Chet Atkins.Innovations for Acoustic Guitar will strengthen your fingerstyle technique enhance your performance and presentation of material and spark innovative composition and arranging. Hands-On Learning Tools included with Innovations for Acoustic Guitar: Text Lesson Guide Standard Notation Guitar Tab Power Tab Files Power Tab Software Bonus Material. Secure PIN enclosed in DVD package for quick and secure download of learning tools.
23.95 GBP - Sold by Musicroom UK
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There Is No Rose Of Such Virtue
Choral SATB
Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...
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There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
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Johann Sebastian Bach: Adoramus Te: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Bachs famous instrumental arioso is set here with a simple Latin text. The expre...
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Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.
13.75 GBP - Sold by Musicroom UK
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2 A 2 Op. 88A (HUMMEL BERTOLD)
Soprano Saxophone
Advance Music
Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven se...
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Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone - over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo./ Répertoire / Saxophone Soprano et Percussions
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Cellomappe (SIEGL OTTO)
Cello
-
Beginner
Doblinger
Leichte Stücke. Par SIEGL OTTO. Inhalt: Arioso - Seifenblasen - Abendsegen - Pa...
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Leichte Stücke. Par SIEGL OTTO. Inhalt: Arioso - Seifenblasen - Abendsegen - Paradestück - Kleine Variation über 'Weißt du, wieviel Sternlein stehen” / Niveau : Débutant à Facile / Répertoire / Violoncelle
20.60 EUR - Sold by LMI-partitions
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