Par BEDARD DENIS. Pièces d'orgue des Augustines de Vitre (lp74). Par Bedard aux editions Leduc. Partition / Livre de chansons pour Orgue/ Recueil / Orgue

Pièces d'orgue des Augustines de Vitre (lp74). Par Bedard aux éditions Leduc. Partition / Livre de chansons pour Orgue

Par BAEYENS AUGUST. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment./ Répertoire / Flûte Traversière et Violoncelle

Par KLOTZKE ERNST-AUGUST. Ernst-August Klötzke setzt sich in seinem 1996 für Klavier und Tonband entstandenen Dies Gesicht – facies nigra mit fremden, „geerbten“ und stückimmanenten Erinnerungen auseinander. Der Moment des Erinnerns beginnt für den Komponisten bereits in dem Augenblick, in dem man sich des „Jetzt“ gewahr wird. Alles Aufgenommene wiederum färbt und formt die weitere Wahrnehmung, die Erinnerungen leuchten wie Scheinwerfer nach vorne. Erste Fragmente einer Idee, die dem Stück zugrundliegen, entstanden beim Betrachten einer 1525 entstandenen Pinselzeichnung Albrecht Dürers eines ihm im Traum erschienenen apokalyptisch anmutenden Wolkenbruchs. Eine klare Präsenz von Erinnerung fordertauch Dies Gesicht vom Interpreten: Die Komposition ist so angelegt, dass der Pianist den zweiten Teil des Stückes nicht spielen kann, ohne sich Spuren zu vergegenwärtigen, die der erste Teil in seinem Gedächtnis hinterlassen hat./ Répertoire / Piano et Bande Magnétique-Disque

Tonalité : G-Dur -. Par HOMILIUS GOTTFRIED AUGUST. Gattungen: Motetten - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Weihnachtskantate. Par JACOBI CHRISTIAN AUGUST. Tonalité : F-Dur - Winkworth, Catherine / Scandrett, Robert (Trad.) -/ Répertoire / Solo SATB, Choeur SATB, 2 Violons, Violoncelle ou

a-Moll. Par HOMILIUS GOTTFRIED AUGUST. in combination with verse 1 of the chorale 'Eitle Welt, ich bin dein müde' by Erdmann Neumeister/ Répertoire / Choeur SATB/SATB

Tonalité : Es-Moll -. Par HOMILIUS GOTTFRIED AUGUST. Motetten - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Passionskantate. Par HOMILIUS GOTTFRIED AUGUST. I. 2/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tenor Sax Play-Along Book with Online Audio. 14 songs from the two 2020 album releases by the ever-popular and musically prolific Taylor Swift in arrangements for instrumentalists with approximately one year of playing experience. Each of these books also includes demonstration and play-along audio tracks online for download or streaming. Songs include: August · Cardigan · Exile · Gold Rush · Long Story Short · No Body, No Crime · Seven · Willow · and more.