A new trinlingual edition (2003) of the puppet opera composed between 1919 and 1923.

 Texte d'Alain Van Kerckhoven Certains symboles ont traversé les civilisations et les âges, utilisant comme véhicules des mythes qui se perpétuent de mille façons : récits religieux, chansons populaires ou décors de cathédrales par exemple, Les plus forts de ces symboles ont nourri (et été nourris par) une discipline initiatique à la fois spéculative et opérative : l'alchimie,Three Philosophers Songs (2013) - que l'on pourrait traduire par ' Trois Mélodies philosophales ' - évoque trois de ces mythes occidentaux sous un éclairage philosophal, The Fruits of the Earth se réfère à l'étrange histoire de Caïn et Abel, La musique est construite sur la technique de la basse obstinée,Dans les divers épisodes qui se succèdent, la voix et les instruments établissent un dialogue soulignant le caractère dramatique du récit, Roots and Thorns évoque de multiples destins de l'acacia, La pièce s'ouvre sur une succession d'accords mineurs distants les uns des autres d'un intervalle de tierce (mineure ou majeure), Une mélodie se déploie vers la fin de cette longue introduction, Suit alors un passage central plus agité rythmiquement où le chant prend le rôle central, soutenu par les instruments, Une troisième section voit revenir la succession d'accords et la mélodie initiale, The Salt of the Earth revisite la très alchimique légende de Saint Nicolas, L'utilisation d'un accord sans tierce donne un caractère ' médiéval ' à la courte introduction instrumentale, La voix chante alors en boucle une mélodie simple, très expressive, et c'est l'ensemble instrumental qui crée les différentes atmosphères et variations de caractère, La conclusion, purement instrumentale, utilise essentiellement la mélodie principale et finit sur l'accord sans tierce du début, / Baryton

A combination of settings from the Latin mass with new English text by Susan Gregson. Written for boys' voices baritone solo and large symphonic wind ensemble. This volume contains all voice parts and a piano accompaniment.Commissioned by the National School Band Association the first performance of this work took place at the Snape Maltings Concert Hall in Suffolk 1988 conducted by the composer.

Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) composed this Mass, Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices, while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided into five sections, the entire work has been transposed one half step lower ‘ to avoid the awkward key of F sharp major'. These sections are: 1. Kyrie (Moderato & F# minor) 2. Gloria (Vivace & Lento, D major 3. Sanctus (Con brio, A major) 4. Benedictus ( Piú lento, A major) 5. Agnus Dei (Moderato, F# major) This really delicate and emotive Mass, Op. 36 is a piece that stands out by its majesty. Charles-Marie Widor was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including 10 symphonies for Organ, some Operas, and some Piano Concerti./ Répertoire / 2 Barytons, SATB, Orgue Acc (Duet)

For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.

Angels is Robbie Williams??? most famous song even voted the ???best song in the past 25 years of British music??? by the British public at the 2005 BRIT Awards. This timeless pop ballad is recognised loved and reinterpreted all over the world even having cover versions in Spanish and Italian. Robbie has performed Angels with artists like Joss Stone and most recently Olly Murs. Despite Williams??? uncountable hits since Angels??? release in 1997 the song is still used to conclude most of his shows proving its continuing relevance.David Lawrence???s arrangement for Tenor I Tenor II Baritone and Bass Voices with Piano accompaniment and Guitar chords makes use of the multiple voices creating new depths and layers as they depart. This version stays extremely close to the original making it a guaranteed audience favourite.Choral arrangements by David Lawrence are available as follows:SATB: Catalogue No. IMP9612ASAB: Catalogue No. IMP9613A2-Part: Catalogue No. IMP9615ASSA: Catalogue No. IMP9614A

Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! / Voix Masculines

A Sacred Cantata for Soprano Tenor and Baritone Soli Chorus and Organ interspersed with hymns. Words written and arranged by E. Cuthbert Nunn. This version contains all voice parts and a piano accompaniment.

A Cycle of American Poems-A cycle of twelve songs on American poems for six singers and orchestra written in 1977. Thirteen American poems are set for solo soprano two solo mezzo-sopranos solo tenor solo baritone and solo bass as well as these voice parts in various combinations. Presented here with piano reduction of the orchestral score.

Valerie (Amy Winehouse) arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols.