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| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Bb edition Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 ...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.
(3)$49.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 2 Bb Instruments [Fake Book] Hal Leonard
B-flat Edition. By Various. Fake Book (Includes melody line and chords). Size 8....(+)
B-flat Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. Published by Hal Leonard.
(1)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 2 (C Instruments)
C Instruments [Fake Book] - Intermediate Hal Leonard
By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 i...(+)
By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 416 pages. Published by Hal Leonard.
(5)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - C edition
C Instruments [Fake Book] Hal Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.
(7)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Eb Edition Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet notation. Series: Hal Leonard Fake Books. 448 pages. Published by Hal Leonard.
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Randall Thompson: The Pasture Choral 3-part TTB/TBB [Octavo] - Intermediate Schirmer
(No. 2 from Frostiana) Composed by Randall Thompson (1899-1984). Vocal score for...(+)
(No. 2 from Frostiana) Composed by Randall Thompson (1899-1984). Vocal score for TBB chorus and piano accompaniment. With vocal score notation, lyrics and piano accompaniment. F Major. 11 pages. Published by E.C. Schirmer Publishing.
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Chanticleer's Carol Choral TTBB Schirmer
By Conrad Susa. Text: William Austin. For TTBB/TTBB Choir, brass or chamber orch...(+)
By Conrad Susa. Text: William Austin. For TTBB/TTBB Choir, brass or chamber orchestra, or organ and trumpet. (Men's Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.
$3.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 2: Second Edition C Instruments [Sheet music + Audio access] Hal Leonard
Book with Play-Along Tracks. Composed by Various. Real Book Play-Along. Softco...(+)
Book with Play-Along Tracks.
Composed by Various. Real
Book Play-Along. Softcover
Audio Online. 440 pages.
Published by Hal Leonard
$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 2 Bass Clef Instruments [Fake Book] Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size...(+)
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| ARKA - 3 Rituale (Full Score) Low voice, Piano [Score] Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotali, Glockenspiel, gr, Trommel, vibraphonerafon - 1 Spieler), strings (7, 1) SKU: PE.EP14445 Composed by Bernd Franke. Full Scores. Edition Peters. Score. 52 pages. Duration 00:20:00. Edition Peters #98-EP14445. Published by Edition Peters (PE.EP14445). ISBN 9790014135041. 297 x 420 mm inches. German. ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss. Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester. Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen. In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte). Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between. In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung! Bernd Franke. Leipzig, 11.10.2019 W01476|C|Y 0.0000 Sheet Music _x000D_ 9780193556799 Y 23.50 X556799 357665 9780193556799 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556799 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 Low voice & piano Low voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556799 - Young: A babe is born
- Rutter: Angels' Carol
- McDowall: Before the paling of the stars
- Rutter: Candlelight Carol
- Rutter: I sing of a maiden
- Chilcott: Mid-winter
- Todd: My Lord has Come
- Bullard: Scots Nativity
- Quartel: Snow Angel
- Todd: Softly
- Chilcott: Sweet was the song
- Chilcott: The Shepherd's Carol
- Quartel: This endris night
- McGlade: What child is this?
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano. - 14 songs for solo voice
- Well-loved composers, including John Rutter and Bob Chilcott
- Wide selection of Christmas texts
- Accessible accompaniments
- Includes backing tracks downloadable from a Companion Website
- Available in volumes for high and low voice
MISC|AU|Y 0.0000 Paperback _x000D_ EP73308R Y 0.00 73308R P73308R 1 ORCHA 8000 0.00 Hover A (LARGE) BEAMISH EP73308R GP:ORCHESTRAL HOVER ONLY RENTAL SALLY WORKS NONE ORCHA P 303000 EP73308R 0.0000 Sheet Music _x000D_ EP14437A Y 22.95 14437A P14437A FRANKE, BERND C 9790014137199 52A1 8000 0.00 AGNI A 9790014137199 AGNI BASS BERND CLARINET EP14437A FRANKE PHOTOPRINTS W01476 English / German 00:12:0 Instrumental Score 232 x 303 mm Bass clarinet 20 DETNT NEW PR43 23/04/2021 P 303006 AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything: Every flame, every fire, every light, every warmth is AGNI. AGNI is omnipresent, establishing everything and ending everything. AGNI is often depicted with seven tongues which represent different aspects of his being. These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming. Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet. This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet. W01476|C|Y 0.0000 Sheet Music _x000D_ EP68686 Y 165.00 68686 P68686 LEWIS C 9790300761299 97 8000 0.00 Ikons A 9790300761299 CONTEMPORARY ENSEMBLE EP68686 GEORGE IKONS LEWIS PHOTOPRINTS SMALL W06652 English 00:14:0 Conductor Score & Parts 303 x 232 mm Fl (A-fl in F).Cl.Bsn (Cbsn).Tbn.Perc.Vln.Vlc.Cb 132 NEW PR43 USTNT 21/04/2021 P 303006 Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies. The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer. W06652|C|Y 0.0000 Sheet Music _x000D_ EP73531 Y 31.95 73531 P73531 PANUFNIK, ROXANNA C 9790577020976 61 8000 0.00 Sonnets without Words A 9790577020976 EP73531 HORN PANUFNIK PHOTOPRINTS PIANO ROXANNA SHAKESPEARE SONNETS W03578 WILLIAM WITHOUT WORDS English Score & Instrumental Parts 232 x 303 mm Horn and piano 28 NEW PR43 UKTNT 21/04/2021 P 303006 Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work. Score and horn part. - Contemporary work for Horn in F and piano
- Settings of Sheakespeare's Sonnets 8, 24 & 29 in instrumental form
W03578|C|Y W06737|LY|N 0.0000 Sheet Music _x000D_ EP73571 Y 15.95 73571 P73571 MCNEFF, STEPHEN C 9790577021317 20 8000 0.00 Trig for Solo Cello A 9790577021317 (SOLO) CELLO EP73571 MCNEFF PHOTOPRINTS SOLO STEPHEN TRIG W03150 English 00:07:0 Instrumental Score 232 x 303 mm Solo Violoncello 8 NEW PR43 UKTNT 21/04/2021 P 303006 Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010. Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music. - Contemporary piece for solo cello
- Written for the Royal Academy of Music's bicentennial
W03150|C|Y 0.0000 Sheet Music _x000D_ EP14528 Y 34.95 14528 P14528 SAUNDERS, REBECCA C 9790014136796 3 8000 0.00 to an utterance - study A 9790014136796 (SOLO) AN EP14528 PHOTOPRINTS PIANO REBECCA SAUNDERS STUDY TO UTTERANCE W04191 English Instrumental Score 420 x 297 mm Piano Solo 16 DETNT NEW PR43 21/04/2021 P 303006 to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin. W04191|C|Y 0.0000 Sheet Music _x000D_ EP71880 Y 75.00 71880 P71880 PANUFNIK, ROXANNA C 9790577008332 82 8000 0.00 Spirit Moves for Brass Quintet A 9790577008332 BRASS ENSEMBLE EP71880 MOVES PANUFNIK PHOTOPRINTS QUINTET ROXANNA SPIRIT W03578 English 00:15:0 Score & Instrumental Parts 232 x 303 mm Trumpet 1 in B flat (doubling Piccolo Trumpet), Trumpet 2 in B flat (doubling Flugel Horn), Horn in F, Trombone, Tuba 84 NEW PR43 UKTNT 21/04/2021 P 303006 Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual. This product consists of score and parts. W03578|C|Y 0.0000 Sheet Music _x000D_ EP73585 Y 4.00 73585 P73585 369282 WILLIAMS, RODERICK C 9790577021591 1 151 8000 0.00 Eriskay Love Lilt A 9790577021591 (SECULAR) CHORAL EP73585 ERISKAY HALSTAN-USA LILT LOVE RODERICK TRADITIONAL W05152 WILLIAMS WORKS English 00:03:0 190 x 272 mm SATB (divisi) and piano 16 NEW PR30 UKTNT 20/05/2021 P 377788 A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'. - Commissioned by The Sixteen choir and recorded on their 2021 album 'Goodnight Beloved'
- Roderick Williams is a composer/arranger and also a world-renowned baritone
- The arrangement is described by Williams as 'having a little nod to Ravel and Grieg'
W05152|C|Y W04819|LY|N 0.0000 Sheet Music _x000D_ 9780193556782 Y 23.50 X556782 357665 9780193556782 MISC C 1 432 8030 0.00 Oxford Solo Songs: Christmas 14 songs with piano PAPER 14 9780193556782 A-B CAROLS CHRISTMAS MISC MISCELLANEOUS OXFORD PIANO SOLO SONGS SONGS: VOICE WITH AB 00:00:0 High voice & piano High voice book + downloadable backing tracks 311x232 72 NEW NONE 29/07/2021 P 355580 9780193556782 - Young: A babe is born
- Rutter: Angels' Carol
- McDowall: Before the paling of the stars
- Rutter: Candlelight Carol
- Rutter: I sing of a maiden
- Chilcott: Mid-winter
- Todd: My Lord has Come
- Bullard: Scots Nativity
- Quartel: Snow Angel
- Todd: Softly
- Chilcott: Sweet was the song
- Chilcott: The Shepherd's Carol
- Quartel: This endris night
- McGlade: What child is this?
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano. - 14 songs for solo high voice
- Well-loved composers, including John Rutter and Bob Chilcott
- Wide selection of sacred and secular Christmas texts
- Accessible accompaniments
- Includes backing tracks downloadable from a Companion Website
- Available in volumes for high and low solo voice
MISC|AU|Y 0.0000 Paperback _x000D_ 9780193559066 Y 4.25 X559066 357665 9780193559066 YOUNG C 1 444 8030 0.00 O splendour of God's glory bright PAPER 9780193559066 BRIGHT CHORAL GLORY GOD'S MIXED OF OXFORD SACRED SPLENDOUR TOBY VOICES W06576 YOUNG C 00:03:30 SATB & organ Vocal score 254x178 SATB 20 NONE P 355580 9780193559066 for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different. W06576|C|Y 0.0000 Paperback _x000D_ 9780193554399 Y 2.60 X554399 357665 9780193554399 LASSUS, ORLANDO DE C 1 445 8030 0.00 Oculus non vidit PAPER 9780193554399 CHORAL DE KEANE LASSUS MARK NON OCULUS ORLANDO OXFORD SACRED UPPER VIDIT VOICES W02750 B 00:01:30 SA unaccompanied Vocal score 254x178 Upper Voices - 3 parts or more 4 NONE 10/06/2021 P 355580 9780193554399 for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
W02750|C|Y W06960|E|N 0.0000 Paperback _x000D_ 9780193954298 Y 3.35 X954298 357665 9780193954298 TALLIS, THOMAS C 1 448 8030 0.00 Honor, virtus et potestas PAPER 9780193954298 CANTICLES DUNKLEY ET HONOR OXFORD POTESTAS SALLY SERVICES TALLIS THOMAS VIRTUS W04705 C 00:06:0 SAATB unaccompanied Vocal score MSER00020 SATB 12 NONE 28/05/2021 P 355580 9780193954298 for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony. W04705|C|Y W01184|E|N 0.0000 Paperback _x000D_ EP73527 Y 6.95 73527 P73527 BEAMISH, SALLY C 9790577020891 50 8000 0.00 The Parting Glass A 9790577020891 (SOLO) BEAMISH CLARINET EP73527 GLASS PARTING PHOTOPRINTS SALLY W00306 English Score 232 x 303 mm Clarinet 4 NEW PR43 UKTNT 12/12/2020 P 303006 Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019. Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth. But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind. I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation. The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet. The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians. It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble. W00306|C|Y 0.0000 Sheet Music _x000D_ EP73516 Y 6.95 73516 P73516 BEAMISH, SALLY C 9790577020747 20 8000 0.00 Maple A 9790577020747 (SOLO) BEAMISH CELLO EP73516 MAPLE PHOTOPRINTS SALLY W00306 English 00:06:0 Score 232 x 303 mm Contemporary cello solo 8 NEW PR43 UKTNT 12/12/2020 P 303006 Seed; Spinning Seed; Roots, shoots; Leaves ; Flowers; Tree ; Autumn ; Cello Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world. The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello. The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style. Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project. W00306|C|Y 0.0000 Sheet Music _x000D_ EP73508 Y 39.95 73508 P73508 DILLON, JAMES C 9790577020648 3 8000 0.00 echo the angelus A 9790577020648 (SOLO) ANGELUS DILLON ECHO EP73508 JAMES PHOTOPRINTS PIANO W01097 English 00:25:0 Score 232 x 303 mm Piano Solo 44 NEW PR43 UKTNT 12/01/2021 P 303006 First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020. Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume 2 - Mini Edition Fake Book [Fake Book] Hal Leonard
C Instruments. By Various. Fake Book (Includes melody line and chords). Publishe...(+)
C Instruments. By Various. Fake Book (Includes melody line and chords). Published by Hal Leonard.
$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Charts Play-Along [Sheet music + Audio access] - Beginner Music Factory
C/Eb/Bb-instrument - very easy SKU: M7.MF-3610 The greatest hits in ea...(+)
C/Eb/Bb-instrument - very easy SKU: M7.MF-3610 The greatest hits in easy arrangements. Arranged by Uwe Bye. This edition: Saddle-wire stitching. Sheet music with Online material. Music Factory. Easy Charts is the successful series that allows up-and-coming musicians to play and enjoy current Chart hits. 72 pages. Music Factory #MF 3610. Published by Music Factory (M7.MF-3610). ISBN 9783795716967. Easy Charts Play-Along 10 is the latest installment of the successful series that allows up-and-coming musicians to play and enjoy hits from the charts. Including Bella Ciao by the French DJ El Profesor, the Oscar-winning song Shallow by Lady Gaga and Bradley Cooper and Shotgun by the British singer George Ezra. All arrangements are available for C, Bb and Eb instruments and can be played by a variety of instruments, such as flute, clarinet, saxophone, and trumpet. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Collected Writings Paul Sacher Stiftung
Composed by Gyorgy Ligeti (1923-2006). Edited by Monika Lichtenfeld. This editio...(+)
Composed by Gyorgy Ligeti (1923-2006). Edited by Monika Lichtenfeld. This edition: 2 volumes; hardcover with dustjacket. Books / Librettos. Publications from the Paul Sacher Foundation Band 10. Die erste umfassende Schriftenausgabe des bedeutenden ungarischen Komponisten. Text Language: German. 876 pages. Published by Paul Sacher Stiftung
$94.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Wildflowers Flute, Clarinet, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio. For Piccolo (or Flute), Clarinet in Bb, Piano. Contemporary. Score and part(s). Standard notation. 40 12 pages. Duration 22 minutes. Published by Theodore Presser Company
$28.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Style Studies (Eb or Bb Bass BC/TC) Euphonium [Sheet music + CD] - Intermediate De Haske Publications
Eb/Bb Bass TC/BC - intermediate SKU: BT.DHP-1043600-400 Patrick Sheridan ...(+)
Eb/Bb Bass TC/BC - intermediate SKU: BT.DHP-1043600-400 Patrick Sheridan presents. Studies and Exercises. Book with CD. Composed 2004. 72 pages. De Haske Publications #DHP 1043600-400. Published by De Haske Publications (BT.DHP-1043600-400). ISBN 9789043119832. 9x12 inches. International. This new book from De Haske helps fill the need for melodic unaccompanied solos for the tuba. It contains 16 wonderful concert studies that develop sound and technique while providing a rich environment for the study of style. The accompanying demo CD, performed by Patrick Sheridan, gives you an idea of how it should be done. This book is a must for all developing tuba players.
Eindelijk is er een studieboek met muziek in een verscheidenheid van stijlen - speciaal geschreven voor tubaspelers door moderne componisten, onder wie André Waignein, Thomas Doss, Ferrer Ferran, Philip Sparke en Roland Kernen. Dezeconcertetudes zijn bedoeld voor het ontwikkelen van de klank en techniek, met oog voor de kwaliteit van de muzikale inhoud binnen een scala van stijlen.De wereldberoemde tubasolist Patrick Sheridan heeft de stukken op de bijgevoegdecd voorgespeeld.
Nun gibt es endlich ein Buch voll Konzertetüden mit Musik in einer Vielzahl von Stilen, von modernen Komponisten speziell für die Tuba geschrieben! Dieses Buch enthält sechzehn gro�artige Konzertetüden zur Entwicklung von Ton und Technik und ist darüber hinaus reich an Material für Stilstudien. Auf der Demo-CD ist eine Interpretation der Studien von Patrick Sheridan zu hören. Die Bass-Stimme in B wurde in der für das Instrument optimalen Transposition geschrieben. Das bedeutet jedoch, dass die CD nur als Hörbeispiel verwendet werden kann, Mittspielen zur CD ist nicht möglich.
Pendant longtemps, les tubistes nâ??ont eu quâ??un choix limité de recueils dâ??études leur permettant de travailler le son et la technique. Certes, les précédents recueils constituent un excellent moyen de développer ces deux éléments, mais la qualité du contenu musical de certaines études fait défaut et ce quel que soit le style et en dépit de lâ??intérêt quâ??elles présentent en tant quâ??approche des différentes tonalités et intervalles spécifiques. Câ??est donc avec joie que nous accueillons enfin un recueil dâ??études de concert de styles variés, écrites spécialement pour le tuba par de talentueux compositeurs dâ??aujourdâ??hui.
Approfondite le tecniche più avanzate richeste ai suonatori di tuba per essere dei veri solisti all'interno di un gruppo da camera come di una grande orchestra. Intervalli, intonazione e fraseggio sono gli elementi più ricorrenti nelle pagine di questa raccolta di studi. Il CD propone la demo di ogni brano. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Easy Charts Play-Along Vol. 13 - Beginner Music Factory
C/Eb/Bb-instrument - very easy to easy SKU: M7.MF-3613 The greatest hi...(+)
C/Eb/Bb-instrument - very easy to easy SKU: M7.MF-3613 The greatest hits in easy arrangements. Arranged by Uwe Bye. This edition: Saddle-wire stitching. Score with online audio files. Music Factory. Score with online audio files. 84 pages. Music Factory #MF 3613. Published by Music Factory (M7.MF-3613). ISBN 9783795727994. German. Easy Charts 13 is a collection of current hits that beginners can play on various instruments such as flute, clarinet, saxophone or trumpet after the first year of lessons. Including chart toppers such as Lady Gaga's title song from the new Top Gun film (Hold My Hand), the emotional ballad Easy by Adele, the self-confident chart-topping Abcdefu by newcomer Gayle. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Book - Volume 2 Fake Book [Fake Book] Hal Leonard
Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x...(+)
Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival Prelude Ad Excel Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-459-010 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-459-010 Composed by Philip Sparke. Anglo Music Midway Series. Opening Pieces. Set (Score & Parts). Composed 2017. Anglo Music Press #AMP 459-010. Published by Anglo Music Press (BT.AMP-459-010). English-German-French-Dutch. Festival Prelude ‘Ad Excel’ was commissioned by the AD Concert Band, from Solihull in the UK, to celebrate their 40th Anniversary in 2016. The title, Ad Excel, is a play on words: it is Latin for ‘to excel’ but also celebrates the band’s anniversary as XL is 40 in Roman numerals. The work opens with a bright fanfare with frequent changes of meter. This leads to a playful main subject, played first by woodwinds, followed by full band. A bridge passage leads to a legato second subject, played twice. The bridge passage returns to introduce the both main melodies in new keys and instrumentations before a coda, derived from the opening fanfare, brings the work to a close.
Festival Prelude ‘Ad Excel’ werd geschreven in opdracht van de AD Concert Band uit het Britse Solihull, ter gelegenheid van het veertigjarig bestaan van dit orkest in 2016. De titel, Ad Excel, heeft een dubbele betekenis, die is gebaseerd op de Engelse van het Latijn afgeleide term ‘to excel’ (excelleren, uitblinken) én op het veertigjarig jubileum van de band, aangezien XL in Romeinse cijfers het getal 40 aanduidt. Het werk opent met een opgewekte fanfare waarin frequent van maatsoort wordt gewisseld. Dan volgt een speels hoofdthema, eerst in het hout en dan het volledige orkest. Een bridgegedeelte leidt naar een legato tweede thema, dat twee keer klinkt.Daarop keert de bridge terug om beide hoofdmelodieën in nieuwe toonsoorten en instrumentaties te introduceren, waarna een coda, ontleend aan de openingsfanfare, het werk besluit.
Das Stück Festival Prelude ‘Ad Excel’ wurde 2016 von der AD Concert Band aus Solihull (Vereinigtes Königreich) aus Anlass ihres 40-jährigen Jubiläums in Auftrag gegeben. Der Titel, Ad Excel, ist ein Wortspiel: Es ist das lateinische Wort für to excel“ (engl.: hervorragend sein“), bezieht sich aber auch auf das Jubiläum des Orchesters, da XL die römische Ziffer für 40 ist. Das Werk beginnt mit einer strahlenden Fanfare mit zahlreichen Taktwechseln. Sie führt zu einem verspielten Hauptthema, das zunächst von den Holzbläsern und anschließend vom gesamten Orchester gespielt wird. Eine Überleitung führt zu einem zweiten Thema im Legato. Die Überleitung kehrtschließlich wieder, um die beiden Hauptmelodien in neuen Tonarten und Instrumentierungen vorzustellen, bis das Werk in einer Coda, die von der Eröffnungsfanfare abgeleitet ist, endet.
Festival Prelude ‘Ad Excel’ est une commande de l’AD Concert Band de Solihull au Royaume-Uni, pour célébrer leur 40e anniversaire en 2016. Le titre, Ad Excel, est un jeu de mots : en latin, il signifie « exceller », mais les chiffres romains XL font aussi 40, l’anniversaire célébré par l’orchestre. L’œuvre commence par une fanfare éclatante aux changements de mesure fréquents, suivie par l’introduction du thème principal, joué par les bois, puis repris par l’orchestre. Un pont mène au second thème legato avant d’introduire - nouveau les deux mélodies principales avec des tonalités et instrumentations différentes. L’œuvre se termine avec une coda dérivée de la fanfared’ouverture.
Festival Prelude ‘Ad Excel’ è stato commissionato dalla AD Concert Band, di Solihull nel Regno Unito, per celebrare il loro 40esimo anniversario nel 2016. Il titolo, Ad Excel, è un gioco di parole: è il corrispondente latino di “eccellere†ma celebra allo stesso tempo l’anniversario della band dato che XL equivale a 40 in numeri romani. L’opera si apre con una luminosa fanfara con frequenti cambi di tempo. Questa sfocia in motivo giocoso principale, prima suonato dai legni, subito dopo dall’intera banda. Un passaggio che funge da ponte porta poi a un secondo tema in legato, suonato per due volte. Il passaggio ritorna poi ad introdurre le due melodieprincipali in una nuova tonalit prima della coda, che riprende la fanfara di apertura, portando il brano alla conclusione. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenade for 12 Instruments Orchestra [Score and Parts] Boosey and Hawkes
Score and Parts. By Michael Weinstein. (Set). Boosey and Hawkes Chamber Music. ...(+)
Score and Parts. By Michael Weinstein. (Set). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.
$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa Brevis [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: BT.DHP-1033337-170 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Score Only. Composed 2003. 28 pages. De Haske Publications #DHP 1033337-170. Published by De Haske Publications (BT.DHP-1033337-170). A4 (210X297) inches. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartett, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rio Grande Concert band [Score and Parts] - Intermediate Hal Leonard
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daughe...(+)
For Symphonic Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 96 pages. Published by Hal Leonard (HL.4004651).
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Real Easy Book 2 - Bb
Version: B-Flat
Instruments: Instrumental
Album Bb Instruments [Fake Book] - Easy Sher Music Company
Real Easy Book 2 - Bb Version. Following on from the great success of The Real E...(+)
Real Easy Book 2 - Bb Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals.
From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling.
The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.
25.99 GBP - Sold by Musicroom UK | |
| Real Easy Book Vol.2 Bb Bb Instruments Advance Music
Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Har...(+)
Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser. Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshop's summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. / Instruments En Bb
38.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Real Book Play Along
Vol.1 6th Edition C
Instruments (livre + Cle
Usb) C Instruments [Fake Book] Hal Leonard
The Real Book you know and love has now been updated to include backing tracks f...(+)
The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The play-along CDs alone are worth $100 so this is an amazing package price! The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any reqard to copyright law or royalties paide to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed! (I Love You) For Sentimental Reasons [Best, William] [Watson, Deek] (The Old Man From) The Old Country [Adderley, Nat] [Lewis, Curtis, R.] 500 Miles High [Corea, Chick] [Potter, Neville] 502 Blues [Rowles, James] A Child Is Born [Jones, Thad] A Fine Romance [Kern, Jerome] [Fields, Dorothy] A Man And A Woman (Un Homme Et Une Femme) [Lai, Francis] [Barouh, Pierre] [Keller, Jerry] A Night In Tunisia [Gillespie, John ?Dizzy?] [Paparelli, Frank] A String Of Pearls [Grey, Jerry] A Sunday Kind Of Love [Belle, Barbara] [Prima, Louis] [Leonard, Anita] [Rhodes, Stan] African Flower (Petite Fleur Africaine) [Ellington, Duke] Afro Blue [Santamaria, Mongo] Afternoon In Paris [Lewis, John] Água De Beber (Water To Drink) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] Airegin [Rollins, Sonny] Alfie [Bacarach, Burt] [David, Hal] Alice In Wonderland [Fain, Sammy] [Hilliard, Bob] All Blues [Davis, Miles] All By Myself [Berlin, Irving] All Of Me [Simons, Seymour] [Marks, Gerald] All Of You [Porter, Cole] All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] Alright, Okay, You Win [Watts, Mayme] Always [Berlin, Irving] Ana Maria [Shorter, Wayne] Angel Eyes [Dennis, Matt] [Brent, Earl] Anthropology [Parker, Charlie] [Gillespie, Dizzy] Apple Honey [Herman, Woody] April In Paris [Duke, Vernon] [Harburg, E. Y.] April Joy [Metheny, Pat] Arise, Her Eyes [Swallow, Steve] Armageddon [Shorter, Wayne] Au Privave [Parker, Charlie] Autumn In New York [Duke, Vernon] Autumn Leaves [Kosma, Joseph] [Mercer, Johnny] [Prevert, Jacques] Beautiful Love [Young, Victor] [King, Wayne] [Van Alstyne, Egbert] [Gillespie, Haven] Beauty And The Beast [Shorter, Wayne] Bessie's Blues [Coltrane, John] Bewitched [Rodgers, Richard] [Hart, Lorenz] Big Nick [Coltrane, Nick] Black Coffee [Webster, Paul Francis] [Burke, Sonny] Black Diamond [Sealey, Milton] Black Narcissus [Henderson, Joe] Black Nile [Shorter, Wayne] Black Orpheus [Bonfa, Luiz] Blue Bossa [Dorham, Kenny] Blue In Green [Davis, Miles] Blue Monk [Monk, Thelonious] Blue Train (Blue Trane) [Coltrane, John] Blues For Alice [Parker, Charlie] Bluesette [Thielemans, Jean] [Gimbel, Norman] Body And Soul [Green, John] [Heyman, Edward] [Sour, Robert] [Eyton, Frank] Boplicity (Be Bop Lives) [Davis, Miles] [Evans, Gil] Bright Size Life [Metheny, Pat] Broad Way Blues [Coleman, Ornette] Broadway [Byrd, Bill] [McRae, Teddy] [Woode, Henri] But Beautiful [Van Heusen, Jimmy] [Burke, Johnny] Butterfly [Hancock, Herbie] [Maupin, Bennie] Byrd Like [Hubbard, Freddie] Call Me [Hatch, Tony] Call Me Irresponsible [Van Heusen, James] [Cahn, Sammy] Can't Help Lovin' Dat Man [Kern, Jerome] [Hammerstein II, Oscar] Captain Marvel [Corea, Chick] Central Park West [Coltrane, John] Ceora [Morgan, Lee] C'est Si Bon [Betti, Henri] [Seelen, Jerry] [Hornez, Andre] Chega De Saudade (No More Blues) [Jobim, Antonio Carlos] [De Moraes, Vinicius] Chelsea Bells [Swallow, Steve] Chelsea Bridge [Strayhorn, Billy] Cherokee (Indian Love Song) [Noble, Ray] Cherry Pink And Apple Blossom White [Louiguy] [Larue, Jacques] [David, Mack] Chippie [Coleman, Ornette] Chitlins Con Carne [Burrell, Kenny] Come Sunday [Ellington, Duke] Como En Vietnam [Swallow, Steve] Con Alma [Gillespie, John ?Dizzy?] Conception [Shearing, George] Confirmation [Parker, Charlie] Contemplation [Tyner, McCoy] Coral [Jarrett, Keith] Cotton Tail [Ellington, Duke] Could It Be You [Porter, Cole] Countdown [Coltrane, John] Crescent [Coltrane, John] Crystal Silence [Corea, Chick] D Natural Blues [Montgomery, John L. (Wes)] Daahoud [Brown, Clifford] Dancing On The Ceiling [Rodgers, Richard] [Hart, Lorenz] Darn That Dream [Van Heusen, Jimmy] [DeLange, Eddie] Day Waves [Corea, Chick] [Potter, Neville] Days And Nights Waiting [Jarrett, Keith] Dear Old Stockholm [Varmeland] Dearly Beloved [Kern, Jerome] [Mercer, Johnny] Dedicated To You [Cahn, Sammy] [Chaplin, Saul] [Hyzaret] Deluge [Shorter, Wayne] Desafinado [Jobim, Antonio, Carlos] [Mendonca, Newton] Desert Air [Corea, Chick] Detour Ahead [Ellis, Herb] [Frigo, John] [Carter, Lou] Dexterity [Parker, Charlie] Dizzy Atmosphere [Gillespie, John ?Dizzy?] Django [Lewis, John] Doin' The Pig [Swallow, Steve] Dolores [Shorter, Wayne] Dolphin Dance [Hancock, Herbie] Domino Biscuit [Swallow, Steve] Donna Lee [Parker, Charlie] Don't Blame Me [McHugh, Jimmy] [Fields, Dorothy] Don't Get Around Much Anymore [Ellington, Duke] [Russell, Bob] Dream A Little Dream Of Me [Schwandt, Wilbur] [Andree, Fabian] [Kahn, Gus] Dreamsville [Mancini, Henry] [Livingston, Jay] [Evans, Ray] E.S.P. [Shorter, Wayne] Easter Parade [Berlin, Irving] Easy Living [Robin, Leo] [Rainger, Ralph] Easy To Love (You'd Be So Easy To Love) [Porter, Cole] Ecclusiastics [Mingus, Charles] Eighty One [Davis, Miles] [Carter, Ronald] El Gaucho [Shorter, Wayne] Epistrophy [Monk, Thelonious] [Clarke, Kenny] Equinox [Coltrane, John] Equipoise [Cowell, Stanley] Fall [Shorter, Wayne] Falling Grace [Swallow, Steve] Falling In Love With Love [Rodgers, Richard] [Hart, Lorenz] Fee-Fi-Fo-Fum [Shorter, Wayne] Follow Your Heart [McLaughlin, John] Footprints [Shorter, Wayne] For All We Know [Coots, Fred, J.] [Lewis, Sam M.] For Heaven's Sake [Meyer, Don] [Bretton, Elise] [Edwards, Sherman] Forest Flower [Lloyd, Charles] Four [Davis, Miles] Four On Six [Montgomery, John L. (Wes)] Freddie Freeloader [Davis, Miles] Freedom Jazz Dance [Harris, Eddie] Full House [Montgomery, John L. (Wes)] Gee Baby, Ain't I Good To You [Redman, John] [Razaf, Andy] Gemini [Heath, Jimmy] Giant Steps [Coltrane, John] Gloria's Step [Le Faro, Scott] God Bless' The Child [Herzog Jnr, Arthur] [Holiday, Billie] Golden Lady [Wonder, Stevie] Good Evening Mr. And Mrs. America [Guerin, John] Grand Central [Coltrane, John] Groovin' High [Gillespie, John ?Dizzy?] Grow Your Own [Jarrett, Keith] Guilty [Kahn, Gus] [Whiting, Richard] [Akst, Harry] Gypsy In My Soul [Boland, Clay] [Jaffe, Moe] Half Nelson [Davis, Miles] Have You Met Miss Jones? [Rodgers, Richard] [Hart, Lorenz] Heaven [Ellington, Duke] Heebie Jeebies [Atkins, Boyd] Hello, Young Lovers [Rodgers, Richard] [Hammerstein II, Oscar] Here's That Rainy Day [Van Heusen, Jimmy] [Burke, Johnny] Hot Toddy [Hendler, Herb] [Flanagan, Ralph] House Of Jade [Shorter, Wayne] How High The Moon [Lewis, Morgan] [Hamilton, Nancy] How Insensitive (Insensatez) [Jobim, Antonio, Carlos] [De Moraes, Vinicius] [Gimbel, Norman] How My Heart Sings [Zindars, Earl] [Zindars, Anne] Hullo Bolinas [Swallow, Steve] I Can't Get Started With You [Duke, Vernon] [Gershwin, Ira] I Can't Give You Anything But Love [McHugh, Jimmy] [Fields, Dorothy] I Could Write A Book [Rodgers, Richard] [Hart, Lorenz] I Got It Bad And That Ain't Good [Ellington, Duke] [Webster, Paul Francis] I Let A Song Go Out Of My Heart [Ellington, Duke] [Nemo, Henry] [Redmond, John] [Mills, Irving] I Love Paris [Porter, Cole] I Love You [Porter, Cole] I Mean You [Monk, Thelonious] [Hawkins, Coleman] I Remember Clifford [Golson, Benny] I Should Care [Cahn, Sammy] [Stordahl, Axel] [Weston, Paul] I Wish I Knew How It Would Feel To Be Free [Taylor, Billy] Icarus [Twoner, Ralph N.] If You Never Come To Me (Inutil Paisagem) [Jobim, Antonio Carlos] [De Oliveira, Aloysio] [Gilbert, Ray] I'll Never Smile Again [Lowe, Ruth] I'll Remember April [Johnston, Pat] [Raye, Don] [De Paul, Gene] I'm All Smiles [Leonard, Michael] [Martin, Herbert] I'm Beginning To See The Light [George, Dan] [Hodges, Johnny] [Ellington, Duke] [James, Harry] I'm Your Pal [Swallow, Steve] Impressions [Coltrane, John] In A Mellow Tone [Ellington, Duke] In A Sentimental Mood [Ellington, Duke] In The Mood [Garland, Joe] In The Wee Small Hours Of The Morning [Mann, David] [Hilliard, Bob] In Your Quiet Place [Jarrett, Keith] Indian Lady [Ellis, Don] Inner Urge [Henderson, Joe] Interplay [Evans, Bill] Invitation [Kaper, Bronislam] [Webster, Paul Francis] Iris [Shorter, Wayne] Is You Is, Or Is You Ain't (Ma' Baby) Isn't It Romantic? [Rodgers, Richard] [Hart, Lorenz] Isotope [Henderson, Joe] Israel [Carisi, John] It Don't Mean A Thing (If It Ain't Got That Swing) [Ellington, Duke] [Mills, Irving] It's Easy To Remember [Rodgers, Richard] [Hart, Lorenz] Jelly Roll [Mingus, Charles] Jordu [Jordan, Duke] Journey To Recife [Evans, Richard] [Gimbel, Norman] Joy Spring [Brown, Clifford] Juju [Shorter, Wayne] Jump Monk [Mingus, Charles] June In January [Robin, Leo] [Rainger, Ralph] Just One More Chance [Johnston, Arthur] [Coslow, Sam] Kelo [Johnson, J. J.] Lady Bird [Dameron, Tadd] Lady Sings The Blues [Nichols, Herbert] [Holiday, Billie] Lament [Johnson, J.J] Las Vegas Tango [Evans, Gil] Lazy Bird [Coltrane, John] Lazy River [Carmichael, Hoagy] Like Someone In Love [Van Heusen, Jimmy] [Burke, Johnny] Limehouse Blues [Braham, Philip] [Furber, Douglas] Lines And Spaces [Lovano, Joe] Litha [Corea, Chick] Little Boat (O Barquinho) [Menescal, Roberto] [Boscoli, Ronaldo] [Kaye, Buddy] Little Waltz [Carter, Ron] Long Ago (And Far Away) [Kern, Jerome] [Gershwin, Ira] Lonnie's Lament [Coltrane, John] Look To The Sky [Jobim, Antonio Carlos] Love Is The Sweetest Thing [Noble, Ray] Lucky Southern [Jarrett, Keith] Lullaby Of Birdland [Shearing, George] [Weiss, George David] Lush Life [Strayhorn, Billy] Mahjong [Shorter, Wayne] Maiden Voyage [Hancock, Herbie] Man In The Green Shirt [Zawinul, Joe] Meditation (Meditacao) [Jobim, Antonio Carlos] [Mendonca, Newton] [Gimbel, Norman] Memories Of Tomorrow [Jarrett, Keith] Michelle [Lennon, John] [McCartney, Paul] Midnight Mood [Zawinul, Josef] Midwestern Nights Dream [Metheny, Pat] Milano [Lewis, John] Minority [Gryce, Gigi] Miss Ann [Dolphy, Eric] Missouri Uncompromised [Metheny, Pat] Misty [Garner, Erroll] Miyako [Shorter, Wayne] Moment's Notice [Coltrane, John] Mood Indigo [Ellington, Duke] [Mills, Irving] [Bigard, Albany] Moonchild [Jarrett, Keith] Mr. P.C. [Coltrane, John] My Buddy [Donaldson, Walter] [Kahn, Gus] My Favorite Things [Rodgers, Richard] [Hammerstein II, Oscar] My Foolish Heart [Young, Victor] [Washington, Ned] My Funny Valentine [Rodgers, Richard] [Hart, Lorenz] My One And Only Love [Wood, Guy] [Mellin, Robert] My Romance [Rodgers, Richard] [Hart, Lorenz] My Shining Hour [Arlen, Harold] [Mercer, Johnny] My Ship [Weill, Kurt] [Gershwin, Ira] My Way [Revaux, Jacques] [Francois, Claude] [Anka, Paul] [Thibaud, Gilles] Mysterious Traveller [Shorter, Wayne] Naima (Niema) [Coltrane, John] Nardis [Davis, Miles] Nefertiti [Shorter, Wayne] Never Will I Marry [Loesser, Frank] Nica's Dream [Silver, Horace] Night Dreamer [Shorter, Wayne] Night Train [Forrest, Jimmy] [Washington, Oscar] [Simpkins, Lewis C.] Nobody Knows You When You're Down And Out [Cox, Jimmie] Nostalgia In Times Square [Mingus, Charles] Nuages [Reinhardt, Django] [Larue, Jacques] Oleo [Rollins, Sonny] Oliloqui Valley [Hancock, Herbie] Once I Loved (Amor Em Paz) (Love In Peace) [Jobim, Antonio Carlos] [De Morales, Vinicius] [Gilbert, Ray] Once In Love With Amy [Loesser, Frank] One Finger Snap [Hancock, Herbie] One Note Samba (Samba De Uma Nota So) [Jobim, Antonio Carlos] [Mendonca, Newton] Only Trust Your Heart [Carter, Benny] [Cahn, Sammy] Orbits [Shorter, Wayne] Ornithology [Parker, Charlie] [Harris, Bennie] Out Of Nowhere [Green, Johnny] [Heyman, Edward] P.S. I Love You [Jenkins, Gordon] [Mercer, Johnny] Paper Doll [Black, Johnny S.] Passion Dance [Tyner, Mccoy] Passion Flower [Strayhorn, Billy] [Raskin, Milton] Peace [Silver, Horace] Peggy's Blue Skylight [Mingus, Charles] Pent Up House [Rollins, Sonny] Penthouse Serenade [Jason, Will] [Burton, Val] Peri's Scope [Evans, Bill] Pfrancing (No Blues) [Davis, Miles] Pinocchio [Shorter, Wayne] Pithecanthropus Erectus [Mingus, Charles] Poem For #15 (The Saga Of Harrison Crabfeathers) [Kuhn, Steve] Portsmouth Figurations [Swallow, Steve] Prelude To A Kiss [Ellington, Duke] [Gordon, Irving] [Mills, Irving] Prince Of Darkness [Shorter, Wayne] Pussy Cat Dues [Mingus, Charles] Quiet Nights Of Quiet Stars (Corcovado) [Jobim, Antonio Carlos] [Lees, Gene] Quiet Now [Zeitlin, Denny] Recorda Me [Henderson, Joe] Red Clay [Hubbard, Freddie] Reflections [Monk, Thelonious] Reincarnation Of A Lovebird [Mingus, Charles] Ring Dem Bells [Ellington, Duke] [Mills, Irving] Road Song [Montgomery, John L. (Wes)] 'Round Midnight [Monk, Thelonious] [Williams, Cootie] [Hanighen, Bernie] Ruby, My Dear [Monk, Thelonious] Satin Doll [Ellington, Duke] Scotch And Soda [Guard, Dave] Scrapple From The Apple [Parker, Charlie] Sea Journey [Corea, Chick] [Potter, Neville] Seven Come Eleven [Goodman, Benny] [Christian, Charlie] Seven Steps To Heaven [Davis, Miles] [Feldman, Victor] Sidewinder [Morgan, Lee] Silver Hollow [DeJohnette, Jack] Sirabhorn [Metheny, Pat] Skating In Central Park [Lewis, John] So Nice (Summer Samba) [Valle, Marcos] [Valle, Paulo Sergio] [Gimbel, Norman] So What [Davis, Miles] Solar [Davis, Miles] Solitude [Ellington, Duke] [De Lange, Eddie] [Mills, Irving] Some Day My Prince Will Come [Churchill, Frank] [Morel, Larry] Some Other Spring [Herzog Jnr, Arthur] [Kitchings, Irene] Some Skunk Funk [Brecker, Randy] Somebody Loves Me [Gershwin, George] [DeSylva, B. G.][MacDonald, Ballard] [Ranaud, Emelia] Sometime Ago [Mihanovich, Sergio] Song For My Father [Silver, Horace] Sophisticated Lady [Ellington, Duke] [Mills, Irving] [Parish, Micthell] Speak No Evil [Shorter, Wayne] Standing On The Corner [Loesser, Frank] Stella By Starlight [Young, Victor] [Washington, Ned] Steps [Corea, Chick] Stolen Moments [Nelson, Oliver] Stompin' At The Savoy [Goodman, Benny] [Sampson, Edgar] [Webb, Chick] Straight No Chaser [Monk, Thelonious] Stuff [Davis, Miles] Sugar [Turrentine, Stanley] Swedish Pastry [Kessel, Barney] Sweet Georgia Bright [Lloyd, Charles] Sweet Henry [Swallow, Steve] [Gregg, Jack] Take Five [Desmond, Paul] Take The 'A' Train [Strayhorn, Billy] Tame Thy Pen [Niles, Richard] Tell Me A Bedtime Story [Hancock, Herbie] Thanks For The Memory [Robin, Leo] [Rainger, Ralph] That's Amoré (That's Love) [Warren, Harry] [Brooks, Jack] The Blue Room [Rodgers, Richard] [Hart, Lorenz] The Girl From Ipanema (Garôta De Ipanema) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] The Green Mountains [Swallow, Steve] The Inch Worm [Loesser, Frank] The Intrepid Fox [Hubbard, Freddie] The Magician In You [Jarrett, Keith] The Most Beautiful Girl In The World [Rodgers, Richard] [Hart, Lorenz] The Night Has A Thousand Eyes [Brainin, Jerry] [Bernier, Buddy] The Song Is You [Kern, Jerome] [Hammerstein II, Oscar] The Sorcerer [Hancock, Herbie] The Sphinx [Coleman, Ornette] The Star-Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] The Surrey With The Fringe On Top [Rodgers, Richard] [Hammerstein II, Oscar] The World Is Waiting For The Sunrise [Seitz, Ernest] [Lockhart, Eugene] There Is No Greater Love [Jones, Isham] [Symes, Marty] There Will Never Be Another You [Warren, Harry] [Gordon, Mack] There'll Be Some Changes Made [Overstreet, Benton] [Higgins, Billy] They Didn't Believe Me [Kern, Jerome] [Reynolds, Herbert] Think On Me [Cables, George] Thou Swell [Rodgers, Richard] [Hart, Lorenz] Three Flowers [Tyner, McCoy] Time Remembered [Evans, Bill] Tones For Joan's Bones [Corea, Chick] Topsy [Battle, Edgar] [[Durham, Eddie] Tour De Force [Gillespie, John ?Dizzy?] Triste [Jobim, Antonio Carlos] Tune Up [Davis, Miles] Turn Out The Stars [Evans, Bill] [Lees, Gene] Twisted Blues [Montgomery, John, L. (Wes)] Unchain My Heart [Sharp, Bobby] [Powell, Teddy] Uniquity Road [Metheny, Pat] Unity Village [Metheny, Pat] Up Jumped Spring [Hubbard, Freddie] Upper Manhattan Medical Group (UMMG) [Strayhorn, Billy] Valse Hot [Rollins, Sonny] Very Early [Evans, Bill] Virgo [Shorter, Wayne] Wait Till You See Her [Rodgers, Richard] [Hart, Lorenz] Waltz For Debby [Evans, Bill] [Lees, Gene] Wave [Jobim, Antonio Carlos] We'll Be Together Again [Fischer, Carl] [Lane, Frankie] Well You Needn't (It's Over Now) [Monk, Thelonious] [Perro, Mike] West Coast Blues [Montgomery, John L. (Wes)] What Am I Here For? [Ellington, Duke] What Was [Corea, Chick] When I Fall In Love [Young, Victor] [Heyman, Edward] When Sunny Gets Blue [Fischer, Marvin] [Segal, Jack] When You Wish Upon A Star [Harline, Leigh] [Washington, Ned] Whispering [Coburn, Richard] [Schonberger, John] [Rose, Vincent] Wild Flower [Shorter, Wayne] Windows [Corea, Chick] Witch Hunt [Shorter, Wayne] Wives And Lovers (Hey, Little Girl) [Bacharach, Burt] [David, Hal] Woodchopper's Ball [Bishop, Joe] [Herman, Woody] Woodyn' You [Gillespie, Dizzy] Yes And No [Shorter, Wayne] Yesterday [Lennon, John] [McCartney, Paul] Yesterdays [Kern, Jerome] [Harbach, Otto] You Are The Sunshine Of My Life [Wonder, Stevie] You Are Too Beautiful [Rodgers, Richard] [Hart, Lorenz] You Brought A New Kind Of Love To Me [Fain, Sammy] [Kahal, Irving] [Norman, Pierre] You Don't Know What Love Is [Raye, Don] [DePaul, Gene] You Took Advantage Of Me [Rodgers, Richard] [Hart, Lorenz] Young At Heart [Richards, Johnny] [Leigh, Carolyn] You're Nobody 'Til Somebody Loves You [Morgan, Russ] [Stock, Larry] [Cavanaugh, James]
104.99 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Irish Session Tunes Red
Book All Instruments Faedoq
100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette colle...(+)
100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette collection contient une sélection variée d'airs connus largement joués et moindre, divisé en rythmes de danse différents : double turluttes, diapositives, glissement turluttes, polkas, bobines, hornpipes, de définir des danses et des airs. La gamme des airs conviennent particulièrement pour le violon, mais peut être utilisé sur d'autres instruments. Les fonctionnalités incluses de CD démo pistes de 50 morceaux choisis. / Tout Instrument
28.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Real Easy Book Vol.2 Bass
Clef Instruments Clé De Fa Advance Music
Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Har...(+)
Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser. Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshop's summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. / Instruments Clé De Fa
42.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Real Easy Book C Vol.2 C Instruments [Sheet music] - Easy Sher Music Company
unes for intermediate improvisers
Easy, but classic jazz tunes give the student ...(+)
unes for intermediate improvisers
Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire - Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference - Each songsound good played in rock, funk or Latin styles, as well as swing - Perfect for individual students of all ages, as well as jazz combos - A great resource for music teachers and band directors / Niveau : Facile / Rép International / Recueil / Instruments en Do
38.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Mark Hayes: Before The
Parade Passes By: TTBB:
Vocal Score Choral TTBB [Vocal Score] Shawnee Press
Stand back for this fantastic new arrangement from the current hit musical reviv...(+)
Stand back for this fantastic new arrangement from the current hit musical revival on Broadway Hello Dolly! Beginning with an expressive solo the choral begins to come alive in tempo and energy until the final chord. Available in voicings to suit just about every performing ensemble with optional instrumentation you'll feel like you're on Broadway with every performance!
11.25 GBP - Sold by Musicroom UK | |
| THE Eb REAL BOOK VOL.2 -
2ND EDITION Eb Instruments [Fake Book] Hal Leonard
Ablution Adam's Apple Affirmation Air Mail Specia...(+)
Ablution Adam's Apple Affirmation Air Mail Special Alfie's Theme All Alone (Left Alone) (All Of A Sudden) My Heart Sings Alto Itis Another Star April Skies Are You Havin' Any Fun? Ask Me Now At The Mambo Inn Avalon Azure Ba-Lue Bolivar Ba-Lues-Are (Bolivar Blues) Baby, It's Cold Outside Bags And Trane Bags' Groove Bali Ha'i A Ballad Baltimore Oriole Barbados Barbara Basin Street Blues Be-Bop Better Leave It Alone Beyond The Sea Big P Bill's Hit Tune Billie's Blues (I Love My Man) Billie's Bounce (Bill's Bounce) Bird Feathers Birdland Birk's Works The Birth Of The Blues Black And Tan Fantasy Blame It On My Youth Bloomdido Blow Mr. Dexter Blue 'N Boogie Blue Serge Blue Seven Blue Silver Blue Skies Blues By Five Blues For Wood Blues In The Closet Blues March Bohemia After Dark Booker's Waltz Bouncing With Bud Brian's Song Bright Boy Brilliant Corners Budo Bunko Buster Rides Again Bye Bye Blackbird C-Jam Blues Candy Cantelope Island Caravan Cast Your Fate To The Wind Chameleon The Champ Chasin' The Trane Cheesecake Circle Close Your Eyes Cold Duck Time Come Rain Or Come Shine Comin' Home Baby The Cooker Cool Blues The Core Cousin Mary Crazeology Crepuscule Criss Cross Crosscurrent Dance Of The Infidels Dat Dere Day By Day Dewey Square Dexter Rides Again Didn't We Dinah Dindi Do I Love You Because You're Beautiful? Do Nothin' Till You Hear From Me Do You Know What It Means To Miss New Orleans Don't Explain Down For Double Doxy The Drive Duff Early Autumn Eclypso Einbahnstrasse Elora Emancipation Blues Epilogue Estate Everything I Have Is Yours Eye Of The Hurricane Ezz-thetic Farmer's Trust Feels So Good Fever 52nd Street Theme Filthy McNasty First Trip Five Brothers Five Spot After Dark A Flower Is A Lovesome Thing Fly Me To The Moon (In Other Words) Flying Home The Folks Who Live On The Hill Four Brothers Fox Hunt Freight Trane Frenesí The Frim Fram Sauce Funky Georgia On My Mind Get Me To The Church On Time Get Out Of Town Gettin' It Togetha The Gift! (Recado Bossa Nova) Girl Talk Gravy Waltz Gregory Is Here Grooveyard Hackensack Hallucinations Happy Little Sunbeam Havona Head And Shoulders Hi Beck Hi-Fly Ho-Ba-La-La Hocus-Pocus Holy Land Honeysuckle Rose Horace Scope The Hucklebuck Hummin' Humpty Dumpty I Believe In You I Don't Stand A Ghost Of A Chance With You I Get Along Without You Very Well (Except Sometimes) I Have Dreamed I Hear A Rhapsody I Remember Bird I Remember You I Thought About You I Will Wait For You I Wish I Didn't Love You So I'll Know I'm A Fool To Want You I'm Confessin' (That I Love You) I'm Just A Lucky So And So I'm Putting All My Eggs In One Basket I've Found A New Baby (I Found A New Baby) I've Told Ev'ry Little Star Ice Cream Konitz Idol Gossip If I Loved You If I Should Lose You If I Were A Bell Imagination In Case You Haven't Heard In Pursuit Of The 27th Man In The Still Of The Night In Walked Bud Indiana (Back Home Again In Indiana) Infant Eyes Island Birdie It Could Happen To You It Might As Well Be Spring It Will Have To Do Until The Real Thing Comes Along (Until The Real Thing Comes Along) It's A Blue World It's All Right With Me It's Only A Paper Moon It's So Peaceful In The Country Jackie Jeannine Jingles Jitterbug Waltz The Jody Grind Joyce's Samba Jump, Jive An' Wail Jumpin' With Symphony Sid June Is Bustin' Out All Over Just A Few Just A Settin' And A Rockin' Just In Time Just The Way You Are Kary's Trance Katrina Ballerina The Kicker Kids Are Pretty People Killer Joe Lady Day Lakes Last Night When We Were Young The Last Time I Saw Paris Leila Lennie's Pennies Let's Cool One Let's Fall In Love Let's Get Lost Like Sonny (Simple Like) Like Young Limbo Little Chicago Fire Little Rootie Tootie Little Sunflower Locomotion Lone Jack Lonely Dreams Look For The Silver Lining Lotus Blossom Love Is Just Around The Corner Love, Look Away Love Vibrations A Lovely Way To Spend An Evening Lover Lover Man (Oh, Where Can You Be?) Make Someone Happy Manteca Memories Of You Menina Flor Mercy, Mercy, Mercy Miles Ahead Minor Mishap Minor Mood Theme From Mr. Broadway Mr. Magic Moanin' Monk's Mood Monk's Shop Moon Rays Moon River Moonglow Moose The Mooche More Than You Know Morning Dance Moten Swing Move My Attorney Bernie My Little Suede Shoes My Old Flame Nature Boy The Nearness Of You Night Song No Moe No Splice North Atlantic Run Now See How You Are Now's The Time Nutville Off Minor Oh, What A Beautiful Mornin' Old Devil Moon On The Sunny Side Of The Street One By One One Foot In The Gutter One Morning In May Our Language Of Love Out Back Of The Barn Oye Como Va Pannonica Parisian Thoroughfare Peel Me A Grape Pennies From Heaven People Will Say We're In Love Perdido Petite Fleur Petits Machins Phase Dance Picadillo (a la Puente) Pick Yourself Up Polka Dots And Moonbeams Portrait of Jennie Prisoner Of Love Pursuance Question
62.50 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Second Violin Book III:
Violin: Instrumental Work Violin ABRSM Publishing
Grades 4-5-An anthology of graded repertoire selected from 60 years of ABRSM's v...(+)
Grades 4-5-An anthology of graded repertoire selected from 60 years of ABRSM's violin exams. Each book offers a wide variety of pieces including editions of eighteenth- and nineteenth-century works arrangements of classical pieces and original compositions.
5.00 GBP - Sold by Musicroom UK | |
| Helen Grime: Clarinet
Concerto
(Clarinet/Piano):
Clarinet: Instrumental
Work Clarinet and Piano [Sheet music] Chester
For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned b...(+)
For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the
19.99 GBP - Sold by Musicroom UK | |
| Cygncopations: Saxophone:
Instrumental Work Camden Music
I wrote Cygncopations in 2003 for Victoria Walpole who gave its first performanc...(+)
I wrote Cygncopations in 2003 for Victoria Walpole who gave its first performance with the BBC Concert Orchestra conducted by Robin Stapleton on 11th July of that year. The performance was broadcast live on BBC Radio 2 as part of a Friday Night is Music Night programme from London's Mermaid Theatre. The work was subsequently recorded by BBC Radio 3 conducted by Barry Wordsworth. In 2005 Victoria Walpole recorded Cygncopations with the Royal Philharmonic Orchestra conducted by Stephen Bell. This was released on a CD of the composer's instrumental works by Dutton-Epoch under the title A Little Fall-ish! (CDLX7175).The title Cyncopations indulges my pleasure in wordplay whereby the misspelling of cyncopations puts one in mind of the French 'le cygne' (the swan) which Sibelius famously represents with the Cor Anglais. The piece is scored for Strings with two Horns harp and a very important part for the Vibraphone. In the first of its two sections (Rêverie) I had a strong image of a calm lake with maybe a swan floating gently on the water with occasional random movements from the currents below. In the second section (Danse) the bird heads for dry land and begins an eccentric waterside jig for its friends.The orchestration is for Strings with two Horns Harp and Percussion. The solo part may also be played by an Alto or Tenor Saxophone. In this regard I am indebted to my friend and colleague Kyle Horch for his invaluable advice in the preparation of the solo parts. - Roderick Elms
14.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| The Complete Piano
Player: Musicals: Piano:
Instrumental Album Piano solo - Intermediate Amsco Wise Publications
The Complete Piano Player: Musicals contains 15 Stage Musical Hits Newly Arrange...(+)
The Complete Piano Player: Musicals contains 15 Stage Musical Hits Newly Arranged for easy Piano.These brand new arrangements make up an ideal companion songbook to the best-selling ‘Complete Piano’series.From classics like Guys and Dolls and Sweet Charity through Sondheim and Lloyd Webber shows to Mamma Mia Wicked and Rent all the top stage musicals are represented by some of their best-loved songs.WithThe Complete Piano Player: Musicals you get complete fingering and chords familiar from the renowned Complete Piano Player teaching books putting these 15 great songs of the musical theatre right at yourfingertips.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Sonata #2 From 'Der
Getreue
Musikmeister' In
Bb-Major / Telemann -
Arec/Bc Treble (Alto) Recorder [Sheet music + CD] Dowani
Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de...(+)
Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Flûte A Bec Alto / Partition + Cd
19.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Best of Contemporary
Christian: C Instrument:
Instrumental Album Hal Leonard
Over 400 Songs-This great fake book contains over 400 contemporary Christian son...(+)
Over 400 Songs-This great fake book contains over 400 contemporary Christian songs ranging from the standards to today's current hits. Artists represented include: Avalon Steven Curtis Chapman DC Talk Amy Grant Jars of Clay Crystal Lewis Sandi Patty Petra Point of Grace Rebecca St. James Michael W. Smith Jaci Velasquez and more! Songs include: Abba (Father) • Awesome God • Beauty for Ashes • Butterfly Kisses • Can't Live a Day •Crucified with Christ • El Shaddai • Father's Eyes • Flood • Friends • The Great Adventure • His Strength Is Perfect • How Beautiful • I Could Sing of Your Love Forever • I Will Be Here• Jesus Freak • Mary Did You Know? • People Get Ready ... Jesus Is Comin' • Shine • Thank You • Via Dolorosa • The Warrior Is a Child • Where There Is Faith • You Are My All in All• and hundreds more.
49.99 GBP - Sold by Musicroom UK | |
| Studi (tratti dal \
Metodo per contrabbasso\
) Double Bass [Sheet music] Ricordi
Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821...(+)
Revisione di Piermario Murelli. Par BOTTESINI GIOVANNI. Giovanni Bottesini (1821-1889) is certainly the most famous of all double bass virtuosi; his compositions are an essential pillar of the literature on this instrument. His Metodo, published in 1870 by Ricordi, is remarkable for the exceptional beauty of its studies which, with effectiveness, good taste and imagination, develop an extraordinarily modern pedagogical vision. For this reason, on the bicentenary of the composer\'s birth, it seems most opportune to re-propose the studies in the method, appropriately fingered according to the current system, which is different from the one used in Italy in the mid-19th century. These short pieces not only help the student to acquire an excellent technique in a short time, but they are also extremely useful to better understand the instrumental language of Bottesini; in particular the second part, constitutes an excellent propaedeutic base for the study of his famous pieces./ Etude / Contrebasse
25.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Classic Songs From The
Blue Note Jazz Era: Any
Instrument: Vocal Album Jamey Aebersold Jazz
Jazz Play-Along Vol.38-15 jazz favorites recorded on one of the finest jazz labe...(+)
Jazz Play-Along Vol.38-15 jazz favorites recorded on one of the finest jazz labels. Captures the spirit sound and soul of the Blue Note era; a variety of tunes spanning the entire spectrum of a standard jazz player's bag. Composers include John Coltrane Wayne Shorter Stanley Turrentine Freddie Hubbard Joe Henderson Chick Corea and more! Includes selected written harmony parts.
18.99 GBP - Sold by Musicroom UK | |
| Mark Tanner: Jazz hands:
Piano: Instrumental Album Piano solo [Sheet music] Spartan Press
Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which c...(+)
Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which covers all standards from grade one through to red hot. Although the player may feel free to indulge in a spot of improvisation in response to the printed music there is no expectation to do so in any of the books. Nor are there any chord symbols or other bespoke abbreviations the like of which presuppose a degree of familiarity with the genre which may not actually be the case. Rather the idea is that the player will become gradually more confident and adept at playing in a jazz style as he/she works through the books. It may well be that a classically-trainedpianist has reached say grade 5 but feels currently at a more modest stage when tackling jazz. This is absolutely not a problem and indeed is all the more reason for the 'straight' player to extend their jazz skills to match.The title of this series 'Jazz Hands' derives from the familiar exuberant gesturing seen in music theatre fingers spread and extended with palms facing upwards an effect frequently amplified by a convulsive shivering of the hands. Cheerleaders have tended to make widespread use of jazz hands while the concept has also found its way into revues Broadway shows and films as well as contemporary dance. In the current context I am of course referring to the jazz pianist's hands which in only the most ambitiously spaced Art Tatum chord would require the player to stretch the digits to such an extent as in the aforementioned theatrical sense. The term 'jazz' has been adopted and adapted in a multiplicity of ways (not unlike 'classical' indeed) so that it no longer tells us very much about the music itself. Aficionados immediately recognise the better-known subgenres such as 'bebop' or 'New Orleans' styles and may even be able to distinguish 'smooth' from 'groove' or 'fusion/crossover' from 'postmodern'. And yet these are just labels not music. In an understandable bid to define all that we hear
7.95 GBP - Sold by Musicroom UK | |
| Mark Tanner: Jazz Hands
for Piano Book 2: Piano:
Instrumental Album Piano solo [Sheet music] Spartan Press
Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which c...(+)
Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which covers all standards from grade one through to red hot. Although the player may feel free to indulge in a spot of improvisation in response to the printed music there is no expectation to do so in any of the books. Nor are there any chord symbols or other bespoke abbreviations the like of which presuppose a degree of familiarity with the genre which may not actually be the case. Rather the idea is that the player will become gradually more confident and adept at playing in a jazz style as he/she works through the books. It may well be that a classically-trainedpianist has reached say grade 5 but feels currently at a more modest stage when tackling jazz. This is absolutely not a problem and indeed is all the more reason for the 'straight' player to extend their jazz skills to match.The title of this series 'Jazz Hands' derives from the familiar exuberant gesturing seen in music theatre fingers spread and extended with palms facing upwards an effect frequently amplified by a convulsive shivering of the hands. Cheerleaders have tended to make widespread use of jazz hands while the concept has also found its way into revues Broadway shows and films as well as contemporary dance. In the current context I am of course referring to the jazz pianist's hands which in only the most ambitiously spaced Art Tatum chord would require the player to stretch the digits to such an extent as in the aforementioned theatrical sense. The term 'jazz' has been adopted and adapted in a multiplicity of ways (not unlike 'classical' indeed) so that it no longer tells us very much about the music itself. Aficionados immediately recognise the better-known subgenres such as 'bebop' or 'New Orleans' styles and may even be able to distinguish 'smooth' from 'groove' or 'fusion/crossover' from 'postmodern'. And yet these are just labels not music. In an understandable bid to define all that we hear
7.95 GBP - Sold by Musicroom UK | |
| Don Michael Dicie: Four
Service Preludes: Organ:
Instrumental Album Organ Oxford University Press
These service preludes are well-written accessible melodious and very practic...(+)
These service preludes are well-written accessible melodious and very practical and provide excellent additional literature for church organists.Don Michael Dicie (b.1941)Don Michael Dicie has been fond of spirituals folk songs and plainsong since he began music lessons in elementary school in Birmingham Alabama. During his formal music training he developed his main musical interests of music theory and composition while studying with William Baxter and Hugh Thomas. From 1966 to 1972 he was the organist and choir director at the Cathedral of St. Paul Minnesota. From 1973 to 1994 Dicie taught reading and vocal music in Nashville public schoolsand from 1976 to 1994 was organist and choir director at St. Paul's Episcopal Church in Franklin Tennessee. He then served as organist and Church Music Director at Trinity United Methodist Church Franklin Tennessee. In January 2005 Dicie returned to St. Paul's Episcopal Church where he is currently the organist and composer in residence.Contents:Westminster AbbeyAberystwythSlaneMiddlebury
13.95 GBP - Sold by Musicroom UK | |
| Bruce Pearson: Tradition
Of Excellence - Bb
Clarinet: Orchestra:
Instrumental Orchestra Kjos Music Company
Technique and Musicianship-Designed for musicians who have completed a second ye...(+)
Technique and Musicianship-Designed for musicians who have completed a second year of study in any method this important new book features scales thirds and arpeggios; technique articulation and melodious etudes; plus excerpts from the classicalrepertoire and full-band chorales in 16 major and minor keys. With emphasis placed on specific musicianship skills plus options for differentiated learning and instruction it goes above and beyond technique books of the past.Whether used in private lessons or in a group Tradition of Excellence: Technique and Musicianship is sure to improve technical ability and enhance artistic sensitivity for all band students!
6.50 GBP - Sold by Musicroom UK | |
| Bruce Pearson: Tradition
Of Excellence - Bb
Trumpet: Orchestra:
Instrumental Orchestra Kjos Music Company
Technique and Musicianship-Designed for musicians who have completed a second ye...(+)
Technique and Musicianship-Designed for musicians who have completed a second year of study in any method this important new book features scales thirds and arpeggios; technique articulation and melodious etudes; plus excerpts from the classicalrepertoire and full-band chorales in 16 major and minor keys. With emphasis placed on specific musicianship skills plus options for differentiated learning and instruction it goes above and beyond technique books of the past.Whether used in private lessons or in a group Tradition of Excellence: Technique and Musicianship is sure to improve technical ability and enhance artistic sensitivity for all band students!
5.95 GBP - Sold by Musicroom UK | |
| Irish Session Tunes Red
Book Violin Faedoq
100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette colle...(+)
100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette collection contient une sélection variée d'airs connus largement joués et moindre, divisé en rythmes de danse différents : double turluttes, diapositives, glissement turluttes, polkas, bobines, hornpipes, de définir des danses et des airs. La gamme des airs conviennent particulièrement pour le violon, mais peut être utilisé sur d'autres instruments. / Violon
31.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Benjamin Britten: Two
Portraits for Strings
(1930): Viola: Study
Score Viola and orchestra [Study Score / Miniature] Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...(+)
Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
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| Niels Marthinsen:
Reveille Kopi: Wind
Ensemble Wilhelm Hansen
REVEILLE RETRAITE for solo trumpetA joint commission between HÃ¥kan Hardenbe...(+)
REVEILLE RETRAITE for solo trumpetA joint commission between Håkan Hardenberger and Danmarks RadioDedicated to Håkan HardenbergerProgramme note:Everybody knows or has at least heard of the time honoured military bugle calls: Reveille Retraite the awakening at sunrise the turning in at sunset. In a way it's the UR concept of the nature of the trumpet an instrument capable of glorious panache as well as sublime inward looking finesse. My piece is as indicated in the title a two fold composition in the form of two contrasting tone poems each mirroring a fragment of original text what one could call spiritual appetizers. At the end of chapter 8 of his high spiritedMemoirs Hector Berlioz laments the murder of a man he admired Prince Lichnowsky who was stabbed to death in Frankfurt in September 1848 by German peasants: 'Oh I must get out walk run shout under the open sky! ' Now there's a juicy bit of high strung romantic Sturm und Drang for you and the perfect motto for any awakening... Then night fall Retraite in which I've drawn upon the early melancholy poem ALONE by Edgar Allan Poe and taken out one single line as 'subtitle' for this very hushed and withdrawn movement: 'And all I lov’d I lov’d alone. ' I guess it won't hurt to quote the poem in its entirety:'From childhood's hour I have not beenAs others were I have not seenAs others saw I could not bringMy passions from a common spring.From the same source I have not takenMy sorrow; I could not awakenMy heart to joy at the same tone;And all1 lov’d I lov’d alone.THEN in my childhood in the dawnOf a most stormy life was drawnFrom ev’ry depth of good and illThe mystery which binds me still:From the torrent or the fountain From the red cliff of the mountain From the sun that 'round me roll`dIn its autumn tint of gold From the lightning in the skyAs it pass’d me flying by From the thunder and the storm And the cloud that took the form(When the rest of Beaven was blue)Of a demon in my view.'Edgar Allan PoeProgramme note by Poul Ruders
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| Rob Ameen Lincoln Goines:
Afro-Cuban Grooves for
Bass and Drums: Bass
Guitar: Alfred Publishing
A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drum...(+)
A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drums. CLAVE and TUMBAO. Traditional bass tumbao examples Cascara paila and bell ride patterns. SONGO. Drumset orchestrations Funfified slap songo tumbaos Songo style jam. GUAGUANCO. Conga patterns on the drumset combining traditional and hybrid bass lines with rumba and funk. AFRO-CUBAN 6/8 6/8 patterns as a vehicle for other rhythmic possibilities and diferent time feels CHA-CHA-CHA. Adaptability to rock Spap cha-cha-cha playing a backbeat. MOZAMBIQUE. Mozambique in rock and funk context. Lincoln Goines is one ofNew York's most respected and recorded bassists. His concept of the bass as a rhythm instrument and his ability to incorporate traditional Latin lines with ideas drawn from percussion patterns can be heard on recordings with well known Latin-jazz artists Dave Valenting Michel Camilo Gato Barbieri Paquito D'Rivera Tania Maria and Eliane Elias. Lincoln is also known for his contemporary jazz-funk playing with John Scofiel Mike Stern and Bob Berg. Bobby Ameen has made a life study of Afro-Cuban rhythms and combines this knowledge with his own powerful drumming style to create a highly original funk/Afro-Cuban amalgam. Robby's ability to complement a Latin rhythm section can be heard on recordings with Ruben Blades Dave Valentin Dizzy Gillespie Kip Hanrahan and Eddie Palmieri among many others. Robby has also worked with Paquito D'Rivera Gato Barbieri Willie Colon and Paul Simon. Includes separate pull-out in Spanish.
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| Dan Forrest: Requiem for
the Living: SATB: Vocal
Score Choral SATB [Vocal Score] Hinshaw Music Inc.
Commissioned by the Hickory NC Choral Society for their 35th anniversary season ...(+)
Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version
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