Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later

Composer of Groningen Egbert composed the march 'Hellender' in response to the opening of the bandroom of the 'Hellendoornse Harmonie' (NL). The joyfull sounds of the march let you hear how well the total refurbished building now looks again: fresh bright and spacious! The name Hellender was chosen from historical awareness. The village Hellendoorn is an ancient village as shown by archaeological finds. In 1078 the name Hellender can be found in the archives. Hellender changed into Hellendoorn later.

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out. Contenu - V. Haussmann: Tanz und Nachtanz - M.A. Charpentier: Prélude from: Te Deum - H. Purcell: Trumpet Tune - A. Vivaldi: Allegro from: Autumn - G.P. Telemann: Largo - C. Graupner: Air - G.F. Händel: Bourrée from: Royal Firworks Music - Anonym: Menuett from: Notebook fro Anna Magdalena Bach - J. Haydn: St. Anthony Choral - W.A. Mozart: It rings out so joyful from: The Magic Flute - M.-F. Blasius: Grazioso - J. Reinagle: Allegro und Andante from: Sonatine G-Dur - L.v. Beethoven: German Dance - C. M.v. Weber: Through the woods, through the pastures from: Der Freischütz - F. Schubert: Entr’acte from: Rosamunde - F. Mendelssohn: Andante from: Symphony No. 4 (Italian) - R. Schumann: Rêverie from: Scenes from Childhood - J.F. Kranz: Valse lente - J. Strauss: Waltz No. 4 from: Echoes of the Rhine Loreley - P.I. Tschaikowsky: Capriccio Italien - A. Dvořak: Humoresque - A.Sullivan: Hornpipe from: Ruddigore - E. Grieg: Solveig's Song from: Peer Gynt Suite No. 2 - E. Humperdinck: Evening Pryer from: Hansel and Gretel - E. MacDowell: To a wild rose - A. Gretchaninoff: A dark day from: Brimborions - M. Ravel: Boléro editor: Warnecke, Ulrike illustration: Schuermann, Andreas piano setting: Birtel, Wolfgang

Philip Lawson spent most of his days travelling the world and singing with the famous King's Singers. Fortunately he was able to find time to apply his compositional skills between concerts. The Psalm 100 text is elevated with a series of enthusiastic meter changes and engaging harmonic confrontations.

This setting of Psalm 100 by composer Donald McCullough is energetic and celebratory. Appropriate for almost any feast or festival day the work is scored for mixed chorus with organ and optional trumpet and timpani/or for chamber or full orchestra. The rhythmic energy and colorful textures really bring the text to life.

Jonathan Battishill's Behold How Good And Joyful for SSATB Choir and Organ accompaniment. Arranged for the ceremonial of the Re-inauguration of King Henry VII's Chapel Westminster Abbey as the chapel of the most honourable order of the Bath July 22 1913 by Sir Frederik Bridge C.V.O M.A. Mus. Doc. Organist of Westminster Abbey.

This joyous original madrigal will lift your spirits high with its lively exuberance! A strong choice for the mature or developing ensemble. Available: SATB a cappella. Performance Time: Approx. 1:00.

A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world - then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) / Orchestre A Cordes

Here is a rebel piece of music that combines traditional sacred music with praise music. Beginning with the organ and a stately choir the text from II Chronicles 7:15-16 honors when God is with us in our sacred space. A praiseband feel takes over and introduces a simple song (sung by children or praise singers). Next thing you know the choir and organ bring in two traditional hymns (Come Thou Fount and Joyful Joyful) that all fit together. God istruly in this house for all people of all musical styles.

More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume, six are published here for the first time, including new arrangements by composers of today: Malcolm Archer, Rogers Covey-Crump, John Joubert, Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent, Epiphany, Passiontide, Easter, Ascension, as well as celebratory occasions such as festival services and weddings. / Chant Et Piano