SKU: HL.284127
ISBN 9781540036483. UPC: 888680825881. 9.0x12.0x0.566 inches.
Now in a 3rd edition, this romantic collection features 63 songs arranged in our patented E-Z Play(r) Today notation. Songs include: And I Love Her * Because You Loved Me * Can't Help Falling in Love * Endless Love * The First Time Ever I Saw Your Face * How Deep Is Your Love * I Will Always Love You * I'm Yours * Just the Way You Are * Longer * Love Story * My Heart Will Go on (Love Theme from 'Titanic') * The Power of Love * The Rose * A Thousand Years * Unchained Melody * When I Fall in Love * You Are So Beautiful * and more.
About Hal Leonard E-Z Play Today
For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
SKU: HL.279258
ISBN 9781787600058.
24 popular works for tenor voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning grades 5 to 8 and beyond. Includes a preface and performance notes by James Gilchrist and Anna Tilbrook, and a digital version of the book to view on any device. Contents: DVORAK: Jsem Jako Lipa Kosata * ORR: Into My Heart an Air that Kills * CHAUSSON: Serenade Italienne * MENDELSSOHN: Be Thou Faithful Unto Death * OBRADORS: Con Amores, La Mi Madre * LISZT: Du Bist Wie Eine Blume * SCHUBERT: An Sylvia * FAURE: les Roses d'Isphahan * HANDEL: Where'er You Walk * BIZET: Chanson D'Avril * PURCELL: Ah! How Sweet It Is to Love * VENABLES: Because I Liked You Better * BACH: Mein Verlangen ist, den Heiland zu umfangen * HAYDN: Piercing Eyes * BERKELEY: The Riverside Village * DRING: It Was a Lover and His Lass * HURD: Prayer * BOULANGER: Soleils Couchants * HAHN: C'est a Paris! * L'heure exquise * HAGEMAN: Do Not go, My Love * BARBER: Sure on this Shining Night * ARNE: Where the Bee Sucks * HELY-HUTCHINSON: Old Mother Hubbard * sullivan: Oh, Is There Not One Maiden Breast.
SKU: LM.PB805
ISBN 9790231308051.
This world - Peace of mind - Raggamuffin - Crazy Vibes - Black part love - Mommy - Explanations - Please (feat. Cee-Lo Green) - Summertime - Crazy sufferin style - Fyah Fyah - Just because I do - No no no.
SKU: HL.282481
ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches.
The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more.
SKU: HP.C6193C
UPC: 763628961930. John Wimber. Psalm 28:2, Psalm 63:4, Psalm 103:5, Psalm 107:9, Psalm 147:14, Matthew 3:16, Matthew 11:28-30, Mark 1:10, Luke 3:22, John 1:32, John 4:7-15, John 6:37-51, John 7:37-39, John 10:1-10, Acts 2.
Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.
SKU: HP.C6193R
UPC: 763628261931. John Wimber. Psalm 28:2, Psalm 63:4, Psalm 103:5, Psalm 107:9, Psalm 147:14, Matthew 3:16, Matthew 11:28-30, Mark 1:10, Luke 3:22, John 1:32, John 4:7-15, John 6:37-51, John 7:37-39, John 10:1-10, Acts 2.
SKU: HL.287033
UPC: 888680901141. 5.0x5.0x0.15 inches.
English singer/songwriter Ed Sheeran has been filling stadiums with fans eager for his music and his musical insights. This song is used to close his concerts because as he said, walking away from a gig having 'love can change the world' in your head is a good thing. Audrey Snyder brings her knowledge of the voice and skill to this arrangement.
SKU: HP.C6193
UPC: 763628161934. By Chris Tomlin, Ed Cash & Matt Redman. Psalm 42:8, Psalm 118:22, Numbers 20:1-13.
SKU: CF.CM9700
ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ.
SKU: PR.114419760
UPC: 680160680863. 9 x 12 inches.
This alternately serenely sonoric and joyously jumping folk song first came to life as a commission by the famed chorus Chanticleer (recorded on their album Then and There, Here and Now). For Christopher Creviston and his Arizona State University Saxophone Studio, Garrop has created a stellar arrangement for double SATB saxophone choir (or more). Watch the ASU Saxophone Choir having fun with Garrop's arrangement on YouTube.Jarba, Mare Jarba is a popular traditional Hungarian-Romani folk song. Its text speaks of the longing to return to one's homeland. Translation of Jarba, Mare Jarba Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to.Jarba, Mare Jarba is a popular traditional Hungarian-Romani folk song. Its text speaks of the longing to return to one's homeland.Translation of Jarba, Mare JarbaGreen grass, tall grass, I would like to go home,but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty,Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home!Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.
SKU: CF.BPS139
ISBN 9781491159736. UPC: 680160918324.
PROGRAM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
SKU: CF.BPS139F
ISBN 9781491159743. UPC: 680160918331.
SKU: CF.YPS242
ISBN 9781491159675. UPC: 680160918263.
I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name Yukiko means snow girl. My parents gave me this name because it was snowing on the day I was born. Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning. I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece. You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.I love the winter season, perhaps because I was born in February. My hometown is known for its cold weather in winter. In fact, my first name “Yukiko†means snow girl. My parents gave me this name because it was snowing on the day I was born.Before I started to write the piece, various images depicting the scenery of a snowy morning developed in my mind. Imagine that there is no wind, no sound, and it is a very clear morning. I heard the sound of an organ playing a traditional chorale somewhere from a distance. This is the scenery of my imagination for this piece.  You will find many inner melodies, dialogues and conversations between the instruments throughout the piece. Listen carefully to the other instruments and stay in tune while you play.
SKU: CF.YPS242F
ISBN 9781491159682. UPC: 680160918270.
SKU: IS.BC7076EM
ISBN 9790365070763.
It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. I pleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn’t to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument.
