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Johannes Brahms: String Quartet Op. 51 No. 1 (COMPLETE) instantly for string quartet
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String Quartet: 2 violins, viola, cello
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Johannes Brahms: String Quartet Op. 51 No. 1 (f.score) instantly for string quartet
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String Quartet: 2 violins, viola, cello
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Johannes Brahms: String Quartet Op. 51 No. 1 (parts) instantly for string quartet
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Brahms - Sonatas Op 120 Clarinet/Piano
Clarinet and Piano
G. Henle
Clarinet, Piano SKU: HU.HN987 For Clarinet and Piano. Composed by Johannes Brah...
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Clarinet, Piano SKU: HU.HN987 For Clarinet and Piano. Composed by Johannes Brahms. Edited by Egon Voss and Johannes Behr. Woodwind, Repertoire, Solos. Clarinet Sonatas Op. 120. Softcover Book. 87 pages. G. Henle #HN987. Published by G. Henle
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Johannes Brahms: 11 Chorale Preludes
Organ
[Sheet music]
Schirmer
Composed by Johannes Brahms (1833-1897), arranged by J. West. Collection. 40 pag...
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Composed by Johannes Brahms (1833-1897), arranged by J. West. Collection. 40 pages. Published by G. Schirmer, Inc.
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Brahms : Piano Sonata F Minor Op. 5
Piano solo
G. Henle
Piano. Composed by Johannes Brahms (1833-1897). Edited by Katrin Eich. Henle...
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Piano. Composed by Johannes Brahms (1833-1897). Edited by Katrin Eich. Henle Music Folios. Softcover. G. Henle #HN1290. Published by G. Henle
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Johannes Brahms : Trio for Violin, Violoncello and Piano after the Sextet
Piano Trio: piano, violin, cello
[Score and Parts]
Barenreiter
(in B-flat major op. 18). Composed by Johannes Brahms (1833-1897). Edited by...
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(in B-flat major op. 18). Composed by Johannes Brahms (1833-1897). Edited by Christopher Hogwood. Arranged by Theodor Kirchner. For violin, cello and piano. Score with parts. Published by Baerenreiter Verlag
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Johannes Brahms: Concerto in D major for Violin and Orchestra
Orchestra, Violin
[Score]
Barenreiter
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...
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Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin solo and orchestra. Published by Baerenreiter-Ausgaben (German import). ISBN M006526093.
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Johannes Brahms: 75 Songs
Low voice, Piano
Hal Leonard
The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward a...
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The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward and Elaine Schmidt. (Low Voice). Vocal Collection. Size 8.5x11 inches. 288 pages. Published by Hal Leonard Corporation.
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Johannes Brahms : Sonata for Piano and Violin in G Major, Op. 78 (Piano / Violin)
Violin and Piano
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G. Henle
By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages....
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By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages. Published by Henle Urtext Edition.
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Johannes Brahms: Piano trios
Piano solo
[Study Score / Miniature]
G. Henle
By Johannes Brahms. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 216. St...
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By Johannes Brahms. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 216. Study score-no details. Published by G. Henle.
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Johannes Brahms: Sonatas for Piano and Violin
Violin and Piano
[Score]
G. Henle
For Violin and Piano. By Johannes Brahms. Edited by H.-O. Hiekel. Violin. Pages:...
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For Violin and Piano. By Johannes Brahms. Edited by H.-O. Hiekel. Violin. Pages: Score 103 * Vl Part = 36. Urtext edition-cloth bound. Published by G. Henle.
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Johannes Brahms: 75 Songs
High voice, Piano
Hal Leonard
The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward a...
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The Vocal Library. By Johannes Brahms. Arranged by Richard Walters, Laura Ward and Elaine Schmidt. (High Voice). Vocal Collection. Size 8.5x11 inches. 280 pages. Published by Hal Leonard Corporation.
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Johannes Brahms: Sonatas for Piano and Violin
Violin and Piano
[Sheet music]
G. Henle
for Violin and Piano. By Johannes Brahms. Edited by H.-O. Hiekel. Violin. Pages:...
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for Violin and Piano. By Johannes Brahms. Edited by H.-O. Hiekel. Violin. Pages: Score = 103 * Vl Part = 36. Urtext edition-paper bound. Published by G. Henle.
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Brahms Waltzes, Op. 39
Piano solo
[Sheet music]
FJH
By Johannes Brahms. Edited by Benning W. Dexter. For Piano. FJH Classic Editions...
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By Johannes Brahms. Edited by Benning W. Dexter. For Piano. FJH Classic Editions. Neoclassical Period. Book. Published by The FJH Music Company Inc.
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Johannes Brahms : Clarinet Sonata (or Viola) Op. 120 Nos. 1-2
Viola, Piano
G. Henle
(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by E...
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(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle
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Johannes Brahms: Clarinet Trio in A Minor, Op. 114 - Revised Edition
Clarinet, Cello, Piano (trio)
G. Henle
For Piano, Clarinet (Viola) and Cello. Composed by Johannes Brahms (1833-189...
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For Piano, Clarinet (Viola) and Cello. Composed by Johannes Brahms (1833-1897). Edited by Katharina Loose- Einfalt and Klaus Schilde. Henle Music Folios. Softcover. 38 pages. G. Henle #HN1125. Published by G. Henle
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Brahms: Major Works for Orchestra (Version 2.0)
Orchestra
[CD Sheet Music]
Subito Music
By Johannes Brahms. For Orchestra Scores. (Study Scores). CD Sheet Music (Versio...
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By Johannes Brahms. For Orchestra Scores. (Study Scores). CD Sheet Music (Version 2.0). PDF file on CD. 750 pages. Published by Subito Music.
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Johannes Brahms: Piano Sonata in F-Sharp Minor, Op. 2
Piano solo
G. Henle
Composed by Johannes Brahms (1833-1897). Edited by Andreas Boyde and Katrin E...
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Composed by Johannes Brahms (1833-1897). Edited by Andreas Boyde and Katrin Eich. Henle Music Folios. Softcover. 36 pages. G. Henle #HN1289. Published by G. Henle
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Johannes Brahms : 3 Intermezzi, Op. 117
Piano solo
G. Henle
(Revised Edition). By Johannes Brahms (1833-1897). Edited by Andreas Boyde and K...
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(Revised Edition). By Johannes Brahms (1833-1897). Edited by Andreas Boyde and Katrin Eich. For Piano. Henle Music Folios. Softcover. 18 pages. G. Henle #HN1042. Published by G. Henle
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Johannes Brahms : Paganini Variations, Op. 35
Piano solo
[Score]
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Wiener Urtext
By Johannes Brahms. For piano. Romantic. Level: 8. Full score. 68 pages. Publish...
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By Johannes Brahms. For piano. Romantic. Level: 8. Full score. 68 pages. Published by Wiener Urtext Edition.
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Johannes Brahms : Clarinet Sonatas Op. 120
Clarinet and Piano
G. Henle
(Clarinet and Piano (Revised Edition)). Composed by Johannes Brahms (1833-1897)....
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(Clarinet and Piano (Revised Edition)). Composed by Johannes Brahms (1833-1897). For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. 92 pages. G. Henle #HN987. Published by G. Henle
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Johannes Brahms: Sonatas for Piano and Clarinet (or Viola) op. 120,1 and 2
Clarinet and Piano
[Solo Part]
G. Henle
Sonatas for Piano and Clarinet (or Viola) op. 120, Nos. 1 and 2 (Viola part only...
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Sonatas for Piano and Clarinet (or Viola) op. 120, Nos. 1 and 2 (Viola part only) (Additional Viola Part for Clarinet and Piano Version). By Johannes Brahms (1833-1897). Edited by Hans-Martin Theopold and Monica Steegmann. For Viola. Viola. Henle Music Folios. Pages: Va Part =16. Solo part only. 16 pages. G. Henle #HN315. Published by G. Henle
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Johannes Brahms : Symphony No. 4
Orchestra
[Score and Parts]
Alfred Publishing
By Johannes Brahms (1833-1897). Arranged by Richard Meyer. Orchestra. Full Orche...
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By Johannes Brahms (1833-1897). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks. First Philharmonic. Masterwork Arrangement; Romantic. Conductor Score and Parts. 204 pages. Published by Alfred Music Publishing
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Brahms : Motet, O Heiland reiss' die Himmel auf
Brass Quartet: 4 trombones
[Score and Parts]
-
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Cherry Classics
By Johannes Brahms (1833-1897). Arranged by Ralph Sauer. For Four part Trombone ...
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By Johannes Brahms (1833-1897). Arranged by Ralph Sauer. For Four part Trombone Choir. Romantic choral. Advanced. Score and parts. Published by Cherry Classics
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Johannes Brahms : Sonata in F Major Op. 99 for Piano and Violoncello
Cello, Piano
G. Henle
(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited ...
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(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Cello, Piano. Henle Music Folios. Softcover. 62 pages. G. Henle #HN1135. Published by G. Henle
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Johannes Brahms : String Quartets, Op. 51
String Quartet: 2 violins, viola, cello
[Sheet music]
G. Henle
For 2 Violins, Viola and Violoncello. By Johannes Brahms. Edited by Reiser. This...
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For 2 Violins, Viola and Violoncello. By Johannes Brahms. Edited by Reiser. This edition: HN40. String Quartets. Henle Music Folios. Pages: Parts - Vl I = * Vl II = * Va =8 * Vc =4. Urtext edition (Paper-bound). 130 pages. Published by G. Henle.
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Johannes Brahms : 51 Exercises for Piano
Piano solo
[Sheet music]
G. Henle
By Johannes Brahms (1833-1897). Edited by Camilla Cai. Henle Music Folios. Softc...
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By Johannes Brahms (1833-1897). Edited by Camilla Cai. Henle Music Folios. Softcover. 108 pages
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Schumann - Brahms - Kirchner Band 4
Piano solo
Schott
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
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With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
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Schumann - Brahms - Kirchner Band 4
Piano solo
Wiener Urtext
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
(+)
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
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Song of the Fates (BRAHMS JOHANNES)
Choral, Orchestra
[Score]
Carus Verlag
Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fat...
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Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre
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Johannes Brahms: Brahms Mendelssohn And Schumann Organ Works: Organ:
Organ
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Dover Publications
When Brahms Mendelssohn and Schumann composed for the organ all three turned f...
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When Brahms Mendelssohn and Schumann composed for the organ all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms three 'Preludes And Fugues' by Mendelssohn six 'Fugues' by Schumann and other works by the composers.
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Brahms Piano Solo Complet 3 Vol. Souple Bro.
Français
Piano solo
[Sheet music]
ID Music
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musi...
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Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Brahms Po Solo Complet 3 Vol. Souple Bro. de Brahms Johannes. Cette partition qui est éditée par les éditions ID Music fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition
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Brahms Piano Solo Complet 3 Vol. Rigide Cartonne
Français
Piano solo
[Sheet music]
ID Music
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musi...
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Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Brahms Piano Solo Complet 3 Vol. Rigide Cartonne de Brahms Johannes. Cette partition qui est éditée par les éditions ID Music fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition
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Johannes Brahms: Piano Sonata In F Minor Op 5 Piano: Piano: Instrumental Work
Piano solo
G. Henle
revised single edition from HN 38-Johannes Brahms?s piano sonatas opp. 1 2 and ...
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revised single edition from HN 38-Johannes Brahms?s piano sonatas opp. 1 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms?s visit to Robert and Clara Schumannin Düsseldorf in the autumn of 1853. There are indications that the young Brahms was inspired by Robert Schumann?s Sonata op. 14 which was also in f minor. The music critic Eduard Hanslick also believed that he could discern theinfluence of Brahms?s older colleague when he wrote about the Sonata op. 5: ?The whole of Brahms is here though still under the spell of Schumann?. This revised Urtext edition is based on the musical text of the New BrahmsComplete Edition. The fingerings are by Andreas Boyde and offer the performer highly ingenious solutions to mastering this piano work that is so symphonic in scope.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Johannes Brahms: Four Songs with Lyrics by Klaus Groth 1st Edition: Voice: Vocal
Piano, Voice
G. Henle
Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition o...
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Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition of the ?Regenlied Cycle? is only available from G. Henle Publishers. In the preface Michael Struck an eminent Brahms scholar writes about the distinctiveness of the work untilnow a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth whom he greatly admired. In the well-known song cycle Opus 59 published by Brahmshimself the Groth songs are also to be found together with other songs.The reason why Johannes Brahms? Violin Sonata no. 1 in G major op. 78 is also known as the ?Regenlied? Sonata becomes clear on acquiring studying and playing this ?Regenlied Cycle?.
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Johannes Brahms: Double Concerto A Minor Op. 102: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
G. Henle
Double Concerto in a minor op.102-The cellist Robert Hausmann had actually reque...
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Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).
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Johannes Brahms: Sonatas Scherzo And Ballades: Piano: Instrumental Work
Piano solo
G. Henle
Johannes Brahms?s Piano Sonatas opp. 1 2 and 5 were among the first works that ...
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Johannes Brahms?s Piano Sonatas opp. 1 2 and 5 were among the first works that the 20-year-old composer published. They were composed in 1852/53 although the Sonata in f-sharp minor was apparently the first of the three to becomposed as it was finished by November 1852. This work has a special place in his oeuvre. Besides its passionate atmosphere his contemporaries discerned it to be ?serious and dignified in character?. Brahms dedicated thissonata to Clara Schumann whose husband Robert wrote to the composer that ?Your second sonata my friend has brought me much closer to you?. The ingenious fingerings have been provided by the pianist Andreas Boyde a recognisedBrahms expert.
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Johannes Brahms: Waltzes Op.39: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Easy
Barenreiter
Brahms? popular 16 ?Waltzes? opus 39 composed in 1866 for four hands were tra...
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Brahms? popular 16 ?Waltzes? opus 39 composed in 1866 for four hands were transcribed by Brahms one year later for two hands. At the request of his publisher Brahms also wrote an easier version of the work for solo piano. Brahms himself described the first version as suitable for 'reasonable hands' that is for proficient players and the easier version as 'perhaps for prettier hands' that is for domestic music-making. He initially described the latter version to his publisher as a 'children?s edition'. The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romanticrepertoire.Both versions of the ?Waltzes? op. 39 (BA 9602 BA 9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms an informative foreword on the genesis sources and significance of the works together with comments on the primary sources.A key work in the Romantic piano repertoireAll known sources and the latest research findings taken into accountWell-presented musical layout with optimum page-turnsIncludes fingeringSuggestions on performance practice and interpretation (Ger/Eng)Informative foreword (Ger/Eng) and critical commentary (Eng)The EditorChristian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.He has released 24 CDs to date including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold.
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Johannes Brahms: Waltzes Op.39 - Urtext: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate
Barenreiter
Brahms? popular 16 ?Waltzes? opus 39 composed in 1866 for four hands were tra...
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Brahms? popular 16 ?Waltzes? opus 39 composed in 1866 for four hands were transcribed by Brahms one year later for two hands. At the request of his publisher Brahms also wrote an easier version of the work for solo piano. Brahms himself described the first version as suitable for 'reasonable hands' that is for proficient players and the easier version as 'perhaps for prettier hands' that is for domestic music-making. He initially described the latter version to his publisher as a 'children?s edition'. The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romanticrepertoire.Both versions of the ?Waltzes? op. 39 (BA 9602 BA 9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms an informative foreword on the genesis sources and significance of the works together with comments on the primary sources.A key work in the Romantic piano repertoireAll known sources and the latest research findings taken into accountWell-presented musical layout with optimum page-turnsIncludes fingeringSuggestions on performance practice and interpretation (Ger/Eng)Informative foreword (Ger/Eng) and critical commentary (Eng)The EditorChristian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.He has released 24 CDs to date including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold.
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NANIE OP (BRAHMS JOHANNES) (BRAHMS JOHANNES)
Choral SATB
SATB, Piano
Carus Verlag
Par BRAHMS JOHANNES. Brahms? elegy Nänie op. 82, based on the poem by Friedrich...
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Par BRAHMS JOHANNES. Brahms? elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the poem, Brahms? Nänie ends full of hope: after earthly decline, beauty can live on in art. As in his Deutsches Requiem op. 45, in Nänie Brahms creates a musical connection between mourning and consolation in an incomparable way. Inspired by the model of classical Roman-Greek laments, the work adopts the classical verse form chosen by Schiller ? surely alluding to Feuerbach?s classically-inspired art.Scored for mixed chorus and orchestra, we are publishing the work in a modern Urtext edition. One or more harps can be used ad lib. The primary source is the first printed edition of 1881. The latest scholarly discoveries as well as practical requirements have been taken into consideration. Performance material is available on sale as well as a vocal score, based on Brahms?s original vocal score, but in a revised performing version. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
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Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
Piano solo
G. Henle
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes B...
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With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.
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Intermezzo Op. 117 No 1
Français
Viola, Piano
Billaudot
Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pou...
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Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pour piano seul composés à Ischl en 1892, de même que pour les opus 118 et 119 en 1893. Brahms a abandonné l'écriture symphonique dont la dernière oeuvre fut le double concerto pour violon et violoncelle et plus tardivement celle qui concerne la musique de chambre.Cherchant une oeuvre inédite pour alto et piano représentative de la fin de la période romantique, mon choix s'est porté sur l'opus 117 #1 car il convenait parfaitement à un arrangement pour piano et alto, la partie mélodique étant de ce registre.A ce propos, n'oublions pas l'admirable oeuvre vocale du compositeur ainsi que les opus symphoniques antérieurs, mais également ceux de musique de chambre et pianistiques où la mélodie est confiée de manière épisodique à une ' voix intermédiaire ' que Brahms affectionnait particulièrement.L'opus 117 #1 est un paysage d'automne en demi-teinte, en clair-obscur cher au Brahms des dernières années dont il cite deux vers en exergue, extraits d'une berceuse écossaise. Dans ses derniers opus pour piano, Brahms retourne complètement à ses origines, avec une inspiration nordique affirmée. Sur la fin de sa vie le compositeur s'abandonne progressivement à un état d'esprit mélancolique qui reflète le sentiment de ses contemporains allemands en cette fin de XIXème siècle.Ce sentiment confus, ce ' Weltschmerz ' traduisant cette ' vague douleur du monde ' incita Brahms à surnommer certaines de ces pièces ' berceuses de ma douleur ' dont l'opus 117 #1 pourrait être un exemple. Ces ultimes opus s'inscrivent dans les quatre grands cycles de rêveries et de méditations pianistiques du célèbre compositeur. / Alto Et Piano
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Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
Piano solo
G. Henle
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes B...
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With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.
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Johannes Brahms: Piano Trio Based On The Sextet In B-flat: Piano Trio: Score and
Piano Trio: piano, violin, cello
Barenreiter
After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano tri...
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After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano trio literature.Includes an informative introduction (Eng/Ger) and a critical commentary (Eng).In addition to Bärenreiter?s scholarly-critical editions of Brahms? trios an arrangement of Brahms? String Sextet Op.18 for Piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock Brahms publisher issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823 1903).Christopher Hogwood?s scholarly-critical edition includes an introduction which sheds light not just on thehistory of the arrangement and its validity in its own right but also on Kirchner and his relationship to Brahms.Chamber Works by Brahms already published:Trio for Violin Violoncello and Piano Op.87 (BA 9436)Trio for Violin Violoncello and Piano Op.101 (BA 9437)Trio for Violin Horn (Viola or Violoncello) and Piano Op.40 (BA 9435)Trio for Clarinet (Viola) Violoncello and Piano Op.114 (BA 9438)
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violin and Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
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A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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Johannes Brahms: Symphony No.2 In D Op.73: Orchestra: Score
Orchestra
G. Henle
Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?t...
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Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?tait encore largement influenc? par l??uvre de Beethoven. Mais ce n??tait plus le cas pour la deuxi?me qui s?en d?marque tr?s nettement. Le principe de traitement des motifs ne se cantonne plus uniquement au d?veloppement mais s??tend ? tout le premier mouvement. Dans les mouvements suivants tout semble d?ailleurs aussi ?tre apparent?. La cr?ation de cette symphonie dans la salle du Musikverein de Vienne fut pour Brahms l?un des plus grands triomphes de son existence qu?il d?crivit avec enthousiaste: ?L?orchestre ici a r?p?t? et jou? avec passion et m?a f?licit? comme cela ne m?est encore jamais arriv?.? Gr?ce ? cette partitiond??tude les chefs d?orchestre ?tudiants et passionn?s de Brahms pourront appr?cier la partition tir?e de l??dition compl?te des ?uvres de Brahms (?galement parue chez G. Henle) en version urtext dans un petit format facile ? manier. Dans la pr?face l??diteur et sp?cialiste de Brahms Robert Pascall apporte des informations int?ressantes sur la gen?se et l?histoire de l??dition de cette ?uvre.
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Johannes Brahms: Ballades Op.10: Piano: Instrumental Album
Piano solo
Barenreiter
The instrumental ballad was a popular musical form in the 19th century and these...
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The instrumental ballad was a popular musical form in the 19th century and these four pieces for piano are Brahms’s only contribution to the genre. The composer wrote the ballades during the time of his close friendship with Clara Schumann and they exude an intimacy more typical of a vocal ballad. The pieces which Schumann enthusiastically praised were described by Brahms as being “not too difficult to play and even less difficult to understand.Brahms’s Ballades op. 10 form an integral part of the advanced piano literature. This publication represents a valuable addition to the repertoire of Brahms’s piano works in BärenreiterUrtext editions. The fingering by Brahms specialist Christian Köhn the clear notation and optimum page turns fulfil the requirements of a practical performing edition. A detailed foreword with information on performance practice the compositional process sources and the significance of the work completes the edition. Urtext edition based on all known sources and current research Well-presented musical layout with optimum page turns With fingering and suggestions for performance practice (Eng/Ger) With fold-out page for an easy page turn With an informative foreword (Eng/Ger) and critical commentary (Eng)
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Brahms J. - Concerto Pour Violon En Re Majeur Op.77 - Violon and Piano
Violin and Piano
G. Henle
Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Stru...
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Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour violon de Brahms reste encore aujourd?hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s?était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l?objet d?un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des ?uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu?ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?
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String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
G. Henle
No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cor...
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No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cordes de Brahms ait connu un vif succès depuis sa parution en 1861, l’éditeur Simrock hésita lorsque le compositeur lui en proposa en 1865 un deuxième «dans le même caractère joyeux». Entre temps Brahms s’adressa même à la concurrence avant que Simrock ne finît par consentir à sa publication. Alors que l’oeuvre fit tout d’abord l’objet de comptes rendus plutôt sceptiques, l’opus 36 publié en 1866 trouva en revanche au sein du cercle des amis de Brahms un accueil des plus chaleureux: Clara Schumann fit l’éloge du travail d’élaboration des motifs particulièrement réussi, tandis que d’autres étaient enthousiasmés par la féerie des effets sonores. L’édition de travail établie par Katrin Eich sur la base de l’édition intégrale des oeuvres de Brahms offre désormais la possibilité de vérifier ces jugements – soit lors d’une exécution de l’oeuvre à partir des parties séparées dont les petites notes et les tournes optimales répondront aux attentes des musiciens, soit à la lecture de notre édition d’étude./ Répertoire / Eich, Katrin
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Sonate pour violon en Sol majeur op. 78 (BRAHMS JOHANNES) (BRAHMS JOHANNES)
Violin and Piano
[Sheet music]
G. Henle
Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est...
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Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est également connue sous le surnom allemand de Regenliedsonate («Sonate du chant de la pluie»), puisqu?elle cite dans son Finale des motifs mélodiques issus de deux des lieder du compositeur: Regenlied («Chant de la Pluie») et Nachklang («Écho», qui a également la pluie pour thématique). Le motif pointé initial du Finale parcourt déjà les deux premiers mouvements, contribuant ainsi à la cohérence interne de cette ?uvre merveilleusement expressive et élégiaque. Achevée en 1879, cette sonate fut accueillie avec enthousiasme par ses contemporains - Elisabeth von Herzogenberg, liée à Brahms par une profonde amitié, affirma qu?on devait «l?aimer, comme peu de choses en ce monde». Le texte musical de cette édition Urtext révisée repose sur la mise à jour parue dans la Nouvelle édition des ?uvres complètes de Brahms, gage suffisant de fiabilité scientifique. / Date parution : 2023-03-11/ Répertoire / Violon et Piano
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