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Brahms Traditional
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Hungarian Dance No. 5 by Brahms for Trombone Quartet
Hungarian Dance No. 5 by Brahms for Trombone Quartet
$9.99
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Brass Quartet: 4 trombones
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Johannes Brahms
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Rika K
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Rika K.
Hungarian Dance No. 5 by Brahms for Tuba Trio
Hungarian Dance No. 5 by Brahms for Tuba Trio
$7.99
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Johannes Brahms
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Rika K
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Rika K.
Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet with Piano
Hungarian Dance No. 5 by Brahms for Trumpet and Trombone Duet with Piano
$5.99
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Johannes Brahms
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Rika K
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Rika K.
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Dreamtime : Lullabies For Lever And Pedal Harp (SARAJANE WILLIAMS)
Harp
-
Intermediate
Mel Bay
Par SARAJANE WILLIAMS. Dreamtime is a collection of eighteen lullabies from arou...
(+)
Par SARAJANE WILLIAMS. Dreamtime is a collection of eighteen lullabies from around the world. Sarajane Williams's hauntingly beautiful arrangements will soothe and lull the body and soul. An intermediate/advanced lever or pedal harpist will enjoy these lush harmonizations and interpretations of traditional songs, all of which require very few lever changes. Some of the lullabies could also provide a pleasant addition to one's Christmas repertoire. The collection includes: Rock-a -Bye-Baby, Sleep Baby Sleep, Night Song, Shepherd's Cradle Song, Hao-Wari, Slumber Song of Izumo, Suo-Gan, Go To Sleep My Child, Brazilian Lullaby, Irish Lullaby, The Gates of Dreamland, Christ Child's Lullaby, Russian Cradle Song, Four Lullabies Medley (Brahms' Lullaby, All the Pretty Little Horses, All through the Night, Schubert's Lullaby), and her original composition, Song of the Mourning Dove. / Niveau : Intermédiaire / Children's - Solos / Recueil / Harpe Folk ou Celtique
21.19 EUR - Sold by LMI-partitions
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Piano Repertoire Level 1: Piano: Instrumental Album
Piano solo
-
Beginner
Universal Edition
Additional books to complement the tutor for adults and young people Play the Pi...
(+)
Additional books to complement the tutor for adults and young people Play the Piano! Levels 1 & 2 are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand here is the chance for players to explore and enjoy more beautiful music in a variety of styles confident that the technical levels are within their capabilities. Includes popular classics by Purcell Handel Bach Mozart Grieg Humperdinck Schumann Chopin Rimsky-Korsakov Brahms Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy Latin and Ragtimepieces by Scott Joplin Mike Cornick and Duke Ellington.
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Colin Cowles: Mixed Doubles: Saxophone: Instrumental Work
Fentone Music
This book contains arrangements of classical and traditional melodies together w...
(+)
This book contains arrangements of classical and traditional melodies together with three original compositions by Colin Cowles. It provides much needed pieces for this combination of instruments and will make ideal teaching material. Titles include: Intone in Tune Carillon with Cockles and Mussels Copycat A Brahms Waltz Two Saint’s Go a Marchin’ Get it Together That Old Man Again Franky and Johnny For Anna Magdalena and Ala Turk.
9.99 GBP - Sold by Musicroom UK
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Sarajane Williams: Dreamtime: Lullabies For Lever And Pedal Harp: Harp:
Harp
[Sheet music]
-
Intermediate
Mel Bay
Dreamtime is a collection of eighteen lullabies from around the world. Sarajane ...
(+)
Dreamtime is a collection of eighteen lullabies from around the world. Sarajane Williams’s hauntingly beautiful arrangements will soothe and lull the body and soul. An intermediate/advanced lever or pedal harpist willenjoy these lush harmonizations and interpretations of traditional songs all of which require very few lever changes. Some of the lullabies could also provide a pleasant addition to one’s Christmas repertoire. Thecollection includes: Rock-a -Bye-Baby Sleep Baby Sleep Night Song Shepherd’s Cradle Song Hao-Wari Slumber Song of Izumo Suo-Gan Go To Sleep My Child Brazilian Lullaby Irish Lullaby The Gates of Dreamland ChristChild’s Lullaby Russian Cradle Song Four Lullabies Medley (Brahms’ Lullaby All the Pretty Little Horses All through the Night Schubert’s Lullaby) and her original composition Song of the Mourning Dove.
13.99 GBP - Sold by Musicroom UK
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Zwischen Beethoven Und Brahms (WIESENFELDT CHRISTIANE)
Voice solo
[Sheet music]
Barenreiter
Die Violoncello-Sonate im 19. Jahrhundert. Par WIESENFELDT CHRISTIANE. / Livre /...
(+)
Die Violoncello-Sonate im 19. Jahrhundert. Par WIESENFELDT CHRISTIANE. / Livre / Livre
54.20 EUR - Sold by LMI-partitions
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Sonata Op. 84
Clarinet and Piano
Schott
Alors que son contemporain Paul Hindemith trouvé de nouvelles approches à la c...
(+)
Alors que son contemporain Paul Hindemith trouvé de nouvelles approches à la composition, Gál reste ancré dans la tradition germanique. La Sonate clairement suit les traces des grands maîtres de Brahms et Reger, et bien que les traditionnelles dans l'idiome sont moins complexe et plus compliqué que les oeuvres comparables de ces compositeurs. La Sonate est disponible sur CD avec les deux sonates de clarinette de Brahms. / Clarinette En Sib Et Piano
35.70 EUR - Sold by LMI-partitions
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Johannes Brahms - Ein Deutsches Requiem
Divers
[Sheet music]
Barenreiter
Europäisches Musikfest Stuttgart 2003 - Vorträge. / Recueil / Divers
28.40 EUR - Sold by LMI-partitions
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Brahms, Johannes : Valses Opus 39 n°10 en Sol Majeur and n°11 en Si Mineur (Collection Anacrouse)
Français
Piano solo
[Sheet music]
-
Easy
EBR Editions Bourges
Partition Biographie Notes sur l'oeuvre
6.80 EUR - Sold by Note4Piano
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Edvard Grieg: Sonata For Piano And Violin In C Minor Op.45: Violin: Instrumental
Violin and Piano
G. Henle
Grieg?s third Violin Sonata is one of his major creations and stands alongside t...
(+)
Grieg?s third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work?srenown is its occurrence in Thomas Mann?s novel 'Doktor Faustus'. The sonata has been growing more popular ever since its first publication and it is now high time for it to appear in an urtext edition from Henle. A preface anddetailed editorial notes provide interesting background material on the work?s source tradition.
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Sonata In F Major (SCHREKER FRANZ)
Violin and Piano
[Sheet music]
Bote and Bock
First Edition. Par SCHREKER FRANZ. Débuts de compositionnels de Schreker sont e...
(+)
First Edition. Par SCHREKER FRANZ. Débuts de compositionnels de Schreker sont encore inconnus ses oeuvres de stade rencontré un grand succès dans les années 1910 et 1920. Avec cette première publication de sa Sonate pour violon, écrit en 1898, pendant ses études au Conservatoire de Vienne, son début de la phase créatif est rendu accessible dans une oeuvre représentative pour la première fois. Schreker composé la Sonate de trois mouvements techniquement exigeante avec l'intention d'exécuter il lui-même lorsqu'il étudie le violon avec Arnold Rosé. La pièce a été écrite dans la tradition romantique fin de Brahms et de Dvorák, professeur de composition d'une ère Schreker Robert Fuchs a été commis à. Bien que Schreker respecte les conventions formelles dominantes de compositions de musique de chambre, l'élégance de l'invention mélodique et d'un raffinement harmonique distinctif est décrite par le futur maître de sons magiques dans toutes les barres./ Répertoire / Violon et Piano
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Gustav Mahler: Piano Quartet: String Trio: Score and Parts
Piano Quartet: piano, violin, viola, cello
Sikorski
First movement and a sketch for a Scherzo - (Erstausgabe - First Edition)-Sikors...
(+)
First movement and a sketch for a Scherzo - (Erstausgabe - First Edition)-Sikorski present the first publication of Mahler's 1876 Piano Quartet a work that reflects the composer's obsession with the great German compositional tradition. The piece reflects Mahler's concerns with the works of Brahms Schubert and Schumann - a highly valuable source of perspective regarding Mahler's early works and the development of his later more distinctive aesthetic.
28.50 GBP - Sold by Musicroom UK
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Joan Tower: Fantasy: Clarinet and Accomp.: Instrumental Work
Clarinet and Piano
Associated
This chamber work by American composer Joan Tower who is known for her symbolic ...
(+)
This chamber work by American composer Joan Tower who is known for her symbolic titles that draw on abstract action-filled imagery. Fantasy for Clarinet and Piano accompaniment is based on ...those Harbor Lights oneof Tower's own personal favourite pieces. This is an articulate and expressive piece styled in the same tradition as classical Sonatas like those of Brahms.
23.99 GBP - Sold by Musicroom UK
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PHILLIP KEVEREN - LULLABY BALLADES
Piano solo
Hal Leonard
15 joyaux pianistiques pour bercer et réconforter petits et grands ! Dans la pr...
(+)
15 joyaux pianistiques pour bercer et réconforter petits et grands ! Dans la préface, Phillip écrit que cette collection de ballades berceuses s\'inscrit dans la tradition du café et de la crème, du chocolat et du beurre de cacahuète, et de Simon et Garfunkel, c\'est-à-dire des mélanges qui vont bien ensemble ! La plupart des airs se situent dans des environnements familiers, mais d\'autres s\'envolent dans un tourbillon de fantaisie. La collection comprend également trois morceaux originaux. Titres : All the Pretty Little Horses - Ballade n° 1 (Windchime Serenade) - Ballade n° 2 (Letting Go) - Beautiful Dreamer - Berceuse de Brahms - Frère Jacques - Hush, Little Baby - It\'s Raining, It\'s Pouring - London Bridge - Lullaby Angel - Mary Had a Little Lamb - Michael Row the Boat Ashore - My Bonnie - This Old Man - Twinkle Twinkle Little Star. / Partitions variété - pop - rock / Variété internationale / Piano / HAL LEONARD
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Quartet F Major
String Quartet: 2 violins, viola, cello
Schott
Gustav Jenner (1865-1920), un étudiant de Brahms, écrit seulement trois quatuo...
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Gustav Jenner (1865-1920), un étudiant de Brahms, écrit seulement trois quatuors à cordes. La troisième Quatuor à cordes en fa majeur a été terminé en 1911 et créée par le Quatuor Rebner. Communs à de tous les Jenner quatuors est sa façon de perfusion le modèle classique avec son propre langage musical, tant sur un plan intellectuel et d'un point de vue technique. Fidèle à la tradition du genre, la forme classique du Quatuor à cordes est conservée, sans toutefois présenter lui-même d'être une contrainte dans l'achèvement du cycle. Ce qui se détache est la sophistication de détail et la pureté du formulaire obtenu grâce à l'intégration des éléments de la composition et les nuances de l'humeur. / Quatuor A Cordes
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Poul Ruders: Paganini Variations - Piano Concerto No.3: Piano: Part
Wilhelm Hansen
Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (20...
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Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated orintricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the one-and-only' the 'real thing' if you like.The orchestral score remains exactly the same in both cases. Both versions the two Paganini Variations are comparable to a
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Poul Ruders: Paganini Variations - Piano Concerto No.3: Piano: Score
Piano solo
Wilhelm Hansen
Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-pa...
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Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the
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Carl Maria von Weber: Carl Maria von Weber - Concertino for Clarinet: Clarinet
Clarinet and Piano
Lauren Keiser Music Publishing
Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for ...
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Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.
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Poul Ruders: Paganini Variations- Guitar Concerto No.2: Guitar: Score
[Sheet music]
Wilhelm Hansen
Ruders writes: There's a solid tradition in the history of Western music of turn...
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Ruders writes: There's a solid tradition in the history of Western music of turning the theme of Nicolo Paganini's '24th Caprice' for soloviolin into a set of variations endemic to the time and style of each individual composer; Liszt Brahms Rachmaninov and Lutoslawsky being the most prominent names. When asked by David Starobin to write a concerto for him I though 'well why not have a go at it?' - bearing in mind that not only is Paganini the most celebrated violin-wizard of all times but he was also a more than accomplished guitarist. There are 22 variations in all numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation17 though the writing becomes more symphonic and the rigid 16-bar regime is being lossendes up a bit. However the last variation 'Finale Prestisimo' is a 6 x 16 bars 'white-knuckle ride' in which the hitherto soloistic role of the guitar gives way to that of 'primus interpares' i.e. 'first among equals'. As with another set of variations of mine 'Concerto on Pieces' (based on a tune by Purcell) the nature and shape of the 'Pagannini-Variations' may be compared to a stroll through a hall of mirrors: the 'portrait' - the theme is gradually being distorted out of all recognition - but it's still the same 'original' walking by.
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Three little Pieces op. 64 (GAL HANS)
Piano solo
Schott
Par GAL HANS. These pieces are comparatively easy to play, though part of the sa...
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Par GAL HANS. These pieces are comparatively easy to play, though part of the same tradition as Brahms' and Reger's character pieces - far more manageable and less complicated./ Répertoire / Piano
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A Christmas Pastorale (NEWMAN MICHAEL)
Guitar
-
Intermediate
Mel Bay
600 Years Of Carols, Chorales, Preludes And Pastorales On 2 Guitars. Par NEWMAN ...
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600 Years Of Carols, Chorales, Preludes And Pastorales On 2 Guitars. Par NEWMAN MICHAEL. Celebration of the Christmas holiday includes a rich musical tradition. For this score and accompanying CD, the internationally-renowned Newman and Oltman Guitar Duo presents a ravishing collection of sacred music written for Advent, Christmas, and Epiphany. The duo has chosen music from six centuries in a wide variety of musical styles, including familiar Christmas tunes, little-known gems, and interesting variations on familiar themes written by such composers as Bach, Handel, Pachelbel, Mendelssohn, and Brahms. Selections range from beautiful Renaissance tunes suitable for beginning guitarists to concert repertoire for advanced players. / Niveau : Intermédiaire / Christmas - Duets / Recueil / Guitare Classique
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Liebeslieder - Love Songs
Piano, Voice
[Sheet music]
Carus Verlag
80 Arrangements For Weddings And Celebrations. What would love be without music ...
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80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? A vocal score has been published which contains all of the the songs in the new Carus book of lovesongs in easily playable accompaniments. For many of these songs choral settings by famous composers such as John Dowland, Thomas Morley, Thomas Tallis or Thoinot Arbeau have been adopted, wherever possible, in their original form. In addition, well-known and familiar original settings by Beethoven, Brahms, Benjamin Britten, and other composers will be found in this collection. Songs with entirely new accompaniments have also been included, resulting in a collection of lovesongs offering a distinctive stylistic variety suitable for many different occasions./ Répertoire / Chant et Piano
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Epitaphs
String Quartet: 2 violins, viola, cello
Bote and Bock
Dense movement structures dialogizing in pairs and a darkened overall sound are ...
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Dense movement structures dialogizing in pairs and a darkened overall sound are what Mozart, Schubert and Brahms already thought to be fascinating in the genre of string quartet. Following this tradition, the composer and violist Brett Dean created 'Epitaphs', an homage to five recently departed colleagues and friends to each of whom is dedicated one movement of the 20-minute work. It was premiered at the Cheltenham Festival 2010 by Dean and the Australian String Quartet. / Quatuor A Cordes
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Revue - Musicologies Nouvelles - Baccalaureat 2018
Français
Musical course - Solfege
Lugdivine
Confiée à des enseignants du secondaire et à des universitaires, la revue Mus...
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Confiée à des enseignants du secondaire et à des universitaires, la revue Musicologies nouvelles prépare aux épreuves de musique du baccalauréat. S?appuyant sur l?oeuvre de référence, les candidats doivent établir une comparaison et un élargissement vers d?autres ouvrages et ce, dans toutes les séries. De ce fait, chaque dossier comporte : l?analyse de l?oeuvre au programme ; un ou deux textes autour de cette oeuvre ; une analyse comparée ainsi qu?une fiche de synthèse, en grande partie écrite à partir des textes du dossier. Elle apporte parfois un complément sur des éléments absents, faute d?espace. Conseil méthodologique : lire d?abord la fiche de synthèse afin d?avoir une vue d?ensemble. Ensuite, travailler sur les textes ainsi que sur la fiche d?analyse comparée avant de revenir enfin sur la fiche de synthèse. Après Mozart l?an passé, Jean-Sébastien Bach ouvre le numéro avec sa Cantate BWV 106 « Actus tragicus ». La musique française est encore à l?honneur puisque Ravel revient avec le virtuose Concerto pour la main gauche, Debussy avec sa Sonate pour Flûte, alto et harpe ainsi que Germaine Tailleferre, la « Dame des Six »? Le jazz est également présent avec un dossier consacré à « Jazz et Orient » ainsi que quatre déclinaisons du standard Birdland. Musicologies Nouvelles - Baccalauréat 2018 Sommaire I. DOSSIER JEAN-SEBASTIEN BACH Frédéric GONIN De la rhétorique au service de la catéchèse et de l?exégèse : L?exemple de la cantate ?Actus Tragicus? (BWV 106) de Johann Sebastian Bach Laurence LE DIAGON-JACQUIN, Analyse comparée : J.S. Bach, « Es ist der alte Bund » / Darius Milhaud, ?chaos?, extrait de La Création du monde Laurence LE DIAGON-JACQUIN, Fiche de Synthèse : Cantate BWV 106 « Actus Tragicus », de J.S. Bach II. DOSSIER MAURICE RAVEL Danièle PISTONE, Ravel et l?esthétique de son temps Eric REGNIER, Maurice Ravel : Le Concerto pour la Main Gauche ou la transcendance de l?artiste Jean-Jacques VELLY: Ravel et l?orchestre Eric REGNIER, Analyse comparée : Maurice Ravel, Concerto pour la Main Gauche / Ludwig van Beethoven, Concerto N°4 op. 58, 3e mouvement Eric REGNIER, Fiche de synthèse : Maurice Ravel Concerto pour la main gauche III. DOSSIER CLAUDE DEBUSSY Muriel JOUBERT, La Sonate pour flûte, alto et harpe de Debussy : « un savant mélange de rigueur et de liberté » entretien avec le Trio Mélisande Muriel JOUBERT, La Sonate pour flûte, alto et harpe de Debussy : classicisme, impressionnisme et cubisme Jean-Louis LELEU, La Sonate pour flûte, alto et harpe de Debussy Présentation et notes analytiques Eric REGNIER, Analyse comparée : La Sonate pour flûte, alto et harpe de Debussy (1915) Johannes Brahms : Trio opus 40 pour violon, cor et piano (1865) Muriel JOUBERT, Fiche de synthèse : Sonate pour flûte, alto et harpe de Debussy IV. DOSSIER GERMAINE TAILLEFERRE Eric REGNIER, Aspects de l?Opéra en un acte entre 1890 et 1945 Stéphan ETCHARRY, Quatre Opéras bouffes de Germaine Tailleferre : pour une « Petite histoire lyrique de l?Art français, du style galant au style méchant » Relire la tradition opératique française au prisme du pastiche et de l?humour Mihu Iliescu, Fiche de synthèse : Dossier Tailleferre V. DOSSIER JAZZ ET ORIENT Emmanuel PARENT, L?Occident recréé par l?Orient Vincent COTRO, Jazz et Orient : Approche comparée des cinq pièces au programme Nicolas OLIVIER, Jazz et Orient :Dialogues de cultures singuliers -Ibrahim Maalouf, Rabih Abou-Khalil, Avishai Cohen, Jasser Haj Youssef, Marcel Khalifé Eric REGNIER, Analyse comparée : Jasser Haj Youssef Friggya / Claude Debussy, La Puerta del Vino Eric REGNIER, Fiche de synthèse : Dossier Jazz et l?Orient VI. DOSSIER BIRDLAND Ludovic Florin, Le « Birdland » de Weather Report et trois de ses avatars Eric REGNIER, Birdland, un standard traité avec fidélité Eric REGNIER, Analyse comparée : Birdland, par l?ensemble Hyperion et Swan Lake, par le groupe Madness Eric REGNIER, Fiche de synthèse : Dossier Birdland
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