Sarah Quartel's A Winter Day for SATB (with divisions) Cello and Piano. This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. Each movement depicts a different time of day beginning with the cold darkness before dawn ('Timid Star') and concluding with the evening turning into dusk and then darkness ('Snow Toward Evening'). The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes.

No. 6 in A Minor & No. 3 in A Major-In this edition of Fingers Viola da Gamba Sonatas Arthur Marshall has used the original manuscripts from the Bodleian library (Oxford England) to produce this performance edition. It is suitable for performance on viola da gamba viola cello or tenor viol with keyboard continuo and cello continuo ad lib. Also includes a reproduction of the first page of the original score.

Cello or Bassson Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Etoiles filantes fait partie de la série facile de la chaîne, une série complète de pièces faciles par l'équipe de rédaction de la chaîne préférée de la planète, Kathy

Violin 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Violin 2 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

This edition of Fantasia is prepared from an autograph in the possession of the Hessische Landes und Hochschulbibliothek Darmstadt Germany. All editorial suggestions are shown in the normal manner slashed slurs and square brackets.If a performance using Harpsichord or Piano is preferred a Continuo instrument (Bassoon or Cello) may replace the pedal line leaving the upper two parts to the Keyboard player.The German organist and composer Johann Ludwig Krebs 1713-1780 received his early musical instruction from his father. During his teenage years he enrolled at St. Thomas's School in-Leipzig where he had been accepted as one ofJohann Sebastian Bach's pupils. He frequently played Harpsichord at the weekly practices of Bach's Collegium Musicum and was generally acknowledged to be one of his best pupils. During his lifetime he served as organist or court musician in the German towns of Zwichau Zeitz and Altenburg.

Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour.Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translationof the Latin text.- Full score and performance material available for sale (BA4334)

Capellchor 2-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.Our full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text.- Full score and performance material available for sale (BA4334)

Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

Two Sonatas in C minor Op.3 No.8 and B flat Op.3 No.9 for Treble Recorder and Basso Continuo by Bellinzani. Edited by David Lasocki. Includes Score and parts for Treble Recorder and Bassoon (or Cello).

G major - Stimmensatz - each 3 violins I+II, 2 violas, 3 cellos/double basses - 2 violas, strings and basso continuo editor: Lebermann, Walter composer: Telemann, Georg Philipp Série: Concertino Difficulté: Intermediate pages: 48

from Essercizii Musici Instrumentation : violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad lib. Date of Publications : 12/07/1985 Number of Pages : 20 Arranger : Ruf, Hugo Series : Violin Library

from Alexander's Feast Edition : study score Instrumentation : 2 violins, cello, 2 oboes, strings and basso continuo Catalogue of works : HWV 318 Date of Publications : 12/12/1985 Number of Pages : 44 Arranger : Schroeder, Felix Series : Eulenburg Mini