Une collection qui regroupe une centaine de chansons transcrites en ligne mélodique, paroles intégrales et diagrammes d'accord guitare.Titres : A Sky Full Of Stars [Coldplay] - All About That Bass [Trainor, Meghan] - Addicted To You [Avicii] - All Summer Long [Kid Rock] - Applause [Lady Gaga] - Applaus, Applaus [Sportfreunde Stiller] - Atemlos Durch Die Nacht [Fischer, Helene] - Atlas [Coldplay] - Auf Anderen Wegen [Bourani, Andreas] - Auf Uns [Bourani, Andreas] - Back Home [Kalkbrenner, Fritz] - Best Day Of My Life [American Authors] - Bigmouth Strikes Again [Smiths, The] - Blame [Harris, Calvin] [Newman, John] - Black Saturday [Diao, Mando] - Blame It On Me [Ezra, George] - Budapest [Ezra, George] - Bleeding Love [Lewis, Leona] - Calm After The Storm [Common Linnets, The] - Dear Darlin' [Murs, Olly] - Demons [Imagine Dragons] - DJ Got Us Fallin' In Love [Usher] - Don't [Sheeran, Ed] - Everyday Is Like Sunday [Morrissey] - Einmal Um Die Welt [Cro] - Fallin' [Keys, Alicia] - For All Lovers [Stanfour] - Fade Out Lines [Avener, The] - Fever [Black Keys, The] - Get Lucky [Daft Punk feat. Pharrell] - G.U.Y. [Lady Gaga] - Ghost [Henderson, Ella] - Good Life [OneRepublic] - Hallelujah [Cohen, Leonard] - Hard Out Here [Allen, Lily] - Habits (Stay High) [Lo, Tove] - Happy [Williams, Pharrell] - Hero [Family Of The Year] - Ho Hey [Lumineers, The] - Hey Brother [Avicii] - I Love You [Woodkid] - I Will Wait [Mumford and Sons] - I See Fire [Sheeran, Ed] - I See You [Lewis, Leona] - Ich Lass Für Dich Das Licht An [Revolverheld] - If I Were A Boy [Beyonce] - Immer Da Wo Du Bist Bin Ich Nie [Element Of Crime] - In Between Days [Cure, The] - Is It Right [Elaiza] - Just Give Me A Reason [P!ink feat. Nate Ruess] - La La La [Naughty Boy] [Smith, Sam] - Lifesaver [Sunrise Avenue] - Lieder [Tawil, Adel] - Let Her Go [Passenger] - Losing My Religion [R. E. M.] - Love Me Again [Newman, John] - Lovers On The Sun [Guetta, David] - Love Runs Out [OneRepublic] - Maps [Maroon 5] - Money On My Mind [Smith, Sam] - New York, Rio, Rosenheim [Stiller, Sportfreunde] - On Top Of The World [Imagine Dragons] - One Of Us [ABBA] - Optimistisch [Goldenbaum, Martin] - Ordinary Love [U2] - Pale Shelter [Tears For Fears] - Ride [Lana Del Rey] - Rise Like A Phoenix [Wurst, Conchita] - Rude [Magic!] - Run Boy Run [Woodkid] - Safe And Sound [Capital Cities] - Save Tonight [Eagle Eye Cherry] - Saysaysay [Beatsteaks] - She Moves [Farben, Alle] - Starman [Bowie, David] - Stay The Night [Blunt, James] - Stay With Me [Smith, Sam] - Stolen Dance [Milky Chance] - Supersoaker [Kings Of Leon] - Sunday Bloody Sunday [U2] - Take Me To Church [Hozier] - Team [Lorde] - The Big Bang Theory Theme [Barenaked Ladies] - The Chamber [Kravitz, Lenny] - The Hanging Tree [Howard, James Newton] - The One [Aneta] - Things We Lost In The Fire [Bastille] - Traum [Cro] - Walk [Kwabs] - Waves [Mr Probz] - West Coast [Lana Del Rey] - Who Knew [Pink] - When The Beat Drops Out [Roudette, Marlon] - Who's That Girl? [Eurythmics] - Wings [Birdy] - Wrecking Ball [Cyrus, Miley] - Wir Werden Uns Wiedersehen [Selig] - Your Song [Goulding, Ellie] - Your Wish [Talisco] - Zeit Zu Gehen [Unheilig] / Ligne De Mélodie, Paroles Et Accords

Vagn Holmboe's Concerto No.11 Op.44 For Trumpet And Orchestra is part of a series of 'Chamber' concertos written for soloists with smaller accompaniment groups. Concerto no.11 is based upon the concertos of Joseph Haydn and features the fast-slow-fast formal structure typical of the Classical concerto. Holmboe's melodic writing is modelled upon the motivic and thematic developments that are highly characteristic of Haydn's melodic constructions lending the work a timeless air.

Written five years after the death of the composer the work reflects a powerful wish for an imaginary dialogue with a great creator; Upon learning the sad news coming from Paris in 1955 the plan of the work took shape quite soon but the work on the score itself materialized only in 1960 after a long period of gestation. Homage to Enescu has three parts – Prelude Melopoeia Polyphony – or three attitudes: one of awe striking the composer upon entering a vast world another of contemplation of its abyss and still another of lucidly returning to his work the only one capable of rendering him to his won artistic way. It was written forviolins alone (divided in four groups) whose numbers may be multiplied from 8 to 32. Instrumentally speaking Theodor Grigoriu intends an analysis of the rich color resources of the violin but also an investigation of Enescu’s unique original style of playing. The initial theme combines in the sense of an epiphany a monogram of the letters E.N.E.S.C.U. and two motifs from Octuor (Octet) and Chamber Symphony i.e. piece from youth and another from the end of his career both evoking a very characteristic Enescian Stimmung. E= mi / N = rest (in old neumes) / E = mi / S = si / C = do / U = do (ut) Ionel Perlea`s brilliant interpretation during his 1969 concert tour turned the audiences’ attention to this work propelling it into the concert life.

Voicelinks is an innovative teaching resource for music in early years and primary education. It embraces singing as a means of accessing all areas of the curriculum to develop the whole child with natural progression and links between age groups and subject matter.At the heart of the book are 24 carefully written songs covering popular school topics. Each song is tailored to Early Years (3-5) Key Stage 1: Year 1 (5-6) or Key Stage 1: Year 2 (6-7) and comes equipped with a host of activity ideas designed for classroom use. Suitable for specialists and non-specialists alike Voicelinks guarantees successful learning outcomes across thecurriculum.24 songs about colour the weather travel celebrations and much moreTailored to children aged 3-5 5-6 and 6-7 (early years and lower primary)Comprehensive teaching notes for preparing-teaching-developing the song and topicAn outline of the curriculum links for each song showing related skills and areas of learningProfessionally recorded CD with demos for all songs and backings for KS1 songsSongs with notated Piano accompaniments or optional pupils' percussion partsAdditional learning resources including picture-cards and illustrationsPhotocopiable vocal scores percussion parts and supporting resourcesSue Nicholls and Peter HuntPeter Hunt is Head of Voice for Berkshire Young Musicians Trust and the inspiration behind OUP's successful Voiceworks series. He has a wide experience of school teaching at primary and seconday levels and was co-founder of the highly acclaimed Oxfordshire Youth Chamber Choir. From 2000-2002 he was also an Advisory Teacher for the county's vocal strategy. His extensive experience as a choral animateur workshop leader conductor and arranger and his career in education have contributed directly to his understanding of the needs of young singers.Following a

Uses: General Hymn Thanksgiving Scripture: Psalm 33:1-6 - Psalm 95:1-6 - Isaiah 6:3 - Ephesians 5:20 This beloved hymn text is tastefully presented with a beautiful new melody. The composer's nuanced approach brings out the many layers of loveliness found in the words and the thoughtful conductor will find lots of expressive moments to exploit in the musical treatment. A sensitive piano part enhances without distracting and the optional chamber orchestration will add to the depth of the work. Available for SATB and 2-Part choirs this anthem will work for groups of any size and is appropriate any time of year. Artful! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a Printed Edition and as a digital download.

Par BALAZS ARPAD. Television viewers of nearly a hundred countries have experienced Árpád Balázs's touching melodies. The series of cartoons have neither dialogue nor text: the music presents the amiable and entertaining adventures of the rabbit with chequered ears and its friends. Balázs has rephrased and developed the well-known melodies and as a result a ''children's story symphony'' of seven movements has been created in which, in contrast with Prokofiev's Peter and the Wolf, there is no narrator but the instruments themselves represent the story-tellers. The composer has again associated the groups of instruments with one another in a colourful and varied manner, skilfully alternating the modes of solo, chamber orchestra and orchestra. Movements I, II, IV and VII represent a ''short suite'' that can be independently performed, thus due to its duration of four minutes and easier level, ensembles with more modest opportunities can also perform it. The most well-known parts of the cartoon series music - the main title and the ending - are included in both versions./ Répertoire / Concert Band

I wrote Christmas Light for a choir and glockenspiel to celebrate poet Betty McKellarâ??s 90th birthday. I love the colour and imagery in Bettyâ??s work and the honesty and clarity of her writing.I first discovered her work in the 1990s and set her poem Cramasie Threid for soprano and cello.I then took the poem Sangsters as the starting point for a concerto for orchestra which was premiered by the Swedish Chamber Orchestra in 2002. I have always enjoyed collaborating with non-professional and community groups which I find stimulating and inspiring. These are musicians for whom music is an absolute pleasure â?? who give time without payment in the midst of busy lives often withdemanding jobs and family commitments. They do this because they love music and the companionship and buzz of working together. The enthusiasm always communicates to the audience and some of the most memorable performances of my music have been in churches schools and community halls. This short piece is a tribute to Bettyâ??s creativity warmth and optimism.

Madrigal groups chamber and concert choirs will delight in this well-edited edition of the Henry Purcell madrigal marked by dancing contrapuntal sections and thrilling homophonic sections. Duration: ca. 1:35.

Uses: General Hymn Thanksgiving Scripture: Psalm 33:1-6 Psalm 95:1-6 Isaiah 6:3 Ephesians 5:20 This beloved hymn text is tastefully presented with a beautiful new melody. The composer's nuanced approach brings out the many layers of loveliness found in the words and the thoughtful conductor will find lots of expressive moments to exploit in the musical treatment. A sensitive piano part enhances without distracting and the optional chamber orchestration will add to the depth of the work. Available for SATB and 2-Part choirs this anthem will work for groups of any size and is appropriate any time of year. Artful! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a Printed Edition and as a digital download.

In First Snow the women’s Voices programmatically mimic the falling layering motion of fresh snow joined by the men whose Voices recall the hardship of the winter to come. In Hermit Peak one SATB Chorus moves in hymn-like progression while the other SATB Chorus musically skips about suggesting the fleeting energies of living things and of weather. Contemporary Danish composer and conductor Bo Holten is the founder of the Danish Vocal groups Ars Nova and Musica Ficta and he has written extensively for Voices as well as producing concerti symphonies oper chamber music and film scores. First Snow and Hermit Peak set poetry of the 19th century Icelandic poet Stephan GStephansson who emigrated to western Canada. His words describe the beauty and struggle of the immigrant experience there.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund.   Composer's note:   Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet  Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence.    Duration approximately: 40 Minutes  

The most famous Tango of them all and one of the most famous pieces in the world! Originally written for the Donald Crisp film Don Q Son of Zorro the piece has become one of Denmark's most recognisable melodies. This version offers a choice of performance options: Flute and Guitar Violin and Guitar or a full Solo Guitar arrangement.

Flexible arrangements for multiple combinations of wind instruments-Adaptable and flexible to your unique needs Solos Duets

Transcribed Scores-All sixteen songs from the album fully transcribed for vocals guitars bass and drums. Includes Scar Tissue Under The Bridge Californication Suck My Kiss and Give It Away. Guitar and Bass parts given in both notation and tablature.