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Graham Ross: Lullay My Liking (Novello New Choral Series): 2-Part Choir: Vocal
Choral 2-part
2-part, Piano
Novello & Co Ltd.
Lullay my liking is scored for accompanied two-part choir allowing for various...
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Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.
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Georg Friedrich Händel: Israel in Egypt HWV 54: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...
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Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performancesThe distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739.Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material.Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition.The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757).Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
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James MacMillan: Heycoka Te Deum: Upper Voices: Vocal Score
3 Parties Voix Aigues (SSS), Flûte Traversière, Cloches Tubulaires Et Piano
Boosey and Hawkes
A good example of MacMillan’s highly resourceful writing for young voices ...
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A good example of MacMillan’s highly resourceful writing for young voices this energetic and enterprising work gives the Latin 'Te Deum' words to a choir of beginner singers and the Lakota chant to a three-part choir of treble/soprano voices. Flute and bells support the choirs without merely doubling and the piano part colourfully echoes the vocal lines. MacMillan’s often-used vocal ornamentation is much in evidence here and the piece is challenging but not difficult. It is an ideal vehicle for young singers who will enjoy working through the rhythmic groupings and getting to grips with singing quick scales and tuning triadic passages. Thebeginners (who are also given simpler forms of the ornament) will also find the involvement with their more experienced counterparts exciting and motivating. Helpful notes by Doreen Rao in the front of the score give hints about how to approach teaching this music to young singers in an imaginative and enjoyable way. For treble voices in three parts treble voices in unison flute tubular bells and piano. Latin and English.
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Georg Friedrich Händel: 3 Steps To Sing: Handel Messiah Soprano Voice: Soprano:
Choraline
Composed in 1741 Handel’s Messiah has remained a popular choice for choir...
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Composed in 1741 Handel’s Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home regardless of their ability to read music.This easy-to-follow learning method for the Soprano part includes the following steps:Step 1 Visual Learning DVDA voice part recorded by aprofessional singer (Soprano Alto Tenor or Bass). The notes and words are displayed on the screen and change colour in time with the music all you have to do is join in as if singing a duet to learn yourpart.Step 2 Voice Part Rehearsal CDIn this second step a narrator guides you telling you when to sing and calling out where you are so that you don’t get lost. Rehearse using your vocal score(available separately) and you will soon know the words and be singing the right notes.Step 3 Chorus Backing Track CDPut what you’ve learned into practice with the third step the Chorus BackingTrack CD. Listen out for your part and sing along with the choir and background music it’s like singing with a real choir.
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Ubi Caritas
Choeur SSSAAA A Cappella Et Soprano
Boosey and Hawkes
By choosing to set this text, which speaks of charity and the love of God, for t...
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By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred love can exist in its full capacity. Using the full range of the mature voice, this will be a wonderful addition to your advanced women's choir literature. / Choeur SSSAAA A Cappella Et Soprano
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Amy Winehouse: Choir Rocks! Rehab: 2-Part Choir: Vocal Score
Voice solo
Faber Music Limited
Choir Rocks! Rehab is Amy Winehouse's hit from the album Back to Black arran...
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Choir Rocks! Rehab is Amy Winehouse's hit from the album Back to Black arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols.
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Super Flumina Babylonis
Soprano, SATB et Ensemble
[Score]
Bärenreiter
Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By t...
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Par SAINT-SAENS CAMILLE. Psalm 137 'Super flumina Babylonis' also known as 'By the rivers of Babylon' was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions – the first version in Latin and a much later version in English for alto solo, SATB choir and piano – are now available for the first time in Urtext performing editions taking a meticulous account of all the sources. Saint-Saëns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience. / Date parution : 2023-07-31/ Répertoire / Soprano, SATB et Ensemble
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Florence and the Machine: You Got The Love.: Mixed Choir: Vocal Score
Voice solo
Faber Music Limited
You Got The Love (Florence and the Machine) from the album Lungs. Here arran...
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You Got The Love (Florence and the Machine) from the album Lungs. Here arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols.
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Fyfe Dangerfield: She's Always a Woman.: Mixed Choir: Vocal Score
Voice solo
Faber Music Limited
She's Always A Woman (Billy Joel) first released as a double A-side from Billy...
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She's Always A Woman (Billy Joel) first released as a double A-side from Billy Joel's 1977 album The Stranger and recorded by Fyfe Dangerfield in 2010 here arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols.
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Alicia Keys: If I Ain't Got You.: Mixed Choir: Vocal Score
Voice solo
Faber Music Limited
If I Ain't Got You (Alicia Keys) arranged for upper voices with piano accompani...
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If I Ain't Got You (Alicia Keys) arranged for upper voices with piano accompaniment. This arrangement of the hit single which comes from the album The Diary of Alicia Keys is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniment perfect for the amateur pianist. Also includes chord symbols.
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3 Steps To Sing: Handel Messiah (Dvd/2Cds) - Tenor Voice
Tenor voice
[DVD]
Choraline
Composed in 1741 Handel's Messiah has remained a popular choice for choir perfor...
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Composed in 1741 Handel's Messiah has remained a popular choice for choir performances for nearly 275 years. With 3 Steps To Sing anyone can now learn and rehearse the piece at home, regardless of their ability to read music.This easy-to-follow learning method for the Tenor part includes the following steps:Step 1 - Visual Learning DVDA voice part recorded by a professional singer (Soprano, Alto, Tenor or Bass). The notes and words are displayed on the screen and change colour in time with the music - all you have to do is join in as if singing a duet to learn your part.Step 2 - Voice Part Rehearsal CDIn this second step a narrator guides you, telling you when to sing and calling out where you are so that you don't get lost. Rehearse using your vocal score (available separately) and you will soon know the words and be singing the right notes.Step 3 - Chorus Backing Track CDPut what you've learned into practice with the third step, the Chorus Backing Track CD. Listen out for your part and sing along with the choir and background music - it's like singing with a real choir. / Tenor
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Eric Whitacre: Five Hebrew Love Songs: Soprano: Score
[Sheet music]
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Intermediate/advanced
Chester
Arranged for Soprano voice Violin and Piano.Violin part available separately: C...
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Arranged for Soprano voice Violin and Piano.Violin part available separately: CH75240-01.Note from the composer:In the spring of 1996 my great friend and brilliant violinistFriedemann Eichhorn invited me and my girlfriend-at-the-time Hila Plitmann (a soprano) to give a concert with him in his home city of Speyer Germany. We had all met that year as students at the Juilliard School and wereinseparable. Because we were appearing as a band of travelling musicians 'Friedy' asked me to write a set of troubadour songs for Piano Violin and Soprano. I asked Hila (who was born and raised in Jerusalem) to write me a few'postcards' in her native tongue and a few days later she presented me with these exquisite and delicate Hebrew poems. I set them while we vacationed in a small skiing village in the Swiss Alps and we performed them for thefirst time a week later in Speyer.In 2001 the University of Miami commissioned me to adapt the songs for SATB chorus and string quartet and the Efroni Choir in Israel commissioned me to adapt them for SA Violin andPiano leaving me now with five(!) different versions of the same work: SATB and String Quartet; SATB Violin and Piano; SA and String Quartet; SA Violin and Piano; and the original Soprano Violin and Piano.Eachof the songs captures a moment that Hila and I shared together. 'Kalá kallá' (which means 'light bride') was a pun I came up with while she was first teaching me Hebrew. The bells at the beginning of 'Éyzeshélleg' are the exact pitches that awakened us each morning in Germany as they rang from a nearby cathedral.These songs are profoundly personal for me born entirely out of my new love for this soprano poetand now my beautiful wife Hila Plitmann.Eric Whitacre
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Herbert Sumsion: Magnificat And Nunc Dimittis In G (Boys Voices): Treble Voices:
[Sheet music]
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Intermediate
Novello & Co Ltd.
Herbert Sumsion (1899-1995) was a highly skilled organist and conductor who beg...
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Herbert Sumsion (1899-1995) was a highly skilled organist and conductor who began his musical life as a chorister under Brewer at Gloucester. After Brewer’s death he returned as organist to Gloucester and spent nearly 40 years there. Through the Three Choirs Festival he built close and fruitful relationships with composers such as Elgar Vaughan Williams Holst Finzi and Howells. As one would expect from a cathedral musician of such standing Sumsion’s contribution to the Anglican repertoire was immense. While not as well-known as his Full-Choir setting his arrangement of the Magnificat And Nunc Dimittis In G for Boy’s Voicesis a valuable addition to any choir’s library. It is scored for two Soprano or Treble parts with an Organ accompaniment although the second voice part is optional.
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Agnus Dei
Choeur Mixte (SSAATTBB) Et Soprano Solo A Cappella
Schott
Agnus Dei in a somewhat dark setting with a solo soprano hovering above. The com...
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Agnus Dei in a somewhat dark setting with a solo soprano hovering above. The composition by the young Polish composer is particularly suitable for chamber choir concerts, requires full command of the voice, and takes the audience far away from this world. / Choeur Mixte (SSAATTBB) Et Soprano Solo A Cappella
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Patrick Hawes: The Blue Bird Variations: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Novello & Co Ltd.
Theme with five variations for solo soprano mixed voices and orchestra based o...
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Theme with five variations for solo soprano mixed voices and orchestra based on Stanford's setting of Mary Coleridge's poem. Theme with five variations for solo soprano mixed voices and orchestra based on Stanford's setting of Mary Coleridge's poem.
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From Heaven Distilled A Clemency (Triptych)
Soprano, Choeur Mixte (SATB) Et Piano
Novello & Co Ltd.
From Heaven Distilled a Clemency is the third movement of Triptych , a cantata f...
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From Heaven Distilled a Clemency is the third movement of Triptych , a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings, allowing the voices to soar excitedly overheard. / Soprano, Choeur Mixte (SATB) Et Piano
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Tarik O'Regan: Two Emily Dickinson Settings: SATB: Vocal Score
Soloists (ST) and Mixed Choir (SATB)
Novello & Co Ltd.
Written for Soprano and Tenor soloists and SATB chours.These two short Emily Dic...
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Written for Soprano and Tenor soloists and SATB chours.These two short Emily Dickinson (1830-1886) settings commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’ a crescendo and decrescendo or a prelude and postlude. Densely textured the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Each setting uses a solo soprano and tenor their voices referencing the polarities inherent in each poem (‘sun’ and ‘shade’; ‘love and hate’).
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Take That: Patience.: Mixed Choir: Vocal Score
Voice solo
Faber Music Limited
Choir Rocks! Patience presents Take That's hit single arranged for a beginner...
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Choir Rocks! Patience presents Take That's hit single arranged for a beginner choir with straightforward piano accompaniment. This piece is for soprano and alto with an optional third part of limited range for baritone or low alto. Chord symbols are included too. The Choir Rocks Series offers a range of flexible arrangements of contemporary pop hits
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Malcolm Archer: Christchurch Mass: Soprano: Vocal Score
[Vocal Score]
Kevin Mayhew
A setting for soprano voices-A new printing and a new cover for this increasingl...
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A setting for soprano voices-A new printing and a new cover for this increasingly popular setting for the Latin text. Ideal for school and young people's choirs and for those churches with SA choirs. Fine melodic vocal writing and a graciousorgan part. For services or concerts. Malcolm Archer Organist and Master of the Choristers at Wells Cathedral is a foremost composer of enormously popular church music.
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David Of The White Rock SATB
Piano, Voice
Novello & Co Ltd.
This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB ...
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This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB Unaccompanied and has words in both English and Welsh and rehearsal Piano line. The tune remains in the Soprano Voice with traditional and effective harmonization.Tradition has it that David Owain was a famous Welsh harpist of the 18th century who, on his deathbed, composed this lovely tune. Words were added a century later by poet Ceiriog Hughes. David of the White Rock is widely known in Wales and abroad and is frequently sung by choirs and recorded, often with harp accompaniment. / Chant Et Piano
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Voice: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
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The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
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Wolfgang Amadeus Mozart: Missa Brevis In D K.194: Voice & Piano: Vocal Score
Piano, Voice
Barenreiter
Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritati...
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Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative vocal score version features a piano reduction of the instrumental material as well as the complete score for Soprano solo Alto solo Tenor solo Bass solo and mixed SATB choir.
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Bruno Coulais: Les Choristes - bande originale du film: Mixed Choir: Mixed
Piano, Voice
[Sheet music]
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Easy
Paul Beuscher
A beautiful selection of choral pieces by Christophe Barratier and Bruno Coulais...
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A beautiful selection of choral pieces by Christophe Barratier and Bruno Coulais from the successful French film Les Choristes or The Choir. This was the number one box office film in 2004 with more than 8.6 million admissions. This book contains 9 pieces all arranged for SSA with Soprano Solo and Piano accompaniment including Le Cahier de Musique des Choristes and Fond de L'Etang. With numerous full colour stills from the film interspersed with the music this is an ideal gift for fans of choral music or simply a glorious companion to the film.
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Bob Chilcott: Mid-Winter: 2-Part Choir: Vocal Score
Choral 2-part
[Vocal Score]
Oxford University Press
An easy and original setting of the well-known Rossetti text for two-part sopra...
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An easy and original setting of the well-known Rossetti text for two-part soprano voices or soprano and alto with piano accompaniment.
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Ib Norholm: Summer Scenery Op. 40: Mixed Choir: Score
[Sheet music]
Wilhelm Hansen
Work for Soprano Alto and Tenor Soli and SA Chorus (Upper Voices) and Orchestr...
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Work for Soprano Alto and Tenor Soli and SA Chorus (Upper Voices) and Orchestra.
38.50 GBP - Sold by Musicroom UK
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