Every interval there is all in one song!'The idea of Interval Song is for students to get to know the intervals in the most enjoyable way. It is useful for students of any age and I observed whilst recording this song that the young choir sang it without realising its didactic aim. They also learnt it by heart with no effort. Secret teaching is the aim!' - Django BatesThe Education Pack Includes:sheet music - voice piano and chordsphotocopiable lyric sheetsa CD including a performance learning tracks and a backing tracka guide to all the intervals contained in the song

Duet for two soprano voices, two treble recorders and keyboard with violoncello ad lib. Edition F. Dawes Compositeur : Hart Phiip Instrumentation : SS, Flb, Clav, Vlc ad lib

POD-Draw Near With Faith is a work by Peter Miller for two Soprano Voices and Organ Accompaniment. The work sets the Invitation Prayer to Communion.

Ottone HWV 15; Opera in three acts.Version of the first performance 1723.Handel completed his opera ?Ottone? in August 1722 but the first performance did not take place until January 1723 in the Haymarket Theatre London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane.?Ottone? was an immediate success from the beginning not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733.Stylistically ?Ottone? follows in the Neapolitan operatradition with emotionally charged arias as the principal vehicles of expression whilst the plot is carried forward in the secco recitatives.The dramatic action is interpreted and intensified through the choice of arias and keys.The Vocal score is based on volume II/12 of the ?Halle Handel Edition? (BA 4077) which contains the complete critical musical text of the opera for the first time.- First critical edition based on the Urtext of the Halle Handel Edition.- Additional numbers from later performances included in the appendix.- Foreword (Ger/Eng).- Full score (BA4077) & Vocal score (BA4077-90) available for sale.- Performance material (BA4077-72) available for hire.

At the Court Of The Poisoned Rose-Programme Note: The song At the Court of the Poisoned Rose was commissioned by the countertenor James Huw-Jeffries. It is based upon a long prose poem by the Scottish poetess Marion Angus (1866-1946). Published under the title of Alas! Poor Queen the poem narrates the tragic story of the life of Mary Queen of Scots who was manipulated by the political ambitions of those around her. Given the work?s length and sectional nature the song is more akin to a ?Dramatic Scena?. The music opens mysteriously setting a nostalgic atmosphere that seeks to mirror the queen?s confinement and sense of resignation. This is followed by acontrasting section that conveys her love of life?s trivialities and her capricious nature ? it is quicker in tempo. These two ideas are subsequently developed and reshaped. At the words ?she rode through Liddesdale with a song? I have adapted an aire by the Elizabethan composer Philip Rosseter and interpolated material from the previous sections. The emotional climax of the work comes on the poignant words ?Queens should be cold and wise?. In spite of this the lighthearted and earthly bound music returns reminding us that the Queen only ?loved little things and red-legged partridges and the golden fishes of the Duc de Guise?. - Ian Venables Duration: c. 6 minutes

This version of the work composed for Children's Voices Piano and Percussion was commissioned by the Young People's Chorus of New York City. Conductor's Score and Percussion Parts are available from the Publishers. Text:Peter Porter

Published in response to many requests for a book containing imaginative and singable descants this indispensable collection contains 34 set to the most popular of all hymn tunes. Many of the arrangements are by Christopher Robinson who has assembled the collection together with settings by Barry Rose Ralph Allwood Sidney Campbell George Guest and Herbert Howells; most are published for the first time. The descants cover all the main seasons of the church year as well as plenty of general hymns. The full music edition is essential as it includes music parts with varied harmonies melody and descant lines. The smaller book contains thedescant lines only. Suitable for use by church cathedral or school choirs.

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Graham Ross (b. 1985) is Director of Music and Fellow of Clare College, Cambridge, and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire, he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works, including pieces by Ralph Vaughan Williams (Albion Records) - James MacMillan, Judith Bingham and Giles Swayne (Naxos) - and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad, with recent engagements in Palestine, Australia, Nigeria, Denmark, Aldeburgh and Glyndebourne. As a composer, recent performances have been given by, among others, Aurora Orchestra, Australian Chamber Orchestra, comedian Barry Humphries, BBC Concert Orchestra, Choir of London, City of London Sinfonia, National Youth Choir of Great Britain, O Duo and the Solstice Quartet. / Choeur A 2 Parties Et Orgue

Songs Of A Rainbow Nation comprises four great songs from South Africa arranged for soprano alto and combined men's voices with a straightforward piano accompaniment - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices are changing. Included are: Hamba Lulu - a wedding song with a gentle comforting rhythm; Jesu Ukukhanya - featuring a call-and-response structure where a simple solo line is followed by a choral answer; Si Njay Njay Njay - a joyfully exuberant song with an infectious rhythm which can also beperformed a cappella with some optional percussion for greater effect; and Weeping - a South African pop song from the band Bright Blue which uses as its chorus the refrain from the Zulu anthem N’kosi Sikeleli Africa (God Bless Africa).  If you enjoy these songs try L’Estrange’s hit cantata Zimbe! Come sing the songs of Africa!  The arrangements form part of the Choral Basics series which has been carefully designed to provide rewarding varied repertoire for beginner choirs. Perfect for singers of all ages the series offers attractive idiomatic arrangements for SA and SA/Men choirs with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music spirituals folk song pop classics hit shows and original pieces this series offers everything a budding choir could wish for.

For double mixed-voice chorus.14 voices in 2 choirs each with2 sopranos1 alto1 countertenor2 tenors1 bass

If you are looking for straightforward and rewarding repertoire for your beginner choir then you need look no further than Choral Basics the perfect series for singers of all ages. The Simple 3-part choral arrangements for soprano alto and a combined part for men's voices make the series perfect for choirs with a dearth of males or whose male singers have unstable or changing voices. The rich array of repertoire is bound to be a hit with younger singers and the technical abilities of choirs at this level have been taken into consideration. Straightforward and idiomatic piano accompaniments have been included and are designed to support thevocal lines without putting pressure on staff with less developed keyboard skills. Dig out your platform shoes dust down your flares and hit the concert platform with this collection of timeless chart-toppers from ABBA. Includes: Thank You for the Music * Fernando * Waterloo.

Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for female choir SMezAA Details Edition no.: BA 5693 ISMN: 9790006523382 Volume / Series: Female Choir Arranger: Breuer, Heribert Language(s) of work: Latin Language(s) of text: German, English Product format: Score Includes the following individual parts: Voice, Mixed choir, Orchestra Binding: Stapled Pages / Format: III, 44 S. - 31,0 x 24,3 cm Mozart’s “Missa in C major” (K. 220), nicknamed the “Sparrow Mass” for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started “Bärenreiter Female Choir” series. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work’s original substance while giving it a wholly new and delightful sound. • Arrangement for female choir (SMezAA) based on the Urtext of the “New Mozart Edition” • Idiomatic piano reduction Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.

These three hit Christmas songs are arranged for soprano and alto voices with a straightforward piano accompaniment. Featured are: Rockin’ Around The Christmas Tree  Let It Snow! Let It Snow! Let It Snow! and All I Want For Christmas Is You.   The arrangements are part of the Choral Basics Series which has been carefully designed to provide rewarding varied repertoire for beginner choirs. Perfect for singers of all ages the series offers attractive idiomatic arrangements for SA and SAMen choirs with carefully considered vocal ranges and straightforward pianoaccompaniments that support the singers. Embracing world music spirituals folk song pop classics hit shows and original pieces this series offers everything a budding choir could wish for. 

These Three Classic James Bond Themes have been arranged by Joanna Forbes L’Estrange for soprano and alto voices with a straightforward piano accompaniment. Included are Goldfinger From Russia With Love and Nobody Does It Better (The Spy Who Loved Me).The arrangements form part of the Choral Basics series which has been carefully designed to provide rewarding varied repertoire for beginner choirs. Perfect for singers of all ages the series offers attractive idiomatic arrangements for SA and SAMen choirs with carefully considered vocal ranges and straightforward piano accompaniments that support the singers. Embracing world music spirituals folk song popclassics hit shows and original pieces this series offers everything a budding choir could wish for.