Songs From World War One-For choir and orchestra or concert band or choir and piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a choir with either an orchestra band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and for those with a shortage of male voices SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.The recruiting song 'Your King and Country Want You' starts us off followed by 'Goodbye DollyGray' as the soldiers leave for war. 'Belgium put the Kibosh on the Kaiser' is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - 'Three German Officers crossed the Rhine' and 'They were only playing Leap-Frog'. 'The Bells of Hell go Ting-a-ling-a-ling' leads to strains of 'Stille Nacht' recalling the Christmas truce. 'When this Lousy War is Over' and 'There's no place like Home' are balanced by 'Land of Hope and Glory' before the Americans arrive with 'The Caissons go Rolling Along' and 'Over There'. 'It's a Long Way to Tipperary' brings us towards a rousing finish save for an optional 'Last Post-lude' to end reflectively. Duration: 13½ minutes

The shepherds sing is a sweet and tranquil setting of a Christmas text by George Herbert. With an atmospheric accompaniment created by rippling arpeggio lines in the piano/harp and a simple instrumental countermelody it begins with a beautiful soprano solo before opening out into gentle choral harmonies. The shepherds sing is featured on the Wroclaw Philharmonic Choir's CD of Bob Chilcott's music.For SATB (with soprano solo) trumpet in B flat (or soprano saxophone or clarinet in B flat) and piano or harp

A riotous and boisterous burst of joy for SATB and piano. This carol is rhythmic and jazzy and is propelled forward by an infectious and insistent choral refrain with a lively piano accompaniment adding zest and colour.

Annelies was conceived by James Whitbourn as a concert-length choral work with the libretto based on the diary of Anne Frank a Jewish girl who lived at the time of the holocaust. This version isarranged for Soprano soloist SATB chorus Clarinet in B flat Violin Violoncello and Piano.Vocalist parts are not included. If you would like to purchase them alongside this item please see item CH81191.

Meredith Willson's famous song is wonderfully arranged for choirs by Mark Hayes and has a terrific piano accompaniment as well as optional orchestral parts. The introduction is captivating and paints the magic of the holidayswhile the heart of the song ends with a big and broad finish. A NEW choral classic for all ages! Available separately: SATB SAB 2-part Digital Orchestration StudioTrax CD. Duration: ca. 3:20.

This famous jazz piano piece by Vince Guaraldi has been a top-selling SATB arrangement and is now available in new voicings that will fit almost any choral ensemble. Challenging yet accessible this piece will be a surefirenovelty hit for the holiday season or any time of year!

Warm choral textures combine with a light jazz piano accompaniment to create this appealing acoustic setting of the Rodgers & Hart classic. Performance Time: Approx. 3:25. Available separately: SATB SAB and ShowTrax CD.

Annelies was conceived by James Whitbourn as a concert-length choral work with the libretto based on the diary of Anne Franke a Jewish girl who lived at the time of the holocaust. This version is arranged forSoprano soloist SATB chorus Clarinet in B flat Violin Violoncello and Piano.

Antonio Vivaldi's Magnificat in G minor for SATB and Piano.The office as a priest and the long years as musical director of the Ospedale della Piet (a large orphonage in Venice) both occasioned and inspired himto compose church music in large variety. The Magnificat RV 160 has come down to us in two versions. The first version is dominated by the choral concept, in the second version the texts of Et exultavit, Quia respexit, Quia fecit,Esurientes, and Sicut locutus est are each given new and extended solo arias that as the manuscripts reveals were tailored to voices of girls from the Ospedale who are mentioned by name in the autograph. / Choeur et ensemble vocal / Carus

from Tarzan-The classic ballad from Tarzan by Phil Collins in a remarkable setting for more advanced choirs! Opening as a gentle lullaby the vocal lines build into an expansive concert work with fully voiced choral harmonies andsweeping piano arpeggios. The arrangement builds through several exciting modulations before returning to the gentle strains of the opening. Available separately: SATB div. SSAA TTBB. Duration: ca. 4:25.

Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano

A vibrant and varied 'capital' choral cantata in five movements. Written for SATB choir upper voices choir Piano duet and optional percussion by Bob Chilcott. The two outer movements draw their words and inspiration from the cries of London by Orlando Gibbons and frame three contrasting middle movements setting a poem each by Dunbar and Wordsworth as well as anonymous 18th-century rhyme Oranges and Lemons Together these settings evoke a surprisingly contemporary vision of London sights sounds an moods inspiring some irresistible music by turns contemplative and unquenchably thrilling!

A festive season motet for unaccompanied SATB voices. This choral work is among some of the finest of the late Tudor and Elizabethan periods and is available here in scholarly edition with a practical piano reduction for rehearsal purposes only.

Aujourd'hui, le RV 589 est une Gloria de Vivaldi compositions les plus connues et l'une des plus jouées des oeuvres vocales sacrées de la période baroque. En douze mouvements affiche Vivaldi l'ensemble de sa maîtrise de fête, sublime mouvements extérieurs d'offres, de manière transparente marqué passages en solo.La maîtrise même a également été appliquée à la RV Kyrie 587, écrite pour deux choeurs et deux groupes d'instruments à cordes. C'est purement une oeuvre chorale sans passages en solo.Les deux oeuvres peuvent être réalisées de manière indépendante mais peuvent aussi être combinés comme une sorte de courte messe.Bien que l'authenticité de la partition autographe est hors de doute, ces nouvelles éditions contiennent des réévaluations dans la pratique, le phrasé et les performances qui vont au-delà de ce que les autres éditions ont à offrir. Les réductions pour piano sont simples, clairement présenté et préserver le caractère des oeuvres. / SATB / Partition