Pour Saxophone Alto et Orchestre de Chambre ou Piano-Composed by Jeanine Rueff Concertino is dedicated to Marcel Mule. Initially for Alto Saxophone and Chamber Orchestra these scores are arranged for Alto Saxophone and Piano and would fit players with advanced skills and ability.Written in three distinctive parts: Allegro Molto (tempo 144) Lento (tempo 54) and Vivo (tempo 132). Well composed quite challenging but very lyrical this piece is really enjoyable and would be perfect for recitals. Jeanine Rueff composed numerous pieces for Saxophone which are often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

Here are 27 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Clarinet Brass and Violin editions in Junior Book B of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three saxophones - with or without accompaniment May also beused with matching arrangements in Junior Book B editions of this series for Flute Clarinet Brass or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

Weber's two concertos and the concertino for clarinet were written for the clarinettist Heinrich Baermann. It is here written for Alto Saxophone and piano. Carl Maria von Weber1786 - 1826) was a cousin of Mozart's wife Constanze and trained as a musician from his childhood the son of a versatile musician who had founded his own travelling theatre company.

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Par HARRIS PAUL. Christmas Saxophone Basics is a collection of fun and festive repertoire for alto saxophone. Leap through the twelve days of Christmas in twelve stages with Christmas-themed improvisations, warm-ups and studies, plus your favourite Christmas tunes. There’s a selection of repertoire with piano accompaniment as well as duets suitable for 2 saxophones and duets for saxophone and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto

Par HARLE JOHN. RANT! is a portrait of the saxophonist Jess Gillam: her energy, her sound and her presence, painted in music from her own part of England. A 'rant' in the tradition of English folk music is an energetic dance and means 'to make merry' - a reflection of Jess's fearless and exuberant performances. RANT! draws on Cumbrian folk tunes sourced from Ed Heslam's unique folk music resource Music of Cumberland and Westmoreland, as well as several tunes composed by Ed himself. This advanced piece is suitable for soprano saxophone or clarinet with piano accompaniment. / Niveau : Avancé / Musique contemporaine / Répertoire / Saxophone Soprano ou Clarinette et Piano

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for Alto Saxophone with a fully orchestrated CD accompaniment. The alto sax book is compatible with that for flute, clarinet, tenor saxophone, trumpet, french horn and trombone. A piano accompaniment is available separately (order no. 31799) and includes a CD that features various instrument demo tracks from the series. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for Tenor Saxophone with a fully orchestrated CD accompaniment. The tenor sax book is compatible with that for flute, clarinet, alto saxophone, trumpet, french horn and trombone. A piano accompaniment is available separately (order no. 31799) and includes a CD that features various instrument demo tracks from the series. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

Composed by Jeanine Rueff Chanson Et Passepied for Saxophone is a piece for advanced players written in two parts. The first part “Chanson” (Song) is a lyrical part written in Andantino Tempo starting with a very simple yet beautiful melody and organised in the format of a Question/Answer. It is then followed by a second melody with the same organisation and by the first melody that is played by the piano. The second part “Passepied” which refers to a Baroque dance is composed in Allegretto and has an A/B/A structure. A is quite melodic while B is more like a Valse. Wonderfully composed verytechnical yet also lyrical this piece is really enjoyable and can be used for recital or contests. Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

Vamoosh Saxophone Book 2. Vamoosh Book 2 for Saxophone is a fun, easy to use book for young alto sax players. 28 varied and engaging pieces that gently guide the player towards grade 1 level. Books are compatible with Book 2 for Trumpet and Clarinet and ideal for group lessons. Backing Tracks are available online via Spotify, YouTube, the Vamoosh website and many other platforms. A piano accompaniment book is also available.

Par GREGORY THOMAS. Vamoosh Book 2 for Saxophone is a fun, easy to use book for young alto sax players. 28 varied and engaging pieces that gently guide the player towards grade 1 level. Books are compatible with Book 2 for Trumpet and Clarinet and ideal for group lessons. Backing Tracks are available online via Spotify, YouTube, the Vamoosh website and many other platforms. A piano accompaniment book is also available. / Date parution : 2022-09-27/ Recueil / Saxophone

for soprano, flute, clarinet, saxophone, violin, violoncello and piano. Par PECOU THIERRY. If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras conjures up memories of the homeland of my family, and in particular Henri and Jacqueline Salvador whose wonderful TV programmes I watched during the 1970s. It is without doubt thanks to Henri Salvador’s wonderful interpretation that this old chanson from Martinique, dating from the late eighteenth century and almost a national anthem both in Martinique and Guadeloupe, has also gained such popularity in France. Thierry Pécou/ Répertoire / Soprano, Flûte, Clarinette, Saxophone, Violon, Vio