SKU: BR.OB-4690-11

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004332245. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.OB-4690-26

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004332283. 9 x 12 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.EB-7190

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004173442. 7.5 x 10.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.PB-4690

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

ISBN 9790004210024. 10 x 12.5 inches.

Since it has come down to us in an incomplete form, the score had to be subjected to a comprehensive reconstruction in 1995. Diethard Hellmann's painstaking work was the third reconstruction following those of Bernhard Todt and Walter Reinhart. Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

Hellmann drew on stylistic comparisons with other Bach scores and found a compelling and definitive editorial solution to this often sung work.

SKU: BR.OB-5299-19

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339312. 10 x 12.5 inches.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-23

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339329. 10 x 12.5 inches.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-5299-27

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

ISBN 9790004339336. 10 x 12.5 inches.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.PB-5524

ISBN 9790004212134. 6.5 x 9 inches.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

SKU: BR.OB-4519-19

ISBN 9790004313060. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

SKU: BR.OB-4540-19

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314234. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4540-26

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314241. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

SKU: BR.OB-4519-15

ISBN 9790004313046. 9 x 12 inches.

After a thorough revision and comparison with the autographic sources, the Performance material of Johann Sebastian Bach's well-known and often performed Cantata is now offered for sale. The score and orchestral Parts were newly engraved especiallyfor this edition.

SKU: BR.OB-4540-11

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.

ISBN 9790004314203. 9 x 12 inches.

After a thorough revision and critical comparison with the autographic sources, Bach's well-known and often performed Christmas Cantata is now offered as sales material.