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10 Easy Summer Duets for Bassoon
10 Easy Summer Duets for Bassoon
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Giovanni Battista Sammartini: Sonaten(6): Recorder: Instrumental Album
Treble (Alto) Recorder, Basso continuo
Faber Music Limited
Until recently Sammartini's known compositions for recorder consisted of the Co...
(+)
Until recently Sammartini's known compositions for recorder consisted of the Concerto in F for Descant Recorder and some editions of his Trio Sonatas are scored for two Treble Recorders and Bass. However the discovery of two sets of solo sonatas attributed to Sammartini has brought to light a wealth of music for the Recorder a selection of which is given in this excellent edition.
13.99 GBP - Sold by Musicroom UK
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John McCabe: Pueblo: Double Bass: Instrumental Work
Double Bass
[Sheet music]
Novello & Co Ltd.
John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo i...
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John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes. Pueblo is an off-shoot of a series of compositions inspired by desert country and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous falling into several sections and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close. It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham published by Thames and Hudson: 'Clouds high and flat were now building up in thesky the wind was settling to silent calm the weather was very cold and the stream through the center of the pueblo was almost frozen across the Indians chipping out ice to melt down for water.' The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works this belongs to this family of compositions along with another Banham setting written for the King's Singers Scenes In America Deserta. - John McCabe
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Martino Bitti: Sonata in C minor: Oboe: Instrumental Work
Oboe, Basso continuo
Schott
Martino Bitti wrote numerous sonatas for violin and basso continuo as well as p...
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Martino Bitti wrote numerous sonatas for violin and basso continuo as well as pieces for flute and oboe and several compositions for harpsichord. This C minor oboe sonata in four movements appears to have been preserved solely in manuscript form and appears here in print for the first time.The edition is part of the ABRSM syllabus (grade 6)
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Jonathan Cohen: Playdates Book I: Wind Ensemble: Score and Parts
Flute, Clarinet and Bassoon.
Carl Fischer
Cohen?s compositions for flute ensembles, ranging from duets through large choir...
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Cohen?s compositions for flute ensembles, ranging from duets through large choirs, are well known and frequently performed. Less familiar than his flute chamber music is a treasure chest of gems for mixed wind trio, mostly written for the Fortunata Trio. Playdates, Book I introduces three of these short, charming works: Stalking the Wild Catnip Mouse, I?m Skipping, Even If Everyone Is Watching, and But I Always Have This Much Sugar for Breakfast!
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Peter Washburne: Extreme Bass Grooves: Bass Guitar: Instrumental Album
Bass guitar
-
Advanced
Mel Bay
Explore the fretboard and engage your creativity in playing the most awesome mus...
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Explore the fretboard and engage your creativity in playing the most awesome musical instrumentâ?? the electric bass! Extreme Bass Grooves reflects the author's ability to create inspired, rhythmic electric bass compositions that can be played solo or with an ensemble, virtually inviting another instrumentalist to improvise over the bass and percussion lines. Each groove features unique fingering concepts and techniques that will enhance your fretboard knowledge, add new licks to your repertoire, and fuel your desire to become a better bass player. More than simply bass studies, these repetitive, alternately aggressive or hypnotic figures or licks encourage improvisation and would make a refreshing addition to a collegiate recital program. Written in standard bass clef notation and tablature, the collection includes access to online audio of 18 bass and percussion tracks suitable as a foundation for improvisation by any chromatic instrument.
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Blues And R And B Bass Technics
Bass guitar
[Sheet music + CD]
Hal Leonard
Jerry Jemmott a écrit le livre à la basse RandB, et il est ici ! Ce pack de li...
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Jerry Jemmott a écrit le livre à la basse RandB, et il est ici ! Ce pack de livre/CD examine la philosophie personnelle de Jerry de musique et enseigne les secrets pour maîtriser la basse de blues, de soul et de funk. Comprend un CD avec de nouvelles compositions qui démontrent les techniques qu'il utilisé avec des artistes comme Aretha Franklin, King Curtis, B.B. King et Freddie King légendaires. Comprend les transcriptions de la note-pour-note, notes globales perfor-mance, une bio approfondie et photos rares. / Guitare Basse
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Classical Favorites For Electric Bass
Bass guitar
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Intermediate/advanced
Mel Bay
Improve your bass guitar technique and musicality by studying the music of the m...
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Improve your bass guitar technique and musicality by studying the music of the masters. Classical Favorites for Electric Bass is a collection of solos and duets featuring the music of Bach, Beethoven, Haydn, Dragonetti and other composers of the Baroque, Classical and Romantic periods. Some of these pieces are well-known and others are a bit off the beaten path, but each composition encourages technical and musical development in players who want to expand the scope of the electric bass beyond traditional bass lines. This book is written in standard bass clef notation and tablature and is recommended for the intermediate to advanced player.Improve your bass guitar technique and musicality by studying the music of the masters. Classical Favorites for Electric Bass is a collection of solos and duets featuring the music of Bach, Beethoven, Haydn, Dragonetti and other composers of the Baroque, Classical and Romantic periods. Some of these pieces are well-known and others are a bit off the beaten path, but each composition encourages technical and musical development in players who want to expand the scope of the electric bass beyond traditional bass lines.This book is written in standard bass clef notation and tablature and is recommended for the intermediate to advanced player. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / Guitare Basse
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Eugène Bozza: Duettino For Two Bassoons: Bassoon: Instrumental Work
Bassoon
[Sheet music]
Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composer...
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To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Duettino for Two Bassoons is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1954 Bozza's Duettino for Two Bassoons is a virtuosic work addressing advanced features including complex rhythms chromaticism a wide range and articulation. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'
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2+2=5: A Study in Odd Times: Bass Guitar Solo: Instrumental Album
Bass guitar
[Sheet music + CD]
Music Minus One
Bass 2-CD Set-This collection of stage band classics exploits the unusual meters...
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Bass 2-CD Set-This collection of stage band classics exploits the unusual meters which became the trademark of composer Hank Levy whose compositions have been recorded by such greats as Stan Kenton and Don Ellis. An exciting exploration of this now-all-too-rare genre. Includes a high-quality music book featuring solo parts for each tune and two compact discs featuring a complete digital stereo reference recording plus recordings of the accompaniments minus you the soloist. Accompaniment: Towson State College Jazz Ensemble Conductor: Hank Levy
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10 Sonate per flauto diritto e basso: Treble Recorder
Recorder, Bass Continuo
Ricordi
a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes ...
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a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenth-century Italian composers of recorder music.
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Flexscore - Concert Collection (AMY ADAM / CRAIG ALAN / MIKE HANNICKEL / ANN LINDS)
Saxhorn en Sib Basse Continue
-
Easy
Curnow Music
Three-Part Flexible Compositions For Any Combination Of Brass, Woodwinds And Str...
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Three-Part Flexible Compositions For Any Combination Of Brass, Woodwinds And Strings. Par AMY ADAM / CRAIG ALAN / MIKE HANNICKEL / ANN LINDS. Concert Collection offre des pièces de concert idéales pour tous les ensembles à instrumentation variable : Orchestres Juniors ou Orchestres à l'école. En distribuant les trois voix selon les possibilités de chacun, on obtient un excellent son d'ensemble. Il est également possible de joindre des instruments à cordes à votre Orchestre à Vent. Les recueils pour cordes ont été écrits dans un registre qui enrichit et arrondit le son d'ensemble. Pour perfectionner la lecture rythmique, faites jouer l'ensemble de votre eff ectif à l'unisson (voix 1, voix 2, voix 3). Les trois voix utilisent des valeurs rythmiques identiques. Le recueil (optionnel) pour Piano peut être utile pour renforcer/compléter la structure sonore des petits ensembles. Les huit oeuvres de cette collection ont été écrites par d'excellent compositeurs et pédagogues. Concert Collection offre une flexibilité et une évolutibilité absolues ! / Niveau : Facile / Répertoire / Saxhorn en Sib Basse Continue
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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Flexscore - Concert Collection (AMY ADAM / CRAIG ALAN / MIKE HANNICKEL / ANN LINDS)
Bassoon
-
Easy
Curnow Music
Three-Part Flexible Compositions for any combination of Brass, Woodwinds & Strin...
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Three-Part Flexible Compositions for any combination of Brass, Woodwinds & Strings. Par AMY ADAM / CRAIG ALAN / MIKE HANNICKEL / ANN LINDS. Three-Part Flexible Compositions For Any Combination Of Brass, Woodwinds And Strings / Niveau : Facile / Répertoire / Basson
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Beneath the Starry Sky (BELLA MATE)
Basson, Violoncelle et Piano ou 2 Violoncelles et
[Sheet music]
EMB (Editio Musica Budapest)
for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE...
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for bassoon, violoncello and piano or two violoncellos and piano. Par BELLA MATE. A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Máté Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers. / Date parution : 2022-09-27/ Répertoire / Basson, Violoncelle et Piano ou 2 Violoncelles et
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John McCabe: Postcards For Wind Quintet (Parts): Wind Ensemble: Instrumental
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Novello & Co Ltd.
Postcards was written in 1991 for the Vega Wind Quintet who first performed it ...
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Postcards was written in 1991 for the Vega Wind Quintet who first performed it at the Huddersfield Festival in the same year. It is a reworking of a set of eight Bagatelles written in 1965: each movement has been rewritten and enlarged to a greater or lesser extent. The title was chosen to emphasise the nature of the pieces which are in a sense brief postcards from different genres (fugato dance etc). John McCabe (1939-2015) was a British composer pianist and music administrator. He studied at the Royal Manchester College of Music and built a career as a virtuoso pianist. However he also wrote several hundred musical compositions ranging from large-scale orchestral works to chamber music and solo instrumental pieces - it is said the only classical genre he did not write for was opera.
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Ich Habe Genug (II)
Solo S, Flûte Traversière, 2 Violons, Alto et Bass
[Sheet music]
Carus Verlag
Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor...
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Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass
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Ich Habe Genug (II)
Solo S, Flûte Traversière, 2 Violons, Alto et Bass
[Sheet music]
Carus Verlag
Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor...
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Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass
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Ich Habe Genug (II)
Solo S, Flûte Traversière, 2 Violons, Alto et Bass
[Sheet music]
Carus Verlag
Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor...
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Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass
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