SKU: LO.99-3946H
UPC: 000308151800.
This authentic setting of a cherished isiXhosa folk song contains simply stated vocal lines supported by a light, gently rhythmic piano part. Enhance learning and performance with the pronunciation guide and translation available as a free download, and don't forget the optional djembe (congas) and shekere (shaker) parts. Also available is a synth track accompaniment, complete with African instrumentation!
SKU: RF.9308-WTCD
SKU: CA.2720600
ISBN 9790007189020. Language: Latin.
The Magnificat was commissioned in 2017 by the Landesakademie fur die musizierende Jugend in Baden-Wurttemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn of praise from St Luke's gospel, we hear the solo soprano as the voice of Mary. The work draws on the wealth of Afro-Caribbean rhythms. The first movement gives a hymn-like expression to the message of the text with the tremendous energy of the Cuban salsa. There are many examples of the relationship between word and music throughout the work. An example of this is the passage Deposuit potentes (He hath put down the mighty from their seat and hath exalted the humble and meek). In this passage, a 9-part canon vividly portrays the words et exaltavit and deposuit through chromatic passagework in contrary motion extending over an octave. With this work composer Bobbi Fischer has created a musical bridge between Europe and South America as well as stylistic links to his Missa latina (Carus 28.007). The rhythm group (piano, bass, drums, and percussion) is identical; new instrumental colors from the Latin world are added with two obbligato violins and one reedplayer (alto saxophone/flute) - in the place of the bandoneon and violin used in the Missa latina. The Magnificat is also available on CD (Carus 83.483).
SKU: CF.BPS134
ISBN 9781491158265. UPC: 680160916863. 9 x 12 inches.
QuA(c) verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holidayas most beloved symbols: the Christmas tree. In QuA(c) verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated. This arrangement of QuA(c) verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the gA 1/4 iro part, the quarter notes should be scraped and the eighth notes tapped. The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it. The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.Que verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holiday's most beloved symbols: the Christmas tree. In Que verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated. This arrangement of Que verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the guiro part, the quarter notes should be scraped and the eighth notes tapped. The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it. The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.Qué verdes son is the Spanish-language version of O Tannenbaum (O Christmas Tree). Although the Christmas carol is sung in many languages, the translated lyrics are rarely a close copy of the original German text. Instead, each version finds unique ways to explore the beauty and meaning of one of the holiday’s most beloved symbols: the Christmas tree. In Qué verdes son, the beautiful lights, fresh aroma, and especially the lovely color of the tree are celebrated.This arrangement of Qué verdes son begins with simmering Latin percussion playing a groove based on a 3-2 son clave. Subdividing this in groups of eighth notes (123-123-1234-12-12-12) will help lock in the time. In the güiro part, the quarter notes should be scraped and the eighth notes tapped.The main melody begins at m. 5. Rather than needing to be overly loud, much of the energy comes from the silences between notes and from the contrast between accents and staccatos. The woodwind countermelody at m. 9 and m. 17 should be smooth and sweet, a further contrast to the punchy rhythms beneath it.The percussion section is featured at m. 26, with a gradual buildup of textures and rhythmic energy. At m. 38 the whole band is back in, driving toward the fun cha-cha-cha ending.
SKU: CF.BPS74
ISBN 9780825892264. UPC: 798408092269. 9 x 12 inches. Key: G minor.
A hard-driving composition for beginning bands from popular composer Kevin Mixon. Kevin pulls from his vast experience teaching beginners to provide us with a piece that really grooves and will be infectious for the students and audiences alike.
SKU: AP.50171
UPC: 038081573410. English. Traditional Haitian Folk Song.
Lively percussion and rhythmic choral phrases reflect the urgency of a parent seeking healing herbs for a sick child. Sung entirely in Creole, this song is well-known across Haiti and beyond. The arrangement punctuates a faithful interpretation of the folk song with new material and can be performed with or without piano. Claves, congas, and shaker parts are free to download at alfred.com/choralparts.
SKU: HP.HO1827P
UPC: 763628218270. Psalms 22:19, Psalms 31:2, Psalms 38:22, Psalms 40:13, Psalms 55:1, Psalms 69:18, Psalms 70:1, Psalms 141:1, Psalms 95:1, 1 John 5:14-15, Romans 8:26.
African-American Spiritual The percussionists add a whole new dimension to this well-loved African spiritual. The Instrumental Parts: Bongos, Congas, Claves/Vibraslap, Guitar & Electric Bass.
SKU: AP.50284
UPC: 038081574547. English.
Victor C. Johnson pens a fresh, vibrant arrangement of this favorite West Indies carol. Whether sung in school or church, your lowest voices have a chance to shine, joyfully calling he come down to anchor many buoyant refrains. Perform with shaker, claves, and congas to enhance the rhythmic flavor of this bright Caribbean song.
SKU: CF.YPS246
ISBN 9781491159934. UPC: 680160918522.
Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basic Latin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holiday selection!.Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basicLatin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holidayselection!
SKU: AP.48899
UPC: 038081562230. English. Traditional Shaker Song.
This creative arrangement of the well-known Shaker song passes the traditional tune to every voice part, using the others to support the buoyant melody. Scored for a mixed choir with congas, claves, and maracas, Mark's setting opens with a bit of suspense that soon breaks into a bright a cappella feature. Some rhythmic augmentation provides a warm center before returning to the vibrant feel. Fans will note a few additional lyrics that celebrate the gift to be loving, light, hopeful, and true. A final flourish fans out from the only unison measure into a resounding G major chord.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: PR.ZM26910