Graded solos for players of all standards. The pieces are complete in themselves and require no piano accompaniment. Includes \'Dancing Queen\' \'Michelle\' and \'English Country Garden\'.

This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Play with a real band!-This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Play with a real band!-This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

This exciting book with CD accompaniment featuring real musicians covering many styles of light music including swing country rumba slow rock disco mambo cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Book/CD Pack. Trumpet parts edited and recorded by Canadian Brass virtuosos Fred Mills and Ronald Romm piano parts recorded by Bill Casey. Arrangements by Bill Boyd. Contains full performances and accompaniment. Contents: Amazing Grace · Canadian Brass Blues · Carnival of Venice · The Cruel War is Raging · Doxology · Finlandia · Give My Regards to Broadway · I Gave My Love a Cherry (The Riddle Song) · Just a Closer Walk with Thee · Marine's Hymn · My Country 'Tis of Thee (America) · Ode to Joy · The Skaters (Waltz) · Streets of Laredo · Take Me Out to the Ball Game · Volga Boat Song · Yankee Doodle.

Book/CD Pak. Horn part edited and recorded by Canadian Brass virtuoso David Ohanian piano parts edited and recorded by Patrick Hansen. Arranged by Bill Boyd. Contains full performance and accompaniment. Contents: Amazing Grace · Canadian Brass Blues · Carnival of Venice · The Cruel War is Raging · Doxology · Finlandia · Give My Regards to Broadway · I Gave My Love a Cherry (The Riddle Song) · Just a Closer Walk with Thee · Marine's Hymn · My Country 'Tis of Thee (America) · Ode to Joy · The Skaters (Waltz) · Streets of Laredo · Take Me Out to the Ball Game · Volga Boat Song · Yankee Doodle.

Romantic guitarist and composer Francisco Tárrega was born in Spain on November 21st 1852. He was trained at the Madrid Conservatory where he studied composition and was proficient on both guitar and piano. Through his compositions and unique sound he is considered to have established the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Virtuoso marimbist Jack Van Geem's transcriptions of Tárrega's works add new and exciting literature for solo marimba. Detailed interpretive notes accompany each piece providing the marimbist with Van Geem's insightful interpretive suggestions. Selections in thiscollection include: Capricho Arabe · Recuerdos de la Alhambra · Danza Mora · Pavana · La Alborada · Marieta! · María · Lágrima.

Contents: Coronation March (Meyerbeer) * Country Gardens * Flight of the Bumblebee * Hungarian Dance No. 5 (Brahms) * Dark Eyes (Folk Song) * Scarf Dance (Chaminade) * Spiritual Fantasia (Nobody Knows; Deep River) * Le Secret *Lullaby (Brahms) * Sweet and Low * Silent Night

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

Voicelinks is an innovative teaching resource for music in early years and primary education. It embraces singing as a means of accessing all areas of the curriculum to develop the whole child with natural progression and links between age groups and subject matter.At the heart of the book are 24 carefully written songs covering popular school topics. Each song is tailored to Early Years (3-5) Key Stage 1: Year 1 (5-6) or Key Stage 1: Year 2 (6-7) and comes equipped with a host of activity ideas designed for classroom use. Suitable for specialists and non-specialists alike Voicelinks guarantees successful learning outcomes across thecurriculum.24 songs about colour the weather travel celebrations and much moreTailored to children aged 3-5 5-6 and 6-7 (early years and lower primary)Comprehensive teaching notes for preparing-teaching-developing the song and topicAn outline of the curriculum links for each song showing related skills and areas of learningProfessionally recorded CD with demos for all songs and backings for KS1 songsSongs with notated Piano accompaniments or optional pupils' percussion partsAdditional learning resources including picture-cards and illustrationsPhotocopiable vocal scores percussion parts and supporting resourcesSue Nicholls and Peter HuntPeter Hunt is Head of Voice for Berkshire Young Musicians Trust and the inspiration behind OUP's successful Voiceworks series. He has a wide experience of school teaching at primary and seconday levels and was co-founder of the highly acclaimed Oxfordshire Youth Chamber Choir. From 2000-2002 he was also an Advisory Teacher for the county's vocal strategy. His extensive experience as a choral animateur workshop leader conductor and arranger and his career in education have contributed directly to his understanding of the needs of young singers.Following a