SKU: HL.14063989
UPC: 196288022190. 9.0x12.0x0.055 inches.
Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hearted piece that is ideal for the end of a concert programme or as an encore.
SKU: CL.012-4901-00
Celebrated composer and long-time railroad aficionado David Holsinger captures in music the romance and power of a favorite diesel locomotive in this descriptive musical portrait. The birth, life, and demise of one of the first departures of the steam generation is depicted in this picturesque and invigorating work. Mature bands will enjoy the challenge of telling the story of the Last Run!.
SKU: CL.012-4901-75
SKU: HL.48025424
UPC: 196288207535.
From the acclaimed educationalist and composer Paul Harris, Holiday Notes is a collection of delightful miniatures that evoke getaway adventures â?? capturing the anticipation of a departures, the exciting buzz of sightseeing in a new city, and picnics in the park. These characterful pieces are ideally suited for teaching and would be a rewarding addition to any developing trumpeter's repertoire.
SKU: HL.49044879
ISBN 9790001190916. UPC: 841886019522. 9.0x12.0x0.173 inches.
This collection was used as a standard work for cello lessons at the Paris Conservatoire in the 19th century. This new edition marks any departures from the original edition and useful tips and practice suggestions.
SKU: BT.DHP-1185885-215
English-German-French-Dutch.
Let your musicians experience a day at the farm with the animals with this great new piece by Jacob de Haan. The Beasty Band is a collection of nine short, catchy pieces, each featuring animal sounds made by the players! The pieces are: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats and 9. Departure. On this CD you will hear a selection. The Beasty Band klinkt bij Jacob de Haan als een dag vol plezier voor muzikanten en publiek! Deze verzameling van negen korte, tot de verbeelding sprekende stukken met dierengeluiden bestaat uit: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats en 9. Departure. The Beasty Band klingt bei Jacob de Haan in einer vierstimmig variablen Besetzung nach viel Spaß fu r Musiker und Zuhörer! Dies ist eine Sammlung von neun kurzen, eingängigen Stücken mit Tierlauten, die von den Spielern erzeugt werden können: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats und 9. Departure. Auf dieser CD können Sie eine Auswahl daraus hören. The Beasty Band est une composition 4 voix de Jacob de Haan qui mènera votre auditoire dans un voyage la ferme. Ceci est une collection de 9 courtes pièces entraînantes, avec des sons d'animaux qui peuvent être réalisés par les musiciens : 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats et 9. Departure. Lasciate che i vostri musicisti vivano una giornata scatenata in fattoria con questo fantastico nuovo brano firmato Jacob de Haan.
SKU: ML.013759100
In this suite for symphonic band the arranger did not use the existing orchestral suites, but composed another suite of his own with those parts of the ballet music that suited well for a transcription. Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn deze suite voor harmonieorkest is Johan de Meij niet uitgegaan van de bestaande orkestsuites maar heeft hij een eigen suite samengesteld uit delen van het ballet die zich goed lenen voor een bewerking.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadPour cette suite pour orchestre d'harmonie, l'arrangeur Johan de Meij ne s'est pas basé sur les suites d'orchestres existantes, mais il a composé une nouvelle suite en choisissant ces morceaux du ballet qui se prêtent bien à la transcription.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn dieser Suite für Blasorchester ist Johan de Meij nicht von den bestehenden Orchestersuiten ausgegangen, sondern hat er mit welchen Teilen des Balletts, die für ein Arrangement gut geeignet sind, eine eigene Suite zusammengestellt.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free download
SKU: BT.DHP-1185885-015
SKU: CF.BE24
ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.
Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.
SKU: CF.CM9654
ISBN 9781491157268. UPC: 680160915828. 6.875 x 10.5 inches. Key: Ab major. English, English. Julian of Norwich (1342-1416).
Burrows's setting of words of assurance from the English mystic Julian of Norwich (1342-1416) is as relevant today as ever. For the advanced mixed ensemble, the powerful lyrics coupled with gorgeous harmonies make this an optimistic song of hope appropriate throughout the year.All shall be well, And all shall be well, And all manner of thing shall be well. These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text. One of the most striking features is how this short text incorporates so much repetition. It's as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in. The opening section tries to capture musically some of that persistent optimism. Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now. Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.All shall be well,And all shall be well,And all manner of thing shall be well.These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text.One of the most striking features is how this short text incorporates so much repetition. It’s as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in.The opening section tries to capture musically some of that persistent optimism.Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now.Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.
SKU: YM.GTW01101395
ISBN 9784636110524. 8.25 x 11.75 inches.
New Sounds in Brass is a series for concert bands that collects arrangements of various musical genres, including Studio Ghibli, Disney, anime titles, and J-Pop, arranged by the best ensemble arrangers in Japan. This collection features four particularly popular pieces composed for Hayao Miyazaki's animated films from the works of renowned Japanese composer and maestro Joe Hisaishi. The first half opens with the delightful and lively The Village in May and the charming stroll of Hey Let's Go from My Neighbor Totoro. The second half transitions into the melancholy and leisurely sounds of Day of the River from Spirited Away and the wistful Departure from Kiki's Delivery Service. Arranged by Kazuhiro Morita Duration: 7 minutes and 30 seconds Difficulty: ★★★ Solos: Oboe, Flute Ensemble: 1st Flute (1), 2nd Flute & Piccolo (1), Oboe (1), Bassoon (1), Clarinet in E-flat (1), 1st Clarinet in B-flat(3), 2nd Clarinet in B-flat(3), Bass Clarinet in B-flat(1), 1st Alto Saxophone in E-flat(1), 2nd Alto Saxophone in E-flat(1), Tenor Saxophone in B-flat(1), Baritone Saxophone in E-flat(1), 1st Trumpet in B-flat(1), 2nd Trumpet in B-flat(1), 1st Horn in F (1), 2nd Horn in F (1), 1st Trombone (1), 2nd Trombone (1), Euphonium (1), Bass in C (1), String Bass (1), Drums (1), Glockenspiel (1), Vibraphone & Xylophone (1)Medley: The Village in May, Hey Let's Go, Day of the River, and Departure.
SKU: HL.48181755
UPC: 888680862909. 9x12.25 inches.
“Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially, the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached, and when Ibert's music was eventually chosen for the film, it caused him some embarrassment as Maurice Ravel, who had also been approached, was a close friend of his. Song of Departure comes toward the beginning of the film, sung by the the main character, Don Quichotte. Addressing a variety of musical aspects and techniques, Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.&rdquo.
