SKU: HL.238318
UPC: 888680888480. 12x16.75 inches. English.
Nyman's 2011 The Prologue to 'Dido and Aeneas' is a prologue to Henry Purcell's opera on a libretto by Nahum Tate. The libretto is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. This edition of the work is scored for SATB, String section and Harpsichord.
SKU: AP.33356S
UPC: 038081379944. English.
Perdido from the Jazz Band Series is designed fro high school and advanced junior high school band. Full instrumentation includes 5 saxophones, 8 brass, and 4 rhythm parts. Optional parts include flute,tuba, horn in F and baritone T.C./tenor sax. All solos are written out with chord changes, the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to help young guitarists.
SKU: HL.14042815
ISBN 9788759878897. English.
Parts for Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate.
Score: WH31460
Vocal score: WH31460C
SKU: HL.14042814
ISBN 9788759824177. English.
Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate.
Commissioned by The Danish National Vocal Ensemble / DR
Scored for Mixed Choir (SATB), String Quartet, Percussion, Theorbe and Harpsichord.Vocal score available: WH31460CParts available: WH31460A
SKU: HL.49045802
UPC: 841886028890. 8.25x11.75x0.05 inches.
This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in deference, only vocal works by Frank, with the exception of this arrangement by Bryars.
SKU: FZ.5883
ISBN 9790230658836. 24.00 x 33.00 cm inches.
This facsimile of an original by Andre Campra is part of our French classical music collection. Edition : Paris, C. Ballard, 1714. Preface by Jean Saint-Arroman: Campra's prosody and ornamentation. The sixth cantata, Enee et Didon, is for soprano, bass and continuo. This Cantata has been isolated from the Second Book as it appears in the Agregation and Capes (high level) teaching examination programme. The Second Book will later be published in its entirety. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BT.EMBZ14570
Hungarian-English-German-French.
Following the Renaissance volume, this time it is Baroque works (more precisely, transcriptions of Baroque vocal and instrumental works) that are presented in the Leggierissimo series, extending the repertoire of junior string orchestras. Roughly half of the selection consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Pi ces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with such unusual items as Polish, German and Hungarian dancesfrom 17th- and 18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi s music book. Nach dem Renaissance-Band erscheint die Leggierissimo-Serie nunmehr mit Barockwerken (genauer: mit Transkriptionen nach vokalen und instrumentalen Barockwerken), die das Repertoire der Kinderstreichorchestern erweitert. Etwa die Hälfte der Sammlung machen die Stücke der allgemein bekannten Werke der größten Komponisten der Epoche (H. Purcell: Dido und Aeneas, J. Ph. Rameau: Pi ces de clavecin, G. F. Händel: Wassermusik, Feuerwerksmusik, J. S. Bach: Partita B-Dur, Ouverture C-Dur) aus. Es kommen in ihr aber auch Stücke von heute weniger bekannten Komponisten (G. Böhm, J. C. F. Fischer u.a.), daneben als Besonderheit polnische, deutsche und ungarische Tänze aus dem 17. und 18.Jahrhundert aus dem Kájoni- und Vietórisz-Kodizes und aus dem Notenbuch der Eleonora Lányi vor.