This collection of etudes by the virtuoso Sebastian Lee was used as a standard work for cello lessons at the Paris Conservatoire back in the 19th century. For thorough technical training and education, the etudes remain just as relevant today. In this new edition, in two volumes, any departures from the original are clearly marked. In addition useful tips and suggestions for practising have been added. / Violoncelle

Il s'agit d'une anthologie de belles pièces niveau de facile à modéré par XIXe siècle, les maîtres de la guitare : Dionisio Aguado, Antonio Cano, Federico Cano, Matteo Carcassi, Fernando Sor et Francisco Tárrega, adapté à une technique de droite moderne qui inclut le petit doigt. Professeur d'allemand de guitare Leonhard Beck a compilé cette collection avec l'aide de Charles Postlewate, pionnier de l'utilisation de la main droite petit doigt. Il montre l'avantage d'utiliser le petit doigt à jouer à des échelles, des accords, des arpèges, des tremolos et des harmoniques pour la rapidité, la précision, la force et la balance. Ces études faire des pièces de répertoire bon pour le guitariste de début ou pour le guitariste avancé qui souhaite ajouter le petit doigt à une technique de droite déjà développé. Ils sont classés en trois niveaux de Easy (7 études), Easy-intermédiaire (9 études) et intermédiaire (11 études) pour le développement progressif de la main droite. Un compagnon idéal pour MB98710 - Studie main droite... / Guitare Classique / 56 pages / niveau : Multiple Levels / Partition - Format: 11 X 8,5

Twentieth Century Real Repertoire presents 18 carefully graded classical pieces, arranged for the grade 5-7 level pianist by Christine Brown. The Real Repertoire Series introduces players to a wealth of original works for piano by the great composers and contain timeless masterworks to encourage and to inspire.   / Instrumental Music / Recueil / Piano

Pop hits from the 21st century specially arranged for buskers from the actual recordings in the original keys. Includes hits from Christina Aguilera, Katie Melua, Justin Timberlake, and more. Inlcudes melody line, chord symbols, guitar chord boxes and lyrics. / Ligne Mélodique, Paroles Et Accords

30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces! / Niveau : Facile à Moyen / Recueil / Guitare

per violino - Edizione critica di Italo Vescovo-The Caprice d?Adieu (autograph unknown) is appended to Eduard Eliason?s Six Caprices Caractéristiques pour le Violon Op. 12 which was published in Mayence by B. Schott in 1833. This piece which Paganini dedicated to Eliason is part of a series ofcompositions for violin solo that have been widely ignored by both performers and scholars of the great Genoese musician. It is a composition whose size and structure (A-B-A with two refrains) follows the pattern of some of his Capricci Op. 1 but unlike these proper studies the Caprice d?adieu is lighter and more lively in character. Although not as brilliant musically as the Capricci it still contains some original musical ideas mostly articulated in two parts with a few complextechnical passages and a central contrasting section featuring different dynamics and a range of chords and trills.This critical edition is based on the first edition and is collated with the most important nineteenth and twentieth-century editions.

The cellist Friedrich August Kummer is one of the best-known virtuosos of the 19th century. Among his numerous compositions, arrangements and concert paraphrases are these catchy transcriptions of Schubert lieder. The present edition contains the most popular lieder, such as 'Die Forelle', 'Die Ungeduld', 'Ständchen', 'Wanderers Nachtlied' and many more. The arrangements are easily playable for the cello and rewarding concert pieces. / Violoncelle Et Piano

Prayer to the Power of Love-The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv and soon his extraordinary talent was recognised. He was somewhat of a child prodigy writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imperial Chapel Choir. In the period that followed he wrote - in addition to a number of operas instrumental works and a cycle of songs - more than a hundred religious works for a cappella choir in which he combined Russian-orthodox and Ukrainian traditions with late 18th century European music. The appealing melody of Ich bete an die Macht derLiebe (Prayer to the Power of Love) became well-known especially in Germany in combination with German text by Gerhard Tersteegen. This arrangement by Michael Bilkes reflects the atmosphere of the original work very well.

26 Waltzes, Polkas and Quadrilles. Waltz King Johann Strauss was one of Vienna's great musical masters of the 19th century. This collection presents easy to intermediate solo piano transcriptions of his most famous music, including: Artist's Life ú The Beautiful Blue Danube ú Cagliostro Waltzes ú Carnival in Rome Polka ú Die Fledermaus Quadrille ú Emperor Waltz ú Kiss Waltz ú Pizzicato-Polka ú Roses from the South ú Sweetheart Waltz ú Tales from the Vienna Woods ú and more. The pieces are in their extensive, complete form. Includes a biography of the composer. / Piano

40 Arrangements of Famous Classical Masterpieces-Following the success of the first volume of original compositions for piano in Best of Piano Classics (ED 9060) Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years. The contents include great works from Bach to Gershwin ranging from chamber music symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century from ???Air??? to ???Rhapsody in Blue???. With fingerings tempo and pedal suggestions added these appealing arrangements for advancedplayers in modern printed scores that are easy to read are recommended not only for tuition purposes but for all those who enjoy playing the piano in their leisure time.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Inspired by the verse of the German romantic poets Franz Schubert achieved glittering fame as a creator of the 19th-century lied long before public recognition of his symphonies assured his place in music. In 10 years Schubert composed over 600 lieder whose charming melodies harmonic invention and depth of emotion rank them at the top of the form. This volume offers 59 favourite songs from the standard Breitkopf and Hartel complete-score edition of 1884-97. Includes Das Wanderer Die Forelle and Schwanengesang.